Michael Marra I .' r. -
r-()"'.'..
’I I l ,I I‘ l I I/ ll ‘I II'IL‘, ..' I I’.I’. O n e [’0 ar w 'I "xv ( I'(:II/Ii' ii. .i' ."
IIr-«zll’lii («r/3w A. Inw
:" :I"‘%(liiii'ii'g'gi"
Iui'xtl.i_\. .i (It'lllthIlilllUll ml II|_‘JIlI;lll\I (I.lII\'lII;f lullmwd In ii ili\|\|;i_\ In llic |m'.i| l‘llk‘ Ixrnil.
Isle of Mull
I Devana ,\n l'nlmr. \i):_\ ll 'Icimu‘. IUIM‘IIIIUI'}. IIIIIXN NL‘II I .\. “Irwin, Ur MI I. In c pit-w Iriin I‘illltl lmlurin; lItItIIt'\. lluli‘. guilur and «Inuhlt' Ixnx.
Monday 9
Stirling
I Scottish Step Dance Company Shilling Inlk ('Iuh. 'lt‘l‘lilk'tN Ilulcl.
\Ich iIIc 'It'rrut'c. “135" I | 553 I. .\pin.
(5 I [l I. \\ Iltl SIx}C I‘lht'tl \t‘\t'll IIIL‘CU lll\Illllll\'lll;lI. mug: and lunnxnrk 1min.
Thesday 1O
I;,.dinl_)urgh
I Felicidade I'.I Harlin. \M'xl Phil. 3:" 8MB. Illpni Inn). l-rcc. Ix’mnlcnl h ‘ piccc Iuhn Imnil \\ IIIl gut-xix.
Wednesday 1 1
Edinburgh
QMichael Marra Iidinhurgli I'HII\ (‘IuIX (Kilml'cl Ilul'. IIlc I’Ii'munu‘. (fill 3H”. “. illl‘lll. L'h WM. IIiIurinlnI} rum in; wins lrnni l)lllltlt'k"\ pucl Iiiurmlv. Sec \Ilhlt’ pi’cxicu.
I Ceilidh Dance Rinul (im- Sun Ilnuxc. I’i‘inu‘x Slim. 335 ISIII. Spin. LII). 'l‘nurixlx'Iwginncrx nnlv llml IIIC tlunt‘cx \\ ill lw \mllxul lIirnuin iinil CJIICII. \\ illi In c tlunt‘c hand.
A exandria
I Open Session IUIHUIHI I'nlk ('Iuh. .\r;_'_\ II Bur. .\I;iin Sli'ccl. IIISN‘) "5-501. ‘lpni. I-rcc. \liixiyiiinx. xingcix and
\ leluh \\ L‘It‘Ulllk‘ ;ll lIll\ \\ t‘L'IxI} (\Clll.
Glasgow
I Eddie Walker IIIC Sm (‘1qu I\)I\CI'\HIC (III. I“\\\ SII'L‘CI. 50" ~35". Eh 1H r. .\cnu\lic wings and lingcrpickcil dcliglin Il'Ulll hlum in hlucgruxx. mgumc In curl} ruck and l'UII.
Aly Bain teams up with Phil Cunningham for Folk In The Orchard at Falkland Palace, Fife, Sat 14 Jul
Edinburgh
I Sexteto Caliente I.| Il.urin. \MNI I’nrl. 32‘) 5505. IIIIHII Zuni. I'm-c. Rt'\ltlt‘lll hand \\ IIIl \ingxr I.lllH Ix’nt‘lm [In \;II\;I. l'lllllI‘;l and “in.
G asgovv
I Ceilidh Dance I\)I\CI\|\IC ('Iuh. I‘n\ Sum-l. 3-15 il-I-I. "fillpiii. Ur. .\Ill\l\‘ Il'Ulll I.;l\l 'Iruni Ilic .\ut‘|icn\hugglc,
Edinburgh
I Open Mic ()n Ilic Mound. \iii'lli Hunk Slrccl. 33h 03‘)”. “XII 0. Winn. I'IL‘C. SEC I‘l'l (i.
Saturday 1 4
G asgow I Ceilidh Dance Rncrxnlc ('Iuh. I‘n\ Slrccl. 2-18 .‘lIl. "filliiiii. U». In c Imnil.
Fife
OFolk In The Orchard I';III\I;III\I I’;iI;u‘c. IIIinSll‘L‘cl.I‘;iII\I;1n\IIII3.V 55"§‘)'. \nun midnight. £5 U35” «LIN! L’NSIH. I);l_\*IUllf_‘ upon an IC\I|\;1I nl Inlk. with an mcning; concur! inqud m; min Il'Ulll Slim-nu ‘.\ .\l;in\ .\ \Iun' \\cIIin;_'u\n. and lhc Inn and lltltllt‘ inuxit~ .llltl nui'lli ]‘;ll'lllL'l'\Ill[‘ nl I’IiiI ('unningliuni and .\I_\ Burn.
G asgow
I Voice Of The Accordion (xiii- (‘mmclink Ruxxmn (‘uluiixil ('cnlrc. King; Sli'ccl. 553 “‘33. .\.3llpiii. (iL‘Ul'jJC (lilIlIC C\pIUl‘C\ IIIL‘ [‘U\\II‘IIIIIU\ HI IIIL‘ inmlcrn ;l\\‘0l'tllflll.
Edinburgh
I Robin Laing \Vcc lull, ('Iuh. I\)U_\;II ();lI\. Iiilii'iii;ii'_\ Slicer. 55" 297». Spin. ScIl-pcnncd \Ullg\. JIIL‘ICHI Imllailx. \\IlI\I\) Inrc and gcnIIc guitar.
Monday 1 6
I Jim Malcolm .iml Susie Allan Slii'linj: I'nlk (‘Iuh 'I'ci'iuu'x Ilulcl. \lt'l\ lIIt' ’I'ci‘mu‘. III 35‘) I I 5*: I. NH”. (5 (L31 i. ( )Itl Blind I)ir;'\ ninilnl puilurixl'niunllnc mat-xiii» \\ illi Il|\ virgin}: purlncr.
Tuesday 17
Edinburgh
I Felicidade I'.I Iiul’l’hl. \\ L'\I I’HII. 33‘) 3M5. Illpni 3.1m, l icy. l\)L'\ItIk'III (r a pru‘c I.;ihn Imml \\ ilIi gut'xlx
Wednesday 18
Edinburgh
I Cuig Iailinhui'gh I (ilk ('Iuh. ( lilxin'l Iidl'. IIIC I’Imxgincc. (NI 2 i-I‘), ". illplll. U» I [5 i. I'rnin arminil \cumxllc. llin )«iun; nullii Inn Iwcn lqunI .l\ 'lhc Iu‘xl Ii'nli lxinil IIlI\ \ltlt' nl lIlL' Iriin Surf Sungx .llltl luncx Il'Hlll Inc inulu inxlrunicnlulixlx.
I Dance I\’U_\.II ()\L‘l'- Sun Ilnuxc. I’i'int'cx Slim-l. 335 IFIII. Milli. L'III.
Alexandria
I Open Session l,HlllllIlII I‘nllt ('Iuh. .\i‘;_'} ll Ilnr. .\I;nn Sum-l. III 35‘) "5—501. ‘lpin. I'rcc.
Thursday 1 9
Glasgow
I Ian Bruce IIk' Slur ( 'Iuh. Rncr'xnlc ('Iuh. I-u\ SII'CL‘I. 5!“) "IN". Ur r Hr. Huriix. Imllmlx and Imnlcr lrnni I‘IIL' nl SU'II.IIIII.\ Ill; \UIQLW.
Edinburgh
I Sexteto Caliente I'.I Hui-nu. “or I’url. 33‘) SMIF. Illpni :dlll. I-rcc. chidcnl hand \\ iIIi \ingcr I.inu Rocha [‘Iu} \;II\;l. rumlm and win.
‘|.‘
The following details are for regular free weekly dates: see main listings for one-off or ticketed shows. Gigs are listed by city, then by day. Residencies will be listed, provided that up-to-date details are supplied to us. Folk 8. World Residencies listings are compiled by Norman Chalmers.
Ihumnig: I Small Pipes Session ( .irc. \l \IIlIIx'V- '\ In His \iiimiu. \I \nIIic'u. \ \tiuuc. \.:Iliii.iiI.cI \I‘ll‘i Irv,~ \ulx \III.IIII‘II‘\‘\It'.1\I.l‘.'\‘II\'I.lI \t'\\l\‘ll I Islay Inn \r:'\ Ic \Iiccl "pm I l\‘\' I nc IlI'.'IlI,'.Il\I inuxit I Ben Nevis \l:'_\It' \ii.-.-i \ Mimi I in" I nc lllll\lt I Jinty McGinty’s \\IIIHII I .lII\' ‘Illlll lie,“ I nc inuin I Finnegan’s Wake \i \ lllt \‘hl \ln'cl. .‘ I\ I‘M” "pin liq; Ill\Il lIivnic [\uh In; I‘.lIl\I\ I TOlbOOth \.lIIIll.lII\\‘I \un II|\II \t‘\\lr'll I Victoria Bar IIiivvui \ Mimi Ink! \tulnli, \\'\\l\‘ll
iidgig; I Clutha Vaults \hu wall \im-i N Winn In'c I\lll:‘\IHll IIiiiIz'i' IIIH I Finnegan’s Wake \l \ mi vnl \In't'l. .‘ IN I"\" ‘Ipni Iici' Ill\Il [Irvin‘- puh I I\\' I‘.lIl\I\ I Molly Malones Iluiu' \im-i. H.‘ .‘H‘h' ‘lpni lI\'t' Ill\Il IIII'IIIx' puli I nu I‘.III\I\ I 0’ Neills \iut Invlmll \ln'i'l lIit'inc I‘llI‘ \i. lIIl Inv Ixnul I Park Bar \i;'§Ii‘ \lnx'l. |lt'.lI I\c|\in I).llI\. {W I'I" Winn lim- IIi;'IiI.iniI Inn \‘-lIIl Inc mum I Riverside Club Ceilidh Dances |i~\ \Ilk't'l \pni l_(\II.I\I unli} ‘I iIllrini | I\t' \I.lll\ c I‘.lll(I\ I Victoria Bar |Iii;‘;'.iil N illpnr
l ICC
\I‘Ill Iicc
Ill\Il
\u'lhllt \\‘\\IHII
Saturdays;
I Scotia Bar xi“. Iv.le \lli't‘l
‘. Winn | I\\' IHII .iuiuxht' irinulix
I Babbity Bowsters I‘II.I\'I\III.II\ Shu‘l. I {Ilpin Iim' \c\\iuii
I Brazen Head (\iilimn Ix’iuil “pm I lk‘t‘. I l\\' IMlhI
I Finnegan’s Wake “0 \i \ int i-ni \uwl. Z-Ib I‘LVI, ‘Ipln I luv Ill\Il llicnic huh.
I McNeills IHIIIMIJIC \ln'i'l ‘lpin I‘i'u'. Ii’nh inlnrt'.
I Molly Malones Ilnpi- \im-i. <<.‘ .Tfiifi. “pm. I irc. IinIi llicniv huh I nv Ixinilx.
I 0’ Neills \iut’lnt‘lmll \hu'l. ‘lpni lit-c. Ili\Il IIlt‘lllt‘ puh \‘.|IIl Inc lmnil
I Park Bar .\if:_\Iv \un'l. nun I\\'I\.in I’.ii’I\. wI IHIQ. ‘Ipin. I IN I .llllUll\ IIijgliIunilt-i \ Inn. In c jgiuupx
Sundays
I Blues Band St'iiliii Il.ii. \imlxwll Sun-1.553 MINI. I. III 5. Winn. l'Ik'k'.
I Brazen Head ("iiiliuui Rim Im- inuxit‘ u! 3. illlllll and 8, illpin. I‘i'u'
I Finnegan’s Wake "(I \‘i \‘nm-ni Sli'u'l. 2-15 INN). ‘ipni. I'imr Ill\Il IIIL'IIIK' puh I,I\CI‘;H1II\.
I Jinty McGinty’s \\IllHll lung Inc lllll\l\’ lpin and _Illll.
I Molly Malones IIHpL' \h'u‘l. “3 3‘5". ‘ipin, l'iu', Inc handy
I 0’ Neills Sgiut'lnclmll \ll‘ccl. 0pm. Irma Iriin lIlClllL' puh \\ llIl Il\t' hundx,
I Park Bar .\l'j._'} IL‘ SII'L‘L'I. llL'ill KL‘I\ Ill I’urk. z“I I‘ls. ‘inn. I'rL-c. Inlnrniiil Highland llllhlg'.
I Victoria Bar Brigguii, x. Mimi, I'I'cc. .\t'nu\ug \C\\lHll.
Mondavs
I Molly Malones IIHpL' Sim-i. *3: 3.5-. ‘inn. I'i'cc. Irnh lIlL‘lllC puh. Inc Imndx.
' THE LIST 57