Festival MUSIC

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SUFJAN STEVENS

The elusive musician appears at the Edinburgh International Festival as part of a UK tour From electronic concept albums about the Chinese zodiac cycle to rap collaborations, Christmas music and ballet scores, Sufjan Stevens has never shied from operating at the fringes of the unorthodox and opaque. This year saw Detroit-born Stevens return with album number seven, Carrie & Lowell, an existential meditation on ‘life and death, love and loss, and the artist’s struggle to make sense of the beauty and ugliness of love’, as he sought to come to terms with the recent loss of his mother (who, along with his stepfather, the record is named after). considering the emotive themes of the album (the refrain of ‘we’re all going to die’ features at one point), with the feeling of catharsis poised on a razor-thin tipping point against that of despair throughout. One of the many popular music artists to be included as part of this year’s Edinburgh International Festival, Stevens’ rare European tour schedule over the past decade has always him marked as a ‘must see’. But even for such an inexplicable and perpetually engrossing innovator, it’s this current chapter of his career which feels unmissable. (Graeme Campbell). Playhouse, 473 2000, 30 Aug, 8pm, £20–£30 (£10–£15), sold out.

A return to ascetic instrumentation and Stevens’ folk roots seemed apposite

20–31 Aug 2015 THE LIST FESTIVAL 65

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