ART & EXHIBITIONS LIST

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kit , 1918—1979 ,- Paintings, Drawings " " ‘: Watercolours - 1—22 October Mon—Sat 9.30am—5.30pm

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HANOVER-FINE-ARTS

To mark the opening of our New Gallery

Opening Mixed Exhibition

(PART ONE)

ARTISTS PAST & PRESENT A Selection of 31/2 Years of Gallery Artists

The Exhibition runs from

10am—4pm; Closed Sunday

f a ofthe Fine Arts 1861—1988

127th

Annual Exhibition

9 October- 6 November 1988 McLellan Galleries, Glasgow

1988’s largest and liveliest exhibition of contemporary paintings and sculptures. Four hundred and sixty-three exhibits by

two hundred and twenty-seven artists.

A unique chance to purchase some of the

finest works of art by both young and established living artists.

Opening times: Mon-Sat 10.30am—6pm Sunday 2—5pm Admission: 50p

(25p students, children, OAPs 8c UB40s)

Thursday 13th to Wednesday 26th October (2pm) Monday-Friday mam—5.30pm; Saturday

The macaw Institute 4-?

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HANSEN REBITHV

Lys Hansen, City Art Gallery, Edinburgh Just ten years ago, Lys Hansen returned to painting alter a gap which was titled by lamily and teaching. A period in 1985 studying in Berlin and the subsequent exhibitions both in Scotland and Germany, sealed the strength at her comeback and tired her work with a creative energy lizzing with excitement.

Hansen’s subject is the lemale lorm. Who Am I was the title of a black and white picture of a woman squeezed into herlrame. Allein (Alone) was another. This woman walks on hand and toot, her head lowered awkwardly in the

crutch at her limbs. Blue Lips, a wonderlul painting from the same period, shows woman crouched under her hands, taking a sneaky peek at the world. Dispensing with the classic ideas at realism and portraiture. Hansen three years ago was emerging through the irrepressible actions of her art.

Her more recent works show that process more thoroughly developed. In the 1987 Study tor Parts of the Body series, colour is launched into limbs and heads with a gusting energy and the lorms push with a stronger, less deprived spirit. In Swansong, the head with with Picasso-like monumentality struggles tree trom a mountainous body in a blaze at ribboned blues and reds and greens. There is no holding back.

Now, the rebirth ot Hansen's painting is almost complete, ready tor its next stage. One painting completed this year, Seated Nude, tinally draws the body together in one piece in a tentative union ol patchy colour. Another introduces a specifically male character, red and phallic, leaning tensely towards Katrine in her boat.

Despite the inclusion of some paintings which are not perhaps her most successtul, this mini-retrospective ol Lys Hansen‘s work shows her again to be an artist at immense courage and imagination, with an individual vision at the inner spirit. (Alice Bain)

Mary Edmond. Photographs 185.} 1908 by Alexander Mann.

I FLYING COLOURS GALLERY 35 William Street. 225 6776. Tue—Fri l 1am—6pm. David Evans Until 14 Oct.

Recent Watercolours 18 ()ct— 12 Nov. Paintings by Jean B Martin.

I FRENCH INSTITUTE 13 Randolph Crescent. 225 5366. Mon-Fri 9.30am— 1 pm and 2pm—5.30pm.

lnstallations17 Oct—l 1 Nov. An exhibition by Vera Szekely who uses kite-like objects to create a light and floatingspacc.

I FRUITMARKET GALLERY 29 Market Street. 225 2383. Tue—Sat mam—5.30pm; Sun 1.30pm—5.30pm. Licensed cafe. Bevenges ot Nature Until 20 Nov. ()nwin is a Scottish artist who lives and works in Edinburgh. This new series of twenty nine works reaches into the prehistoric past and looks many years into the future with man in the middle creating acid rain. toxic waste. deforestation in short a bringer of destruction.

I GALERIE IMAGES Raeburn Place. 315 2603. Tue—Sat 9am-5pm. Sun 2—5pm. closed Mondays.

Embroiders' Guild Until 16 ()ct. Biennial exhibition ofthe Edinburgh and South East branch of the Embroiders‘ Guild.

I GALLERY OF MODERN ART Belford Road, 5568921. Mon—Sat 10am—5pm; Sun 2—5pm. [D] Cafe. The gallery‘sjustly renowned cafe is open Mon—Sat l().30am—4.30pm. Well worth timing your visit accordingly.

Lucian Freud: Paintings 1947-1987 Until 16 Oct. £1 .50p. This fine. unflinching exhibition is now complemented by the GMA's latest acquisition. a double portrait of two men by Freud. It's rare that one of his works comes on the market. and this picture. considered inexpensive at £330,000. is the GMA‘s first Freud. On view in Room 12.

Neillands Bequest from 21 Oct. A collection of paintings, drawings and watercolours bequeathed to the gallery by the late George Neillands. The bequest

includes works by Maxwell. (iillies. Redpath. .‘vlac'l'aggart. Philipson. Wilson and Eardley.

I GRAEME MURRAY GALLERY 15 Scotland Street. 5566020'1’ue——I-‘ri I lam 5pm;Sat 10am—1pm.

Cnoc Na Maigheach—Hill ol the Hare 15

()ct ~ [2 Nov. The culmination of se\ eral years' work. this series of photographsant text by David Hatfield creates a sensitive portrait of the landscape and weather.

I HANOVER FINE ART 22A Dundas Street. 5562181. Mon-I‘ri 10anI---5.30pm: Sat 10a m---lpm .

Hanover has just reopened in a new basement gallery in I)undas Street among the New Town galleries. It seems like a very sensible move. making the gallery more accessible to browse rs than the upstairs rooms in Hanover Street which housed it over the past three years. The first exhibition in the new premises takes stock of artists who are regulars with the gallery. Until 26 October.

I HAMILTON AND INCHES 87 ( ieorge Street. 225 4898.

SilverJewellery by David Andersen t ‘ntil end October.

I HART STREET GALLERY 1‘) Hart Street. 556 706‘). Mon-Sat 10am-6pm.

General selection of paintings and prints. Framing service available.

Scottish Landscapes and Figure Paintings by Adrian Kingsley Plumb. L'ntil 22 ()ct.

I HM GENERAL REGISTER HOUSE Princes Street. 556 6585. Mon—Fri Vain-4.30pm. SCOTS in Australia Until end ()et. See also National Library.

I leA 44a George Street. 225 6882. Mon—Sat mam—5.30pm.

Stained Glass Mirrors by Liz. Rowley.

I KINGFISHER GALLERY Northumherland Street Lane. 557 5454. Mon Sat 10am—4.30pm. Sat l0am~ 1 pm; Sun closed.

Sculpture by Bridget McCrum t‘ntil 13 Nov. Sculpture is shown together with work by gallery painters.

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