Drama is listed by city, then alphabetically by venue. Dance is listed after drama for each city. Shows will be listed, provided that details reach our offices at least ten days before publication.

Drama 8r dance listings compiled by Kelly Apter.


Access: P = Parking Facilities, PPA = Parking to be Pre-Arranged, L = Level Access, R = Ramped Access, ST = Steps to ne otiate.

Facilities: WC = Adapted Toilet(s), WS = Wheelchair Spaces, AS = Adjacent Seats, H = Induction Loop System, IR = Infra Red System, C = Guide Dogs Allowed, R = Restaurant Accessible, C = Catering Accessible. T = Adapted Telephone.

Help: A = Assistance Available. AA = Advise Venue in Advance.


Tickets for major venues in Glasgow are available from the Ticket Centre, Candleriggs, Mon—Sat 10.30am until 6.30pm in person or until 9pm by phone on 0141 287 5511. Sunday opening is noon—5pm. Any Ticketlink box office can sell tickets for other venues.


TI‘ indicates venues where Theatre Tokens can be exchanged for tickets. Tokens can be bought from the Ticket Centre, Candleriggs, Glasgow, 0141 287 5910; most branches of W.H. Smith, John Menzies and James Thin Booksellers; or by credit card from Tokenline, 0171 240 8800.



New Street, 887 1010. [H, WC, WA] The Snow Globe Sat 8 Jul. 11am & 1pm. See Kids listings.

Continued on facing page


Same Time, Next Year

Edinburgh: Royal Lyceum, until Sat 29

Jul 3% it at Adultery is appealing mostly for its

furtiveness. It is this idea that Bernard Slade's sitcom-like comedy melodrama explores in its initial, least interesting stage but as the play develops, so do the unfaithful couple at its centre. David Robb directs himself and his real-life spouse Briony McRoberts through a panoply of American history from 1951 until 1975 with a sure touch, leaving none of the play’s historical referents untouched.

There’s a necessary evil to a naturalistic comedy of this kind, as in order to convey the experience of the white American middle classes, the characters must be a little stereotypical. The problem with this is that it is difficult to empathise, or fully engage with the clean-cut early SOs versions of George and Doris, as each finds different strategies to deal with the guilt inherent to their liaison. Initially, these two seem too much like characters from an entirely alien historical moment, but as they are propelled through time, returning for an annual weekend of illicit bliss, we find ourselves increasingly fascinated by the pair and the disparate effects of history upon them.

Inevitably, personal tragedy intervenes during the Vietnam War period, while we witness the Jerry Rubens-like transformation of Doris from yippie to yuppie. A comic highpoint is the acceptance by George of the 'me’ generation, as he takes up amateur

White American middle class guilt as conveyed by David Robb

psychoanalysis, while there's a nice sense of comic resolution in the final moments of the piece.

Ultimately, this play is less about adultery than transformation. It seems to ask how many of us would really recognise the person we were ten years ago? In answering the question, the play doesn't reach the heights of a classic, but provides enough interest to be well worth the watch. (Steve Cramer)

Same Time, Next Year

by Bernard Slade

An American comedy of love and “changing times

starring Briony McRoberts

directed by & starring


30 June - 29 July, 8pm Tickets: £7 - £17.50

Box Office: 0131 248 4848


.; oyal yceum


'irheatre , ompany

David Robb

Your at-a-glance theatre guide

' Thursday 6 E Friday 7 Saturday 8 ' Sunday 9 - - Mon-day Tuesday 11 Wednesday 12 ‘Paisley' Arts n - A i A - Reactions. 0 L" " “Tm “w” “QM—“m w ' _ PaVilion - Peter Powers Pctcr Powers - _ _ _ Tramway I Blasflhwry Blast Theory 1 Blast neory - - TI’OI‘I - Someone Who'll . .. 3 Someone Who'll . .. Brunton l ~ ~ l - l _ _ _ i ._ Festival Theatre Singing Kettle ' Singing Kettle Singing Kettle _ _ _ '_' Playhouse l - ~ ' " Royal Lyceum Same Time. Next Year Exatme Time. Next Year Same Time, Next Year ' _ Same-Time, Next Year Szlmc'l'ime. Next Year

80 THE “ST 6—20 Jul 2000