Art
Edinburgh Galleries continued
INGLEBY GALLERY
(i (.IIIllHII ‘lL'I‘IaL'I'. QT“ llll \lHII ~\al Illani 5pm; \un h} appnInIInI-III r’3568" Scully l'nlIl \aI I5 \I-Ii, l)ulilIII»linIII alixIIaI‘I .'Ill1\l \can \I‘ull} L'III‘It-IIII} \‘.Hll\\ lK'lVMK'll \Ithm In \mx Ylll'lx. Balm-Inna .lllIl lnnIlnn ll|\ lannhaI‘ paInIInyx III “huh alII-Inalu hnI'I/nnlal and anal \Inpcx n1 n1] [Mlllll cnwr panclx In InI'ni nnv \Ing'lc [lillllllllL‘ haw liu'n mlulnlml Ill lIlH\l nI lllk' Inalni lllll\L'lllll\ In IhI- \MIllIl ln lll\ lll\l L‘\llll\llIUll III SrnllanIl. Skull} \\lll lw \hnmny a \Inall pinup nI P;Illlllllj_'\ anIl I'cu'nl \MII‘lw nu palm: Kw I'm um and llllll\l.
INHOUSE
33 IIH\\L' SIIL‘I'I. 335 2388. \lHII Sal
‘). illani ()[HIIL Sun nnnn *lini.
Design Masters - Achille Castiglioni l'ulil SaI l Sup III a I'aI'I'CI‘ \paIIIIiII}: “\t‘l' (ill _\L'aI'\. lllk' \xnik nl lIaliaII aI't'liIIt'cI/IlcxigIII-I .\\'lllllk' ('axliglinnl l\ L'L‘lcliialnl In lnhnuw'x l'cxmal mhihilinn. l)L'\l;_‘IlIIljJ I‘\I'I'}IlIIII;: l'I'nIu lurnilui'c. lighung. lxllk'llt'll\\.ll\‘ anIl \\;l\lllllj_' Inachinvx. ('axughnni‘x lI'L‘\lI appi'nat'h In Ilcxign hax cnIlun-Il Ihv chl nl IiIuc.
INSTITUT FRANCAIS D’ECOSSE l3 Randnlph ('I'cxu'nI. 325 5 Win.
.\lnn Sal 0.30am 10pm.
L’Autre (The Other): Photographs By Charlotte Sephton-Bossard l'nlil Sun In Aug. :\ \L‘I‘icx nl‘ pl]0!Hle‘;Iplh h} l’aI'Ix liaxml plinlngraphcr('hai‘lnIIc Scphlnn “IMMIHl Ilncuincnliny Icn l'I‘I‘uch t'lllll‘lk'\ \\ hn \hc axlu‘d In L‘I'I)\\ IlI'c\\.
I2
(in ('uniim‘lanIl SII'L'I‘I. 555' 081‘.
.\lnn l-'I'i IIIaIn npni; Sal Illaui 1pm. Joan Miro (1893-1983) Sal I I Aug .\lnII l7 Sup. ()I‘igiual I'It‘huigx anIl liIhngI‘aphx Ii} nnc nl Ihc lI'thn; Spanixh \llllL‘illl\l\. .lnan \lii‘n. lh‘aun II'nIn Ihv Icahn nl' Incinni') anIl iinaginauw lanlax}. lll\ \\IiI'l\\ arc aman Ihc Inan nriginal nl' Ihc llllli ccnIuI'}. I\|\n nn \lIIm. III‘L' \an‘kx li_\ lll\ \‘(llllg‘lllllI)[';|l'lg‘\_ NI W Sl l( )W
LEITH GALLERY
(6 Thu Shnrc. 553 5255. luv l'ri
llam Spin; Sal llani Jpn).
2001, A Spatial Odyssey l'nul Sal l Scp. lmpiiul h} Ihc \pau' arnuml ux. I‘cgulai' gallcr) c\hiliilnr\ \hnu landwapm. inlinialc pnI'II'aih and \Iill lilk‘s including; \\I)I'l\\ h} (icnrgc lliI‘I‘L‘ll. Mar) Billk‘llt‘llll'. (icnl'giv Ynung and lack .\lnI'I‘nccn.
THE LEITH GALLERY AT DRUMSHEUGH BATHS
5 lit‘llHlIl RUIIIl. lillt‘ lIll
ll Wain flunk-1.30 ‘lpIII; l‘ll ll,ill;llll 3pm I\ 1. HI lllpni; Sal
0. Wain .\‘, *Hpm; Sun ll.%II.IIII Spin, Festival 8a: II \ug \‘aI mm. l'hc lull] ( ialh'I'} [ilcxcnh a llll\\'tl \‘\lIll‘lllUlI nl paInIInyx uhn’h I'I'Iclil'alc lllt' IlI\I':\II} nl Ihc ltklllll‘lllfjll l'cxmal. lcaIuIiny l’cII-I (innIlIcllnxx anIl l)nInIh_\ Ilium: 5:" \'
THE LEITI'I GALLERY AT ENGLISH SPEAKING UNION
3.; .-\llIn|l (.lth‘t'lll. 33‘) ISIS \lnn Sal 0.30am 5. illpiu.
Preservation I'nul Sax I Sq». I'hc l.ciI|I ( iallci‘} pi'cwiilx an mluliiunn nl painlingx inxpu'ul li_\ lllL‘lllC\ nl t'nnxci'xalinn and human I'ighlx l\_\ gallci') illll\l\.
LGB CENTRE
(ill lil'HlllellHll SII'u'I. \le Sal
ll..i()aIu Killpiu.
Moving Through l'nlIl Sun ill Sup. .-\n c\hiliilinn nl \inle cnwnng a \ai‘icl} nl unaliqu and lllt‘lllt'\ In I'alw Iunnc} lnI' Ihc .\la;_';.'ic (‘ant‘cr ('cIIII'I'x.
LLOYDS TSB SCOTLAND
llvnI'} Duncan llnuw. Ill) ( iL‘HI'jJC 511111.558 IIIIIII .\lnn Sal lllaIn (ipuii Contemporary Scottish Art Sun I: .-\u;.' Sal l Sup. lhv SIcnInn (iallcu pl'cwnlx an mhihiIinn nl cnnlcnipni'al'} SL'nIIixh aI‘I lL‘Illlll'lllfJ lllt' \xni‘k nl l)nu;_'la\ l)a\ lL'\. .\nncllc litlfJIIl'. \laI‘ian lcwn. l.) nn .\lc( il'k‘fJUI'. Sheila Macmillan and l)u;_!ahl \laclnncx. NE
8| l< )‘fi‘.’
MONTRESOR
35 SI Slcphcn Sliu‘l. 330 087.".
.\lnn Sal IIHIIaIn lpin «k 2 5pm; Sun I 5pm.
La Croix l'nIil \lnn 3 Sup. .lmwllcr} and aI'Iclach It'llu'ling nn Ihc \hapc nl Ihc L‘I'H\\ ax a I‘cliginux anIl \ct'ulai‘ nI'naIncnI lI‘nnI Ihc l‘llh CL‘IHIII') In Ihc pi‘cwnl Ila}. ln illtl nl' Ihc llnInlinhIhI l‘numlalinn in Kcnyi. a cnInInuniI} t‘L‘llll'L‘ lUI' Ihc ph} \icall} Ilixahlml.
the.
fl .-;~'
3‘ «5.
Original etchings and lithographs by Joan Miro on show at l2
NATIONAL GALLERY OF MODERN ART
liu'llHlIl l\’n.IIl. (Ill (Illlll IHK’HIIlt‘Il IIiInInIaIInn 3 i3 IINH. \lnn Sal
lHaIn hpIn; Sun llaIn npni. ('alc
0 Lee Miller l'nul Sun 0 Sop. L31
IL.“ in. hunt aIlnuxxInn \xnh lx’nlanIl l’I-IIInw (\llll‘IlIUIl aI Ihc llcan (iallcl‘) 'l'hc langg-xl and Inan (I‘llllllt'llk‘lhnt‘ L'\llll\lllnll In IlaIc nI Ihc \xnil nl Ihc \k'“ YnIk hnIII [llll‘lll‘L'ldllllt'l lk'k' \llllI‘I I l‘llr "Tl, \llllcl'. a lHllIlL'l lngm lllllklk‘l. \\a\ manual In lx’nlanIl l’vninw. Ihc \uliIu‘I nl a nIaInI' C\llll‘lllHlI aI IhI' l>can (iallI-I}. Snappui}; pcnplc. plau'x Ia\lunn and \\;II'. Ihc L'\llll‘lllUll lcauu'cx pnI'II'th nl l’lt‘ihw. .\lan Ra}. lzilcui.\;:a1‘. llHl'\l and IIII'InnI'ahIlIa II‘nIn III-I Iinic ax a \\.II‘ t'III'I'L'\[NIIIIlClIl. SL'C llllll\l. Avant-garde Visitor To London: Penrose And The ICA Visitor’s Book \lnn | i ;\ug.'. 13:15pm. .lcnn} lx’anikalaunn II'nni Ihc llI‘Illxh \luwuni gun a Ialk.
Circle Of Friends: Leslie And Sadie Martin And British Modernism From The 19305 I'nul Sun 38 ()I‘I. lhc \laI'IInx t'll-L'tlllt‘tl Ihc \cnunal pulihcalinn (‘m [I x III/I'rmII/nnm’ ,\I(I’l('\ ()l (inmlrlu llil' ,ll'l. \\lll\'ll lL'tl In lilclnng ll'lL‘llIl\llI[\\ \th hauling; :II'll\l\. llll\ \llhlll Ilixpla} lL‘;Illll'L‘\ unrkx h} (iahn. Ilcpuni'lh and \Vallix. «h'au n II'nIn IhciI‘ t‘nllu‘unn. alnng v. IIh \xni‘lo lI'nIn Ihc pcI'InancnI cnllu‘linn.
NATIONAL GALLERY OF SCOTLAND
ll‘llk‘ \lHllllIl. (Ill (ljllll II’LK'UI‘IlCIl InInI‘InaIinn ‘32 Ilhm. .\lnn Sal
lllani 0pm; Sun llaIn (ipni.
5) Rembrandt’s Women l'nul Sun 3 Sup. U) IUSHI. lhc lll'\! cu-I' mannnaIinn nI lx’cnihi‘anxll’x pni'u'a}al nl‘ \Hllllt‘ll in lll\ aI‘I. Manning; Inalni' painlingx. Ih'au ing\ and I‘It‘hinyx Ih'axi n II'nIn all nwr liIn‘npc and \IIIUI'II‘a, chIhI'anIlI um Ihc gI‘cachI .Il'll\l nI Ihc Dult‘h \t'hnnl. hix painlingx I'lial‘acIu'IxI-Il h) lII\uI'IanI hI‘IixhunI'k anIl l'lk'll (UlUlll'. and a IIIII\lL‘l' nl chIaI'IM'urn. llnuwIl aI liIlinhuI‘th‘x NaIinnal l’nI'II'aII (iallcr). cIII‘aIcIl h} Julia |.|n_\Il \VIlhanh. Ihc mluhilinn \klll II'awl In l.nnIlnn\ lx’n};Il .‘\L';ltlt'lll} nl' x\l‘l\ .’\IIIHII‘L‘ Ihc
paman Int'luIchl III Ihc mhlliilinn. Illt' (it'll) .\lll\t‘lllll l\ lending; Ihc lll'\l Ih‘amng cwi pun‘haxcd \m/r Human llII/I .l SIM/a and [III 'anuIII (N \ llnmun .lg’u/ (if \nhl laIt‘ l.le )t'aI lnI' a lt't'l‘ltl [10.8IIIIllInnhmalmhccnnIII‘I’I'Il In Ihc mluhilinn ('haI‘lcx .\laIInn\ lilni lx’I minim/I awninpann‘x Ihc mhiliiunn and \\Ill hc \k'lt't'llk‘tl aI tho I unncrc L‘IIICIIIIIHL'Cl'lllIIlI\lIII}1\l. \cc lhIth
NATIONAL LIBRARY OF SCOTLAND
(icni'gc l\' llI‘IIlgc. JIM-15H. .\lnn Sal Illani 5pm; Sun: 5pm
The Write Stuff l'Illll \\t‘tl all ()t'l. Scnuixh \\l'llL'l'\ ax \ccn llIIHlIlel Ihc lcnx nl lthnhuI'gh phnlngi'aphcr ( inIIlnn \VI‘IghI. IcaIuI'Iny Hugh \laclhai‘uinl. .\'nI‘Inan \lad ‘aig. lan Ranlun and .l.l\'. Rnxxhng,
NATIONAL PORTRAIT GALLERY ()uccn SII'L'CI. (ill (CHI) II‘I‘I‘nI‘IlI'Il inInI'nIaIInn 3 *3 220m. .\lnn Sal
Illani (ipni; Sun llani (ipin. (’alu l'I'u'. King Over The Water I'nnl Sun In Scp. U It: I. .-\n mhihiunn I'haI’IIng lllt' lilv nl I’I‘int'c .lanic\ launch lxluanl SIcuaI'I I 1083 PM»). knnnn In llhlUl'} ax Ihc ()hl l’I'L'IcnIle: lnchnlul in Ihc Ihxpla} arc I'arcl} \ccn icnnx nI Illt' JacnhIIc cauw. a lil'cvxi/c Iu'nnxu‘ucunn nI (‘annxa'x Inagniliu'nl Innih In Ihc michl SIcuaI‘Ix and an inipnI'IanI um acqluxiunn .-l Ian ()1 [In ’ulu.';‘n .l/uH. Ihc lHIh u'nIuI‘} painIIng: nl Ihc l’I‘Inu-\ .lilt'llllllt’ l’alau' in RUIIIL‘ aIII'ihuIcIl In ( iuiwppc Valci'IanI. Return To Life: A New Look at The Portrait Bust I'nul Sun II (m. llli\ mhihilinn challcngxx Ihc t'nnlcmpni‘ar} \ icucr In lnnk again aI pni'u'aiI liuxtx and cngagc in a law-In lau- Ilialnguc \inh a I'cniai'kahl} AIM” and inwnliw aI'I. 'l'hc unrk nl \wlllnnun \L'lllpltll'\ Sir .lawh lipxIcni. llcnri (iauIlicI-llr/L‘xka and Sir l‘l'illlL'l\ ('hanII‘C} arc lcaIuI'CIl in Ihc \hnu :Ix \xcll ax lL'\\ lilllllllill' [)l'ilL‘llllHllL'l'\ lllL'lllIlIle.‘ Saniucl .lnxcpll anIl Kathlccn ScnII.
Portrait Sculpture And Phrenology “ml 15 Aug. l2.45pin. l’inna l’cannn. curalnr nl Ihc l’anIn/n Archiw gun a Ialk.
n wo \lD FIRS
Rembrandt} Wmen
Boo/e ahead — beat t/ae Ticket hotlinc: 015] 473 2000
National Gallery ol‘Scotland, The Mound, Edinburgh
Until I Scptcmlx-r 2001 Admission Hi. wiiuxxinns [.550
queue
\INIIIVHL'LI
Lloyds 1813
I“ Scotland
\\'\\'\\'. rcmlirandmmmcnmm
78 THE LIST FESTIVAL GUIDE ' 'r .‘