ART (5’; EXHIBITIONS LIST
IWASPS STUDIOS1’.11111~111.111.11.11111111111 1,1111'1‘,..‘..‘.< 1:“) \11111 5.11: < .1111‘111 \\11111111~1.1\1\11
IWAVERLEYTAYLUR GALLERY” 11111\1111111111i\111'1'1.“‘“W 1111' 1'11 11.1111 1111111. \11 I '..1111 111111 AllatSea1 11111_‘\1).1 1\.1111’1~111'\ 111\111.1‘.\111\1‘11111\1.1.1111.111.111111111111'1111-111 1111111
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MUSEUMS
A selective round-up ol Museums listed first by city. then by venue. running in alphabeticalorder.
IBURRELLCOLLECTION1’111111kxl1.1\1\ 1(11.111.11~1V”1.‘1 \11111 \.11111.1111 ‘11111..\1111 I <11111 (\11e 11)} .\\1.1~.1111111111e.1\;11e1'11111'111'111w 1’11\\.111l1.111111111111\‘11111.1111111111111 IHUNTERIAN MUSEUM 1111-1 11111'1x111111 111.1391“. 1“1\\‘\ \11111 111
‘1 311.1111 511111541” 111.1111 111311 l'xt-11.1\.1\11111\ 1111111111111..1\111111‘11.1\.1 1111111111.11111111111-11111111‘11.1111\ 111-11 k111~1111111111\.111111111111111 .11111111~11 111\\11\11c'1'1111e11\ IPEOPLE'SPALACEMUSEUM111.1xeim (iiee11.f,‘71|l_‘_“~ \11111 \111111111 511111. 81111.? 1)l\.11‘1e11.1111'\\1\\
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I RUTHERGLEN MUSEUM R1111: 511111.111 ‘ 1H?~ \11111 \11 111.1111 \11111..\1111_‘ 511111 Centenary olthe BaptistChurchin Rutherglen 1 11111 < \11\
I SPRlNGBURN MUSEUM .-\_\1 81111-1 1.1111.11‘e1111115111111g11111111{.111\\.11\1.11111111 “u 1111* \11111 11111' l11.1111 “11111.\.11 111.1111 ~111111.\111‘..‘. ‘11111
Sculpture atSpringburn111111.1u1n11111 1111111 \111111e1111111 i‘l\"'. .11111111/1'111111111 111111111111111111211.1111\1V1nceniBU11811\ \1.11111111:111111111111.-\11.1\\1111.1113.11111.111 11111111111111111-«11111111:11x111.111111e1\1111\1111\\ 1111111'11111\1'11111
WorktThe Springburn Experience 184U»—1988.\ 11111:11‘1111e\111111111111111111111: .1111111.‘.11\1~1“11111111:1‘1111111111111\.11111 111.11'1111‘\.11\11111121111111.1111'11\111g111111.111e 111111111\.111111\. \1111111'1111111 111.1 11.11» ( )t 11.1111111111 11111-1101 111.111111111‘ \11111111111.1'11 111111.1se11‘»\\111'.1\\ 1111111\1111‘\111\\1111\1 1.111111111111 11\1111'11'111111111121111 .11111\1.11:11 111111111211111111111111. 1.1111‘111.1111x111111‘.11111111\ .11111.1111111\1:1.1111_1\1.111» 1111111111111111111 \11:1‘.'.11.111‘.111.i11111111111111-
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EDINBURGH
I CANUNGATETOLBOOIH1{11\.11\l1113.7_‘* 11:1 \11111 \.11111.1111 1111111
The People‘s Story 1111' \111\1'1111111.1\11e1'11 ex1.1‘111\?:e11111111.111-111exl11111111111‘ 1111111111111 11111151111111.111111111111:111111 \\1\:.i\.111.11111111141:1‘311111~::.11‘11\.11111 1.11111-.111\
IEDINBURGH CANAL CENTRE111111111'11111. f11.1111‘11\’11.111.1{.11i111.1:111:11 11*1 \‘uli.11111\111\1( .111.11(1‘11111‘11.1\11‘.‘1'1111\ 111‘1'111'111‘1111‘11‘1 11111111.111.11\1111'11'1111114111 1111;111\\11;_~:3111.11~1111111111111111111111111‘ \1\111~111'11111'1.1311111111\111.11\.1111‘t.11‘1\ 1111111 1111' 111xt1111. 111 1111‘ 11111.11
IROYAL MUSEUM OF SCOTLAND 111.1111111':\\11eet.:3< ‘11 \11111 3.11 111.1111 *1111‘..\111:_‘ <11111
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The Swordandthe Plough .\\111'1‘1.11 e\111111111~11\\1111'11 1111111101111'1’11.111ge\ 1111111::11111\11.\1~\\1~1111\\.11\.111111111‘11
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COCKURE
Richard Demarco Gallery. Edinburgh Blackisthe colourolDerekJarman's art. Bitumen black. coal-lace black. macabre black. black as the future. The paintings are small. chunky rectangles thicklyiced with his chosen pigment and embedded with objects heavy with import. Bibles and barbed wire. thick glass. dead wood, rings and bullets- Jarman‘sraw materials bringtheirown treightolsymbolismtohis kleptomaniac craft. His artistry (ilthat is whatitislcomes in subvertingtheir accumulated and easy associations.
An old tube of KY Jelly sits under a lens of tarnished glass like a reliquary. ltispinioned by shards olpaper inscribedto ottera new angle onthe apostles: ‘Matthew lucked Mark. Fucked Luke lucked John.‘ In another piece an Action Man is crucitied across a tiny rose—trimmed iont. Underneath a condom stretches its dead length in a grave otblackmire.
Astrequently-employed gold leal glittersrichlyagainstthe darkness of Jarman'spalette. soa lite-loving (ottenhomoerotic) glee shinesthrough eventhe mostserious comments made bythis show. Cultural imperialism 01 all kindsisdeplored—the American dream is shattered ina hailolbullets and rhinestones. nuclear power stations creep up on a clean. dark universe. a widow still shackled by her wedding-ringwaitstornothing—butit isheterosexism which comesintorthe biggestkickinthe pants. lnthe bluntly named Adam Hangs Up His Cock Ring. 3 mirror-in-the-bathroom is gratitti-etched with balls and a prick against which a wedding band nestles. Nearby its big brother. a deck quoit amongst rings, hangs rejected—that was quite a cock. (Julie Morrice)
ECTASIES I - XXII I):\\’11)\\'11.1.1;\T\IS
19111()et11her—18111November Tuesday—Saturday 12.0(k5311
43 Candlemaker R1111'.Iidi1111111‘g11
David Williams will give a talk at the gallery on Thursday 211111 October at 7.1)(1pm
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For exhibition details. see listings page
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" 7* 1. co PERS‘QNAL . 11115 1131 CLASSIFIED
1580. Bath St. Glasgow. 10'3331 2257.
LATE SUPPER
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