Mixing it-Live II’IH ‘ II’III/In .I' [.IH' [luv 1]), ,)IIII( I' II’IIII' .Vulmnu/ ( 'I’IIII‘I' lur
Hum I. Sit-lug, III/m). :\ lll|\ nl I'IIIIIIIg I'Ilgc Ind and IIlII'I'IIIIIIw lllll\lk‘ prcxI‘IIII‘Il lI_\ RHlk‘l’l SIIIIIlgIll .‘lIlIl \lzll‘lx Rllxxcl. SL‘I' PRlllL'l. Tom Robinson .‘\\('I.’Il’/\ Run/m. :llxlllL’. lU..\’II/Im. KIInuII HM and lnI‘IIInxll} IN ‘3 J (I S .\lnInI‘\\J}’ RUl‘lthll. II lL‘\ll\;ll \I'II'I'IIII
\ IxIIx lnI' nIII‘ IIIglII nIIl},
Mrigya I'III' Ifungn ('III/I nu! (I! [III I’llll'. uni/l ISL-lug. f). Flu/‘1. lIIIlIII'x iI‘IIIlIIIg lIIxInII hIIIIIl. lIchIIlIIIg Ind and III// \\ IIlI lIIIlIIIII I'lIIxxII‘IIl IIIIIxII‘,
Murry The Hump, The Silver Pill and Javelin I’IIIIII'I /’U/'. 'l’ln' lk’nm‘. 3/ .'lIlL’. \‘pm. .'\llL‘l'll.lll\L' IIIIlIc lInIII .\lIII'I'_\ 'l'lII' llIIIIIp pI'nIIInIIIIg IlII‘II‘ IIIII‘xI IIllIIIIII nIII nII lIIU l’lll'L‘.
My Room of Pianos with Jan Preston (ii/III’I/ II’II/lmm 'l'ln'um'. mm/ 3“ .luk‘. 3,.‘7’lI/n. ()III' nl .'\lelI'IIlIII'x lnI'I‘IIInxl I\nI} IIIIklI‘I'x l’I‘I-xInII I'IIII knnck nIII II l'll_\llll|l Ik lIlIII‘x lllllL‘ lIkc lllC lII‘xI nl IlIcIII l‘lll xlII"x gnI lllUl'L' xII'IIng In her lum. SIII‘ \InI'lII‘Il IIx II I'nIIxIIlIIIIII nII .IIIIII' (’IIIIIpInII‘x IIIn\ II" [In I’IInm IIIIIl IIIIIglII (‘IIIIIpInII lIn\\ In plII} IIIIIl SIIIII \I'Il l'C\ Cdlk‘kl In llL‘l' IIIx Inn; lIIII‘IIIIIg: IlcxII'c In N II [IIIIIIIxI \\llllL‘ IIIIleIIIg: lllL' llllll. ()\L‘l' III l'.\lllll‘lll'_‘_‘ll. xIII‘ lI‘Iwa lllL' Ct'lllllUlIl \xnIlIl l‘L‘lllllIl In plu} III llL‘l' nu II lIIIIIInI'IIIIx IIIIIIIIIIngl‘IIplIII‘IIl xInI'}.
Mystery Juice Qu. I n'\ III/H. /‘.qu. ///Im. II liIlIIIlIIII'glI \II‘I'I‘ II ‘l'\' xlInu.
\l} xlI'I'} .IIIII‘I' \xnIIIIl xIII‘I'l} lk‘ lllk‘ lInIIxI‘ l‘IlllIl. \VI-‘I'c I.IllxIII;_' Ill‘lllll IlIc I'I‘III Ilccp Ilnu II IIIIII IlII'I} IleIIIlIIIIgII I'IIIlIcI' IIIIIII lllt‘ 'I'IIIInnI'Il lIIIll‘le \I‘l'xlIIlI. III (Ulll'xk‘. :\ll}IIllL‘ film-x \L‘Cll IIIIIlchI \llljJL‘l' lIIlIllm' lllll \lIIIIlII‘Ix II'IIIl IlII‘ IIII‘I'I‘} lnIII‘xnIIII' IlII'nIlglI II gI'III'c IIIIxIIIIf: lIIIIk/lIIIII‘x I'IIp x_\ IIIpIInII) \I III lIIIw I'I‘IIII'III‘II IIgIIIII IIIIIl iljJQllll, .'\ll IIIII‘IgIIIIIg IIII\ nl lIIIIl lmyk x'llill'lll .IIIIl mplnxn c pnu c1; lllL'} I'IIII lu- I‘I'III'Il nII In gnc .I :Jl'k'IIl Inc [\I'I‘lnI'IIMIII'c. l'IIIIInIIx lnI lk'lll“: IIII'I'I-Illhl} III; III RIIxxIII IIIIIIkI'x ;l I'lIIIIIgJI' lInIII .IIIIMIII \\ III'I'I‘ IlII'} \I' C\\‘lIl\I\L‘l_\ II‘lI'IIxt‘Il II L‘IIllplL' Ul .Ill‘lllllx
IlII'} 'll lw anII; II l'llL' IIIglII nIIl_\ III lllk‘ lC\ll\.ll. xlInIII'IIxIIIg lllllL'\ lI'nIII IIII‘II lIllk‘\l
46 THE LIST FESTIVAL GUIDE " . . .
lil’. U/II'II .III .lquI/I Ami/)1: .VUI/llllg’. Ynu IIIII} L‘\L'll lIIIIl )nIII'xcll' xlInIIIIIIg ‘gIIIIIIII‘ IlII' IIIII‘I“. Il.nIIIxII l’cIII‘xnIII
Naked Voices l‘l I/Igluu. III/1pm l’np II I‘IIppcllII xl} lc lInIII IIIIx I‘\II'IInI’IlIIIIII‘} 15 [mn- \nI‘II! grnup. IIII‘kIIII; lllllL‘\ lInIII KIIII' llIleI In (‘III‘IIx .\lIIj. lII'lIl. BIII‘II. IlII‘ lIlIII'x IIIIIl t‘\L‘l'}llllllf£ III l‘L'l\\L’L‘ll.
Naomi Dijkman I'llltl Malcolm McClusky /' /1/I\1I/I' .llIH/I I'm/HIM. ll'IIIII/r/IIIIAII'I. .X'nuI/I/IIII/u. liluu. 3pm. .r\I‘nIIxIIc xnIIIIle Hm” “I” IlnIIlIII‘ l‘lll.
1933 And All That - Brecht, Weill and friends Ih'lnIIrI n [I’m Av! I’I'nI/III [IN/H. RUI'AI'! (‘I RHHI/ (II/II g'I' (If XIII‘L'I‘HIM. IIIIII/ /\ .Iluu. \JII/Im. \IIIIII XIIIIpIII'nII [‘L‘l’ltll'llh \‘ill‘ill'k'l xnIng lInIII Bk'l'llll In llI'nIIlexII). None of the Above [III II’unun ( 711/)
I'll] n/ I/II' l’lllt'. llIIII/ 36.1112. XIII/m1. ’lnIlII} 'x xIIn\\ IIIIx pcI'lnI'IIIIIIII‘I‘x lI'nIII Bug; n' (‘Ile and lllL'll' xnIIIIlecIIpI‘x IIIllIII'III‘cIl lI_\ SmIlIIIIIl. IzIIxIcIII l1III‘npc. .'\ll'lL'él IIIIIl lIIIlIII; II IIII\ nl I‘II‘I‘II'II‘ lIIII'p IIIIIl \nI‘Ile lInIII SIIIIII‘ IIIIIl IIIIIIII'IIIII~ lznglleI l'nlk lInIII \VIIII'I'xnII ('III‘III}. Powderfinger l'nn [III I‘I‘IIIL'I'. //II [.II/IIII/ lx’nnm. liluu. ".III/m1. l'IIlI‘xx )IIII'I'I' IIII .\ll\\lL‘. I‘IIIIIII‘I-x III'I' )nII \InII‘I IIII\I' lIcIII'Il nl IIIIx llI'leIIIIII‘ ll\k‘\(llllL‘. chl IIxxIII‘I'Il. IlInIIglI. IlII'} 'I'I‘ II \I'I} III; llI‘l\L’ l)n\\ II l‘IIIlI‘I'. YnII \\.'llll I‘\ IIlI‘III‘I' .’ “I'll. RHHIHL’ Slum .lIIu’I'II/III lIkI'Il lllL‘lll xn much my} IIIIIIIlchl III IIII nI'g} nl IIIIIII'Il llll'II\\lllj._' IInI ch‘II lII'I‘I' xIIII‘I‘ ()IIxIx' III-IIlII}. \\llllk' IlIc lIIIIIIl lllt‘lll\L'l\k'\ xIcppcIl Cllnl'llcxxl} Inln lllc \l/L‘IIl‘lL' xllUI‘x Ml lII‘IIIlIIIIcI'x [.IIIIp III/kn l'nllnxxIIIg lllL‘ IIIIII‘I"x \xIIlIIlIImIIl lInIII IIII‘ Bl“: I)II} ()III glgx III II'IIgII‘ I‘II'I‘IIIIIxIIIIII'I‘x. lllt‘} "\I‘ Ilen \\ llllk‘\\k'(l ()(/\ \\I’\ .\‘1IIII/u r IIII llII‘ I'lll‘lllll llIIIl‘x I‘\|\‘I‘lul lU l‘l‘CIle lllt'llI U\ I‘IxL'IH \llnll l0 IIIIIIIIII‘I' nIIc nII IlII'II lInIIII' [xIII‘lI \nI lxul lUl' II lIIIIII‘lI nl IIIIIIIIxII'c.IIII I'III‘kIII' xcll I‘nIIlI‘xxI-Il nI‘IlIIIIII'} .lnI'x. I'lI ’ Hum: 11le IlnII'I IIII'IIIInII IlII' \\Hl'Il\ 'III'II l\\S'. II)II\IIl l’nllnI'LI Rosie Brown and This 0000 I'
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\\\L'll lI‘nIII llL‘l' I'lI}IlIIII xI'I‘IInII. lllL' IIIIIlII‘III'I‘ Ix pIIII} III lII‘I' lIIIIIIl. \VIIprI'I') IIIIIl xIIIII‘). xlIc IIIllx Inn III. IIx ll IIIIn II unIIIlI nl xnIIIIIl. .'\ll\l IlIIII glIIII'I' lIIIII IlnI'xII'I lII'lp I'IIIII‘I.
.'\ll t‘\\'\'[‘ll0ll;lll_\ IIglIl IIIIII xI'IIxIIIw l\.IIIIl gnc l<IIxII"x \nII‘I‘ II'I'IIII'IIIlnIIx xIIppnI'I. IIIIIlI‘I'pIIIIIIIIg: IIII‘ \nI‘Ile \\ IllI II I‘I'xnIIIIIII lUlL'L'. .’\ll(l IIx \\ llll lllk' l\\‘\l \‘ll\t'llll‘lk'\ lllx'} ill'L' I‘nIleIIIIIl} II\\;II'I' nl I*;II‘|I nIIII'I‘ lIxII'IIIIIg IIIIIl I'I-prIIIIlIII;' In I‘M‘I'} IIInIlIIlIIIInII. San'IIIIn x.I\ III'IlIx III and nIIl. .IIIIl I'I'.Ill_\. IlIa‘I'c'x IIn IIxI' [\I'nII‘xIIIlg: IIIxI II'III\ IIIIn lllC I‘III'I} llUlll'\. \II‘I'. le’IIIlI llI‘Ilg'I‘xI Samuel Oyediji (ill/n lx’uul/ II‘I/IQI' l/II IIII‘I'. IIIIII/ SON/1:, ~I’m. .'\ll lllllU\;lll\L' \\nI'lIl IIIIIxII~ IIIIIxI IlIyIIIIII} IIII\III;_' |I\I' x.IIII[I|IIIj_'. \\ IIlI pr-I'ml I'llI-I‘Ix IIIIIl I'lI_\I|IIIIx. lnI'IIIIIIg IIIIIIII III_\I‘I'x nl xnIIIIIl. l'.\nI‘IIII\I' xnIIIIx IIII' IlclnI-II'II III l'.llj_'ll\ll. l .IIIII .IIIII \IgI‘I'IIIII.
Short Stories: Louise Rutkowski Sings Randy Newman /’/IVII~\I.-IIII l/um, /’/I mun” [LI/m. lHI!!/ Jill/lg.
/. NIH/n. SH [’II'III /,
Singing Stars of the Silver Screen - Part I lI'II'II/II [coll/HIM] Pun/III I/um‘ (‘IuII m /'/II.I/ l/n/I /. mm/ 3/) .lug, 5pm, [.IIIIIII' \I‘lxnn xIIIIIII‘x IIII' L'lk'Ill xIIIyI'Ix nl IIII' I'lIIxxII' lllll\l\‘.ll IIIn\ II'x nl lllt' Wx. -ll)x, .IIIII 50x. lleI‘ I.I'II.I llnIIII‘. Hm}: (‘IanIy l'I'IIIIk SIIIIIII'J .IIIII IIInI'I'. Singing Stars of the Silver Screen - Part II lI'IIII/II II’I I/III'In/ Pun/In [III/H, (‘I‘IIII Ill /’/I:,I1//u/I'/. 1111/1/30 .lug'. II. /.‘"/Im. \ \‘UHII‘IIHIUII xIIn\\ In l’.III l. mu L'H‘I'll xnIIj_'x .IIIIl xInI ch I‘nIIIIIIIIc \\ IIlI xI‘lI‘I‘IInIIx lInIII IIII' lll\\'\ nl .IIIIl_\ (I.II'I.IIII|. Rn} l\)II;.'k'l\. .lk‘dllk'llt' \l.II'l)nII.IlIl. SIIIIII'} 'lI‘IIIplI‘. liIlIlII' (‘IIIIInL \l.:I‘In I .III/II. I'II'Il .'\\l;lll‘I'.
Sparklehorse, Pilotcan .IIIII I Am scientist /’/II/II'I /’u/I. (ll/III. :lllllg'. "XII/ml. \\ IIII lIIx l.ll\‘\l II'I'nIIl l/ ’x .\ llnnI/I IIH/ / [It I‘III'I'cIIII) III-III}: lI.IIII~II .Ix .I \L‘l'lUll\ I'nIIII'IIIlI'I lnI .IlIIIIIII nl IIII~ _\I';II xl.IIIIx. \l.IIk l.llll\Hll\ .IIIII Sp.IIkII'IInIxI' IIIIIII'.II In lII' nII \Hlllt'llllllf,‘ nl .I Inll. \nII k‘llllltl (.III lIIx lllll\|\' xkclI'Idl. ln ll I'nIIIIII) l‘lll III.II \\HlllIl lw .I IlIxxI‘H III; I IIIanIx .IIIIII'JIx In xlI.III~ .I \llllll;ll IIIIIIII ch In II‘IInu ,\IIII'III'IIII Illk'dlllk'l\ \II'II‘III} lx’m Ix .lnII.IIlI.III l)Ull.lllllI‘ .IIIIl llII~ l'l.IIIIIII;: I Ip'x \\.I_\ My ( ‘n_\ III'. IIllII-Il \\ IIII II Ill\llll\'ll_\ Il.lll\ .IIIIl IIII'I.IIII'IIIII} IIIIIII'IIIM. llIx lI.I;:IlI‘ IIIIIIIII.IIInIIx .IIIII llll\k'llllllf..‘ l_\ll\'.|l \ IxInIIx I'nIIIIIII' lll‘ IIII.I;.'I'x nl l‘|‘\\'\ nl ll\l_‘.'\. \ll.ll\£‘\ .IIIIl \lll}'\ III.II I*.II InuI IIIIIIIII.I) Inky. xn IlnII'I rnIIII' I'\pI-I'IIII;' .I l.III;'|I IInI. llw. SIIJIklclInIxI‘ .III' .III IIIII'IIxc. IIIxII|.II l‘lll III'I~|II_\ .IllI'I'IIIIg' III'npanlInII I\I-Il l'I‘Ig'IIxnIII
Kathryn Williams 'I‘III' liquid Run/n. Sun
I‘lxlng. 7.30pm. When I call Killlll')“ \VIllIIIIIIx l IlnII'I mpch llL‘l' ln lx- III lInprIIII. hIII IhIII'x \xlIcrc xhc Ix. The IIIIl) lIcrxcll~ IxII‘I pnnrl)‘. .xlIc'x IICL‘nIIIpIIII} In}: llCl’ hrnkcn- lcggul chIIxI. lInIII-lull) IIIc xIII‘ch'} \\ ill gn \wll IIIIII ccllIxI l.IIIII‘II RciIl \\ Ill hc InIII'IIIg hcr nIIxIIIgc in Edinburgh. ()\ crcnIIIIIIg: nthIIclcx Ix .xnIIIcIlIiIIg \VIIIIIIIIIx xccmx IIII mpcn III. llL‘I' \L‘ll‘lwllcl lllL‘illll xllL‘ \L‘ll-lIInIlL‘Il lun IIllIIIIIIx I ‘l jIIxI kcpI hiding: IlIc IlclII nIII nl' .nglII' I hcl'nrc lInppIIIg IIlmIII‘Il IlIIII lIIIx In \UL‘L‘L'\\ L‘Ullllllnlll}' knnu II IIx II \lL'I'cIII'} \lIIxII‘ l’I'i/c IInIIIIIIIIIInII.
‘liIL-I‘) llIiIIg clIIIIIgCIl lnI' Inc th‘IIIIxc l \\;1\ III lllL‘ pIIpcrx and l gnI IIII Im llll lnI nl IIIII-IIIInII. l cnIIlIlII'I lwlicx c II “llL‘ll Ihc IIlhIIIII xIIlcx kcpI gning up and up lchIIIxc In Inc II \\;I\ lllC xIImc IIIlIIIIII IIx \IlIcn l lIIIIl lII‘xI pIII II nIII and II had xnlIl II l‘cu IlInIIxIIIIIl.' \il)’\ \VIIIIIIIIIx. XII“ xigIII'Il In liIIxI \chl. lII‘I' I'c‘ I'cchIxCIl xccnIIIl IIllIuIII [.III/v lf/III'A .Vlllll/H’IW \llU\\\ nll lIcr I‘IIIIlIIchII. )cI \ IIlIII'I‘IIlIlc xInging xI_\ Ic. II L‘nIIII‘IIIlIcIInII IlIIII xccmx lllUl'L' m IIlcnl \IlIcII \llL' IIIIkx IIlInIII llL‘l' I'I‘III‘IInII In IIII‘I'I‘IIxCIl illlk‘llllUllI ‘l IlnII'I likc II. ’l‘hc lIIg Ilil'l'CI'cncc Ix |III\ In; lIIIIl plInInx IIIkcn and having: In Innk III III_\ xcll' lclnxc III) L‘}L'\ “llL‘ll l inIg IIIIIl IIIIIIgIIIc l lnnk xnIIIcIlIiIIg likc KIIIc .\lnxx IIII\cIl u IIlI .\lIIrIl_\II .\lnIII'nc. lllCll l npcn my c) L'\ and l I'I'IIlIxc uh} I xIIIg.‘ l,ixIcIIIIIg In llL‘l' lwIIIIIIl'IIll) 'L‘l'illlt‘tl xnIng. _\nu'll IIgI'cc IlIIII KIIIlII‘}'II \\'IlliIIIIIx lIIIx IIn I‘L‘INIII lUl' (lUlll‘h. Il.nllI\II l’L‘III'xnIIl
Stephen Malkmus .lllIl Quasi ’1};qu ’n/I. III/Im/ Run/II. .‘3 \I'Ig'. “ .III/rm \lIII‘lI .IIIIII‘IIIIIII‘II xnln nIIIIII; lnI IlII‘ lnI‘IIII‘I lc.IIlI‘I nl ['8 I‘nllcgc I‘nI‘lI ILIIIIIng l).l\L‘lllClll. .I hand \IIIn. IlIInII;_'lInIII IlIc ‘lll‘x. (III .I III-II-IIIIIIII-Ill) lllIll\ IIIII.II l‘Illll IIIInuglI IIIIIII~ InI‘lI \\ IIII lllL‘ll l‘l‘lltlllt'. \\ III} |_\III'IxIII .lllIl xl) xIIlIwaInII nl pnp I‘nIIu-IIIInII. Ill.l\‘~ III; I‘IIIII‘.Il .III'IIIIIII \IIII'IIM'I IlII'} “I‘lll. ()l I'nIIIxI'. In III.III_\ nIlII-Ix. IIII'} \II‘II‘ xIIIIpl} Icl .IIInIlII-I lIIIIII‘II nl xI‘lI IIIIllllgI‘III. xcll I‘nIIchnIle} I'xnII'III' .I\.IIII ;_'IIIII;_'I' gI'ch. \\ IIII II ll.lllIlllll nl III‘I’I'III I‘.II|_\ xIII;_'lI'x I\IIIII‘lI lllC} [‘lHlMll‘l} IIHII‘II nll lInIII 'llIc I'.Ill III IlIc lII'xI [ILII'I‘ 'I .IIIIl .I xlngcl \Kllu IInu Innkx lllUlC .lllIl IIInII~ IIkI' Illl .IIIIIIIleII‘Il IlllI‘IIIII hunk. lIIII III‘}. Ill.ll\\' Inul H\\ll IIIIIIle up. «\I‘II l'I*I;_'IIxIIIII Sunday with Radio 3 HM lInIII/n [III [IIII ('I'I. [LI/III [I‘m In)‘ [him I, /‘1 \;I;'..'I/I1I~ :I.'I\..".IIII 13pm Ix II IIII\IIIII' nl I'LIxxIIxIl lllll\l\' .IIIIl I'lIIII \\ IIlI Slcplmmc Hughcx; l:]‘lll lpIII Ix ( iI.II'IIII~ KII} ‘x lnnL .II IlII~ l'\'\ll\Ill xI'I'III'; Illlll 5pm (IIIIII Ix //:I lI’IIIIIII /151\.’\‘.Illl.lII.IlI linkcucll Suzi Mathieson, Frank MacDonald .EllIl Ewan Mathewson l/:1\.'I
/( \.'.I'.I.':'. ll MIL} /I!I:¥_II \. \u:.4.'5:n/!I/;’I. 3/ \H‘J
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-I’WI. \I'nIIxIII~ l IIIII'IyInIIIIIl [III'xI'III InIl.I} ’x IIIIIII' l‘lll
They Call Her Natasha (I'm/I H /( ‘.[IL'_ (Ill/I II" l)’ll‘.~.‘l‘l": II'.' ll ‘. it’.‘ /\'I".'. l/Iv;I\I_ //I lug, II XII/III: \ llll\llllI' nl lll‘Il\l\' .IIIIl II.III.IIInII .Ix l nII l).I|;:chx|I lInIle IIx IlIInIIgII IIII' IIIc nl lh‘l .IIIch I‘I'n llxII' (’nxlclln. “lllL'll Ix xpnnkIl} xIIIIIl.II In liI.II nl ll\ Ix (Ilklx'llll llll\-\- \l.ll\ Ill ["31 \l t'.'\l7.'I.'.‘
Turin Brakes / .u: Imam lemurs. l" lug. " III/m! [.IIII lxIIl .II’nIIxIII‘ InIl lInIII l'.II;_'lleI IlIIn IIIIIII llIIkI'x \‘-ll\‘ ll.l\\' lII'I'II Inpnl III \‘.llll lx'IIng ( )l (‘nII\I-IIII*III'I* .lllIl III; lIkI~ III IlII' l‘II‘\‘. lnllI IIIIIcl Ix IIII~ III‘v. ll‘llIl lIlIIM‘lllI'lll Inpul 1.le _\\'.l|
Luke Vibert .lIlIl The Merry Pranksters Pin-m: iv lslzg gm: ll IIIII'\I~ [Inn IlIIx |nII_~.' IIIIxxlIIll} lll‘..I\‘.Ill\' nl IlIc I'\IxII'III‘I‘ nl \lI \ IIII‘II. IlnII'I \‘.I‘ll_\ .Il‘Hlll II \IIlInIIf'lI lIIx II'I'IIIIlIII;' I.III'I'I xIIIII' III-c InIII} IIIIII'III'x \l‘.lll\ .III IIIIIIII'xxnI' .‘\ .IxxnIchl ll’x .IIIIl .Ill‘lllll\_ lIIx xIIIIIl.IIl_\ chIyIlI} lIxI nl .IlIIIxI'x llllt'lllIllll}' \\.I;.'nII (‘lIIIxI Illl\l Illlllll ‘II' l‘.l\\ nIIllII I’luy- lI.I\I~ I’IIIIII'II IlIc \Illl lnI IIIan nl IIII'xI' l).lx III \lll‘l‘l‘ll .III' III; I'\I~II II‘lI.:l\lc lIlIIIIIIIIjglI lquIIIIkax. llII- \II III I’I.IIIkxII'Ix \ IlwII. |In\\.c\I'I IIIIlIkI' InlII l\'_‘.'lll.ll I'II'I’IIn l‘Ulllll IxII'l .I\I'Ixc In IIxIII;' lIIx I‘\\ll II.IIIII' III IIIIlIlII‘. \IIIII'lI lll'I'Illl\ \Ic (.Ill [\InlmlIII mix-II