Film index
Index continued
Rugrats In Paris: The Movie I I 'i 0.. iStig Bcrgip ixt. l’atil l)cmc} ci'. ['38. will i Vniccx nl ('lirixtiiic (‘axanatiglr Siixaii Saraiidnii. l)chhic Rc}nnldx 7" iiiiiix. 'l‘hc anticx nl Ihnxc diapcr-clad tinder-5x. 'lnmm}. ('liuclxic. l)i|. Phil and Lil. and tnriiiciitiiig hig cniixiii .-\iigclica. makc a gt'cat lxl(l\ L‘AII'ItiiiIi. BL'UL‘I' lllan le pi‘cdcccxxnt‘. Ritz/uh In I’ui'ix liax Ilic gang dcxcciidiiig nn l2iiriii'cptarlaiid ll'L'dIl latii‘ndixnc} i. \xlici'c cniinix mg ,-\iigc|ica li\cx up mntlicrlcxx ('hiickic and liix gtillihlc latlici'. (liax. u. itli the \ illaiiiniix (‘ncn La linticlic \l. lin liach cliildrcii. 'ln xa\ c (‘liuclxic tlic kidx Iiiiaclx Ilic giant rnhntic chtar and raw lHl' \ntrc “mm In xtnp Ilic \xcddmg. l.i\cl}. \icll-paccd cntcrtaiiimciit l'ni' )niingci‘ children. and iiixt xiiiarI ciinugli lni‘ man adiiltx_ (icnci'al i'clcaxc.
Saving Private Ryan I Hi 0... iSIcwii Spiclhci‘g. l‘S. I‘Nh'i 'l'nm llaiikx. 'l‘niii Si/ciiini'c. .\latt I)amnn. I70 mmx. l.ikc iin liliii iii i'ccciit iiiciiini'}; Sin in: I’I‘ll'tllt’ li’imi l‘nctixcx itx attciitinii xiiuarcl} nii Ilic hi'iitaliticx cndurcd h} :\IllCl'lL‘;ltt xnldicrx iii \Vni'ld War II. ('cntral In Iliix impact ix Ilic ali'cad} lcgciidar} npciiiiig hall liniii'. dctailing \\ itli rciiini'xclcxx hrilliaiicc Ilic cariiagc nl Ilic l)-l)a} landingx. l'iidcrxtandahl) cnnugli. Spiclhci‘g liiidx it hard in l'nllnix up tliix hrax iii'a iiitrndiictinn. 'l'lic actual mcat nl Ilic xtnr}. iii \iliicli llaiilxx ix xciit nl'l \\ itli Ilic rcinnaiitx nl' liix unit In lncaIc Ilic L'ptill} iiintix Ryan. ix huilt nn i'uggcd rather than xtihtlc lincx. \cicrtliclcxx. tliix ix a landmark piccc nl llltHlClllitlxlllg. ()dcnn. l)uiilcriiilinc.
Say It Isn’t SotISiO t1.” Rngci'x. l'S. Zillll l llcatlicr(irahain. (mix chin. Sally l‘icld. 95 miiix. Indiana aiiiiiial xlicltcr L'lllpltl}L'L‘ (iilly IKlL‘iItl ix a kind- hcartcd il~ dumh nrpliaii \xhn l'cclx an iiixlaiil cniiiicctinii In hcatitiltil hlniidc hairdrcxxci‘ Jn l( iraliami. and xn Ilic dun cmhark nii a paxxinnatc rniiiancc . . . “lllL‘ll cniiicx In an abrupt halt \ihcii Jn‘x \ iiidicti\ c mntlicr tl‘icldl dcclarm Iliat (iilly ix licr hinlngical xnii. 'l’liix ixn'I. lin\\c\'cr. the end nl‘ Ilic i'nad l'nI' the ln\ L‘t‘x. Rngct'x and xL‘rL‘L‘tm I‘ilct‘x l’ctcr (iaiilkc and (iL'I‘I') Sixallnxx haic attcmptcd In rcplicatc the grnxx-niit. xcatnlngical liiimniir nl~ l’ctcr and Bnhhy l-"ari‘clly l\\‘lltillt prndticc l. \\ liilxt iicglccting xtich cxxciitialx ax a tightly-plnttcd narrative and engaging charactci‘ixatinnx. Scc rc\'ic\x'. (lcncral i'clcaxc.
Scottish Screen Archive Presentation ll’(il IJamcx IIai-i. I‘K. I‘llll- l‘)_‘\l i (’tii'atnr Jaiict McBaiii pi'cxciitx a PI‘UEII'IIIIIIIIL‘ nl trcaxiircx l‘i'nm Ilic Archive cnllcctinn in cclchratinii nl' iIx 25th ItlllllVCI'xttl'}. :\ xti‘iking dnciimcntatinn iii a Vanixltcd \Hit‘ld. (it'nxVCIlnt‘. (ilzixgtm.
See Spot Run ll’(il 0.0 llnlitt \Vltitt‘xcll. l'S. Zillll l l);t\'id Arqucttc. .\lichacl (‘Iark Duncan. l’atil Snri'inn. On iiiiiix. 'l‘liix xliagg} -ixli dng .xtnr)‘ ix ahnut Agent 1 l. the l-‘lil'x grcatcxt xiiil‘l'cr dng . . . \x'hn ix \x'antcd h} Ilic Malia alter taking a hitc ntit nl' Ilic hnxx' hallx during an ai'i'cxt. Running alnngxidc thix xtnr)‘ ix that n!" haplcxx mailman (inrdnn t.-\i'qiicttci \th ix
in ln\ c \x itli liix hcautittil iicighhnur Stcph and it ill dn amthmg In imprcxx licr and hcr xnii Jaiiicx. 'l‘liiiigx xIart In gct all Inn pi'cdictahlc \xlicii (inrdnii cndx up lnnking attcr Jaiiicx tni‘ xc\cral da} x and Ilic tun hccnmc Ilic nxxncrx nl a xtra_\ dng \xlin. xiirprixc. xtirprixc. ix .-\gcnt l l._iiixI cxcapcd l't'ntii an attcmptcd \lalia axxaxxiiiatinn (lL’IlL'rdl I‘clL'uxL'.
Series 7: The Contenders i 1M 0... Il)anicl \liiialian. lelll. l'Si Brnch Smith. .\l.ir_\lniiixc liiii‘kc. (ilcnii l-iI/gcrald. V minx. Ynii \\lll dic. iinlcxx )nti can kill li\c nthci' cntitctidci'x Iii‘xI. Ynti arc gixcii a gun. ptirxiicd h} a caiiici‘amaii. iiiniiitni‘cd h} glnlial Iclc\ ixinn x} xtcmx and Mt In pla} Ilic gamc, 'l‘hcxc arc thc rulcx nl 'l’lit' ('iiIilt'Iii/i‘rx. Ilic linIICxI l‘S i'calil} 'l'V xltnu and lictiniial xiihiccl nl \xi‘itci‘«tlii‘ccttii‘ \liiiahaii'x qtiitc hi'illiaiit dchiit. l)ra\\ mg l'rnin liix hackgrnuml in tahlnid dncuiiiciitai‘). .\liiialiaii liax crcatcd a grticxniiic xatii'c nii atidicncc \n) ciirixm Iliat ix ax dixttirhiiigl} lamiliar ax it ix cnmicall} Ill‘\lll‘tl. ‘l‘lic idca ix rcptilxi\ c and _\ct Ilic ticliiitt Ix L‘llgl‘nxxing. ll'x lile‘ (/lrlt/ItihHW litll' Ilic 3 l xI cciittii'}. (iciici'al i'clcaxc.
Sexy Beasti 1M .00. IJnIIthaIi (ila/ci'. l'lx'. Ztllitli Ra} \\'iiixtniic. Bcii lx'iiigxlc}. laii McShaiic. HS minx. \Vlicn rctircd criminal (Bar) l)n\ c (\Viiixtniici gctx a \ iin l'i‘nm liaxt lind hcadcaxc l)nii l.ngan IKiiigxlc‘} i. \xhn'x In pcrxtiadc l)n\ c In lca\ c
liix (’nxta dcl Snl \ illa In dn nnc laxt ‘jnh' lnr
crimc linxx 'lcdd} lltixx lMcShancl. Ilic \pttt'lxx ll}. l)n\ C xlllllL‘t'x a IICI‘Hitlx 'Nn thankx‘; l.ngan xci'camx 'ch. _\nii c' ‘Il'. .'\l length. The back and l'nrth hctuccn the hard man \xlin'x lnxt liix linttlc and Ilic nl‘l'icinux littlc px_\ clinpatli ix nnthing xlinrt nl~ l’iiitci'- cxtiiic. altcriiatcl} mciiacing. hilarintix and tci‘i'il'} iiig. ('axI agaiiixt t}pc. thc lcadx arc xtipcrh. (ila/cr rignrniixl} iiiaintainx cnntcnt n\cr xt} Ic. and Ilic rcxult ix a ra/nr xhai‘p drama Iliat‘x iin mcrc gangxtcr lilm. ('aincn. lidiiihurgh.
Signore e Signori (The Birds, The Bees and The Italians) i lli 0000 Il’ictrn (icrmi. ltal}; l‘)(i5i IZI) minx. (‘anncx l’almc d'()r winning cniiicd)‘ ahniit the \‘ich and \‘lI'IllL‘x iii a xmall ('atlinlic low” in \'cnctn. \VllL‘l'L‘ lllllthlll)‘ ix rampant. 'l'hc Lumicrc. lidinhiirgh.
Snatch ( lh’i .0 (Guy Ritchic. I'K. 3000) Brad l’ill. Bcnicin l)cl 'ltii‘l‘ti. thnic Jnncx. ltll minx. Ritcliic iiixixtx that .S'nuir‘li ix IinI a xcqtlcl In Lurk Slut'k :iltr/ Iii‘r) Smirking “(INT/V. And hc ix right: it's pixictically a rcmakc. 'l‘hcrc'x Ilic .xamc xiiaggcring l‘acctiniixncxx. the xamc jllVCItilC nhxcxxinii \\ ith lllltlL‘I'\\'I)l‘ltl \‘llltllltx. and the xamc cnd-(‘nckncy acccntx. Ritchic'x pcnchant l'ni' harnqiic plntting ix alxn in cx'idcncc. altliniigh [,ut‘k .S‘Im‘k'x mildly cniil'uxiiig dcnniicmcnt \x'ax cryxtal clcar cniiiparcd In the npcning nl .S‘iiitirli. The acting ix a iintch up {ruin the llI‘xl lilm. \\'ltllC xnmc nt' Ilic gagx and xitiiatinnx are genuinely ltllllt)‘. ('aincn. lidinhiirgli. Some Like It HOtll’(i)..... (Billy Wilder. l'S. l‘)5‘)i 'l‘nn_\ ('unix. Jack l.cmmnn. Marilyn .\lnnrnc. l2l) minx. 'l‘ixn impccuniniis malc miixicianx lIlilthCl’IL‘llll} \sitncxx the St Valentinc‘x Day .\lax.xacrc and
takc rcItigc in l‘lnrida \\ itli Succt Stic and her Sncict} S} iicnpatni'x. an all-tcmalc hand Brilliant. hrittlc. crackcriack tarcc \x itli all cniiccrncd at a pcak iii Ilicir carcci‘x l‘(i(‘ ('inciiiax. ladiiihurgh.
Spartacus i IS» 0000 isianlc} Kubrick. [8. Mom Kirk l)nuglax. |.atirciicc ()ln IL'I'. Jcan Simiiinnx. 'l‘nii} (.lll‘llx l‘ln minx. 'l‘crritic. i'cxtnrcd \ci’xinii nI' Kiihrick'x cpic accnunt nl a xla\ c i‘cxnlt iii :\llchlll anc. l‘lg’lllx. liixl. pnlitical intrigtic. I'ntltancc tllx g‘iil lltc ltii Sci'cciicd lIL‘I‘t‘ It) .i ncix _(lllllll print \xitli prc\ iniixl} tiiixccii I’nniagc i()li\ icr iiialaiig a paxx at ('tirtix. iin lcxxi 'l‘lic l-iliiihniixc. ltdiiihiii‘gh.
Spy Kids I l l O... lRtil‘L‘I'l Rndt'lf-Jllcl. ('8. 31M! i .-\ntniiin liaiidcrax. .-\laii ('timiiiing. ('arla (iiigiiin H“ llllllx |.il\c an} _\niiiig childrcn. ('ariiicn and Jim ('nrtc/ harhntir hnpcx nl' madcap adxcntiirc. hut iiiilikc man L'llllill'L‘ll Ilicii‘ appai’ciitl} iinriiial pai'cnlx arc tnp intcrnatiniial xiipcr- xpicx. \Vlicii Ilic} 'rc kidnappcd ax part nl .i datxlat'dl} plnl In dcxll'n} Ilic \Hil'ltl. cnnlxcd up h) knnk} iiiaxtcriiiind l'cgaii l'lnnp
t( 'uinining i. it lallx In Ilic \‘lllltll‘t‘ll In xa\ c Ilic \inrld. Rilc \xith laiitax_\. xpccial-cllcctx \xi/ardr} and higli-nctaiic tlii'illx. X/ii Kit/x ix particularl} ciiinyahlc hccauxc it'x tlic childrcn and iint Ilic adultx that llllllllillt‘l} \IIH‘ thc dtt}. (iciicral I'L‘lcttxc.
Taxi I IS) .. ((icl‘ttt'd l’It‘i‘x. l'i'ancc. l‘)‘)‘)l Sam} Nacéri. l-‘rc'dCi'ic l)iclcntlial. Marinii (‘ntilai'd. Sh miiix_ .-\i'rcxtcd lnr xpccdiiig h} mumm} 'x lin} cnp liinilicn. taxi dri\cr l)aiiicl ix lni'ccd In hc liix chaull’ciii‘ and cliaxc a grntip nl' ( icriiiaii hank rnhhci'x \xhn arc tci'rni‘ixiiig .\lai‘xci|lcx .\lixiiiatchcd hiidd) mm ic. \\ rittcii and prndiiccd h} l.uc chxnn. \xlinxc x\\ il'tl_\ kiinckcd-niit \L‘I'L‘Cllpltt) ix iintahlc niil} lnr itx iiianit_\. high xpccd car cliaxcx. pilc-tipx and xlinnt— nutx. ('anicn. lidinhiii'gh.
0 Telford Graduation Show ll’(il t\'ariniix. l'K. 2001 i l‘rnm drama In dncu- lilL‘llltIl'}' In cnmmci‘cialx. graduatcx lrniii 'l‘cll'nrd'x Schnnl ()l‘ ('rcatch :\t‘lx xliim lit)“ much can hc achich \Vnt‘kittg nn \ idcn with a low budget. The l’ilmlinuxc. lidinhiirgli.
The Terroristi lb 000. iSaninxh Sivan. liidia. ZIXH i /\_\C.\llil Dharkcr. 95 miiix. In a xltit‘}' lnnxcly iiixpircd h} the axxaxxiiiatinn nl' l’nrmcr lndian lcadcr Rain (iandhi. Malli (l)harlx'crl ix a gticrrilla lighter. uhn ix .xclcctcd h} hcr cnmiiiandci' In carry niit Ilic xuicidc hnmhiiig iii a Vixiting \‘ll’. .lttlIrIlC)'lllg In the xilc nl tlic attack. and haunted by iiiciiini'iCx nl~ Ilic dcatli iii a l'nriiicr lnx'cr. Malli ix hcxct by dnulitx ahniit liL‘l’ inixxinn. 'I‘lit' 'Ii'rmrixi dncxn'l cnnccrn ilxcll' with the righlx and wrnngx nl‘ Ilic l‘rccdnm lightcr'x cauxc. iiixtcad it cxplnrcx the internal \x‘nrld nl liix l‘cmalc prntagniiixt. An alman \Vt)l'tllL‘\\ l)liarkcr gixcx an exemplary pcrl'ni'inancc. in which minutc chaiigcx nl' L‘Xperxltill \llhll} cnm'c} her charactcr'x fluctuating l‘cclingx. l (i(‘ (inc-max. lidiiihurgh.
The Theory Of Flighti ISi COO
il’atil (ircciigraxx. (K. 1990) Kenneth Branagh. llclcna Bnnhain ('artcr. IIII) minx. A real cinematic nddit}; by turnx entertaining and cmharraxxiiig. xarcaxtic and
xnIt-ccnticd. ax it cliaitx Ilic cttnrtx nI a dixal‘lcd and Ici'iiiiiiall} ill \xniiiaii tn cxpcricncc xc\iia| iiitcicniiixc Stiiiggliiig. lL‘l‘ClllUltx ai'tixI liranagli ix xciitciiccd In IIH liniii'x nt cniiimiiiiit} xci\ icc and ninxcx In an ixnlatcd taiiiilintixc in \\.ich llicic lic .itIciiipIx In l‘Ulltl a piiiiiiti\c ll} mg iiiachinc \\llll\l iindcitaking liix tiixt xncial \xnik |nl‘ ix In lnnk attci a )niiiig uniiiaii i('aitci i. \xlin ix xtillcriiig li‘nm iiintni iiciiiniic dixcaxc l'iitni'ttiiiatcli. xciitiiiiciit.ilit_\ c\ciitiiall_\ n\ci\\liclmx Ilic lilack litiiiintii .ix Ilic xci'ipt citidcl) xpcllx niiI iIx idcax nn ‘talxiiig Night and ‘liaiidicap iiictaplinix 'l‘lic l'iliiihntixc. ladiiihtiigh
Thirteen Days I 12. 0.00 iRugt-i l)niialdxnn.l \. Illlll i K0 in (\rxtiit‘i. liiticc (iiccimnnd. Stcwn ('tilp ll‘ iiiiiix .-\niciic.i and Rtixxia \iciit licad In licad n\ci Ilic ('tiliaii \lixxilc (‘i'ixix \\llt'll Ilic Sm ich placcd iiiiclcai \xcapniix nii (Lixtin'x ixland I/Illli‘t'll /)t1\\ diaiiiatixcx Ilic picxxtiicx lni .ill ntit \\ai c\citctl ii} Ilic l'S iiiilit.ii_\ nii l’icxidciit .lnhii l' lx'ciiiicd). liix liintlici Rnlici't and liix tcaiii nI ad\ ixnix. lcd hx xpccial .iidc Kciiii) ()‘llniiiicll i(‘nxtiicii
l‘I‘l (‘nxtiicL Ilic liliii ix .i \xclcniiic icttiiii In lnriii. In Him icx nl Ilic xtatiiic nt ./l A and Hit. ('Iilniit liii/i/r \. 'l'licic‘x a litIlc hit nl pnlixli licing applicd In Ilic lx'cnncdi myth. hut that dncxn‘t diiiiiiiixli Ilic liliii‘x diaiiiatic pnnci. Raicl) ix llnllpinnd .ix iiitclligciit and ax gripping in a xiiiglc inIiiig l’l ll (‘iiiciiia. luilkii‘k
Thrill Ride t|’(ii I licn Staxxciid S. Illtlli llllll\. .\ iiii\ nl cniiiptitci giapliicx and li\c actinii. pi'n\ idiiig a xciciitilic. lint lllll lnnk at Ilic hixtni‘} nl t'idcx. li'niii Ilicii c.ii|_\ niigiiix in l7tli cciittii_\ Riixxia In Inda} 'x i'idc ximtilatnrx. l.\l,-\.\ 'l'licatrc. (ilaxgnu Tigerland I Ixi OI. l.ltlt‘l Schumachcr. [8. will i ('nliii ()‘l'ai'icll. .\latthc\\ l)a\ix. Slica \\'higli.iiii. Illtl iiiiiix .-\lthntig|i liui'r/mii/ takcx placc L'lllllt‘l} in |.nuixiana iii Ilic cai'|_\ "'llx. tlic xpcctic nl Ilic Victnam \Var pcriiicatcx c\ci‘_\ tiaiiic \niing :\iiicrican arm} rcci'tiitx arc liciiig piit Ilii‘ntigh Ilic rigniii‘x nt Ii’aiiiiiig. hclnic hciiig xliippcd nl'l’ In Snutli liaxl :\\l.t. ()n paradc licrc arc a pi'cdictahlc cnllcctinn nl \xai'
mm ic t}pr: idcalixtic \nltintcci‘. xadixtic xcrgcaiit. hlnndthit‘xl) [)\)L‘lli|[tttlll. trcc xpiritcd i'chcl. l)cxpitc Ulll'L‘Iltdl’lxtllilt‘ xtnr}tc|ling. lrixli actni' ( )'l~‘ari’cl|. \\ ith a llau lcxx 'lc\;iii acccnt. xtill pi'ndiiccx .iii ciiinyihl} chai‘ixiiiatic. xt.ii>iiial\iiig tiii‘ii ax Ilic aiiIi-hcrn \x lin cliallcngcx iiiilitai'} autlinrit}. Scc rcx icu. l'( i(' ('iiiciiiax. lidinhurgli.
0 Titbits I Ixi i\'aiinux. \tiiinux. Entitii .x'ti iiiiiix. .»\ntlinlng_\ nl thc hcxt nl cniitciiipn» rar} lcxhian xlinrt lilmx. 'l'lic pi‘ngraiiiiiic cniitaiiix xc\iial|} c\plicit matcrial. l’ai't nl' thc |,nndnii l.cxhian .-\nd (3a) l‘lllll l'cin\al nn tntii'. (ilaxgnu. l-ilm 'l‘hcatrc. (ilttxgtiu. Toy Story 2 il'iOOOOO iJnhn l.;lxxt'lcl'. l'S. Itltllli 'l‘niii llanlxx. 'l'im .-\llcii. Jnan (‘tixackp 95 iniiix. 'l‘lic ncix lilm cxpandx nii the nrigiiial chIingx and Ihcincx: \Vlicii \Vnnd} ix tint Iakcti In ( 'nuhn) ('ailip h} liix I)“ iicr And}. he licgiiix In qucxtinn Ilic mcaniiig nl' liix 'Iil'c‘. \Vlicn hc‘x xiihxcqiicntl} xtnlcn h} a cnllcctnr \xlin plaiix In xcll him In a Japaiicxc In} miixciim
TRGN
Monsters. Man-eating whales. Child dictators. Your kids will love it.
Theatre Through0ut June the Tron viil‘ be running a series of four p'ays espe:ially for children. This might sound a bit preCious. but we're sure 33! it Wlll be an experience that Wlll stay with you and your kids forever. (Will they really remember all those Hollywood "blocebiisteis"?;l RGStBUfaflt Live theatre's a buzz and y0ur kids Wlll love you for It For details of all the plays, give us a call on 0141552 4267. www.tron.co.uk
il MiGlll JllSl BE illllll SCENE
38 THE LIST 7—21 Jun 2001