THEATRE DANCE

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Tf‘ DRAMA 5 SEPTEMBER Borderline Theatre

CASAN OVA by David Kane

DRAMA 6 SEPTEMBER Benchtours Theatre THE SPLITTING OF LATHAM

MUSIC 7 SEPTEMBER THE BEAT POETS

OPERA 10 SEPTEMBER Opera Go Round MARY STUART by Donlzettl

DRAMA 17 SEPTEMBER Pocket Theatre THE GLASS MENAGERIE

by Tennessee Williams

CABARET 19 & 20 SEPTEMBER Arches Theatre Co. NOISE AND SMOKY BREATH

COMEDY 2 1 SEPTEMBER ERIC HERETIC & JES BENSTOCK

DRAMA 26 - 28 SEPTEMBER Pen Name Theatre THE BEGGAR'S OPERA by John Gay

Box Office 0236 723887

52 The List 30 August 12 September 1991

63 Trongate Glasgow Gl 5H8 Box Office:

041 552 4267 Visa/Access Welcome

TAG Theatre Company SUNSET SONG

By Lewis Grassic Gibbon Music by

George 8. Billy Jackson of OSSIAN 27 Aug ~ 8 Sept 7.30pm

Black Swan BAGGAGE AND BOMBSIIELLS By Richard Crane Directed by

Faynia Williams Edinburgh Festival Glasgow Herald Critics Choice 1991

Tues 10 - Sun 15 Sept 7.30pm

Charles Kearney in

THE IMPORTANCE OF BEING OSCAR

By Micheal mac Liam moir Edinburgh Evening News “Capital Award" winner

Tues 17 - Sun 22 Sept 7.30pm

Tickets £5.50/ 9.50 (no cones Fri/Sat)

Introducing Post Show Discussions: Wed 4 Sept & Wed 18 Sept

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Cafe/Bars open 7 days

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BRUNTON THEATRE SEASON AUTUMN PROGRAMME

THE PLOUGH AND THE STARS BY SEAN O'CASEY 12 - 28 Sepf1991 Sat Mat 21 Sept, 2.30pm

TAG PRESENT SUNSET SONG BY LEWIS GRASSIC GIBBON ADAPTED BY ALISTAIR CORDING I - 5 Oct 1991

ALL EVENING PERFORMANCES AT 7.30pm TICKETS $15.“) (Full). £4.00 (Cones), £3.00 (Mats)

MARVELLOUS DISCOUNT PACKAGES AVAILABLE

ACCESS AND VISA ACCEPTED BOX OFFICE (031) 665 2240

7 Performance

I CHURCH HILL THEATRE Morningside

A road.2281155.

5 Dance Display Sun S—Sat 14 Sept. 7.30pm. The Janal Dawn School of Dance proves 3 its worth.

Classes I ASSEMBLY ROOMS George Street.

phone Dancer-in-Residence Tamsin Grainger on 220 4348 for details. An impressive range of classes for beginners. intermediate and advanced pupils in jazz.

tap, contemporary. mime, belly dance and

dance improvisation. £2—£3(£1—£2). Find out also about a number of classes run by Edinburgh Dance Projects all over the City.

I CRAIGLOCKHART SPORTS CENTRE 177 Colinton Road. 443 0101.

A variety of adult coaching sessions are available. including women's activity mornings. aerobics. fitness training and yoga. Phone the centre for more information.

I ELCHAT A variety ofclasses and workshops in creative and contemporary dance. for all ages and abilities. are

Stephanie Selley on 031 665 3711 ext 244 for details.

I EPWORTH HALLS Nicolson Square. phone 229 1071 for information. Spanish,

EDINBURGH

Spanish Dance Course Sat 17—Sun 18 and Sat 24—Sun 25 Aug. 10am—3. 15pm. General course £35 (£27.50) both

weekends or £20 (£15) one weekend.

i Advanced session. 3.30pm—5pm £10 (£8) both weekends. All levels are welcome to i join Madrid‘s Milagros Garcia Acuna to

learn or improve your Spanish steps. Booking through Tracy llawkes. 22‘) 1071.

I GRACEMOUNT LEISURE CENTRE 22

Gracemount Drive. 658 1940. (‘lassesare

held in ballet. tap and modern dance.

yoga. fitness weights. aerobics. self-defence. gymnastics. and stretch and tone gentle exercise for beginners. intermediates and over 40s. There is a free

creche available during some ofthe

sessions. All classes are held on a casual basis for£l.bt)(£l ).

I ST PHILIP'S CENTRE Logic Green Road.

phone Viv Brett 550 4743 for details.

Creative Dance for Adults Thurs S-‘).3()pm.

£2.50 (£1 .50). Open to anyone interested

in exploring movement. I THE PILATES CENTRE ISA 'I‘orphican

: Street. phone Jane Paris 22‘) 2868 for

details.

. Pilates Technique Mon—Fri from 9.30am. Sat from 10am. Priceson application.

. ,' l’ilates is a highly specialised form ofbody available throughout East Lothian. Phone

control which improves posture. strength

j and flexibility. Jane I’arisisa former professional dancer and this is the only elassofits kind in Scotland.

jazz. tap and ballet classes taught by Tracy

Hawkes. a member of Khoros Dance Theatre. resuming on Mon 19 Aug. £2.50 (£2). Find out also about her adult performance group which meets and performs regularly.

I ST NINIAN'S CHURCH HALL(‘omely Bank. phone Viv Brett 556 4743 for

details. { Creative Dance for Children Singing. . stories. invention. relaxation. circle

dancing and movement games.

TRIPLE BILL

Seen at King's Theatre, Glasgow. Giselle only at King's Glasgow until 31 Aug, and the Playhouse, Edinburgh 24—28 Sept.

It's a real shame that Scottish Ballet’s new Triple Bill will not be seen in the capital, but then if Giselle is as beautifully danced as Concerto Barocco it’ll be worth seeing.

Concerto Barocco, by George Balanchine, is a gorgeous ballet—such clarity of line and simplicity of staging. The ballerinas are delicate in their pale tunics, and perfectly rehearsed in the often very tricky counterpoint.

Vespri, choreographed by Andre Prokovsky, is a show-piece, bringing

the male dancers to the fore. Star of the show is unboubtedly Vincent Hantam

2 with marvellous elevation, quicksilver

footwork and a winning stage

presence. The choreography inevitably

pales next to Balanchine, even though

9 the sumptuous, gilded costumes add 3 some of the missing magic.

Troy Game is given its Scottish Ballet

premiere with much liveliness and fun. 3

It's an ideal way of introducing a contemporary dance element into the

and gaining the attention of young ballet-going supporters. A bunch of men in multi-coloured bikinis and

.. I knee-length socks show off in a macho ‘4 5 sort of way, making mistakes and

E tumbling all'overlhe place. They try

5 hard to impress, but it’s the camp play , that causes such audience hilarity in

the end.

In all three dances, the young

' performers demonstrate an infectious enthusiasm and almost spot-on

technique. But there is an absence of weightiness. The dancers are trained in the classical tradition with its emphasis on lightness left overfrom the romantic ballet—the ethereal quality that sets them apart from other mortals. The contemporary style, on the other hand, requires a totally differenttraining. However, itwill come with maturity and, in Troy Game, provides a more authentic African feeling reflecting its roots.

This is a vastly improved Scottish Ballet— a pleasure to watch. It is hoped that in the future they will be able to mount work that is more thought-provoking with equally exciting results. (Tamsin Grainger)

. programme,appea|ingtothe audience '