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m The Country Wile. I asked director, Hugh Hodgart, tor his motives in resurrectingyetanotherRestoration comedy. ‘We questioned how relevant this play was.‘ says Hodgart. ‘A lot otthe characters are very hedonistic and very tree withtheirsexuality and people‘s _. w w analysisisthatnow we‘re in an age > . 4’5 .' where that‘s not the case. I would 5 ' challengethat; itseems like thatthe general acceptance ol the condom and its safety meansthat it‘s actually liberating people‘s sexuality again.‘

Is Hodgart. then. tryingto give Wycherley‘s17th centuryrompa20th century message?

‘lthinkthatto up-date ltwould beto diminish it in many ways. The danger with modern productions ota 17th century play is that it becomes like an 4 extended joke about car phones and

cocktail dresses. That‘s wrong because

all you‘re doing as a theatre

practitioneris demonstratingtothe The Royal Lyceum Theatre has always audience how c|every0u are in

had The kind 0i regal elegance WhiCh "3 matching these two eras. What‘s really

A scene lrom The Miser. one of Hugh Hodgart and Gregory Smith's previous Royal Lyceum collaborations.

name suggests. So there were more clever is it you can genuinely

than a lew raised eyebrows when the understand exactly what the play is companyannounced thattheirtheatre saying.

would be closed tor a year of extensive ‘Then again, we're not interested in

relurhlShrhehlS- Lyceum lehsheed het creating a restoration cliche where WOTW. though. torthe auditorium WI” everyone is in wigs and white faces

remain UthUChed- MOSl 0' The work with black dots all over them. It you just will involve backstage adjustments to swim tor that rock you‘re never 90th working conditions which have had to get any turthee were payan due accountants.th DUthiSlS working in attention to the rules of behaviour in COhVened “Nets and hreem the text but we‘re recreating them anew eupheefds- There WI“ 3'50 he a tor ourselves. ltwould be dreadlul it broadening of toyers so that it is there was an agglomeration ol mine actually possible to stand comfortably and the actors‘ and everybody's with your drink in the interval. Restoration cliches. We need to

The restructuring means that the examine it again for ourselves so that company will betrekking all over it‘stromthen. buttornow.‘ (Philip Edinburgh torthe nextyear. They Parr)

haven‘t lar to go for the first play ol the The Country Wile will be at The King‘s season. though. as The King‘s Theatre Theatre. Edinburghtrom 25 October—3 , - . .. ,-.. lSlheVehue l0rW|H|am WYCherleY S Novemhef- Jim Davidson: alternative Anti-Christotcheekychappy?

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Anyone lortunate enough to have seen a production by the Lindsay Kemp Company will rememberThe Incredible Orlando. Having been a member ol the troupe tor 25 years or so. Orlando has developed an

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