FILM LISTINGS WEEK ONE
l’alaII.e. Slew en Wright “I nnnx XIII“: III/II- Ill Itx Ian-\tale tnIIII. \\ ItlI all the expeeteIl Ingztetltentx tlIat IIInIleIn elnlIlten'x anInIatetl lealIIIex enntatn talking aInnIalx. lIlantl lItIt etIle lIeInex. nnIxIeal InIItInex -\n ex ll nIagzteian eaxtx a xpell nn a IIIIIIeexx. tInnIng lIeI Intn a \\\ an. And an} tIlnI tlIat leatnto l’alanee timing a xnnj..' LIIIIL'II ‘\n \Inte \II \tee (Ill'V. ltax In M \\IIllll a \ IxII. StIatlIeIIIle' (‘annnn
I Taxi DriverI l.x'II\l.IIIIII .\;I'l\L'\C.I S. IIIVII lx’nlIeIt lle \IIn, ( ‘:.lIIll SlIeIIlIeIIl. JnIlIe l'nxtet. ll~I IIIInx .\n alienated l.l\l IlII\eI Ill \e‘.\ Yntk Ix xn IeIIelleIl ly. the xIIIIalnI and the mural Ileea} atnnntl llllli that lie Ix tlll\ en tn lt‘llll‘lt' \ Inlenee. (lne III the Le). tIIInx nt tlte Sexenttex \\ llll tlIe Stntxexe-lk' \IIn |‘.Illllt‘l\lll]\ at Itx peak. lutltnlnngrli' till]! I lillltl
I Tess I l’( I Itlx’nnzan l’nl.III\l.I.l KIl‘Iante. l‘,"“lI \axtaxxla KInxLI. l'etI'I l'lllll. l etg'lt lxnn IRI'I Illlllx SIIIIIIIIIIIIIIx aIlaI‘talInn vi
1 lInIIIax llaIIl}. 'x tIajJI. xtnI_\ nl lll laletl Inxe xet Ill \Igtnttan l'IIj'lanIl ultete xn. Lil . IttttnIxtantex tnanIIt.‘ xx IIlI nnlntxccal‘le IIIlenItnncx In IIII‘alI tlIe xpntt nl .lll Innntent lIeInIIIe llantlxnnte. exnt .III\I' .InIl .llNIIll‘IIIIL ‘.\Illl .I IIIaIxellnIIx Ix‘tlnltnanee llI‘tlI \ls KInxlI l.IlInlItII;'lI l'IlIniIntIxe
I That's The PointII'I i I IIIIII lillxllllI‘I ( II... \le\Ien. l‘l-Il'I ll.‘ tntnx (IIIIIIIIllax. the IIInxt lantnux .nnne aelnI nl lnx Ila} In the \IIantxlt l.tIIj.Itl.t“.'t‘. I‘la} x .I xtteet‘.‘. IxI' tinkxtet ‘n. lIn ltl.ex In Ilellate I‘I‘Illilt‘li\ lll.‘lt:ll.' l [I In ennII. be ex en It'tlti;ex lll.‘ III-If}.- tn lll\ xezlul nnnxettxe I’lt‘L t'tlt'tl .t I.Ill. I'll lllL' ( lix .\II‘\I.'.lll
\L'JH-Il (Il.I\j.'II‘.\ (III
I The I lNIIlIIltII ('.II|K‘IIIL‘I.l S. l‘l.\.3I KIIIt l\".l\\t‘ll. \thlnttl lltnnle}. l).I\ IIl (‘lennnn ll!" Intnx .‘x IentIxtx nn .III \ntatelt.‘ l\‘\t‘.llell xtaltnn lll.l‘.\ nut an .lll"ll I Ieattne .ll‘lt' In Il1.III;'e Itx xIIape anIl linttIlIl‘. nIaIIleI litnnanx l\ll.tI'ltl|ll.ll_‘. I'tle. tx lll tlIIx tenxe xlIneLeI. \\lll\'ll nttlIxex tlIe I’enttal g'IInnII. II lInIn tlte IHIlelIJl xltntt xtI‘If. Ell .: '.‘..l_\ H..- 1"‘l \etxtnn IlIIl nnt (Il.:xj.'n\‘.. \lt E\l l Iltn t ‘I'ntIu
I The Three Musketeers I l'( i \lI‘IIIII'Il III-III. IVS. l‘l‘l 3i (.llllx I II li‘llllt'll tliatlte Sheen. ktelet \tItlIeIl.I:I.l IlluI-I Hall I- l). -\tl.Ij.‘!‘..In Ill llI tittell' l.'.tllI\ I;I‘ till .I ltln III
"I nnnx \nttngi
the hay x 'I-leyziattl .InIl tnyctltgi Ina". ~.I nIIt In \.I‘-.‘ lllL'
IIInI‘I.tI.'} xnnjr Il'e an t:.lI.-x tlllllr. tlIcII tIll .IIIII
lnIlIlieextlt'atttnal l\’l.ll\'llt’1l-\l‘l.IiI-.
Iln \'.lI..t li'IlI .entznj. llt'li. l! listncx l..I\e In Iln
I‘lll‘lt'lt'lllh‘lh taltte l-‘l IIInII:-_\ L'llli‘llJlllllIt'lll
ll‘..tl lIeaIx .l Ixtxxznf l.‘\.‘llil‘-l.‘.l‘...‘ In .I IIII'II-l lv.
FROM FRI 23 FEBRUARY FOR TWO WEEKS
Trainspotting.
(18) 12.35, 2.45, 4.55, 7.05, 9.25 & 11.45pm
LE ‘\‘l I N G
LAS VEGAS
(18) 1.05, 3.45, 6.20 & 9pm
WITINAI. &I (15)
1.10, 3.40 (both not Sun), 6.15 & 8.55pm
SEE LISTINGS FOR LATE NIGHTS AND MATINEES
CAMEO
34 The laxt 33 l‘elI-7 Mai WWI
I :\le\antlte l)tnnax. ('Ilaxgnu. .\I(I.\l l’aIkIIeatl
I I To Die For I l 3 I ((Eux' \'an Sant. I'S. l‘)‘)3I \Ienle KIIlnIan. .\Iatt lltllnn. Jnatltnn l’lIneIIIx. l0~ nIInx ()I‘\C\\L'\l \\llll l'\’ lame. Suzanne IKtIlnIanI takex a InlI ax a \xeatlIeIgIIl \\ llll lIeI lneal ealIle xtatrnn. Illlt tIxex her pnxttinn tn llL‘L‘lll It tlne mental} nn nInIleIn )ntttlt And IIx'ex lIeI xIIlIIeetx In IIIIle. nll' lIet IIIleIanII IDIllnn I. a hall and elIaIII aInIIIIIl IIeI anIlIItInnx anklex. \'."n Sant'x nltnnatel} Hague xatne nn tlIe IIx_\tlInln;.:Ieal pmer nt l S IIlL'tIIJ IxtI't a ne\\ xnlIIett. l‘lll lIIx lIeatIIIeIII Ix enlneneIl enanIleI.‘Il\|jx In an e\.‘elleIItl} ItIIlgteIl III-IlnIInanee II} Knltnan. \IlIn'x lIengnnIng' In \llI)\\' lIeI IltlL' l‘ntential ('enttal‘ \IaeRnlIeIl
I Tommy Boy tl’(i I It’I-II-I Segzal. I‘S. IIIIISI (‘lIIIx little); l)a\IIl Spade. RnlI l.n\\ e 07 nunx 'l'lIe IIanIlaI lItIt \\nelttll_\ Inadequate IUIIIIII)‘ ('allaltan Il‘atle} I IIIex In xaI e lnx Ilatl'x (ltlIU [1.Ill\Illlllllt‘llllllx \xeaxell) xIeplIInIlIet and the lIanIIx 'l'lIeIe'x xnnIe anIanng' lllIL‘ll‘lil} lIetueen l'aIle) anIl xII;II;:lIt Inan Spade. I‘lll Ilnx Ix tlIe lantext Salim/III Nix/:1 l..".I' xptn nll _\el l.IlInlItII;:|I: .\l(i.\l.
I Trainspotting t l.\'I I l )ann_\ lint le. l'lx'. I‘l‘lfiI lixxan .\le('IIe;.:nI. Ii“ en llIenIneI. RUIK'II halide. Jnnny l.ee \lIlleI. “3 InInx JnlIn llntlge‘x' xeteenpla)’ pet Ieetly eaIIttnex the Ilexpetate lItItnnIII nl' Il‘. Ine \Velxli'x Innel. keeping the eptxtxlte xtIIIetIIIe nt' Innkte \eenm tnI tlIe lIIxt hall. lIel'nIe enneenttattngi InnIe nn lx’entnn III l.nntlnn III the lam xtayex lin_\le'x Ilneetinn Ix l'axt antl \l}l|\ll. tlIe xnnntlttaek Ix [Int tn eteatn e nxe III a \\.I} that \‘IIIIlltl make Sentxexe I‘ltllltl. and the aettngz Ix nll tlie Iailx euellent, .\ eIneInatIe lIlaxl l'InnI beginning In enIl. \\ lIIelI alxn \Iln“ x a entnplm and true nntleIxtanIlIng III the line and latal ennx‘eqtteneex nt thug-taking. See Ie\ lt'\\. (ienetal Ieleaxe.
I 2001: A Space Odyssey I I 'I ISLIIIII-I Kuhn-L. [SI 'K. l‘th) Ken l)nllea. (iat) l,I\’l.\\nnI|
Ill Intnx (‘elelnatetl \Ixtnnai} epte .‘Ilmttl tlIe lll\IIIl:~ aIIII t'tIttne nl the human Iaee. xIIpeIIIl} eIal'IeIl anIl Ilneetetl II} KIIlIttt‘k. ll neele the lug \eIeen In I'ln teal Inxttee In the I.llllIIllx erItIeneex nn IlIe Ile\elnpntent nl man and the lanIlIngt nl IlIe lll_\ xteIInux InnnnlIIII tlne nt tlte gtleat L'l.:x\l.'\ IIl liltklk‘lll eIneIna Sttatitelttle' l (‘l Izaxt Klll‘lltlL‘
I The Underneath I Hush-ten SIIIII-IIII-Igzh. l'S. l‘)‘l3I l’eteI (lilllilflllt‘l. .-\lIxnn lzllInt. William l'III.‘lIeI. ‘lU tlilll\. \VIIIle ntlteix ate IexnIIeetIngz the Mill nnII. Smletltetgll nlle Inxteatl lnI \\ll;ll may lie the laxt III the gzIeat eax'li lIeIxt IIIn\ tex l~nIIneI eatnlIleI (Iallagliet Iettnnx tn lnx |InnIe lII\‘.ll. \lll\ up tenxtnn hetueen lannl} tllL‘llllK‘h and nltl ln\eI\'. tiIen gtetx lll\tll\L'tl In a \L‘L‘tllll} \an InhlIer. 'l‘lIe xlIIttIng tInIe l'IanIex xtiggxxt tlIat nn nne Ix' \IIllIng tn taee up In their IeprIIIthIIItIex III the IIIexent. ax all Inntn ex and III);llllL‘\ lIe beneath the xIIIl'aee Image. .-\ tight and e\ptesxtnnixtteall} xlInl little lllllllt‘l. See Ie\te\\. litlInlnngle: liIlInlIntIxe.
I The Usual SuspectSI IxI I III};ttt XIII-gm. I‘S. l‘l‘l5) (ialIIIel ll)llit'. Km III Spaee}. Stephen Bald“ In, l0(I nIIIIx llIeIe‘x a grnnII xenxe nl nnn l'atalIxnI hanging n\el lia' ('Ian.‘ VIII/III I'I. \IlIielI Ix gttexxtn; game I‘InenIa .II I lth. \ [\‘Il‘eetly nIatelIeIl team nl etnan tll\\'Il\L'| that then .‘IIanee meeting: \\.Ixn't xn I.tlltlIllll alter all' the} 'Ie being: ttxetl III .III InlIIeate \eIIIleIIa II} leg'entlatj. g'angxteI l‘nxx Kc}er \nxe .\n xleIIxII. ‘III the ltIIltt‘tnIIx nxe nl l’eie I’I‘\llL'I'~‘x.lllt"\ . ll.ll.lelt't
.t xenle a tingle IlImn tlIe \I‘IIIL'. l
.Iltnnxt IIIIIleInIInex II all (Ilaxenn (ltlenn l'.I|IIt|IIII;:lI‘ ()Ilenn I War or The Buttons I t’( 'I I IJIIIIII IIIIIII-mI K.
l‘l‘ll I I'nlnt .\Ie.‘Inej.. (next; I It/eetaltl. .lnltn
("nlle_\ ‘H IIIInx llIe II\.I|I} lIeIueI-n l\\II
\ Ill.Ij._'ex In the \nntlI ‘.\ ext nl lIelanIl Ix taken up In I'lIIlIlIxII xknnnxliex lIetueen lngal x.|Innll.Ile. IIIII xnnn tlIeII l‘.llllL‘\ exealate (‘nlIn \Vellantl'x erIIItnn/exlIIxII.l1.nnI.nI.laln\enl.lIIlIllInnIl, but the lt'[\‘llll\ e xtttI.’ltIIe III-yinx In \Ieat Illlll l'Ite: \I(i.\I
I When Saturday Comes I l SI I \I.ll l.l (iIL'\L‘. l'K. l‘l‘)5I Sean llean. l Intl} l lnyl. l'ete l’nxtletlI\\aIIe ll'III nnnx lx’eal lite Shellteltl
l ntteIl Ian Bean I‘lajIx a \‘.IIIl\lll_‘.! . laxx la.l \\IIII IlIeanIx nl' lea\ In; the tattnt} an.l taking: In the lIelIl \‘-llll lIIx lIIIIllLIlllllg' lIeInex llnt lllt‘ Inp'lil IIelnIe IIIx lug: trial. he IIInux lnx \ll.tll.'t‘\ \\lIll a xexxtnn nn llIe I‘IlU/L' \\lIIi lll\ Inatex l.\ e1} elIelIe III the lInnL. and .l lexx Innte IIexIIlex. [Int III an appeatanee In tlnx xnteei xtalI .ll II’III ét ll'x L'lllt‘lltlllllll}! ennttgli. lInI Iltetex alxn an nIII taxlIInneIl leel. .Ix ll tlItx xxax .l ISIIIleI 'I' 'x piece. nnl a IIInIlIIet nl tlIe l’IenIIeI leagzne See Ie\ Ie\\ (Ilaxgnn‘ ()Ilenn l.IlInlIIn;.'|I ()Ilenn.l ('l linIIleIx: l’aultnn StI.IIlI.'l}Ilt' I (‘l\
I Withnail & I I ISItllInee RIII‘III\IIII.I K. l‘lSSI l’anl \IL(i.lIIII. Rteltattl l: (‘IIanI RnltatIl (IIIllItlIx l0." Intnx 'lxxn nnt nl \Intk .I.InIx
\lIl\ l\ lllj; l‘ltI‘) l.nnIlnn grin xIIIIalI-I taLe a Meal. III a |‘lL'lI|lC\t|llL’ l.al.e l)IxtII.I .ntI.I_-.:.‘. I.\ here nne nl IlIenI xttlletx llIe attenttnnx nl tlIe .Ig'I-Ing' lInInIIxeuIal Imnet ReaxnnalIl_\ entertaining: ltIItleI ennIeIl} ‘x\llll a lenIleIIe} tn tel} nn the all Inn eax) t.‘n;.‘etx nl tlll|_‘,' l.Il.lll‘,' and ya: \teIentHIIng lIII Itx lntntnin (Elaxpnv. (Ilil
l.tIlIIIlllI:,_'ll (IIIneII
FILM
WEEK ONE Friday 23—Thursday 29
Readers are advised that programmes may be subject to late change at any time. [D] indicates that wheelchair access is available, though prior notitication is advisable. [E] indicates the availability or an induction loop tor the convenience 01 hearing aid users. Film Listings compiled by Thom Dibdin.
GLASGOW CINEMAS
I CANNON 380 (‘lat'kstnn Rnatl. Mtiit‘entl. (I37 3(I4I. £3.80 I£3 hel’nre Spin). Student: £3.20. (.‘lIiltl/(Ml’ £3.
1. Jumanii (PU) l.l5ptn. 3.40pm. (I.l3ptII. 8.45pm.
2. Trainspotting I IS) l30ptn. 3.4.3pnt. 6.05pm. Sfifipm.
3. loch Ness (PG) lpin tnnt Fri—Sun). 3.10pm. 5.30pm.
Heat ( l3) 7.35pm.
A Little Princess III III Sun nnl_\'. lpIn. I CITY CENTRE DDEDN so Renl'ielIl Slt't‘el. 333 34 l 3 13-1 lItItII' lllllt) liltt‘l ()lx13 (I93 34 l 3I. liar. ll)! screens 3. 3 and ‘1. £4 (£3.35 ITCIIII'L‘ 5pm). SttttleIIt/l’ll-Ill: £3.35. (‘lIilIl/(lAl’: 3.75 (£3.30 lIet'nI'e SpInI. Supet'tnt' seats tnn enneessinnx): £4.50 (£3.75 ltel‘nt‘e Spin). Advance hnnking nn Access/Visa/Switeh ltntline: 333 USSI and at lInx nl’liee lI'nIn llanI—7pni. Trainspotting I 18) ll.|5atn Innl Sun). 1.45pm. 4.1.3pnt. (IJSpIn. I). ISpnI IQ late. Jumanii (l’(}I l3. lSpIn. 3pm. 5.4.3ptn. 8.43pm.
Sense And Sensibility ItII l..3llptll. Slfiprn. 8.30pm.
Loch Ness IPUI lpm.
Father 01 The Bride 2 (PG) 3.30pm. (Ipnt. Seven I IS) 8.45pm .& late.
Babe (If) l.l.3pnI. 3.30pm. 5 45pm. BravehearttISM-15pm.
See alsn (ilasgnw l.ate.x.
I DRDSVENDR :\.\'ltlt)It lane. llIlllIeaIl. 339-1398. £3 (£3 lIel'nI'e (I.3()ptn and all day Mnnfl‘ne). (’hiltl/UAI’ £1.00. Seats can he hnnkeIl int last evening' and late screenings. llnx nt‘l‘iee npen llanI ~7pnI. 1. Trainspotting I IS) III/Sat: 1pm. 3.l.3pnI. 5.30pm. 7.45pm. lllpnt; .‘ItIn-5l‘lntt‘x 3. ltlpni. 4.35pm. (I.~15IIIII.
‘lptn.
2. Jumanii Il’(iI 3pm. SIIIII. Spin.
See alxn (ilaxgnw Latex.
I 33h Satleltteltall Street. 333 503/05 l 3. Ion lIaI'x. £ (£3.30 lIet'nt'e SIIIIII. SttttlenI/( ).-\l’: ('lIIlIl: £3.80.
Casino I IN 3. ISpnI. 7.3.3ptn. Trainspotting I IXI t. 15pm. .I. 8:13an
A Little Princess Il') l.30pnt Il‘t'I-Sun nnly). 4.50pm t.\lnn -'l'lItII‘.x nnl} I. Heat I IS) I. 13pm (Mun Tlnn'x' nnlyI. 3.45pm tint-Sun nnl} I. 7.30pm. Desperado I lI\'I l.l0pin t.\lnn 'l'lttn'x nnlyi. 3.3.3ptn. (IpIII. 8.30pm. Loch Ness (l’(iI l.l5pin. 3.30pm. (Iptn. Leaving Las Vegas I IS) llUl 'l‘lnn‘x. .\‘.3Sptn.
Babe (l‘I III-Sun nnl_\. l.l0pnt.
I MGM PARNHEAD The l‘ni'ge. l’at‘klteatl. 550 43S3 :\eeexx/\'I.\a l‘ItIIIkilng. (ls-1| 560.303 34 ltntn' Inl'nt'ntatinn line. ll)l. [Ii] tset'eenx l. 3 aIIIl .3 I. £-l.l0 I £3 lIelnI'e (Ipm Mun III and -Iplll Sat/Stun. Student: £3. (,‘lIIltl/().-\l’: £3.00.
Trainspotting I lh’l I3. IIIpIII. 2.25pm. 4.40pm. 7pm. ‘). l0pIn & late.
Casino t lI‘iI l‘I'i/Sat: 13.30pm. 4.30pm. Spin 8: late; Sun ’l'lInI's: l3.30pin. 4.50pm. 8.30pm.
Sense And Sensibility I t l) l3.30pnI. 3.30pm. (IZSpnI. 0.30pm IQ late.
Jumanii Il’(}I l.l3pni. 3.3.3ptn. 6.40an 9.30pm Ik late.
I30 £3. III.
35pm. (Ipnt.
Heat I IS) ll.3(l;tlll. .3. l5ptn. RIF-pin. Loch Ness Il’(}I l._3(ll‘tll. (IISIIIII
Father 01 The Bride 2 Il’( ii IIISIIIII. ‘ll‘ltl. A Little Princess Il'I ll.~l5ant I l-ti .\'ttn nnly). 3pm. 4.30pm.
Seven I IS) (I35ptn. 0.35pm IQ late.
Babe (U) 3pm.
Saturday Kills (‘lnlI I£ l I;
Batman ForeverIPtn lllttlll l3.30pnt. See alsn Glasgnw latex.
GLASGOW FILM THEATRE
l3 Rnx‘e SII‘CL‘I. .3 33 \ l 33 (Htlt‘dl‘at' nt‘t‘tt nnnn ()pnItStIn: 3 ‘lpzn‘l :\ll pet'l'ni'tnaneex lInnltal‘le. [II]. It I. Malineex' £3 tennex £3 I. l~'\enIn;.'.x £>l tennes £3 except Sat exenine I. .'\ll tlttlll‘lt' lnllx evening l‘l'!et‘\ apply
FRIDAY 23
1. Babe It'I I..IIII~III.
Desperado I IxI USIIIII. (II‘lll. .x'..=I:~pIII, 2. Withnail 8: I I lSI 3. 30pm. (lrlfilllll. Madagascar Skin I 15 I I-ISI‘III. ‘lptn. SATURDAY 24
1. La Belle et la Bete I |’( '.I 1.45pm. DesperadoI I.\I3.~15IIIII.(IIIIII.8.30IIIII. 2. Withnail & I I IS) 3. 30pm. (I-IFIIIII Madagascar Skin I l3 I 4.45pm. ‘lpnt. SUNDAY 25
1. Ed Wood I ISI .llltl Glen Dr Glenda? ISI 3pm.
Desperado I IS I III‘lll. .\ 30pm.
2. Withnail & I I IFI 3.30pm. 0.45pm Madagascar Skin t l3 I -l.-l5ptn. ‘ll‘lll MONDAY 26
1. Desperado I IN 3pm. (It‘nt. .\ 30pm 2. Li" To The Scaltold I l’( i I l30pni. Madagascar Skin t IFI 3.45pm. 5 45pm. Cronaca Di Un Amore I HIT-15pm. \I. llll ,xennnat'.
TUESDAY 27
I. Desperado I |.\'I 3pm. IIIIIII. 8.30pm. 2. Cronaca Di Un Amore I ISI 1.30pm Madagascar Skin I ISI HSIIIII. ilsl‘rlli. LiIt To The Scattold Il’( I‘- Sl‘nt. \\ llll illIl'tltlllClltIll.
WEDNESDAY 28
1. Desperado I IxI I..‘xIIpIII. .x 3ilplll Madagascar Skin I l5 I l, I SpIII. tI mm 2. The Cabinet or Dr Caligari l’( ;. 3pm. NJSpIn.
The Actor’s Revenge I l’ti RtfipIII. ‘.\ llll
THURSDAY 29
1. Desperado t ISI 3pm. (It‘ln ‘ ‘Ilpnt 2. Madagascar Skin I 13' I 30pm. =.I<_I\II; 9pm.
Anchoresst IF’I 5.45pm. \\ llll Iltxettxxtnn
W
CITY CENTRE DDEDN Rt‘llllt‘ltl SIII-I-I. <1: 34 I 3
Fri 23/Sat 24:
Trainspotting I In ll .ISIIIII
Shallow Grave I IN: Halsptn.
The Usual Suspects I l.\‘I ll .ISIIIII The Exorcist ( Im new“
Seven I lSI l 1:15pm.
I DRDSVENDR .-\xlItnn lane. 330-1395 Fri 23/Sat 24:
1. Trainspotting I l.\'I lllptll.
2. Shallow Grave I th III 3llptll.