oitiee.
TV at LISTINGS
FRIDAY 22
I Sumo t ( ‘li.innel J i 5 3H “pill lhree oi the ltitlx. llokotounii. lx'trixhtniti .intl Konrxhiki tell the xtori oi the \ltireh littxho. w hieh ie.ituretl the iirxt three-wax tie tor 25 ietirx,
I Rory Bremnertiitit 'jiii U .‘llpni. lrriprexxionx tintl httrnottr irorn Rot}. .txxixtetl h_\ eo-writeix tIIlkl per'iornier'x elohn Birtl tintl .lohn l‘ortune.
I Cheers l ( ‘h.innel J i ‘1 W St ipni \Vootl} nitikex .i eoxtli error with tin ;ttl\erttxtng hooklet. .intl ( '.it lti'x mother h.ix the ‘ttiniili tlL'dIlt tllL‘JlIk
IArenazThe OtherROCI tlilit‘ji
V311 lllfillprri R()(‘l heirigtlie Rituxehenhui'g ( )\ er‘xe.ix ( 'tiltur til lnterehttnge. ti pr‘oieet tle\ Ixetl lo. :\ITIL‘i'lL‘;tlt pop ttr‘tixt Roher't Rtiuxehenhtirg to promoteeo-oper'.ition hetween loetil .irtixtx .intl eitiitxmen tirountl the world. [he r‘exulting wot kx .ir'e xhow ii in It trtoelling exhihttion thtit will L‘tlliltlitttle in it huge retroxpeeto e llt \Vtixhtngton thix _\e;ir
I The Boys From The Bush: Mateship lllliel )‘l 3H 1“ Input More elown-untler tontiooler‘x irorn the Melhourne
( ‘oniielentitil tigene} Reg l 'l itn l le.il_\ i tlixetwer‘x th.it hix ()l’R Supporterx‘ ( 'luh lt;t\ gi h.ink htil.inee oi NIH l‘lilttntl the tr‘etixur‘er’ h;ix tlr’oppetl tle;itl. w ithout
le;i\ mg ;i elue to the originon till thee;ixh,
I Whose Line Is It Anyway? i ( 'liunnel all lllw‘ill llpm ('lix e Antlerxon introtltieex imprm tx.ition. r'eeortletl in iront oi ltil Ameriettn xtutlio tillkllk'llk'k' in New York I Roseanne l(‘h.innel ~1i lll liiH‘xtipmt
l);in tintl Roxeitnne htix e ittti xliopping tor it new heel. w htle lleekx eontinuex to tltite .t ho_\ her ptirentx ohieet to,
if
I Jonathan Ross Presents For One Week Only:AlejandroJodorowsky(Channel4i 11—1145pm. The ('hilettn director of ‘Stinttt Stmgre‘ tellx the ho} in the higxunx tthout Violence. religion and myxtieix’m. IThe Wrong Mantt‘himnem
11.45pm— 1 45am. Ali'retl l ltteheoek \enturex into Ktiikttexerue IL‘TI’lItiT} in thix xuxpenxe thriller htixetl on it true xtor}, llenr) I‘Ulltltt ix w rongl} tieeuxetl oi heing
tin tir‘nieel huntltt who held tip tin inxurunee
TELEVISION
'ArnoAv 23 i
I Grease II t lllK'l i “ \5llptn \\ ot no .lohn tIIlkl ( )lt\ t.i’.’ \ex er mintl. _\ou tlo get .\Iiehelle l’ietiier' in her iirxt mirror xeteen role lt‘x l‘lhl tIIlkI the Pink 1 .ttltex.intl l-lltrtlx .ir‘e htiek tit thlell l ltgli ltuxt .in l' riglixhnian t Miehnel (flit rington i to e;itixe tr'ouhle. tttlltng in lo\ e w tilt the elitet l’ink lath 'l liix ltiekx the /ing oi the ortgtntil httt ix tin enitw tthle eriottgli pieee ot huhhlegurn
I Rhythms Oi The World: Slim‘sJazz (lllleli \ \ Fllpm. .\ prompt trihute to Shut ( itiillur'tl. the i.i// legentl w liotlietl L‘JTllL‘i thixiettr‘ llte ( 'iih.in»horn xinget. eompoxer . guittir'ixt .intl pi.inixt w tix .i ehttrnpion hoxer‘. tlttneei .intl hornher pilot hetore tlixem ertng niuxie. tillkl .iniong hix tiehtex nientx w .ix the HM ention oi the in e language ‘\'out'.
.4
I4-Play: Say Hello To The Real DrSnide ((‘htinnel 4) lil ll.ll_<pni l)r Snitle rx.i ettt. tintl not iuxt .in_\ etit. httt the tignient oi owner .-\r'ehte lleekle'x.ileoholie irriiigintition. .'\le'ltlL‘ ll;t\ .i loi e lltllL' r‘eltitionxhip with the itntigtnttu e.it tittit worxenxtixhixtlrinkinginere.ixex t-\ tlixtinetl} w eir'tl titltlttion to ( 'lt.tltlte'l‘1'\ iiiitti\;tll\ e \ltle'ti\L‘.ixtiti. ITheCiiadelttitit‘ji tulti ll Sfipm Nothing to elo with the :\t.l ('r'onin ehextnut. thix ix :tnother iii the :\ll ie.in iilni xetixon. lt‘x ti trtigt~eornetl\ irotit .'\l\_1L'll.t ttikingtieontemportut look titxe\ii.il politiex in :i eountri w here pol\ gum} ix xttlltillowetl.
ITwin Peaksnitit‘ji trim lllllpnt Repetttetl tr‘oin ltixt luextlto .\gent (’ooper’ ix xttll in lititll‘le“ itlltl ( 'tither irie ttiteexloxie to pl;t_\ li_\ ltet tttlex
I Push The BoatOutilitit't l
lll‘l l l ,5llprn. \lote lllllx'lL'Itllk'tl xoiiritlx reeortletl oti the Renirew l~er l_\ .it ltixt _\e'tir"x \l.i_\ text. thtx week ie.itur‘tng .-\litL‘Ile‘;t'\ I‘ltlkllL’ l’uppetx. .tntl the tler'.ingetl punk tolkie l}llttilt Dog;- IAflerDarklt'hannel-1ill »1llprn l.ite Illtll ti tlo/en new guextx hitng their ettr‘ti-outxnlongtothexttttliotintlilelniten topietil ixxue oi the tltt_\ until either they or the entire .iutlienee ItlIl ;t\lL‘k'[‘
IThe SIUdtSeottixhil 15 Mini. Ste.iin_\ “(ix goingx-on .tx.|o;in(‘ollinxxttuxinxixter ,lttelx'ieix pteee til nonxenxe. ilti.itt ix I‘tllllltlilc lx'h.iletl. Ltlittllltl w tie ot .i l,eh;tnexe niilliori.iir‘e. hut h;i\ mg .i hit on the xitle in the xhtipe oi \ ir'ile. hgintlxonie ( it x;i}x here ) ’l'on} liltik'e l()lt\ er 'I ohi.ixi llx till treeountxthixtxxoeompleteh tt\\llllt it'x trlrrioxi wor'tliwatehing
IThe BitchlSeottith 4 45am ()hno. moreoi'thex;triie. with tlottn('ollinxhnek 2t\ I'HltlltlltL‘ Klitiletl xtirnpling the tlixeo high lite eriitwetl h_\ [thIL‘lL‘xx "lix rnilliontitr'ex exerywhere, .-\pptirentl_\ thix ix tilrnoxt tix httel iix I'ltt' Strut.
SUNDAY 24'
I League Football: Rangers v Celtic (Seottixh i 2 7-4pm l.i\'e eox'ertige oi the Old Firm gtime. onl_\ ti week titter'their eltixh in the Seottixh (up, \Vho xiiix l \' ioothtill ix tlomintitetl h} the ( iltixgiixx gitintx‘.‘
I Viv On Sunday ( Seottixh i 3 ~1prrr \'i\ l uinxtien prexentx .inother iii the ehtitxhow progrtininie w itli .i tltilereiiee
I Scottish Eye t('li.tnnel 4 i 5 5.3iiprn. _-\tl\ ertixeix like to puxh the itlett ot Seottixh w .iter heing tt'exh \IIlLl pure. hut in i.iet tnueh oi Seotlnntl‘x t;ip writer ititlxto meet the \Itlllklitlkl\ lttlkl tlow n h_\ the I‘tlitil‘e‘dlt ( 'ornnittnit_\ Illl\tlt‘elllilL'llIJU unetwerx the itiet th.it .ilurntniuni ixtitltletl to \\.IICI in mtin_\ pgtr'tx oi Seotltintl.ilexptte e\ ttlenee th.it it into he linketl to .-\l/heiniet‘xtlixetixe.
I Hog Heaven tt‘hnnnel ~1i5.3ll opin. \otliingtotlowtth pig—itir‘rningitint.txtex. tliix ix xtrietl} tor the gre.ix_\ lk‘ttlllCl .intl .lutl.ix l’t'iext PtllL‘liL'\ moh l‘he htggext tritittit‘e‘}e'|e‘ t'.ill_\ iii the worltl ltIIKLW pltiee iii the l’il.iek l lillx oi l).ik'ot;i. .tntl hringx togetliet .‘illllllllil l lellx .-\ngelx. \lotoreiele \ltininx. l)i'e;ini .\ltiehinex and the like.
I Scottish International t .x'e-oiikti i
r» (1,,“llplll. llitx ix ;i new eurrent illlttll'\ xliow . e\.itntntng inter lltlllklllttl e\ entx troni ti Seottixh point oi \ iew . xonietliing l) (' lliotnxori li;i\ e heeii tloing ioi‘
I Cocoon t ~\eottixh i 5 l5 kl 35pm Setenee~iietion hokurn tihout .ilienx returning to I‘.tl'1lt to reeo\ er .i xeetet leit on the oeetui iloot' eenturiex hetore \lennw hile ti group oi I'Ikllltltl ger'i.ittiex .ire hegtnntng to tlixetw er the retro enttttng proper‘ttex oi the loetil w titei'x. .-\n tinntwingentlingxpotlxtuninhle pettorin.ineexirom IllL‘illtlilllllCl\
I Naked Hollywood: Eighteen Months To Live 1 lilit ‘2 i Nil? NFFprn llie tloettiiietitnr’x xer'tex extirninex the role oi the xtutlio hoxx. ti ioh with titlixttnetl} xhort ti\ei;ige tenure. ‘ l‘lie iir‘xt thiiigxou tlo w hen _\oti heeoine pr‘exttlent oi ti xtutlio ix to negotttite w llttl h.ippenx w hen the} tire iottf x;i\x one u tie.
I Lovejoy: The Black Virgin OIVIadimlr tlSlH'l ih l5 lllprri. l.intlti ‘Sue l1llen' (irto er'opx tip in thix llNl-mtnute xpeeitil th;tt eloxex the xer‘tex. She pltt}xwetilth§ willow (‘tixxrintlrLtl ineh who htixheen eonnetl out oi LFlNHllHl h} it xktlittl :ii‘t iorgei l,o\eiiw . untihle to rexixt it tltitnxel in tlixtrexx. tinel it ehtinee to intike it hit oi tloxh into the htir‘gttin. eoniex to her tutl I The Media Show i('h;innel 4 i WUASpm \Vith ( ~uhti the lttxt htixtion ot Cold War politiex. tlitx itlrn lookxtittheC‘uhtin rnetlttt‘xpotentittl torhrtngingtihotit ehtinge. or Mr tleientling the status gun I Screen Two: DreamlnngBt‘Zi
lli—l l3llpni. A rnttxiettl itintax} iollowing it tin} in the lite oi unernploxetl A} rxhire teenttger'Sttmrn} \elxon. w hotlr‘ettnixoi exe.iptng ironi grim r‘etilit_\ \Villittrn \‘lellxtinnew wrote the xtot'i .tntl l_\rtex.
l )etieon liliie wrote the tritixie ~\ee [‘le'HC“
IModern Romancett 'ixtiiiiiel ii
I“ ll..<ll}‘lil .-\iiotliei tiithexeitexoi .»\inerie.ineonietliex. \lhert litookx’x \Vootlx .-\llenixli eorrite ioni.inee eontqr- \ tineurotteitlinetlitoi illtookxixtttigg‘lt' It‘lll.ll\e‘lll\lt‘l.tlli‘li\lllt‘\\lllllll\L'lllllle work..ititl.it the x.irrietitrie getlrtx low-hutlget xeienee lle tron nio\ te tii "le' .CEIebfaIIOIllht‘olttxlil to h it itipii: lhe intriguing xtoi\ ot photographer llll l’tige'xxenteh tor hix twoeolle.igtiex5e.iii l'l_\nn txon oi l trol i .intl l >tirtti \totte. ettpturetlot iriixxing iii t Qinil‘otliti ,‘ilxe.iix
IThatWeekanerusalemititit t.
lll.5ll ll lleni _-\tltiierentpitiittturiirre e\er\ tlto throughout llol\ \\ qekuxine tietorxtopeitorni their interpretitionoi the nie.iningoi the l t|\l‘e'l \ll‘l‘. lo' tliiierent eli.ii.ieteix ll.i\rtl l )L lxexxei xt.irtx the xeitex tixi .il.tl‘llil\. l Ili'll l’i text ot.ler'ttx.ileni ILaMerCruellett lLtIllk'l1 ll ‘llpnt lIlltilll ,\ l\ti\\.ittt llllll ,ihottt .l _\ourigrn.inttxtngtot.itxetlietlo\i.i\ tor hix
\I\Ik'l.\\\k'tltllllil lw l‘k'tlll tlti. iti:' liniortuntitel} . ti titttiiit‘. or: hour? xf‘ll‘ llllelellllllt‘ltlle'tillll‘lllt'llli‘ll‘xtlttlxlt‘ll
IThe CosbyShowri'hnnnel iii, iv illl‘lil
Repe.itetl xug.u‘\ eonieth iiorii tli:
\\ Cll-lti-tlt‘ l lll\ltil‘lt' ltt‘tlxe‘llt llll Eeek pl.uining.iMilliwetltling.ititii\ezxtiz‘. xurprixe tot (it.intltn.i .intlt ii_iiirlpz \eeueh
IHorizonrMeasuringThe RooiDiTheWorld (BIRCH lll ‘lpzri \li‘llllll :r ‘llltt\ l‘k-k'lllllk-llllllllllttlllk'k'li tiltttntitetixk.
lt\ex
xttllttt1.il 't‘il' 'tllltl
elilllllllli'ka‘l tiiitiiitlzt t‘. llori/on lookx tit new tut riotix il rn.ipping.intitrietixutiitgrut-'tittiiitx'ixtiu' x.itelltte teelirtolo__'\ .uiti iixl. lLJlI'.‘ ' lxl might in t.iet he the whirl-x l.llle ~l
IShrlnkSiSeiitttxl ".l"ll'.t' eottl‘lk‘. \iek tIllkl llcrin‘. \\ it: ill e
eonxttlttttgone oi the pi ql::
ll“ llipiii \
their xe\u.i| lttlll,l\l_'\~ .i' eontiol
When \tt k ilrexxiul 'ir- .i highwtix eop to ".iriext~ lle'l‘ll', \\ lieu. ll.‘\
tip in trotthle wttli the polite thtxxtuii'
ICutting EdgezThe Pick,TheShovelAnd TheOpenRoadairtime-l1w intuit \ttiiit l)ineen‘xiloeunienttiix lookxiit lllt \leNiehol.ixi.tniil\ iioirii oiiirti, \ltiw who li;i\e rri.itle it lt'llllllt' itozi; li; ,flill.‘ it; l’itit.iin'xr‘o.itlx lwerx "Hair lflr 1! (wet llHl.lH~llllllL.\tilllll
lill‘iriiilt' mi
()tltlx—on it'xone it w it iil.’ll
tr‘eneh grinning tit the lieuitl oi t‘int 'ltilllr met; I The Manageress it kitiimt ('herie lunglii'x tit-plettw‘
~1i lo llrriri tilil ll‘."‘. lii‘xj
lit titlll i'io:
promotion (it he tEit\ ‘xoiire-tliii . in
xotneone e\ er} epixt Me
t'xtiit
hixt.or the
hottntltogowtongi wiiett‘ieri goalkeeperturning lititlil elireetorxilogguti:theg'wurrti
IThe Celtic Film And TelevisionAwards (Setilllxltl Iii-1o l ironiiixe('eltteregiorixtoriipetetor .iw;ir‘tlxtn the litht eltit Illlt’llitllli i. ll
1 lllprn I'llill lllttlxe'f\
I'L‘\ll\.tl. with l‘ll.’e‘x i1\tlllitl‘lt' it: ‘-l u ettle‘ie'tille‘\
'l he l.ixt :3 \l.ireli »1 t\prtl lil‘ll 57