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ROY HATTERSLEY Geese, lard and fine works of history

For peOple of a certain generation. the mention of Roy Hattersley's name WI” conjure up the rather unfortunate image of a constantly slaverrng Spitting Images puppet. During his stint as deputy leader of the Labour Party. Hattersley didn't exactly have a sympathetic media profile. something which continued after his time on the opposrtion bench. being famously replaced by a tub of lard on Have / Got News for You some years later. But this gentle ridicule shouldn't obscore the fact that these days Hattersley is a well respected author and an extremely diverse one too. haying produced 15 books covering fiction.

Napief Part Of the new 9309 Of Writers emerging from Glasgow

biography. history. itiernoir‘s. essays; and even the unlikely story of tllf; own dog Buster. who infainously ended ill) in (:Ourt for attacking one of the Queen's geese.

His latest work. [he Ldi'xardiaris. deals With the often oxerlooked hasten, of Britain in the early 19005;. l)()lll'£t‘,lllf] it as a time of massive upheaval. The hook is already Widely regarded as a Vital text on the period. higl‘iigiiting

University’s Creative Writing course, Scottish-based American author Will Napier recently published his sinister debut, Summer of the Cicadas. The novel showed him to be a writer of nerve, unafraid to delve into the darkest areas of human nature. Part The Wasp Factory, part Stephen King, it is a dark, Gothic nightmare.

(Doug Johnstone) I 73 Aug. 4pm, {7 (£23;

18 THE LIST FESI’IVAL MAGAZINE ' 1

18 Air; 900.",

Hitiiffl‘sltr‘, 3. gift for unearthing int'rgtrir‘g periods; of our past and hiringrng them to the attention of the reading r:..l)l.r:. Fm thit. appearance. expect ‘.'./itt\,. er,idrte historical rnusutgs: rust (lert't ask about that puppet.

Recommended reading: latest book [he / d'.'.'a'drar‘:~;. an authoritative. panorarrtrr; .ie.'.' of the first years of the inth (LfiliILll‘.. rlioug .lohnstonei

I to Aug. A); >17". ’5 in.

AL KENNEDY

An ironic and profound eye for life

We! It'l‘if;.i'f}ll it» w l estival would be l>ereft .'.".li'}tlf at least one appearance K)", At Keii'ieii, the [Ilffntile [)ri'tdee horn author «<.-;;.;;;:rig. i.ii‘.'eiis the fruits; of he' "ton! -'e<.t:."t labours n Charlotte Square fizirv t-’:."f. 'rt August. and is; a <(3i~‘.:;t‘:-!"1<;:Lt;'tr:rl!it:! “)f her ()‘.'.’ti work. ".,-.:‘. ,i::tl‘~. armierwes; have been T"(:£‘i'.<;tt fr‘ ariusiv‘ee tasters from her fir;t'<>". “.l‘ r‘r..i..tet. /,'?.it)l'rt)./t? Acts. a r:ort‘:tiri~ri‘.;rte ' election of short stories ft<:(i'.l‘:_; 3".” rm; and l(:5ittl(i'if;lill)5; in i .'.t,- at. :ta"‘.‘t.l glory ahtt r".'e'..'r> or; "fix. '.'.'tl(2it 'tiet'iutifuliy r: author's attempt to her entr- air: .ii 'tfeti the daughte.r " Ker‘ne:i~.'s; striking l"i‘.‘}'i f’;irar.lr.<;e.

latest It‘e

H‘lf)ti{}.’t tl‘e lll'fu'iil‘.t?liitll'(}f$ of her

dissolute 'riut d'u, ftiftt“, protagonist

llannali |. libhlt’fi approaching her 1th; .'.i!'i rioz‘ririi out a drink prohiein Kennedy brutally ant: litili‘it)i::tlfsl‘, exposes the need to

to wit); .i,i lie! nit,

grasp spire-fitting riteanirrgful front life's ening p; usages. Hith year's; Festival {1"(IftKéff‘l'i(f(I\‘, iiiml‘if] to the stage at tune separate euerits. He first an ins:ng :ltiti titr: perils. i>.tfsillt; and pieasure‘. (if heiiig a ‘.'."li(?l. the second a reading. {lll(:t;ili in and rill§;‘.'.‘-I:l airmen rjtiairer: iv. roiii'ialifst .Jat‘kie Mefllorie

Recommended reading: /)i'i/(I(."i’.‘;(?. a iiriiliant at:r;r>.;rit :;f .ii‘ alcoholic}; attempts ft; f.()."it? to feiiiis. \.'.'ith herself Alla“ Hativlsffe

I 7’; Aug. (“Bu”). 5?": do»; (’5) Aug.

fifth). riot.

NEXT ISSUE OUT WEDNESDAY 17 AUGUST

LiTEnARv DEPARTURES

In response to Pulitzer Prize-winning The Hours, MICHAEL CUNNINGHAM has written Specimen Days. It follows form by tying multiple narratives around a literary muse (in this case Walt Whitman), but takes a step beyond into the ghost story, the noir thriller and alien sci-fi. Here are five more writers who took something of a tangent. Louise Welsh After her award- winning. grimy modern Glasgow novel The Cutting Room came a 16th century thriller in the shape of Tamber/aine Must Die. a reimagining of the final days of playwright Christopher Marlowe. Alex Garland Exotic. fast-paced. generational thrillers The Beach and The Tesseract set the scene for a reported bout of writer‘s block that would eventually result in The Coma. an illustrated novella confined to a semi-conscious mind. Michel Faber Strange and celebrated contemporary short stories and novellas were the order of the day for the Dutch-born, Scottish-based scribe. Then he blew away the chick-litters with weighty historical epic The Crimson Petal and the White.

Jim Grace While recently documenting the glorious sexual history of an actor in Six, Crace has made a career of departures. variously giving us a seventh continent, a usurped Stone Age community. a futuristic British city. Jesus' 40 days in the wilderness and the decomposition of an elderly couple.

God His sprawling Old Testament was a vengeful epic of biblical proponions. The disputed character-driven sequel, though once again ghostwritten across several hundred years. expressed a gentler. more forgiving side to the Big Yin that converted many but still has its critics. (Mark Edmundson) I Michael Cunningham, 73 Aug. 8.30pm, £8 (£6).