NEGIIl‘IANT'S, lnlhian 51., Edinburgh. l'iia la dil'l'oroooo.’ l'iya Noém'iaot’s.’ Now and rolroshinély oniquo, Noéooiaots olTors oxotio llrazilian antl lntlonosiao dishos alooo~ with olassio oontinontal laro, mornings and altornoon

oolToos all in a oalm South Antorioan sottioé.

lint il it’s an impotoous oyoninrj in Singaporo you’ro altor, you aro in tho wronL5 plaoo. (For that you how to do downstairs to tho oollar har, whoro you’ll also lind liyo, Up-lt'ttlpt) jazz antl swine Mondays to Saturdays). And standing? at tho bar thoro aro alnays ono or two \yoll—ltoowo roéolars llarnpholls 7ll/-and tho lormidahlo Stolla .~l rtois, both on tap ol‘oourso.


Lo (Iafé .Voir. “'avorloy (Iontro. Edinburgh. \Vhon you‘vo got a good idoa. stick with it - and this is procisoly what has happonod in tho now Call" Noir in \Vayorloy Markot for it is an oxact copy of tho highly succossl'ul (Ialo \oir in Quoon Stroot. (Llasgow. ()nco again skiiful uso has boon mado ol‘ whito tilos. contrasting groon paintwork and gloaming brass - and tho ovorall mood is bustling: convivial: convincingly Parisian. Lo (Ial'o Noir ontortains oxtromoly \ariod cliontolo and cus- tomors onjoy colioo and croissants. cold buli‘ot taro. tablo d‘hoto (which changos daily) or a la carto montis. 'l‘ruo sophisticatos will approciato tho woll choson wino list and tho road)‘ mail-

ability of Stolla .-\rtois.



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