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Some lucky bastards get to realise other people’s dreams. The Usual Suspects’ screenwriter Christopher McQuarrie is such a man. With The Way Of The Gun he takes the director’s chair and his favourite scenes from his favourite movies, demolishes them, stripping them of glory then rebuilding them as a hellish modern day cowboy noir Sam Peckinpah- style.

Longbaugh (Benicio Del Toro) and Parker (Ryan Phillippe) are dim- witted, fatalistic anti- heroes in an ultimately pointless kidnap saga that involves Juliette Lewis as a surrogate mother to the child of a wealthy gangster. James Caan is the tired old mob hand

“Gunfire, bloodshed, explosions and mayhem.” ....

Brutal and brilliant modern day cowboy noir

trying to diffuse the inevitable violence.

Gun is a deliciously cine-literate movie that cocks a bullet riddled sombrero to everything from John Huston’s The Treasure Of The Sierra Madre to Sidney Lumet’s Dog Day Afternoon. McQuarrie directs like the bastard offspring of Walter Hill (particularly The Driver) and George Roy Hill (clear analogies are drawn with Butch Cassidy And The Sundance Kid, whose real names, incidentally, were Longbaugh and Parker), and brings out superb performances from his very fine cast.

It’s the sound design, however, that really blows one away; metal on flesh has never been caught so impressively - McQuarrie doesn’t let us flinch from the consequence of violence for a moment. Darker and cleverer than any recent Hollywood action film, this belongs on your shelf next to other classic mean-minded trawls through the heart of machismo such as Peckinpah’s own Bring Me The Head Of Alfredo Garcia. Brutal and brilliant. (Paul Dale)

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