LISTINGS ART
Exhibitions are listed by category, then alphabetically by city and venue. Please send details to our otiices at least ten days before publication. Art Listings compiled by Kelly McMenamin.
I ART EXPOSURE GALLERY I‘) I’ill'lllt‘ Sheet. 5‘: ""9 .\l«iii Sal Il.iili (\piii, Glasgow Art Teachers l Hill :3 .~\pl', Ilixl‘!ii\ l!l‘,' Illt‘ i;;,i'-.iiii Illill ‘iIiiix-e “llt‘
\.III i \il‘. 'k.l\i:.
.iie illl\ t'l'iiilp \‘l leiielielx .iiiti leeliiieik fiiilt: the (il.i\;_'ii\t ,iie;i. it!\l'\i\llli}_‘\\1‘l'f\ I‘\ l‘i; llilllIl-\I\llIL'il I’elei‘ \lllilIIlI. p;lllile'.'. [‘llllc‘ll‘dl .ilitl \iiigc‘iI \i‘ll"\'.l".i\'i'
The. Art Exposure Open SJ! - \pl
\l.i\ \z: .I‘J-tli I 'x‘.fil§‘lll:' e\IiiI‘:liil:i. 'It\\\
IS
i.i lI\ twill \ _'.i:. fe iItlllll'J \iIlJli \xiii'kx I\} III I‘I \xliieli L'.lll I‘e
l‘iiiizjlii Iii! 'filtlt‘l Li‘lll. \iM‘UII \l‘.\\\'\.
geiali'itx ill! with. 1;" it-\\.i'llei'§ .lll\l \eizipliiic I ART GALLERY & MUSEUM.
:Z‘I “(illll .\llili Slit IIIJII‘. 5pm. Silt; liltill Spill, (Kile [ll]. \'iiliiiil.ii_\ g'iitiltw .iic .l‘..l‘il.ll‘It‘ liee ul- ell.ii;'e iii t'witltiti i‘.llIIt‘\ iiz' lIItIl\ itlii.iI\ It‘llllil ill-c l':;'.IZ'. 'Jtlll'fil'lt“ \x'k M the t'iitpiii} thxlt
St Kilda Explored l'iizll -15 -\ii:_'. '\ l.l\\lll;llllIfJ hull, .ll Illt‘ I\i.ill\l iii Si Kiltld. xxhit Ii \\ ,i\ n .it ll.'.It‘tl ill I” W. ;'\I‘Il‘l'lll:.‘ ile ii.ili:i.:l .llltl x'IIIIllIJl uniltl «i: the land .tllll !I\ iiili.ii‘il.:i:t~
I BAR TO '“ \Izitlieil I ,lllL‘. .‘II S ‘5 ‘\ \Iiiii Slit Ii.iiii 'iiitliiiz'lil‘. Sill:
lipill llillllli‘_‘IIi
10 People I 1ll‘.l " \Iix \ppuiiiietl Ii_\ llie H‘.\Zl\‘2\ ii! Il.:i Ill iv e ipliii: llie \tlllt‘tl .iiliiii~pli.'ic .i:i.l t ilczilele ill the place. K.llt‘I)IIIIIIZII1‘IlilII.I\I‘I'l‘tIIIL‘L‘tl‘l ‘plililiig'iaplilc‘ \‘t'It‘I‘lJllilll til .i I‘;ll. lI\ lI'It‘IlllA .lIIxI 1 mitih' Sn gjii .iliiii;.' .llltl (incl-M '.l t‘uilltl I‘c }t|li.
I ROGER BILLCLIFFE FINE ART I ll liltiiiv.i.mitl Slit-cl. 1‘: Jill". .\Iiiil l'll
" itLilli ‘ lllpiii. Suit I‘Liil‘. Iplii
Mixed Exhibition l':iiil 2‘ -\pi Reeeiil \\l‘Ii\ I‘.\ .l‘.‘-.l!\I-\\ iiiliiilp \\.ileieiiliilli'i\l \ieliiiin (\ixxitl}. .iiitl p.iii‘.liii;_'\ illitl iiitiiiiilxpex Ii} .\Ili;iili .\le( ilegtii. I‘UIII iil~ \\.liiiiii .ile gitltlilalex ii! (il.l\g_'ti\\ Seliuiil ill \il -\Iw Ull \liim. \Klll'lx I\_\ Archie McCall Ile.ltl (‘I ('ei.liiile\ ,ll (iS:\. .IIlkl gluekx .lIItl ‘.‘..ilel‘.e~ Ill.lil‘\‘ l'iiiiii .i \\I\IL' .|\\Ulllllt'lll l‘I Ill.lI=.‘lI;lI\ It} Marianne Forrest
Maytest Exhibition mi 3" ,-\pi IN .\t;i_\. \e\\ \lllJll unit“ paintings Ifix Peter Howson. inn-lieu iiiitl \ll\ei'\iiiilliliig.' Ii) Wally Gilbert ,liltl \xiiiitleil \exwlx I\_\ Hayley Smith,
I THE BLYTHSWOOO GALLERY l1 \\.1\I‘.!I‘:§IUII‘SIIL‘L‘I..3”1:u_”, \liiii I'll Ill.:iii ‘plii. S.il I'lilii Ipiii,
A May Festival Exnibition l'iit- :1 .-\;‘l m Mix '\ L'Hiit‘elltlll \‘l St'iillixli [‘.llllIlllf_'\ tirltl .ii,i\\ llt;'\ In I§I.iek.illtleip IIH'lie. (Xiilell. ( ‘iiixliie. ( illIIk‘S, \I.iel'.lf_'j_'.lll and null}. mail} iiiiiie
I CALEDONIAN UNIVERSITY (ieiiige \Imlie Iiiiiltliligj. ('ti\\e,itlileii\ RUtttl. 11“ Ji ‘~\ ‘Liiii Sl‘lll
Embroidered Chairs l'nii! 1 .\l.i_\. lllIllc‘llIL‘ kiilklk1‘l\‘IIiliiI\I§.\I;,'ll\l‘> \l.lI\.‘Hllll ItkililCJkl. \\UII\\'\I I\} the IztIiliI‘lllin I‘liliilllltlk'l\ (ILIII\I.
I CATHGART GALLERY l l l (‘I.llI\\Itill RUJKI. (in I V1.1 \Iuii I'll ‘).§(l.iiil .‘-[‘lll'. Stil ‘) l(Lilli -lpiii
Carol Moore I'iiiiI ill -\pi Still lile
\l'i.l\\‘.ll_;'\ .lIl\I
II‘.1\\'\I iiietlia I‘JllllliljJS \lll ,l lIi‘III llie li.itlllli~:i.il Inml (ll ,ipplex iii lllt‘IL‘ L‘\Hll(
t iiIiii.i:\
lL'll IIl‘I eliillie\ ,iiltl t'tllIlk' Printmakers l'iiiil SH .-\;\: \mm lit lx’icliliill ('ux. I),iiiii.i;i Ileiii}. Ill};iii
livaiiix ziiitl pl'i/e-xi'iliiiiiig I'iveieeli \Vi‘iglil. :iiiiting UIIICI'S.
I GOA 146-354 Sziiieliiehiill Street. 332 7531. Mun-Sill Ilillll (ipiii; Siiii liiitiii~5piii Cute. [1)].
The Handpainted o Uniil 2il Apr. Dublin :ii‘lN Maurice ()‘Cliliiiell illit‘lllplx in «Iran the perfect letter 0. l't‘NllIlIllg iii (ill.(l()(lu1' ilieili tlectii'uiiiig llie (‘(‘.-\ \\tlll\.
Real Life Rocky Mountain l'iiiil :ii .-\pl‘. :\l‘ll\I Rn“ Sillelglii‘ l‘e-ei'e;ile~ his ti\\ ii l‘t‘l’Mlllill Setillisli liiiiiilllaiiisiile. etiiiiplele \\ ilIi tree trunks. i'tieklhee illltl tune. Boxer Sal 37 Apr 0 Jun. I’Iiiilogiapll}; Ill\lilllilll0l‘i illltl \'ItlL‘U milk In iiilie tll'll\t.\ e\plui'iiig the “mid tit Imxiiig. See
pl'e\ ieu'.
I COLLINS GALLERY l'iii\ ei‘xil) ul' Siriillielyle. 33 RIL‘IIIIIUIIII Street. 552 Mill) ml 203) \Iuii I-i‘i Illaiii Spill: Sill IIUUII 4pm. [I)|.
Pioneers And Patrons will 3" .-\pl‘. .-\ L't‘lIL‘Ciltlll til' ;iil :iiitl ;il'lel';iel\ eelelii'alliig Illll}t‘ili1\til'llie I‘iiix'ei'xli} til~ Sli';illiel_\tle. from the tii‘igiliiil
.'\lltlL‘l\Ulllilll IllSlllllllUll lo the [‘IL‘\L‘III day
I I75 \VtNI Rt‘gi\lt'l‘
Sli'eel. Ill 037“. Men S.il Illaili 5.3lipiii.
On A Thin Crust l'lllil 2-1 \pi'. .\'e\\ \l\ Itl. iilkli'aei paintings Ii} .Itlllll 'l';i}ltii1
James Lumsden Sill 2'? Apr :3 Mil). .-\ etilleelitiii OI. paintings .llltl tli'.i\\ iiiex hx .I.llllt‘\ l.lllll.\’tlt'll.
I FRINGE GALLERY (\ixlIeiiillk Shopping (‘t-iiti'e.(’mlleiliilk:\i'c;itle.(i1.13(i(l§~ .\IUII Sill Ilium 5pm,
Boxer I‘i'i l(i :\pi' 25 .\l;i_\z I’Iiiiltigi'aphx. iiiciiiiii'ahiliu lllltl Ul(l light l‘iitiiiige pi'iltliieetl It} the (iiillt‘l') Ill L‘Ullilt‘tll'ulllill \\ llll Itieiil lumen and L‘lllllll\lil\l\ illl(I lIie \LII‘L‘I'I‘I} ii;iiiietl ill'II\I Ming ile N.i\l_\. Slum li iii eiillluiieliiiii \\'llll llie (‘(‘.-\. \ee pi‘e\‘ie\\
I GALLERY OF MODERN ART Queen Street. FRI I854. .\Itili Sui Ill;iiii Spill: Still I lillll 5pm. The CllIle\ ellii'l lllltl :l giiiiil \xtii'tl In \ll} ill‘tllll il. l‘lll llie pilI‘Iit‘ almillllel} Im e ll iiitlge l'tii‘ )tiiiixellhl (il.i\_\:li\\ \ llL‘\\I_\ iipeiietl pallet}. l'e.llili'lli:_' l'iiiil' lIieiii;ille lIiiiiix I‘;I\L‘tl till the L‘It‘lllt‘lll\ lligil'lli. .-\il'. Inc and \VJIL‘I“. \\lIIl \\UI'I\\ Ii} lltl\\\tlll. lIliekiiex. (Xiiiipl‘ell. Hellaii}. H}i'lie ;iiitl iii;lli) iiiiiie t‘ll \llll\\. .l\ \\eI| ;l\ ililel.leli\e e\|iiliil~ ;ilitl it \u iin eale tleetiirilell Ii} .llll\l .-\tll'i;ili \\'l\/iiit‘\\\kl,
The Lord Provost’s Prize l‘niil l‘) .\I;l}. Sliiiillixletl \xiil‘kx iii .i \.il'lel_\ iil Illt‘tllil Ii) ;lili.\l\ \"\lll:.' l'iii‘ l‘ii'xi ptixilitiii iii the
l'iL‘IlC\I ;iiiiiii;iI .ii'l etiiiipelilitiii iii Setillaiitl.
\\ till ;i \\ litippiiig £12.llll() [‘l'l/L‘. 'I'Iie luck} \\ iiiiiei' lS ;liiiiiiiilieetl Ull 25 .-\pi.
I t. GARNER GALLERY ml l’;iiiiie Sii'eei. 552 -15l\‘5.'l'iie Sal Ill.liii 5pm; Sun lititiii ~Ipiii.
Judith Gilmour: Solo l'niil N) .-\pi; Described il\ llilliiig wine“ here between puller} iiiitl \eiilptlii‘e. l'iiiiiiei‘ ( iS:\ gi'atliiule .llltlllll (iiliimtli’x work I\ lllSI‘ll'L‘tl by the light illltl \pilee ll\t‘\l iii :ii‘elilieeliii'ul tlt‘\l:_‘ll.
I GATEHOUSE GALLERY Ruiikeii (ileii Rtiiitl. (iillllik‘l’x. (C(l ll: ‘5 .\l(ill Sitii
l ‘xll 5 illpiiileltixell'l‘ilei
Colin Fraser l'lilil SS .\I.l}. I).llllllll_‘_‘\ I\_\ Illl\ Seiillixli tlllISI. iiim I‘;l\t'tl iii Sxxetleii. \\ lIU ll;l\ eliiii} etl CUIHHICI'JI‘IV \llCL‘t'SS .il gallei'iex Ill I.(‘IItlU|I ()ii \llt\\\ .l\ p.iii «il' .\lil.\lt‘\l.
I GEORGE SOUARE lilltlj 553 hill", Iii/Sal lllfillaiii Spill; Siili
Ill, “Lilli (\pl‘il. t3 It'll
Glasgow ’96 Art Fair I‘ll I” :1 _-\pi .\Iii\leili ;liitI etiiileiiiptiiai} :JillIL'IIL'S liiiiii .lII mei' llllldlll Huck lii(il,i~§:ii\\ in \Iimx uiiitl \elli llieii' \\,iie\ .l\ p;lil iii the t it} \ liexliuil til \‘lxiltll .'\l'I\
I GYRIL GERBER FINE ART l-l.\ \\e\l Regent Slleel. III “NS .\Itiii S.il
0. Iitiiii 5 gill‘lll
Agnes Miller Parker (1895—1980) l‘niil Ill .'\l‘l' :\ eiilleeliiill til \xiiikx h} the Iiiglil} .ieeliiillietl \\llt‘tlt'll1_'l}'.\t‘l'. Patrick Hayman: Painter, Poet, Visionary Ill 30 .'\|‘l' l7 .\l,i'\. l).llllllll:_'\ .lllzl ill‘;i\\iiig\ I\_\ I’iill'lek Il.i_\iil;ili WIS I‘LSS
Jewels III the .\lil§ l'esl \ l\tl;ll .ll'l\ ci'tiuli l\
Alsti Ull \IIH\\. \\0l‘l\\ Ii} lIie Seiiilixli Cultiiii'islx. (ilusgtm Bii_\\. ;iiiil llILlll}
I GLASGOW CITY CENTRE
Geriphs l'iilil -1 .\I.i'\i (,llll\‘__‘tl\\ \ I’exli\.il UL \'i\ii;iI -\l'l\ iil‘l'ei’s _\el liiiil‘e plililie ;li‘l. lll lllL‘ litil'lll til‘ IIll‘L‘t‘ \llk' \I‘L‘clllt‘ \xiill\'\ I‘\ tll'll\l\ l-iiiiil} lltllex. .Iiitl§ Spark. Ix'iixl_\ Shillxl'ieltl. \lll‘ltiiix \lIL‘\ iii the ell}
lilieliitliiig ;i Iiiiuk \IIUI‘. \hiip l'itiii! .iii.I abolition-ed iliiii:‘\\;i\~ i u lIl lie li,iii\liii lile.i ; Ii} plliiliigi'apliie pl'iileelliiii\. lll\I.:iI;lilUl‘.\ I and \ itleii iiii;i§_'ex See in ie\\,
I GLASGOW FILM THEATRE (Lil'e ('miiiii. I: RUSL' ~Sll'et‘l. ii: KISS \liili .Slll
Iltltlll ‘I‘xllplli; Sun 5 ‘Iillpiii,
A Tribute To Massimo Troisi l 'niil iii .m- (li'giliiisetl iii etiiiiiiilelitiii \\ iili Illi' I'.ili,iii l'lllll l‘t'\ll\ .iI. llll\ plitiiiigiapliie L‘\IllI‘lIIU!l li.l§\ li'il‘ille ll‘ llie leteiillf. (lt'l‘tlllk'tl \llll til I! l'mfiilii l’l'\‘\il\ll\I}
\Illl\\l‘. tilll_\ 111 ll'.\ Iiiiiiie It‘\\ll ii: |l.i'._\. the I t‘\IllI‘iIIUII lileliitlex iii,.ii}. pit'liilcx l'iiiill : llie IICIUI \ l.!|ll!l} JII‘UIII. I I GLASGOW PRINT STUDIO .‘2 Kill}: Slieel.5<31i7(ll \Il‘Il S.i' Ill.iiil S mpill ; Periodic Tables l lllll _‘ii .>\pi' Seleelipiiiils. Iillitigi'aplix illltl pliiilii elelllligs Ii} (il.l\f_'ii\\ -I?,i\t‘_lll.l\ Itl \\.i!l Bad BIDOU S.i! 3" .'\|\l I .Illll. ( llli' til' the
IIIIS e\liiliiliiili t‘l ptiiiiliiigx Ii_\ .'\\ll‘l.lll \VlS/lllt‘fixid ,ilitl .'\ll\l‘|l \Viill. ’I lie Jim \\eie .ISIxt ll lii chums \\'\t'II ;il'li\l\ \\ ilh (ileglm L‘t‘llllt‘t‘llt‘lIS It‘ \limx uItiiigwl le llielil. .lllil (.llllt‘ up u llli lIll\ lllll‘lt‘\\l\t‘ lilieilp' (Kiwi I\'lltl~_l.‘\. .leiiii} S.i\:lle I’,:iil \lel’li;iil. R'elitii‘ti \\'.i'i‘itci'. Iii'izet' \Itlnenii. Keli ('iil'i'ie Lllltl I)tll‘l't'll \I.ii\l:,iII See
pl'e\ iexx.
I GLASGOW SCHOOL OF ART Iii" l't't‘llllt‘n Sli'eel. ‘4‘ I‘ll” .\IUII I'll
‘li “Lilli Xfillpiii -' l'll 5. 1“pm -. Slit
Ill.iiii lltitlll.
Index I lllll Ill .\l;l} ~\ii e\Iii'i\ilitiii t“.I‘l(ll'lll:_‘ lliilllhllt‘tllll \ISllJl ;II'I\ iii;i;_';i/iiie\ piil‘li\|ietl ll‘. llie l‘lx' Ili‘ll! I‘Nili iii the pi‘ewiil \lti}.
Boxer: ‘ i
A major group exhibition + tall:
exploring class, race,
Goat Island Perform
world premiere of How Dear to Me The Hour When
Sinclair's IllSlilllillIUll tillers 2i
slice «it Scottish i'ili':i| life with it \(llllltlll'th‘l'x' ()l. l‘ittiiij.v lllllSlL‘ while ()‘(tiiiiielL iii seiii‘eh til' the perfect 0. Ilil\ been painting llltlllSlllltlS‘ tlillI_V.
('( it. (ii'tixguii will! Sui 3i) .‘l/H'.
I Serving Suggestions A tllVL‘l'SC and
thrilling Iiiie-ilp til‘ film and \’l(lC(\ \\'(il‘l\ ll‘l‘lll tl \\'ltlL‘ range til Lll'lISlS iileiiitliiig; l);iliiieli IIii'sl zilltl Izike ('Iiiipiiiiiii. l’Illx tlll interactive CI)- I\’().\I (illllt‘l'}' lt‘ullll'lllg the ground- breaking \\‘lll'l\' ANTI" R()\I. See
It". luv, Ill/HI/Hillw' (lilt/ TITH'r'I'H'. lit/iii/iiile/i ilii/l/ Sim 3/ All):
I British Art Show In it’s. liliul week. there's \llll time It) leg il Lll'illllltl the \limx '\ \c'VL‘ll \‘eillies. ()i' il‘yiil llil\'C 'lieeii lliei'e. tIl‘IlL' il‘ take another lllllIx All!!! IVA/H1 Xt’i’ llfi/I'Ilt’x‘jrll'
I The Glasgow Art Fair ('ieni'ge Stiilnle llllilL‘l' llie em'ei (ll iii;ii‘qiiees ix UHIXL‘I'IUI in :l liiige :li‘l l-llll’. Willi liieul .liitl I.iiii(liili galleries showing Lil’l Ilii' SilIC. ll tillers }_'(I(Hl piilenliill l'iii‘ Iii‘uv. \lll}! Lllltl Iiiiyiiig. (iz'iiiyr' Stir/(:21; (i/iix‘giiii' I’m /‘1 Suzi :UJI/H'.
I Ross Sinclair & Maurice O’Connell
F
, 3,? l . e Group‘USAl
Daylight Dies from one of America’s most passionatef
political & provocative companies!
Marisa Zandtti
2:297?
one of Scotland's leading performers in world premiere of Runner, inspired by Brian Keenan's autobiography An Evil
Cradhng
Forced Entertainment
sell-out hits at previous Mayfests, Sheffield’s finest return with their touching and provocative-new show Speak
Bitterness
Motor Mouths 2:
the latest dynamic performancepoetry starring Dael Orlandersmith, Vanessa Richards, Ka'frique, Atomic Lip (The
Speech Painter, Patience Agbabi, Ste
FREE BROCHURE curing
cca
AWARD-WINNING CAFE-BAR 0 THE ARTS BOOKSHOP
lasane, Pirik Sly) + MC Viv Gee
. me, for details CENTRE FOR CONTEMPORARY ARTS 350 SAUCHIEHALL STREET GLASGOW <32 3JD
+44 (0)141 332 7521
1 iry -§v
The List I‘) Apr-2 .\l;i}' l‘)‘)(i 71