I Stereotype .n lit-rhn IIlL'llldlh
llpiii ‘mni. L5 hulin iiiidnighi. Ur .tllL'l 3“ .'\pr llugg} Hiiigci ()uccn lt'lllllh in lll\ iicu _L‘lll\L‘ in Sicicoupc. hriiiging hoiiit' lhc licxl lli‘th' .iioiind .iiid \xt‘lt‘oining \ornc ol lhc l‘k'\l _L'llt'\l\ Ill {man \iid lllh [Month 1\ no cucplion .ix (.Hlillll\ lll.llll\l.l_\ John \liuit‘ini luluN out ol j..'llL'\l tlllllt’\
I Tease Age .il (‘ilriix ('Iuh
llpiii Kini L9 “cckh 'l'hix llItIlt' \liiluiut illNIlC\ up cwryihing lioiii wringing (IIK llll\ lo lmgg) .\l.int'hv\lci ILI\L'\41\ \wll ;i\ :i hoxl ol t'urri'nl \ III t‘hui'r I‘illllt‘lt'h.
I Thee Jailhouse .ll \itliul i-timuh llpiii Mun. H I: ;\[‘l l-oriiiighll} leJIllL'Ulh rod. and old \t‘hool lllL‘l.tl in .i t'lrixxit‘ :\('/l)('. \loloi'lit'ud .uid S.i\on \Clll. plux ii lcu ol rhc ncu t'onlcndt'ix ili.il lllt‘t'l ihc grudc. .‘\lltllil\l.t\t‘. ihiil kiiidu lhiiig
I Ultragroove :il (uhiiicl \illldllt‘ llpiii iiiiii. ([3. [2 .-\pi l-orlnigliil}. l'lli'ugroow loungc I'L‘\ltlt‘lll\ (hut-1h Sonicrnllc. (‘olin (‘oolt .iiid \likt'} Sliiion \PCL'llllht' in I'L‘dl dml houxc .‘it‘lion. l'ndcrground Soluxh'n l’;ii'i) .l\ Siiiioiic rind l‘udgc l‘rngiix hol looi ll lioni ladinhurgh'x llllk'\l diint‘t' t'llllltll'llllll loi .i night behind the dct‘kx. “inch our for Derrick (‘zii‘Ici' iiu ihc lliiiit-}t‘i>iiili. 25 .'\|‘I'l rind Klllf-I llriii ihut'k iii the (Lib. Io .-\]‘i'i .l\ purl ol lrip'l‘} uh.
I Vain in In in! Ron l'nioii, ‘lpiii .Muii. H 4931. l~ \ld}. Monthly ’lt't‘hno. golh. induxlriul. Mk .iiid ncu roinniilit‘ luncx So Ihzil'll hc chm-r} llicnl .’
I Vegas ;ll ligo. .\Ionlhl_\. \ml duic 3 Mn).
I Wiggle ;u ligo. IlHllprii Run. L") it's iiicnihcrxi. Io .-\pr. Nluggic ;llltl .\l.’lll Jo} nccd no lllll'iltlllt‘lltlll .ind llll\ l\ lhcii' ncu night of g;i_\ lun ;llltl li'olicx. hi the llllllll rooiii \iill hc 'l‘i‘ciid) \Vcnd} and Jon l’lcgm‘d pl;i_\ ing liaickx llllll are .i lllllt' hil Cillllp. :i lilllc hit culling-cdgt' hul .i “llllIt‘ lollai lun. I)U\\ll\l;lll'\ Sgill} l" .uid \lit'licllt- “ill hc dcplo_\ing Rtkll. hip hop. llltllL‘ ;llItI chin“! luncx and him could “C l'orgcl lllt‘ lou‘l) l’cnii} l’oriixliu' on hand to nicer .uid gich lhc punlci'x'.’ PIC-Club \L‘\\l0ll l’lunci ()ul \HIII lii'cll King.
Chart 8. Party
I The Big Cheese .ii Pout-no“ Siudcni hillnll. lilpiii 3.1!".[3 £5. 1‘) Apr. .\llh\l\C \Iudcnl iiiglil or Ilic hut in cheddar llinourcd t‘liui'l lllllt‘\ Ironi lhc "ilx .iiid h‘llx. l'culuriiig ;i Mari Ill l/lr’ll' [iii-x
s!) It karaoke.
I Cavendish/Diva at (In L'lltll\ll/l)l\;l. lllpin Ruin. l-‘rcc lit-tort- I 1pm; £0 iil'icr. \Vcckl}. The full} l‘t‘llll'l‘hllt‘tl \piicc hoxlx u iiiglil of all rhc grooucxl llll\ lroiii th‘ (ilk 90s. “uh curi'cnl chzirl hum on the top floor. ()wr 35x onl}.
I Edinburgh’s Biggest Party .ii Mood. 0pm 3am. l'rcc hcloi'c l lpin; [3 (free to incinhcrxi dllt‘l'. \Vcckl}. ('liiirl. part) and mu] llll\ from D] Martin.
I The Party Continues . . . iii l’cpiwrniinl l.oungc. lllpni Mini. £3. \VL‘L‘H}. 506 Hi.
I Shake It iil l.':\ll;ichc. lll.3lll‘lri .lgini. £4 hcl'orc l lplll; £5 glI-ICI'. \Vt‘t‘kl}. Part} “11th from lhc (illx right up to LN \icck. plus loiidx of drink pronim lo \\;l\ll ii iill doun “llII.
I Subway West End ill Sulmii} \chl lind. (ipiii 3am. l‘rcc hul'orc ‘lpni; £5 154i .il‘lcr. \Vcckl}. ('liiiri. dance and cliccx) Iunc~ ;ill night long huh}.
I The Subway ;l[ Sulmii). "pin Ruin. fl. \VL‘L‘H}. SCL‘ Thu.
I Supernova lll Rcmluiion.
10.30pm 3am. to before iiiidiiighi; L“ (£4 £5) :il'icr. \Vcckl}. (‘hziri iind pint} llll\ all night long.
I Why Not? at \Vh} .\'ol'.’ lilpni Sam. 3 before l 1pm; £5 {7.51) after. \Vcckl). Soc Fri.
Edinburgh Sundays
Club
I DKY 'dl Studio 2-8. I lpiii 3am. {I501}. \Vcckl}. DRY \Ii‘itlcx corilidcrill) into in third _\c;ir “uh it'xidcnl DJx Jordi. Gareth and [Xixc plu) ing rock.
golh. nit-Lil. indiixli'inl .ind punk. 'l llt'lllt' iiighlx ;llltI llk't' gillx t'oiiihinc lo ltccp lliingx iiilcit'xling. \wck lll. \\L'L'I\ on!
I Escape from New York .ii (Lilxircl \tllldllt'. {3 lo mmpt‘. “Wkly l';it't‘lc\\ l).l\ ll. l)lk‘\\ iiild I'll\ pio\idt' .iii t'lct'lio \oiindlrnt‘k .il llll\ non dance lot'uwd CH‘III. .\llt‘lltlt‘t'\ .irt' rm llt‘tl lo \‘tlll\|Ill'L‘. t‘imlc \t‘ulplurtw .iiid \\(lll\\ ol .ii‘l. \\ illi lllt' loolx and inult'i'iulx proudcd; lhc oiil} inpul li'oiii L‘N‘dl‘t'tW IN
I Flava :il .\l.i\\.i iloiiiicil} ('hih Humidor. lilpiii l.iiii. {Tl lit-lore llpiii. [h .illcr. Ill .\pi'. SI} ll\ll urlmn night hringing )ou ;i hlt'lltl ol \llt‘t‘l \oiil. \t‘\} Rtkll .ind liiiik} iirhiin t'iitx. Illh iiionlli. l"|;i\;i prcxcnlx lhc lick \\ ilh lliuiil .ind Hodgt' |oiiiiiig l).l (‘ul/.
0 Foozle .il lllt' \t'nuc. Ill. illpiii Kim. (l2 [l5 Ill g\pr. .\t-\\ iiighl ol hrciik hail. hip hop ;lll\l lcchno lllllllt‘lllllg‘ \\ iih \pt't'inl gut-xix l‘i'cq .\';i\l_\ .ind llt'iiII} Rll}llllll .*\\'t' ll” \t‘l l. .‘I'I' [’Ir'l It'll.
I Fresh ;ll l’riw (‘oiiiit'il lllpiii Run. [3. \\'t'cl\|_\. \Vind doun )our \wckciid lll \l}lv \\llll lzdiiihuigh’x piiit‘xl iii'hiiii \pol loi' Rtkll and hip hop on .uiollici‘ lcwl li'oni lhc roluliiig H] [mm l‘dl‘llltV. l:;i\_\ ll. Niit‘cni. .'\l|ll‘;l\\;ltltll'. Richic Riilllonc. .\l(' l‘lou. .\li' \igcl and more.
I Hoffbeat Easter Sunday Special at Berlin Bicrhiiu»
Illfillpiii .‘iiiii. L'" (fir. Ill .-\pr. 'l'ht' l‘unkt‘} .\l;igit' gill}\ and llolllicul inla- ;id\;uii;igc ol [how cum dii} \ ol purl} ing h) in\iling Q lliirnx. l.o Ru and Kippx Io ltllll lhc crcu.
I I Love Music .ii ()p.il l.oungc. Noon .kiiii. I'I'L‘C hclorc aliii; (3 .ilrt-i: \Vcckl}. (hirclh Soiiinicn lllL‘ il'llrugi'oowl limb .in .ill-du} \t‘\\lrlll lhgil croxwx lhc lllltltllt' ground hcruccn t‘liihhing .iiid chilling. lculuririg gut-xi UL and ;i plclhom ol Illll\lt‘;ll \l} lt‘x including houxc. l..ilin. inn} groian dlu‘u and RN”.
I Kayos .il ()piuiii. llpiii .Kiiii. l‘l'L'L'. \VL‘CH}. \IL‘IJI gllltl l'ik‘k l).l\ (~lglll'c .\loll;u and John li'oin llogxlimd lwcp lhc croudx .i nioxhing.
I Salsa Romantica .ii Iago. 5 llpiii, £8 rim. l.‘ .'\[‘l'. .\lonihl}. You'll nun-r guc“ \\li;il kind ol inuxic ihc} plii) llCl‘C ch .‘ Yep lioi l..iiiii rh_\lliiii\. \\ llll d hcginnci'x \‘l;l\\ at 5pm iiiiidcr lllL' llllL‘ldeL‘ HI \UlllL‘ Ul St‘illl;llltl.\ l‘c\l diincc coiit‘hcxi lllL'll l)J\ Janicx ('oiiih. \urto l‘bi'nundcz. I)l' Sulxu and gut-xix \pinnriig [ho ho! iii l.;iliiio \oundx ironi (ipni iiioi l'orgcrliiig ihc light hullci. \lll‘pl‘l\L'\. culmrcl iind tlL‘lllU\ on ol'l'cri.
I Spacehoppin’ Curios ;il Bongo ('luh. lllpiii Ruin. £4. Ill .-\pr. 'l‘uo l'UUIllx ol' .it‘lion ;l\ RL‘dlllllllllL‘ Rccordingx .\I;iiiclic\lci”x nuwxi record lJI‘L‘l.
MANGA a. SWITCH-UP! Switch-Up! at Honeycomb. Edinburgh. Fri 11 Apr: Manga at Honeycomb. Edinburgh. Fri 18 Apr
It's taken four long months, but at last the damage caused to the Edinburgh club scene by the Cowgate fire has been repaired. The re-opening of Manga in a new regular slot at the Honeycomb will be seen by many as the greatest indicator that normal service has been resumed.
Not only that, but the Basstrap folk behind Manga are also overseeing the relaunch of their Switch-Up! night at the same venue this month, with breakbeat mainstays the Freestylers providing a special guest-DJ set. In the case of Manga. however, it‘s one of the originators of the drum 8. bass scene who’ll be putting in an appearance.
‘It was all acid house and techno when I started.’ says J Majik, who became involved in 0&8 at the age of 15. Now. 11 years later. and following a meeting of minds with Goldie ' '- ._ and his Metalheadz. the artist formerly known as Jamie \Spratling is a respected DJ and producer within the genre.
as well as boss of Infrared Records.
‘Manga’s got a name for itself,‘ he says. ‘lt's one of the major nights and it's always proper blazin" - there are few more qualified than J Majik to welcome Edinburgh's lost son
[‘lt‘\t‘lll\ ("hm-kw. ll.llt'. \l.it' \ll.it‘l\. Iliict‘l l lll/. I).iiiii|d (iooil/ .iiid l llllt‘ .\li\\ l),l “ho llll\ iip lt'k .iiid l‘.l\\. l‘t'.ll\ .iiid lllt’.ll\\ lll iooiii Hllt' l it-dd} 'l ).i l'iog' \I\'(‘)lllllll. llill Spit‘t'. ('h.iii_:'o .iiid “cc (i \iippl} lllt' liiiik. dixt'o .irid hip hop Ill room [no \dd Ill Inc lioiigm. l‘l.l\\ .llltl t'lt'.llllI\'\ lioiii lllt' \tl\llliI\ .iiid )illl h.i\c .i Pt'llt'\l .iiilidolt' lo l min Sun
I Tackno .il .\Id\\.l iloiriit'iI} (‘hili \lcitndoi Ill. illpiii ;.llll Ui iL’li 3" ,\pi .\loiilhl) ll\ hick ro lhc llooi loi llL'lltl} \\cnd} .iiid lici lllllllll.ll‘l\' p.iii_\
back onto the scene. (David Pollock)
llll\ ol lelu h i lil\\lt \ lloldiii}: our Ior .i lit'io il'x \llllt'l Lit kiio
I Taste .ll lllt' l ltlllltl lx’ooiii llpiii Run 27" hcloii‘ ll Mpiii. !\ it!» lllt'llll‘t‘l\l .lllt'l “ct-kl} my; lwlou loi l .l\lt'l \llt‘ildll lllt' t.ipil.i|\ llll.illlilll\ \iiii iii;'hl \\'\\lllll \r‘llllllllt'\ .ll‘.l\k' l l\lli'l .iiid l’riu‘ \iippl} .i [llil;'li'\\l\\‘ llll\ ol lli‘llM' .iiid j_'.ii.ij._'t' Ill lllt' iii.iiii iooiii \Kllllt' \l.iiliii \Jlt'llllllt‘ .iiid \lgwg‘ \\.|I]i'lg'\\ \xoux Illt' mind in} \ioud \\||ll lll\ liiiik} l .\ hoiiw gi'iih through lllt' lxitk (In |: \pi l’liil l’cii}
il iill (‘iit'lo Hiaiwii: .lllil lll\ l\\l\lt'tl lrih.il ll\'|l\t' It'lll\ lhi~ il}ll.lllll\ duo
[LIST
Your pass to great club nights in Glasgow & Edinburgh
Valid from: 10/04/03 Until: 23/04/03
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