Visual Art
I STILLS
:5 ( lul.l‘llIII Slim-l, (C: “3"” Hail} ll.llll 'iiiii.
Tracey Moffat: Adventures .00. l iilil Sun 3‘) I Ll Kilxtli tiiiiiit ~\III[‘ \Ij. lL' I‘llillll‘.'l.xI‘ll\ Ii}. lllI\ \II\lI.llI.lII .llll5l. '.‘.llll\k' illiltl} .iiiil‘igiiiiih l1.lII.lll‘.t'\\l‘\'.:l \killi I\\IIC\ \iitli .l\ i'L'llllt'l. i-lliiiitil}. [‘I'V-L'l .lllil \iiilt‘iiti' \t't' IL". lk"-‘-. [MISC 5“
Performance Art and Physical Theatre \iiii l4 \IIL'. 2pm llk'L' Kt-iin Ili'iiiIt-iwii .iiiil \\nllj_'.iiij,' llnlliimii i“\l‘li|li' Illi' \llllllk'\ IIHII l‘t‘lV-t't’ll llIL'\L' luau .lllli'IIIl\ 1.1! w// H
Martin Parr \IHII I-l \iijg, lpiil Ilk'k' illk' it unit )illll\ll illinlii:'i.iplii'l l.lli\\ .ilmiil ll|\ ll\'\‘. llllk'5, I’i'm/u/nim’ Iii/mm l-II' .lllil I]! ll: 1’
I TALBOT RICE GALLERY
I lll\i'l\|l_\ ill I illlll‘llli'll. \iiiilli lliiilgi'. 'i5llf.‘lll lllt' \.il lll.llll 5pm Girlpower/Boyhood l Hill 3.” {ii xvii \ \i-lt-t lli'Il ml l.lIll.I\l|t.ll wul» i'\|‘lHIIllf._‘ l.iii}l.i|i-\_ Ii‘III.lIIlIi lllll\liill\. «lituiiiix ;iiill \_\Illl\i‘l\ l\_\ .lIl|\l\ \ll\ ll .l\ I).iii \lliii'. ll'll|\i' liiiiijgi'iiix .iiiil \.lll\'\\.l l’li.i\\ I’m! MI I/ \L'k' lk'Jllllt'. [List- .\4.
I WESTON LINK
Il.l\‘-lllHIIlilt'll l ct‘liiit' lllmlic. \.iliiiii.il (Lillt'ii. llii' \Illllllll. (if-l li5lill Vincent: The Full Story l‘\t‘l} lllll iiiilil _‘I \cp lIIIl\'\ \.lI_\. I'lk't' \\ci'l\l_\ xi li‘i‘lllllfJ iil \\.ililt-iii.ii .|.iiiii\/t'/.il\\ ('Ii.iiiiii'l l\k'llk'\ .iliiiiil llit' lilc ill
\ iiit‘t'iil \.iii (inijll
Making Flesh Palpable: Realism in Contemporary Figurative Sculpture III I I \leJ. 1245 l.5llplll. I'lt't' ~\lclilicii lcckv llNII\\ .il \l‘Illt‘IllPHl.ll_\ .llll\l\ l.llIIHll\ lHl mulling; lulu-i lt‘.ll \t‘llll‘llllt'. Illt'lllillllfJ lx’iiil \Iiii'i'k. llll.lll\' ll.lll\illl .llltl (i.i\ Ill llIl’Ix, Our Beloved Signor Adam: Rubens and the Legacy of Adam Elsheimer llli‘ l5 ,\iig_'. I345 Ikilpm. I‘lk'k‘ l).i\ ill lIU\\.lllll k'\|‘ll\lk'\ l'l\ll\'|I|lL'I '\ iiiIliit'iit‘c ;l\ ,i \lul'Ht'llt‘i". |‘.lllI\'lIl.lIl_\ Hll llIL' ;ii'li\l Riilwilx.
The Portrait Miniaturist \\'t-tl In \llfJ. l3,-l5 l,5Il]\|ll. I‘lt'k', ,\ liuik iil llic lll\lill} .lllil niiyiiix Hl lllllll.lllll'L‘ iiiii'li'uil [xiiiiliiiy \\llll llill \Illllll},
Private Galleries
I AMBER ROOME
"5 “I (‘iiiillwi‘laiiil Sliu‘l. 55x ,1 :52. \\\'\l S.” I|.iiii (ipiii.
Delicate Ground .000 l‘iiiil 'I'Iiii “ Sci» l:\pci‘iiiit‘iil.il \\UI'I\\ Ii} l:(‘.-\ gi.illii.ilc \iillicxx \Iuckcii/it' L‘\PlUl'III;_‘ t‘iiiili.i\liiig_' \l_\ It‘x ill l.iiiil~t‘.ipc ICI‘ICM‘IIIJIIUII. I’ll/i u! l..ll Si'c I'L‘\ IL‘\\. ixiyc .\'h
I ANALOGUE
Ill: \M'xl I’m“. 33“ Illilll. \liiii Sal ll|.iiii 5. 5lll‘lll
Will Barras I'niil Sal 3 Sep \th lllll\ll'.llIHIl \\Hli\\ UII ixipt'i‘ .llltl L'.lIl\;l\. Ill\[‘llt'\l In llII‘ Imp. ;_'i‘;illili ;iiiil \li'ccl .ll|\. Ii} llll\ llll.llllilll\ IllL‘IlIl‘L'I Hl llic .\\i.i\\l (‘nllct'liur
I ASSEMBLY ROOMS
Svl (it‘i‘ljit‘ Xllk‘k‘l. 33h
Eorthe l Illll Slil 3h \iigg .\Ii\ctl iiit'ilia \wik. t'ilt'iiiiip.i\\iii_\_' plinlugiupli} .llltl \t‘t‘lui ,iii l\_\ .lmiiiic ( iilt'lii‘ixl ,iiiil \Vill lii't'xla,”
I ATTICSALT
5H llll\ll\‘ Slit-cl. \Hl'lll l'.l\l l .iiic. 325 Ill"? \li‘ll Nil ll.iiii hpiii,
Everyone Comes to Holyrood l'niil Sal 3 Sci» \\uil\ Ii} .i giniip iil iiili‘i‘ii.iliuii,il ,lI'lI\l\ looking; ,il IllL‘ lI'L‘Ill} pituilcil Ii} lIl,l\\ lllL‘tlld .llltl ilcpit‘liuiix ml l,iiiic .llltl f_‘lJIlli\llI. 1mm l_l/
TheListOnline
For mu coverage of the Festival and
events acmss Scotland see www list to uk
88 THE LIST FESTIVAL MAGAZINE ‘
Everyone Comes to Holyrood
l/‘ill \)if,. iI l"'l’ ,1
I THE BONGO CLUB
\liii'u} Hilliw. V lliil}l'iiiiil lx’imil. 5.53 “hill. \Iiiii l'l‘l I llllll Spin; S.” k Siiii ISM! (Lillplll,
People Love Machines I’iiiil Hon 4 Scp. .\Il\\‘tl iiit'iliu PIL‘L'L'\ h} Scull l)UIlUlllIt‘ milliii'iiig t'iiiilciiipiii'.ii'_\ \iit'icl} \ Ul‘\t‘\\ll\ll \\Illl lll.’l(llllli‘\.
I CORN EXCHANGE GALLERY (‘uiixliliiliiiii Sli'ccl. 5M "illll. \\L'\l Sui I llllli ~l._5(lplll. l‘i'cc.
Phoebe Cummings .0 'I‘Iiii Ill .'\ll:_‘. .\I|\L‘tl \lIH“ Ii} t'iiici'giiig: .lI'lI\l l’linclic ('iiiiiiiiiiigx. IAST (7i IAN: ~E
8H.
I DOGGERFISHER
I l (in) lIL‘ltl Square. 555 "I III, \Vcil l'l'l
I lam (ipiii; Sgil iinnii 5pm.
Moyna Flannigan .000 [mil Sui 3H Scp. \cn pgiiiiliiigx and tll;l\\ mp Ii} llll\ ;ii'li\l. \\llil\L‘ I;iiil;i\} iiiiiiiuliii'cx \wi'i‘ i't‘cciill} on ilixplu} Ill llic \uliuiiul l’ill'll'ull (i.lllL‘l'}. in] l” [1.” 5LT
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I EDINBURGH SCULPTURE WORKSHOP
35 ll;i\\lliiii'ii\.ilc. 55l 440M, Mon 8.” Illliiii 5pm.
Magazine 06 Sal l3 Sim Ill .'\llj.‘. x\llllll.ll \lIH\\ nl \\Hl'l\ Ii} mci Ill .lI'lI\l\ I‘t‘l‘l‘t‘u'llllllf.‘ IlIL' t‘illllt‘lllpill‘nl'} Scullhll ill’l \t‘t'lit'. I’ll/l u! l'..\/, NE 8.“ '
I FLESH LTD
" llui't‘la} l‘ci‘iut‘t'. 335 ‘N‘L‘.
Rouge l‘iilil Thu 3] .\ll:_', ,\ \‘L'lt‘l‘ldllilll iil ;ill lliiiigx it‘ll h} the l‘lL'\ll l.lil
L'UllL't‘lHL‘
I INGLEBY GALLERY
0 ('.ii‘|liiii It‘l'lkk‘t‘. 550 444 l. IUL' Sal likiiii .5piii.
Thread 000. [mil Sui ll Sup. \Mrk l‘} \lL‘MIIIilL‘I‘ (HIlLlL‘I. l).l\ lil lilllt'llt‘lill. l,iii Huwnpurl. .luhii \It'(‘i,it'l\cii and UlllL‘IN. I’ll/"I ill [HI/i SL'L' I'L'\ lL'\\. [‘ilgt' [\(i. Summer Bus Trips to Little Sparta lixci'} \Vctl iiiilil 3” Aug. Ifillpiii,
l; I “fill .»\ chant-c I0 \I\II IllL‘ .ii'iixi‘x :_‘.II‘tlL'll\ ;il l)llli\_\l'c in IllC l’ciillaiitl llIll\ Blinking C\\L‘Illlgll ciimil
inlnlu lilllt‘xixii'l;i.iii‘g_
With popularity, celebrity, fame and infamy increasingly becoming an enormous layered heap of repulsiveness, this exhibition of paintings, drawings and animation demonstrates that for a month or so every year Edinburgh almost becomes a Holyrood Babylon.
I INGLEBY GALLEY@THE OLD ROYAL HIGH SCHOOL
l\)L'f_‘L‘lll Rilllil. SDI) l-l-ll
Candelas Five & Six l iilil I II I5 Sci» llliiiiiiiiulcil .ll'l\\llll\\ l\_\ I).i\ ltl l’nilt'lit‘liii lIl \\llI\'ll lic ll\k'\ t'\t'i_\ll.i} pluxlit' llL'Ill\ lii pituilt' .i iiiiillit'iilniiicil ll;_'lll ilixplix ’ii/i ui/ \/
I NEWHAVEN AGENCY
"" \Iiiiiliiiiit‘i} Slit'cl. 55.\ 51llll
New Paintings by Claudia Petretti l'Il ll lliii l—.\llj1..\IIIIll\]‘lli'llt guilt-ii \lL'\\\. iiit'liiiliii; i't'iiililiuiix nl I c .l.llillll \lt‘\ ()ll.’lt'llt'\ Ill IllL' \L‘Ililt‘t' IL'fJIHlI HI l'i';iiit‘i' .llltl Kcu (igiiili'iix III l.llll\ll‘ll. ll} (‘Iuiiilili l’clit'lli ' " '
I SLEEPER
Rcmcli and llgill .'\lt'llllk\'l\. (i I).iiii.i\\..i} Sli'i'cl. 33.5 5444, \Iiiii I'll: 5pm Steven Aalders l lllll Iii 25' \IIL‘ \i'u \iiii'kx l\_\ Illl\ I)lll\Il .lIlI\l I'm! /,,\l.
I STUDIO ONE GALLERY
Ill Slalliiitl Slii‘t'l. 33h 5M: \lilll III ‘II illuiii lipiii; Sal ‘l {Him 5 “WIN. \iiii lliiilll 5pm. L2 it'll
Sorry you Missed The 605 l Mill Sun 3" .\ii;_' \I'IL‘\IIIlf_' iiii.i§_'t'\ ll} pliuliiiiiiii'ii,ili\l l’llilip liniiiwiiil. IIIL‘llIllIIlj.‘ \llHl\ ml l'.ll/.ll\‘lll ltl_\lHI, Ritlmiil lliiiliiii. 'l\ii§_';_'_\ .Illil \itn
I TRAVERSE THEATRE (\iiiiliiiilgc Slict'l. 33% Hill \lilll \il lllgiiii IllIilIlllell. \iiii (\I‘lll IIIlillIIleIl Stills Focus Space l lllll \iiii 1 My Work Ii} pliiiliigmplicix llillll lailililiiiigli'x Slillx p.1llci}. iiit liiiliiij; \I.iii'i 'l.i_\liii. (Liiiic (iillil\IIl|llI .Illil l'.IIlIII.i ll.lIIIIlIHIl
Dazzle Jewellery Exhibition I IIlIl \Iiiii In \iig. \\ilIl\ Ii} up .lllil \iIIIIIIl‘.’ IL‘\\L‘llt'l'} ilcxigiici'x. All «it \Kllltll |\ llll
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I THE EMBASSY
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The Thermos Museum l'iiiil sun 1 Sci». .\llci II\ meet-v .lI lml )mik
NEXT ISSUE OUT WEDNESDAY 16 AUGUST
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I HYPERGROUND illiiiiihlit'lilI It'NUIll, ll '\ ll Roll Over l ii ll .\ \.:l I,‘ \iI '. I» ‘liiiii \Il cxciiiiix' \IU‘iKIIl" \cw \‘.Hll\ l‘_\ I.i}lii i‘l l.i_\'w. ‘.‘.lIIt ll ‘.‘.lll l‘ixn
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I IN THE FIELDS: STUDIO FOR NEW MEDIA ART
5“: Ii l .i\li'l l\'ii.iiI. lli' Ill. lliii \ii!; 4 “VIII
Stefan Baumberger 8. Nicole Heidtke l Illll \iiii §\,-ii Iiili'i.:, li.,'
lI_‘_'lll nl‘ii-tlx /'i;i.' ml \/
I ONEZERO PROJECT SPACE Ill \iiilliiiiiilx*il.iiill \licc: H ‘ “1 \ll15\\ lII \iiii IIiH'll 5iiiii NO.W.HERE: Super 8mm Workshop liic l5 \\ \M'il l'» \~i.' \ [\w In Illlll‘illltllilll in \llI'HllIl'.‘, l.,:i;il I‘llkk‘\\lll1,'.Illill'llll'l lIlIIllt'illIIIiIlIl' Il\Ile,' \iiiiii lIlIlI IIIIl ll). Illt' l I'llill'll l IIIII ("N‘Ilk'lJllxk' /’(.I,' w! /,."//i/'n'i/.'L \i ii 1,, , NO.W.HERE: Artist’s Talk lllli \lIL‘. 5‘ ‘liiiii \ l.i|l. i“'.I‘lIlIIIli' lll.‘ Lauri ill llll\ l illlilllll lam-ll lIlIIl uni; i'i.:li.c I’ll/f ul li/i/i/i'iluii \I'I.‘:l.; '1
I PATRIOTHALL GALLERY
\\ \\I’\ l’.iliiiilli.il| \liillzm lifl H ll.lIIiIlliiIl l’l.itc. ,‘35 IN" CI’OSSIIOWS l lIlIl \iii. I. \III' lIIlt'II‘It'lJlIi'lh ml ll.lillIli'II.ll l.iii.:iz_- y ‘.‘.iiiiill‘lilt l‘f. \Il':~.l liill'll. \\.::-Il\‘ ('iiillit'ix. l’,iiil I lIII!L'.:lI“., \ IIIliiIlIIi.:II. Kllnlllllutll,i‘..il1,i.illil lliiili' I'rl/ ’ w’ I l/ I TOTAL KUNST @ FOREST zlilhlil l’lmx', :3" 1< 5‘» lliiiili I‘ll‘lll Living Room Banter l lllIl Inc \iij; llllL'k'I \lill‘l‘IIIL' Hlll iIIl lll't' \l‘l.l. lllI\ \imti' I\ .:II .ll‘HlIl llit‘ li‘-IIIL' iimiii .:~ ,i wingt- nl III\I‘II.:IIHII lHI .lIlI\-l\ Ill ilk".t’ll'[‘lll‘_' .Illkl llniiin: lilt‘m Intriuh
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