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lez' . l/mimr.’ H /’ W]. ’l‘ I 1' i H DOMINIC HOLLAND ,.. ;. . Even doing if for the kids .00. I . . H ., , .. .

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[k )llllllll' lliillaliii liau lllf; wk val ».' I ( i. .' : ' 7 . " MAXWELL,S FULLMOONERS

. . A howling after dark success 0.00.

llilllllll. llll-lltllhl‘illllnlfd‘lllltlllllli' . " ‘luuk to lautlh. liut ll.‘\l'l1llt" il‘."!\, i .‘ \ This is the late night show that all others should aim to be. Already the um. m; )( )llfll‘.’t‘ tr lllt' rail, innit proud owner of an epic reputation established at the London Comedy straw [H illlllt ;. f; l mu: u » tltat a t- Pr‘hEVIN MCALEER Store, FullMooners blends the kitsch and the comic to perfection. The main minim u. lllll) lll‘; wit that} tart 'l, e qwet man Cometh .... ingredient is Andrew Maxwell himself, now recognised as one of the most at It llll lu ‘lllll a lltllt *lll if t mum a entertaining comperes in the country. As Thriller pumps through the

speakers, the lights dim and the official King of Comedy strolls on to the stage. cloaked up and dangerous, posing before the projection of a moon. The audience needs no more encouragement; the howls resound round the spooky setting of the caves and set the benchmark for the evening.

The atmosphere is relaxed, as most performers stumble on stage in an adorably tipsy state, breaking down into giggles each time the familiar wolf noises echo around them. Few stick to their set, in a refreshing break from the norm of late shows being treated as little more than a showcase; FullMooners feels more like a not-very-exclusive party with the cool kids providing the laughs. Maxwell’s immense reputation ensures that high profile comedians are promised for the Fringe run. This show had Jim Jeffries, Ava Vidal and the fabulous Jason Byrne, interspersed with impressive breakdancing: a truly modern variety show.

It‘s hard to pinpoint what makes this stand out so much from the others. Edinburgh is drenched with high quality post-midnight entertainment and yet Maxwell has managed to create a unique buzz. The only explanation is 3101‘” lJl‘ My that this is born from a clear love of comedy. with free-range comedians

“W W “WM “MW 10 Ilh‘ «415w ' happily pecking around the Underbelly funny farm. The audience can MM “‘9” WW!“ lit Tl‘flldll‘u'lll l' 3"if% detect this atmosphere and so it takes little more than a nod from the Irish talent. lhw matwal ltl faivl. iwxlt’rzf'a‘ l' " " " .: ' ' scamp to make them, literally. howl with laughter. (Sian Bevan) ilialIliumthat‘stliumiliuuat l” '1 . I- _ .' ‘v -. "

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lalliwr ml luui lllllll lt”'l7//7tffl).’ in lliillaiitl «(iiit‘luilt-tt that lie-'5. [)ltl‘,l'li; It» 118 (illililltmt; (iiiiliaiit; writ » lia‘m l‘t‘l‘.'.’l‘tlll llll‘lll lit: ll t)! [lla/ taut“. l’W' tum lllt‘llll My. ( it lllt‘ tllllllt‘lllit' I (it? «iv/ii up to living; iiaiuitlr; liaxt; 1" lat‘l. lilt‘lllllll lllul.’ l\l(lf~ lH llli- almf. liiat Illt‘ ruliliiititl aiv ari 1‘ m-ar .‘ltl litw and hit; ytiuiitivi rusty-i initr; "tt‘ lllllt‘ ltlt?3§21llli‘. '1 llwlla'ul, ‘.‘.llv m- lflllllllt‘ llliilllllt‘T3 a sum '... ~r: alwu’. t‘Xl‘lJlllilll} It» Mu \‘\.'.’l‘ 5' first 6; i.“ 2’1»- llla‘.lllllltl ml ll‘it' l‘illlt1.l."..l ttiw l‘t-im Hlt‘ lilwtu-llt‘t‘ (ll lxltlr; lll “lt‘ all lion!“

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STEPHEN GRANT I ; 7, .- . . - A I .. , , Pedantryofthehighestorder .. ;, .. .. . ., .-; one. "' "‘ l ' " " "

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language onstage. E\t‘l\ contain". '3‘»; www ’."

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26 THE LIST FESTIVAL MAGAZINE