Visual Art
Public Galleries
I CITY ART CENTRE
.7 \I.nI_c' \nt-t-l SW vim \l-m \n I‘Lm. \I‘III \nl. :wu l. ;pm 2.;'!_; “In 2 I i I.tll1lI:.
Albert Watson: Frozen l IlIII \llll 22 Ht! Inmvv- In. rIn- I «hn‘nnch Innn
[‘IltlIt".'I.lIiIlt'I. '.‘.IlH-\' tt'lt'rnnj. l‘tilIl.llI\
.tlltI olht-l IIII.l;'L'\ Imzv Ammunth lll Hunt/nit \ ntI;.lx\w'1u .nltI /\'~/'U:;' \Irtllt
Anne Redpath and The Edinburgh School I nnl \un (iti \liII In;- int-tn .nnl I.III\I\\.II‘l' }\.llllllll:_‘\ In. \llln‘ Ix’mIlmlIl .nltI IIK'I \"IIIt'IIlI“’I.IIIt'\
Toulouse-Lautrec and the Art Nouveau Poster l nnl \nn 2.‘ Ht! \ thwlh ol Itt-nth pom-l ptnltx,
nit IntInax' IR K‘.lIII’\\ I“. IIt'IIII \It' IonIonxt‘ I .IIIIIt'\
I COLLECTIVE GALLERY
.‘.‘ ,‘\ (VIN I\I\lllll \Ilt‘t'l. .7)“ I:(\II
Inc \.ll noon *[nn
Matt Stokes: Pills to Purge Melancholy 0000 l nnl \n It. My Iht~ lnxt \olo \hou It} IIIt' \\|Il|lt‘l ol lIn\ _\t'.n\ II\.\I\.\ I IIIIIIt'\ \\\.lItI hunnlnls' .l lit-uh tlIIIIIIII\\Il‘IIt'lI [\lt'tt' Iooltln'.‘ .II I tInlhnljJIh IIIII\It \t't'nt'x .lIIlI \nht nlltnt‘x flu! or ltl'm/uuzg/I \II /: um; \m' It'\ It'\\. pnyt' 5‘
I DEAN GALLERY
'i IIt'IIHItI I\’H.ltI. (ill (illlll I).n|}
Ill.nn apnl
Van Gogh and Britain: Pioneer Collectors OOOOOl nnl Sun 31 sq» U) it I l. n I Ix IIt't' I' \Inhnton t‘Il.ll'llllj_‘ lht' lt'I.lI|tlll\Il||‘ hymn-n \nn ( iogh .lIItI Iillll\Il .nt t'ollt't'totx. lot'nxtnjg on (iI.|\f_'H\\ tIt'.tIt‘l \It'\.lIltIt'I I\’t'l\I Eduardo Paolozzi: Prints and Drawings I'nltl Sun I ()t't \ \t'It't‘tIon ol \t‘lt't'npttnlx. t'tt‘lnng'x. \xootlt'ntx .nnl tIl.l\\lll_‘_'\ Ii} IIIt' l.nnon\ \t’nlptot.
Ten Bindings for ‘Stone’ 1 nnl Sun X (M I)I\pl.i_\ ol hook hnlthnggx h} I'.nlIt Shannon (tonal lot \Ium . .l hook ol INK‘III\ It} (it'otgjc \I.lt‘I\.’l_\ Ihoun.
I EDINBURGH COLLEGE OF ART
"-1 | nntlxlon I’|.it't‘. (IS—'3‘) All-1553. .\Ion Ihn Ill.nn Spin; I ll Snt
Ill.nn :l‘lll
Musique Cinematique Ihn Ill \ug. Spin \\.nn gnntlt' \hot't IlIlll\ h_\ \Intt't'l Ihn‘hntnp. I't'IIIJIItI I cum”. \I.tn I\’:l_\ and John \lt't‘. \\ nh nnixitnl .it‘t‘tmnmnnnt'nl lion) t'.I_‘._‘It'tl\\I /’n/I of [duz/nug/z \IIIIIII/lt
I EDINBURGH PRINTMAKERS 3i l'nlon Slit‘t‘l. 55" )1" Inc SJI Illnn hpnl
David Shrigley ooo l'nnl Sn In Sup \ \t'lt't'non ol lt't‘t‘nl clt'hnn'x .nnI \\l‘l‘\I\ ntx III.ltIt' ht‘mt't'n lellll and sons I\_\ tht‘ tI.nI\I§ Illlllltll’ttllx (innit/Inn t'IItIl‘I\t'\I .llIl\I. “1/! HI] I/
I FRUITMARKET GALLERY
~15 .\I.nI\t‘l Slit't'l. 3:5 fih'i \Ion 8.1! ll.nn (it‘lll. Sun noon *pnl
Marijke Van Warmerdam: First Drop - What is and What will be l'ntll Sun I“ Sup, I't‘t‘t‘ I-n\l I'Ix' \oIo t‘\hII\nion lot IIIt' llnlt'h .llll\I \xho U\t'\ IlIlll. [\Ilologinphl. \t'nlpltnc tlIltI lll\l.lII.lIlUll to uploi'c ht‘t I.l\t'lll.lllt\ll
\\ nh t'nt‘nl.n mownlcnt I’m: oil \I
I NATIONAL GALLERY OF SCOTLAND
I‘IIC ~\It‘lllltI. (ll-I ICIIII. \IUII \\t'\I \\ I'Il'l Sun Ilknn 5pm; I‘hn lann _[‘lll. Rembrandt at 400 I llllI Still I" .\n:_', .\ \t'h‘t‘tlon ol IIItI\ICI l‘l'llll\ to t't‘It‘I‘ltllt‘ lIlt‘ lllllth .mmu'txdrt til thy Ihltt‘h .n‘llle hnth.
Devil in The Detail: The Paintings of Adam Elsheimer (1578-1610) 0.... l'nnl Sun 3 Scp. L'h till; nllx lrcc, I\)U_\.|I Scottiin ,\t‘.nlt‘nl} Ihnlthng .-\n mhihtnon ol tht‘ Illl_\ ln.l\lt'tplcct‘\ th.tt (it‘t'nmn-hotn l€I~hvnnur gunned on \nmII coppt‘t' PIJICN
Man'jke van Wannerdam: First Drop
'. (itlw'I'Iy. I ‘1", i‘)tI/I4II, IN)!"
for GLASGOW ART see non-festival magazine
Vincent’s Views on Art l'nnl Sun 3-1 811‘ 'lo t‘olnplcnlt'nt hinting/141ml Hula/n ;lI lht‘ I)t';tn (i;|I|t‘l‘_\. IIll\ \nmII thxpln} lnt'lntlt‘x \\tllI\\ h} tll'll\l\ uho Inllnt‘nt't'tl Iht‘ jut-.1! I)tnt‘h [‘illlllt‘l. I)t'I.lt'I‘oI\. St‘tn'nt :lntl IXIllI‘lgll}.
Ron Mueck O... l'ntll Sun I (M. £5 tI'tt't‘ L' {Sill Ro};il St'oltixh ,\t';itIt-itl§ Ihnlthng, IIHwI' t't‘nhxllt' \t‘nlpttn‘t'x It'ntlt‘tctl lnntnxlltxil h} IIIL' lnt'l th.n thc} haw hccn t'i'cnlt'tl \nnngcl} out ol proportion Su- M iv“. pnuc 35‘
I NATIONAL GALLERY OF MODERN ART
“5 Ih‘llot'tl Roml. (ll-l (CHI). I);nI_\
Ill.nn 5pm.
Robert Mapplethorpe l'nnl Sun 5 Not 'I Ilt‘ lint mhihnion lll St'otlnntl tIt‘Hllt‘tI t‘lllllt‘I} ltl IIIt' lltllttl'ltllh IXltI Ito} ol [‘IltlltljJIdPIl}. t‘nt'onlpnxxnlg the lull tangy ol Ill\ llt'll\ t't' lt'onl IIIL' dating: nmlc :lntl lcnmlc IIIItIt'\ loi' \\Int'h Ilt' l\ nlmt l:nnon\ to pol‘lt‘nm ol \th \‘ork‘x .llll\l\ .lntl lihn \t;n'\
I NATIONAL LIBRARY OF SCOTLAND
(it'l‘hL't' IV Iil’ltIfJL‘. 33h ISAI. \Itill Sill Ilknn 5pm; Sun: 5pm.
Birds of a Feather - Audubon in Edinburgh l'nnl Sun 15 ()ct. I'l't‘t'. I'\IllI‘lIlUllL'\]\Itll'lll;1IIIL‘\\t\lI\HI git-at \\ IItIIIIt‘ .ll'Il\I John .lnlncx \tnlnhon. Jila Peacock: Ten Poems from Hafez Int: l5 .\n;_'_ "pm. I't'cc. tlt‘kctctl .loln [mmcl .nltI ptnlttnnkcl .llln I’cnt'ot'k. Itll IIlt' I.lllll\‘Il HI IlL'l' IltllltI [‘l'lllIt‘tI I‘UtiIx ot :nnnml \IIJI‘C [‘lIL'III\ Ill I';n\l tuilhgmph}. \\nh nt‘\\ Iznghxh Il’.tll\I.lIltlll\.
I NATIONAL PORTRAIT GALLERY
I (‘)IICL'II SII'CCI. (‘34 “III” \IUII \\L'\I «K I‘l'l Sun Illtlnl 5pm; 'I‘hu Ilium _[‘lll. Thoroughly Modern Women
0.. I'ntil \lon :8 \ug. I’ot'lmnx ot
l't‘\[‘t‘t‘lt‘tI SQUIIMII It'llltlIt' Itlt'tN \llt‘Il .l\
IXnnc IIt'Icngi Kcnnt'tl} illltI IIlt' Ill'\l lcnmlt‘ Solicitor (it‘nt't‘ul. I'.It\h .\ng_'iolnn.
Portrait Miniatures from Scottish Private Collections l‘ntil Sun 3‘) (M. |)i\p|n_\ ol tut't' nntnnttn't‘ PilllllllljJ\ lllt‘IlltIIlljJ \Ulllt' [\l'LWlUlhI) lIIl\t't‘II PICCC\ I‘L'Inllglllg It) IIlt' I)lII\t‘ HI Iillt‘t‘It‘llL‘Il.
The Face of Craft: Portraying Scotland’s Makers l'ntll Sun .\' ()t‘l. I’hotogtnplh ol niotlct'n St'oltlxh t'tnlt ninkctx. tht'n‘ t-n\n'onnlcnl nntl IIIL' ohlt-t'tx lhc} t‘l't‘illt‘. h} Shannon 'I‘oltx. Being There: Harry Benson’s Fifty Years of Photojournalism l‘ntiI Sun 7 .Inn to lt-l l. ('clt'ht'n} pot'nultx untl I‘l'L'qulllf.’ llL'\\\ plt'ttn‘t'x lt‘otn IIIL' uncut ol nll'lucntml Plt'\\ photoginphct Han) licnwn.
I NORTH EDINBURGH ARTS CENTRE
ISn I’L'Illl}\\t'II (‘otnt 315 SIS].
.\lon Sui Ilium Jpnt
Giants I'ntll Sui I‘) .'\llj_'.
‘Ifillntn i. illpnl, I'It't'. :\ \L'I'lt'\ ol Inljit't thnn hlc nnngtw ol pt'oplt- mth thxuhllnicx h_\ l);i\nl IIt-w).
I THE QUEEN’S GALLERY I’nlnt‘t' ol IIoI}t'othon\c. 55“ 5 Hill, I);nI_\ Villain “pm. [5 HASH». Canaletto in Venice l'nnl Sun " Jun Paintings and tIl'il“ Illf_'\ ol lIll\ hmnttlul Itnhnn (it) h} (iiomnni .v\ntonio ('nnnl thcllcr knou ;l\ ('nnulcttol.
I RIAS GALLERY
l5 Rntlnntl Square. 32‘) 7545. Mott I‘l'l ‘knn 5pm; Sat Vain 1pm.
My Favourite Place l‘nnl Sui 2 Sq». I’rcxnlcntx pnxt :nttl pt'cwnt lt'oni thc Ro};ll Incorporation ol Archltcctx thxplu} tht-n~ \ l\l(lll\ ol Scotland,
I ROYAL BOTANIC GARDEN Inwrlcnh IIouw. 552 "I‘ll
Robert Ryman l'nnl Sun I ()t‘t. Solo \ho“ h} the :\IllL'I'IC;lIl IlllltICl'IIINI bringing togethcr \xork troni [963 to thc prcwnt I’nr! u/ Igll'.
TWO Voices l'ntll Sun I ()t‘t Inmng ol lhc gnrtlcn portrn_\ctl lrom hoth hhml
An exhibition of photographs, films and sculpture by the Dutch artist. Warmerdam‘s work examines the relationship between the everyday and the sublime, with slowly spinning photographs, and looped films pulling the viewer into a kinked reality. I /
:lntI \Igghlt-tl putxpt-t'tnt'x, \ It'.lIl'tI h_\ I\’H\Il.t .\I.it'I\t'II/lt' .nnI Ix’t'lwttn \I.nt I’ll/l H/
Candela 7/450 (For the Death Star) .IlIt' I5 ,\ti_~.j \nn i\cp I)\t'I \llll plttxttt' holtlt'x \wnl into IIIt' lll.lI\l|l_‘.' ol I)n\nl Ilnlt'ht'lot\ \t't'ontl III\I.lII.lIlHll lll IIIt' (It). t'ttultln}: .l Inn'hlh t'oIonn-tl \ll'lllj: ol Inn-sh! pink. ytt‘t‘n .nnl l'I.lII_‘.'\' IlfJIlI\, Iii Il‘
I ROYAL MUSEUM
3 ('hntnht‘t‘x Stit't'l. Ila 1_‘I‘l \Ion \n Illnln 5pm; Sun noon *pnl. IlIt'
Illntn 3pm. I‘It't'
Beyond the Palace Walls: Islamic Art from The State Hermitage Museum COOOOI llIlI \nn R \m \n t'\hlhnton ol owl Ill” \xolkx ol I\I.lIII|\ .'n't llonl IIIL' Rnxxmn pollution. Int‘ltnlni;v It'\llIt'\. t'IIII‘IHltIt'IIt‘\. .lIItI It'\‘-k'I\ ((IIIt't'It'tI Iltllll .l\ I.” tlIIt'IlI ;t\ I'.j_'_\pt .lIItI ( 'hnm
I ROYAL SCOTTISH ACADEMY 'IIlt' \ItllllltI. 23m“! \Ioll \ll
Illnnl 5pm; Sun lltmll ipin
Laura Ford - Armour Boys 8.11 I: .-\n§_' Sun Ill \t-p I'It't' ,\n t'xhlhnton ol t'nxl n'on t'hlhl \t/c \nnx ol tlIIIltlllI uplonng IIIL’IIIC\ ol \Iolt'nt't' .lIItI \un It} tlllt‘ HI IIIt' I'K'x It'nthnj: \tlllleiI\, I’ll/I of I;,l/-. 'tI '
I SCOTTISH POETRY LIBRARY 5 ('rlt'hton‘x (‘loxtn (Xinonjgntt'. ii" 23%. Mon I'l'l IIltlll ()Plll. Sat
noon Jpn].
The Shiants l’nlll In 3 Sci» I'It't' I‘UIIIItI Uhlt'kI\. lihn lootngc. [l.llllIlllf.’\ :intl PllL'III\ relating to IIll\ lxolntt-tl L'lHllp ol IIt'hrItIt-nn |~l;nltI\. h} ill'Il\I\ I’nl I..i‘.|.. Inn Stcphcn and Norman ('hnhnt-t'x
I SCOTTISH BOOK TRUST Sumlcnlun IIouw. 'It'nnkx ('Iow. <5 IIIth Strccl. 52—1IIINI.
Yurta I'ntll Sun 1Sup .-\ \pctmll} L'Hlllllll\\lt)lit‘tI \trnt’ttn't- trunctl h} Stott Lawm- thnt \HII phi} hmt to temporary :n‘tuor'm and pcrlornmnt'm h} urnxtx \uch m Ruth Ilnrlwl. (lung (‘onlthgn'tl and ('hrlxt \VnIItt-r, I’nl'l n! l’J/HI/Hll'fl/I .lmnm/v.
', THE LIST FESTIVAL MAGAZINE 87