0 Music is listed as diary: by day. then

by city, then by event.

GLASS

Where events are tree Box Ollice numbers are given as information numbers.

FRIDAY 21- Glasgow

0 BBC Scottish Symphony Orchestra [trims \Nru»J lliH.('liicHiuiH SII‘L‘L‘I. HU\ Ulllt‘L‘ 1;" l HHC Sluipl.l3,liiwr l”) Slut).\'cl;niu1hti;id\.ultiuuiilzhc BBC lhcirud\cwtlipimulirpcrxuith-Hic [luhhcllk'MCCHQVlucl\\\HlHiH ()lH truiicxchcnlllH( hngthin‘iflux Hulwcl\}_LH:ucuL.lnd

‘Hrrl 5H.Hnl

.Hidilthicsn‘tc\tiiligtuuitin

HL'Hthl “1. llil llll\

(linuxsini\xnlivaruihixtd W\l:\lHlJ Sanger llnxdn \Syniphtnn \.iiH: (ncunlsleluxlaxlnqrn.nrlnctlflic

gruntlhihfliwliHilcwunidclcslhu innigrnrnrnu..dlinidcrlln‘b.mtnilfl l{ich;uxlx\rnt\lniuu.

20th century opera is represented by two worksin Scottish Opera'31985i6 season—Britten's The Turn otthe Screw. originallya 1970 production opening next month. and Kurt Weill's The Rise and Fall of the City of Mahagonny. a new production seen in Glasgow and Edinburghwiththree perlormances stillto go atthe Theatre Royal

BertoltBrecht.the Iibrettistand Weill'sliteraryparinerlornearlyall his stage works. recommends Mahagonny as “a piece of fun no bad angle from which to approach it.

None otthisis used as an excuselora lightweightproduction however. indeed. the image olMahagonnyasa city olevil. destruction and despair. the shattered American dream. is all too clearlybroughthome with particularly strong performances lrom Kate Flowers asJenny and Richard CassillyasJimmyMahoney.This production could hardlyhave been withoutits own pangs oldespairas boththese singers andthe conductor were notthose originally cast. 26 year-old Sian Edwards. making her operatic conducting debut. moulded the Scottish Opera Orchestra into a controlled. articulate yet simultaneously sleazy band.

But. looking beyond the current production in the1985/6 season. the company hasjustopenedthe curtain on its plans for 1986/7. Nine operas in all —seven newproductions and two revivals-arethe basis ota new subscription pattern ollering lour

GAE.

MUSIC LIST

o Midday Concert Stem-mun l lull. R.\.-‘\.\H ). Si ( lL‘l NEON MACE. “(W ‘5»1lHl liini.lrctfiild<urr

llixuhctlil.uxih\litcintilul\c\;i

illle‘L‘ .“

itulldlllltll\Hl \Cltklltfllllllflll\lull} \1C\\LECH.l<JLlHlMHlHMl\.c\lHde l%u\.nni5pihflwnr

Edinburgh

0 SNC)! \hcw lLdl.ltiHiMHil{nutl Htwmiflhx-ffh115?.“2Nhinyl{\nn dulgjfiulf3.(i!hgrwx.tl Ml LS Vi lth\(thHU\HMhthS\(HUl lippcllxthntunix\( hihlnl<lur lHiu‘.gmzhlucchlwxl’rnluuxil(iuc\l ('mrrlutltn \lanitixllunicrl I<C§JlchlJ\<HlfilWllhffllCJICNI \llllrit]\\t‘l k“\\ llllL‘H llll\ or iitiirx‘.il littlixtlt'\ \L‘lllll}l\lll \\ ell kitti\\ii iicszrvgruiiuuls.SclnihurIKIIHich IU\kWi\id\\lH(ltW‘CH\1hL”UlHCCrC 0 Bow Gameian Ensemble 5': \lun \ (’uthcthxfl.lhdincrshiul’knxhIinx twflitp33>_ll)1c\iranJlIXMiflturgh [lixnicl(‘niuicfii.".3lgwir Llltll. Ilnxtwulhinthxlihiulfl\ urigninllhrcc [Hucx‘urwiqilniniltrnthnlcinlntfll gluth;nicc\\\1fli.ilusiuiitdliuln.

' com, SEASONS

.egwgagg?¥*"

lixed-seatpackages andtwo Rover series subscriptions of six or nine operas selected lrom a choice of 25 dates. Bizet‘s Carmen. in a new English translation by Anthony Burgess opens the season and co-productions with otheropera companiesleature prominently(Glyndebourne— Intermezzo; Welsh National—Fromthe House of the Dead: Washington Opera —F|ying Dutchman: Opera North—Billy Budd). Otthe remaining two new

\tlUllki.lllC uiitlscw1lptiirg2 :\llllel utthlflrnvturchcx.thcxtrnnstnrnt IllL‘lllllk tiliirl\;in \\;l\lL‘lllhl lH\IHlHlCHI\\pCCldH} curmiruclcd Hilnlscrul‘nlcldl.ClCCIlM‘HlUlHl\ untlgkhx.

o Ginny Strawson ( liltlt-tl Hullmm. (‘n\\gutc(l{csluurnrul,l%u\tiHicr 335505“.Spnrltrc.\iuhnrnu\w \xliilc stititlnic'in lHlL'llll \llHl‘lllflll \ HLWVcrrc\qurunl\.lkiniquc;utd lightclussicsintunl\.

Glasgow 0 RSAMD JuniorOepartment Concert

llcrnw \\tiutlllull (lindlthI Street.lfiuxtilhcc.§33~llfll..fiiui

£1.5'lltl l.:\ ulniccut gl\L1ll‘\ studcrnstitHiclinntn‘Schrndid Kinsuwitflicl{msnlSCchsh ;\cudcinyril\lu\uwindl)runin

0 SN[)(it\llull(‘oruHciiuu\.lhl\ \WHCCSSZSWUI,WHMHWH.‘

{3.3” (5.4“. 5U: f‘lltlil} ll [{dinhurghtrulidldc\cmimnin.

0 Salvation Army Concert< il;l\};li\x (1Hluwlnd.lhixtdlum‘<5l (Iickcl(‘cmirc).:pni.tj \\lLH hctun'ugu hixpcnthi\lnrch .Mtcrniun17(icl;nkn\triniiflicxlnvpx

fillrwl

antlsniu.diuiu\inlilht-prxlulxuinn Ht;1umiulpruiu;\gfl\uthin \iiH\ lininlxxnlixnigcrxlrtnmli\c(}lu\:tnx thxiqtuix

Edinburgh

0 St Matthew Passion Rm ( Uncut Hull. '1 m int }\)tl\\. Hm Miller: 1155(l.\hCllldHl.5]WH.llrsll lhu

productions lolanthe celebratesthe 150th anniversary of the birth ol W. S. Gilbert and Puccini's Madame Butterlly. to be directed by the Spanish theatre director Nuria Espert. marks Scottish Opera‘sSilverJubilee next June. It‘s a well varied season. using many young rising singers as well as the more established. For the moment. Mahagonny is still on atGlasgow‘s Theatre Royal on 25. 27 and 29 March (see Listings). (Carol Main)

l _

14TthBt21bhn~3szr

linuhl'uxu1‘lru\1p1c\cnl\tuu‘nl Ihcl‘C\Ilthg\\H‘UlHIlH\IlHlCtll}CtH’I lhcir.nintuilpcrlurrn.uicctil[inclrx St \l;HlllC\\ [Kissniri llcrrlck liinihcx cmrnluctstht‘xpctiuHx lnirrnt d 81 \l;HlllC\\ Sitter l\ \klntll iiuluth‘\C\ciulfurnicrincnihcrxtd the lthrfliuiglil ni\cr\H\ Sutucrx ;unl\unictdtlu'Sttich‘Sniuci» Sillkll\l\.llx' \L'll \lJL'lrle' ll\.nigch\tl.Pclcrllnrxcx ((linxluxl.l§ulhlcciilixinuxhincx \luulxnth'lflirgk.\lutk luckurtnul Pkficd \J\lkhlt.\\l”lk\‘H[HlHllle}kW\ lltfllhllllthlHlW\\iHl.Hld KLWIHCIH Ikduhlflll \iultrhviinxxcd 0 Daniel Stewarl'S/Melville College and MaryErskine School Choral and Orchestral Concertl «ht-i “.1”. l.ulhhnil{untlllm\t>Hicc.:Vifi”35. “.Flhuti ll filHinpi llictxinflwnicd tlnin\tilhrulischiuikrwh1\fhc k1HlNHlHHl\\lth'lelUlSCthllHldCl cuiuthichrisI).mitllhrdtluinlf\cwl \lJlHluliH \lu/;ul‘\l{wrpiunir \\uyiuw"\lhclu_h‘hrllic \1H\Ipl\Hlflcd‘~llhllgllh‘kHLd'\ 1c ])CIHH. o Dido and Aeneas \\ .llpwlt‘ l lull. (llcflul \llk'x'l liplu'ln .11 Lilli”. HUMDWHi.Lilill.lnlpfl\tll\l\1dlh\ \luxn‘fiphiuilpicxcuil‘urvcllsl)idn Alhi \LleJ\lllJ[‘iH\hlclthl‘\.LlHkW lflidtluilhlinixnxfltlngmtiwllhx liic Hwhi o Choral Concert\': ( ‘inlilm-ri‘x (‘hurch.l nlhiunl{inull\\c\1l Mil lhiuccxhflicctl.lickctsnlthnir ~.Flhwii till_1l \lccrlciHWUIEIi l v\h\;il(lpcwxipic\cru Hick inirusiil liian\('ld|c:\. [icihiinrinctw‘llluinlcll~8uxuiniu. 0 Edinburgh Society of Musicians 1 Hellt 'll] I\)llllti. llc'lx;[\ .ll tlilill . 5pm.

ltuidini.niu

lrcr.l{nchcl(tru.uilwiprnmrw.nid (‘;Hiiwrhi[linicuii(Hic//nil\Hiusnuius incluthiu:cxlrnclx.uidtluct\

0 HarpldecnallirinlilusHlulc.13 Rilllililll‘ll ( .l'ka'k'lH “UK tlHlk'k' :35

Folilr

“.3lguir l“

«Silv_l lhc tnlcrwcxllliptuiih.niuxlliiixlun ‘ViuiucsisiiuiH111iui\\HliSihxis.tvmi SEWiHisliclnrs;uii[\Lisr1"» \lnrs \chluxlcr;inth;H\\ \cxldrui.niurc LPdLHI\\CQHtl\PJllHlihC \c\r11ruccc.dltcinnlplxniJ

Sin Hiuctii OSCU()Hccn\lLdl(lurkfiucct “(Vullilu :15 113‘ l l \llL‘l Hillll. ".lfipin.l \liutLiM-:S1Hi33 (ilusgtn\.l-1 LS. [hr 8( (ix l'uiuihrxcrt'uinlucl\salic\cwuiminlcs \xiflil d\\nitlllnrptw puinluctniulnx I‘HHIJ\MI\I "l)( (lllk'\\illk'd;l\ printini\\iiuitwtlix lhc‘ficwiluslilhistilliw.utll.u

.iPu\\ucnulLinl.ll3

hctilhiuxiimxlptwlclwcinugih ;HrLdguinnlniHiHllu'HntLflxid

l ‘tlxx ;iitl I l.llllk'l .iiitl lll\ \\ ilc'. ;\ lsii tinthvi‘nigntHMHCixlnxerrudu.chr \lunlc\crdiurnl\lmsuktlltlntlius stdtuslthrccluiiii\lw/.Htl’hniu (irncurtw\7\iwl.7untl}i

; ‘i '

Glasgow

0 Cantilena l lenrx \Vtmtl l lull. ('lzll‘L‘lll’illI Sll‘cL‘l. 55: 5W1] ( lic’kct ( untrcl.l;wii L?.lliclnsl.lnincc lhl\\Cd\HllUl\pClMlStHldd§ linichtniu‘hslcningttiflicrtluxinu suinidxtil(lintflcrhi(rccmuifly'hc;utl tutl{ichgntllinkcfi"\iinlni [thigrunintcllokcu”\l)o/cutiplnynig

l HlU\KWllIhC LSHiccrni w linscc