ACID STRIP

Re: Glasgow Fabulous Despite an underwhelming response to their first piece of overexposure, you've decided to run the Glasgow Fabulous strip sneakin tucked away at the arse end of the club section. 800 to you.

While the creation and ridicule of public figures in comic form is a time-honoured and politically responsible form of social commentary. it has always been done with some degree of intelligence and more than healthy dose of humour (see John Fardell). However. rather than provide what could have been an intelligent and satirical take on egocentric jocks and mass- market clubbing. the Glasgow Fabulous boys have chosen to use their medium to embark on some juvenile and quite personal attacks on some of Glasgow's grassroots clubbing community.

Michael and Daniel don't seem to realise that a cartoonist's work often reveals much more about its creator than it does about its subject. All the GF strip seems to say is: “We're bitter’.

Fad Lip via email

STAR WARS

Re: F For Five Stars

Louise Henderson appears to make a mistake that is all too common among 'discerning' fans of film when she confuses her opinion with fact. I know. because I've made the same mistake in the past myself.

2 THE LIST 14—28 Mar 2002

Letters

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Instead of being part of some global conspiracy to make pepple watch bad movies. maybe the reviewers who watched the six films she lists just liked them (a lot) more than she did.

As for five stars being an indication of perfection in a film, it that was the case then the category would be pointless since it couldn't ever be awarded.

Maybe. more realistically. it just means ‘an excellent film', ie one you walk away from with a sense of real excitement. a desire to think and talk about what you've just seen and a feeling that you are desperate to go and see it again.

Now I realise that I've just described some peOples' feelings toward Titanic. a film I absolutely detest. Then again. who am I to tell those people that their favourite film isn't a five star one?

Stuart Craig via email

SUM TIME

Re: A Beautiful Mind (issue 435)

I've just been reading Miles Fielder's review of A Beautiful Mind. What is math?

Does the tragi-comic figure of Miles Fielder mean maths? Or has he gone nuts (again)? Jim Higgins Glasgow

FOR THE RECORD The same old song Starsailor have just released the excellent ‘Pooi Misguided Fool' as the fourth single from their debut album Love Is Here. Their fourth single. Here we go again: another excellent band being forced to whore themselves for the record company dollar.

Don't record companies look at the charts these days? If they did. they'd realise that the reason most single releases from albums are on a scale of diminishing returns is that people get fed up of paying for

the same songs two, three or even (heaven help us) four times.

Isn't it time the record companies started giving bands more studio time so they could come up with something new?

Jonathan Muirhead via email

NEGATIVE EQUITY

Re: Funny business

(issue 435)

What Sandy Braveheart Nelson fails to understand is that there are a number of very talented and professional comedians in Scotland who are barred from appearing at the Stand for no solid reason.

Sandy Nelson knows fine well what I am talking about when I say that Equity members need to “think again'. He along with other comedians who are Equity members have continued to perform at the Stand while his comrades have been treated. and continue to be treated. in a despicable manner.

I have total respect for the other comedy clubs he mentions in his email as I have performed at all of them. They. unlike the Stand. allow all talented comedians to perform at their clubs and do not hold petty grudges.

Vince Willis

via email

The Stand told us it hadn 't heard of Vince Willis, let alone barred him, so had no reason to comment on this letter: ed

Tl-IE SNOG REMAINS THE SAME

Re: Ain’t that a kick in the head (issue 435)

Miles Fielder’s thoughtful Opinion article about movie violence makes an important point about the media's association with violent films and violent behaviour. Too often they give no evidence of a causal relationship. And you don't need to have too much perspective to appreciate that

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LIST.

there isn't one. Bad stuff happens and films happen. that's all.

Statistically, in any given year, there will be a number of violent crimes. All it takes is for a violent film to coincide with one of these crimes and the media pundits throw their hands in the air and forecast the end of civilisation. Next. we hear talk of censorship. This is very dangerous.

The same is true of. say. teenage suicides. Statistically, a certain number of teenagers will kill themselves each year. It's very sad. but it happens. And it's spurious to connect such deaths to the music any given teenager happens to have been listening to.

The true test is this: think of an innocuous event. the kind of thing that grabs no headlines. Let's say people kissing in the street. Now wait until you see a movie in which people kiss in the street (you shouldn't have to wait long). Leave the cinema, keep your eyes open and. within an hour or so. you'll have your own tabloid headline: “Romantic movies produce surge of street snogging'.

Rebecca Donne via email

DID WE GET IT WRONG?

We take great trouble to be as accurate as possible but. hey. we’re all human and just occasionally we might get something wrong or miss something out. If so please tell us. Email editor@list.co.uk

Publisher & General Editor Robin Hodge Editor Mark Fisher

EDITORIAL

Deputy Editor

Brian Donaldson

Assistant Editors

Miles Fielder. Louisa Pearson. Mark Robertson

Research

Helen Monaghan (Art). Kelly Apter (CIaSSical. Dance 8. Theatre). Louisa Pearson (Folk). Maureen Ellis (City Ute. Comedy & Kids). Henry Northmore (Film. Jazz & Rock). Anna Millar

SALES AND MARKETING

Sales 8: Sponsorship Director Amanda Mungall PA Antonia Pilaski

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PRODUCTION

Art Director

Krista Kegel-Dixon Production Manager Simon Armin Production Assistants Lucy Reeves.

Moira McFarlane Subeditor Richard Rees

ADMINISTRATION Accounts Manager Georgette Renwick Accounts Assistant Manager Donna Taylor Operations Director Jacqueline Garry Reception Anna Millar Edinburgh Office Diana Dignan

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SECTION EDITORS Art Helen Monaghan Books Brian Donaldson City Life Maureen Ellis. Jane Hamilton

Clubs Catherine Bromley (with Gillian McCormack) Comedy Maureen Ellis Comics Miles Fielder Dance Kelly Apter

Film Miles Fielder

Food Barry Shelby Games lain Davidson Gay John Binnie

Jane Hamilton

Internet Steve Blair

Kids Maureen Ellis

Music Mark Robertson (with Norman Chalmers. Carol Main. Kenny Mathieson & Fiona Shepherd) Shopping Louisa Pearson Television Brian Donaldson Theatre Steve Cramer Travel Louisa Pearson Video/DVD Miles Fielder