Film Index
Dude, Where’s My CarI ISI 0 Il)ann_\ I.cIIIcr. [8. JUN] I.-\thon KIIIchcr. Scan \\ IIIIaIn ScoII. KI'I\I_\ Suanxon HZ nnnx [Mu/I. II'III'I‘I '\ .le (‘IIr Ix hcmg IIIoInoch ax IhIx _\car'x II’IIIII/ III/I. IIIII II II’IIIII/ III/I \Iax Ihc l‘crrarl oI groxx IIIII .-\IncrIcan coIIcgc coIIchch. HUI/I \IouId hc Ihc Skoda chxc and (‘hcxIcr. uho III.Il\L‘ BIII andch xccm xInarI. \Iakc upaIIcI .I raucoux InghI on IIIc IIHHI IInaIIlc III IcIIIchIcr a dung: SaId dudcx IIIId Ihcmxclxcx III IIIanI Icaguc IIoIIIIIc \Ihcn Ihc) I‘caIIxc IhaI Ihcn car. coIIIaIIIIIIg aInn\crxar) gIIIx IoI Ithr gIIlIrIcIIdx. hax gonc IIII\\IIIf_'. .\ IIcII IIadIr III IIIIIIIIIakIIIg Ix Icachcd III a chIIIcIIcc \Ihcrc Ihc dudcx IIIII‘xI IIIIo xong. IIIIIIIIckIng a \lilllllld IL'L' IlIIIxIc' \ltlt'tl. SCIL'L‘ICII I'L‘lL‘IIxc. Dungeons And Dragons I III 00 I(‘oIIrIIIc} Solomon. I'S. ZIIHI I'I’IIora IIII'ch. Jcrcm} IIoIIx. Marlon \Va}anx, IIIS mmx Iiaxcd on Ihc cuII roIc-playng gamc IIchI IanIIch II} c\cr_\IIIIIIg_' Irom 'loIIIcIII'x [on] ()1 Nu RIIILII Io Rohcrl I; IIImard'x ('IIIIIIII I/II' IIIII'IIIII'IIIII IhIx xI\ Ianlax} IIlochIIIIxIcr hax arrIxcd I\\cnI_\ )c';II'x Ioo IaIc I ‘I)Ikl)' [Icakcd III popular”) durmg Ihc XIIxI, I)nchoI and gamcr Solomon. rcmaIIIx rcaonIaIII} IaIIIIIIII Io Ihc xIIIrII oI Ihc gamc \\ IIII a onr} III\o|\ mg II\ c )oung adx cIIIIIrcrx aIIcInIIIIIIg Io xccurc Ihc poucrIIII Rod ol' Sax rIIIc I“ Inch conIron dragoan on IIcIIaII oI IanpI‘cxx SaI ma IIIIrchI. \\IIII Ix ahouI Io IIc dcpoxcd II} c\ Il III/ard I’roI'Ion I IroIIxI. IIoIIcIcr. \\lI;ll madc Ihc gamc xo coInpcIImg IIx Imprm Ixcd IIaIurc “Inch raIxcd II ahox c IIx cIIcIch IIIIIIIIx} ocu\rc Ix onI on IIIIII. Sclcclcd I‘L'IL‘IIxc. Edinburgh On Screen I I ' I I \‘anoux. I‘K. MI I- I‘I-FI III) mIIIx. Back II} popular dcmand. JaIIcI \IcIIaIII. cuI'anr oI' Ihc ScIIlllxll St‘l‘ccn :\I'clII\L‘. [II'L'xL‘IIIx II xL'IL'cIIIIII oI' hIonrIcaI IIIIIIx prc- and poxI-\\ ar \\ Inch IIaIIII an cIocaII\ c IIIcIIIrc oI Ihc capIIaI III IIIgoIIc Inncx. SIIcnI IIImx IncIIIdc Inano accompanImcnI. I‘IImhoIIxc. IidInIIurgh. Election I I5) .00. I:\Ic\andcr I’a} IIc. l'S. I‘I‘NI NlIIIIlIc“ llI‘IIdCI'IL‘k. Rccxc \VIIhcrxpoon. (’IIrIx KIcIII. I03 InIIIx. I’IIIIIL’x
adapIaIIon oI 'I'om I’crroIIaR IIo\ cI. a connc xaIIrc on Ihc I‘NZ ,-\mcrIcan prcxIdcnIIal clchIoII caInpaIgII ch III a Ingh xchooI. Iocuxcx on Ihc coIIIIIcI IIchxccn JIIII .\ch\IIIxIcr I BrodcrIck I. .I dchcach Icachcr \Iho'x aIxo quIcrIng Irom a IInd-IIIc crIxIx. and 'I‘rac} I‘IIck I\\ IIthxpooII I. a Inoch l‘III prccocIoux IIIIIIII o\cr .I xIIIchII gm crIIIIIcnI cIchIoII. \VIIIIIIng pcrlorrnanccx and a xIIIIcI xharp xcrIIII Inalxc IhIx Ihc xInaIchI coIIch} III coInc ouI oI Ihc SIach III )c'aIx (XIIIIcII. IzdIIIIIurgII.
Elvis Live: That’s The Way It Is - Special Edition II‘ I O... ll)L'lII\ Sandcrx. I'S. ZINII I U“ nnnx. Sandcrx‘ orIgInaI documcnIar}. cInoIncImg 'I‘hc ng'x III’\I xlagc xIIo\\x III Inorc Ihan a dccadc IIInIc xIIcIII Ich cIopmg an aInnghI} drug hahII and appcarmg III IcrrIIIIc rom-com IIquIcalxI. \Iax a xoporIIIc aI'IaII‘. 'I‘Inx SpchaI I~.dIIIoII. IIoaxInIg: around JII IIL‘\\ IInnuch. Ix .I rcIcIaIIoII \\ IIII Iour Inorc xongx and Ioadx Inorc mxIdcr Ioolilgt‘. \VIIIIIII xc\cn )carx
IiIx Ix \\ ax dcad. a IIIoach parod} oI uhaI III‘ \I ax IIcrc. 'I‘hIx Ix onc IIIIIxIcaI and hIonrIcaI documcnI )ou do IIoI \IanI Io mexI I‘('I(‘ ('mcmax. IidInIIIIrgII; Shoucaxc. I’aIxIc}. The Emperor’s New Groove III 0.. (Mark I)IIIdaI. I'S. ZINII I I)a\ Id Spadc. John (ioodman. IiarIIIa KIII. "IN nnnx. IiIIIpcror Ku/co Ix monarch oI an IIIIxIIchIch Soulh .-\IncrIcaII Iand u ho Ix IIIrIch mIo a llama II) Inx xchcnnng axxIxIaIII Y/ma I\oIccd moxI approIIrIaIcI) II} KIII I durmg a hoIcIch axxaxxIIIaIIoII aIIcmpI. ’I'hc llama cmpcror gocx on Ihc run and Ix IIcIrIcndcd II} good-II IIch hcrdcr I’acha I(IoodIIIaIII. \Iho thIIx rclurn hIx IoIIr-Icggcd ruIcr Io Inx Ihronc. llIL‘l't‘ arc Ihc occaonIIaI c|c\cr poxIInodcrn Iouchcx Ku/co onppIIIg Ihc IIIIII rch Io IaIk Io Ihc audIcIIcc IIIII moxII} IhIx Ix prInIc old-xchool I)IxIIc_\ quI'II II lackx Ihc aIIIIIIach Iandxcapc IInIoIaIIoIIx oI' III/tun. nor docx II cnjo} Ihc characIcI‘ chcIopmcnI oI.-llIII/III. \IIIIcII Ix \Ih}. uIIIInaIcI). IIx IIIIxxIng cdgc. (icncral rcIcaxc. Enemy At The Gates I ISI 00.. IJcan—Jacqucx Annaud. l'K/I-rancc. ZIIIII I
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0 I 3 'I 555 'l 891 www.eae.co.uk distribution nationwide
32 THE LIST IS—Qt‘ Mar 2001
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I'ncIIIIIIo} cd xIII;_'Ic IIIoIIIcI l‘IllI IIx’oIIcIIxI xIIochorIIx hcr “.I} IIIIo a IIIIII; cIcIk IIIIxIIIoII “Illl I-IIIIIc} ‘x ('aIIIoIIna I.I\\ III'III IIIcIc xIIc achdcnIaII} IIIIcoIcrx .I coIIxIIIIac) Io conccal Ihc IIonoInIIg oI Ihc IocaI coIIIIIIIIInI}. \IIncII Icadx Io Ihc Iargcxl dIIch acIIon Ia\\ xIIII III ;\IncrIcaII IIIonry IhIx nnghI xonnd IIkc a cIIchcd John (irIxhaIII IIIIIIIcr. IIIII II'x IIaxcd on a Iruc onr) and SochIIchh‘x dIIchIon and RoIIcrlx‘ pcrIorInancc .IIc IaIIIIchx IIIchIIcr Ihc) prm c IIIaI IIIaIanIcaIn :\IIIcrIc.III cIIIcIna can IIc onIIthIII; IIuI_\ gI'L‘IIl. SL'ICL‘IL‘II I'L‘IL‘IIxC.
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First Light Of Dawn (Le prime Iuce dell’alba) I ISI II.ucIo (IaudIno. IIaI_\. ZINIIII 92 nnnx. 'I‘uo cxIraIIgcd IIroIhcrx. hroIIghI IIIchhcr II} Ihc IragIc murdcr II) Ihc .\I;IIIa oI~ IIIcIr parcnIx. rcacIIuaInI IIIcIIIch\cx \IIIh cach olhcr. I’arI oI Ihc IIaIIan l‘IlIII l‘cxII\aI. Scc prm Icu, (il’l'. (IIaxgou; l'llIIIllUIhL‘. Iidinhurgh.
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