Music Lt H. gm, °:«;,
Fri 1 8 continued
Klll”,ll( llfllfllll
The Wickerman Festival I .m l\lllu.ll skull l.lllll. l)lllllllk'llll.lll lll**' um} 1‘! ‘pm I “I 9 W Hunk! LI 1\ lln'r \llk'lll.ll!\\‘ l\‘\l|\.ll "Mill ll\L' lllll\|\ llHlII Ilu' lilxx ml Illc IMHHII'Il U/m lt'lll.l\ l\'\ .lllll “.lil \l.lllllk‘l\ .I\ ‘.‘.'\'ll .I\ .l \l.ll|\\' \l.l}f\'..1\1'll\ll\ \l.l‘_'k'. Hullllcm \Hlll
lL'IIl .unl mqu .u lI‘\\ llIIn' «l.1}\
Saturday 1 9
Glasgow
I Mink Lungs, La Neon, Sleeping Giants .Hul Kilo King; lul'x \\.ih \\.Il| llul. 3/3.: S! \ mu'nl Sllcvl. .?.‘l *3 "i h illpm U Mink lunyx My .1 I ull. ulllwul llnml‘lul tlll.lllt'l \kllll .n Inmh nl Illc l l.llll|llj.' lvllk In Ilu'n mum .imlxl.i;.'u‘l.1ll
I Sluts of Trust .\m'n'5lc.u_\.~1_‘l \Jllklllt'lldll \IIL'CI, Hi ‘NH' 0pm (iuIIm/Ilmmx 3:.uagv (lllH Slulx nl llll\l u'lchmlc \llellll}: In ('hclmlml linlupmuml Rcumlx. \xlnlr Ihcu puynuxlvn Illc Dclgmlm l)J ll]\\|.'lll\
I The Fusion Experience, Brown Eye Superfly giml Milestone Hulll}. .3(\I)('|_\Ilc Sim-I. (IX/(i tm/ (NW 3pm Ll Su' l 11 Is In! Ihv l uwm l',\|wllcn\'c
I Drat “w I {ill Nuic (1m: in (in King Slit-cl. iii IIHH 0pm Li In ll unnlm lwm llcluml. Ill lln‘ mum lullpulk .l\ Sluilklclmiw uml Ilu' l'mmcx
I Capstin Pole .qu The Score Slumlwn} l'lt‘l(l\. i(»()\\\.ild Sllccl. “NH HS; 0333") " illpm [-1 (MN l l\ \lum Imlu' luck.
I American Route (imml ()lc ( nu}. Pauly) Rmul lull. l?" *Wh F illpm 2.71 IN mcmlwm. ('uunll}
I Wig Wam Bamz Humle Sim-I. IllH (it‘ulgc Sllx't‘l. RT). lll-l l. 7pm. Li It'lh 5” \nlh (llllllt'. glam lm'k hgiml,
I The Solution \l\( llllllllx 1" lllj'" \Ilccl. ‘5‘ .‘l 1* lllpnx lrcv "Ix Inlluumml [nylmlcllt \l'llll\l\
I Jamie Barnes 8. Cochise
\l.u \HIlL‘} K. 1.‘ liillmlhz \III'I'I. .‘ ‘\ \*\l hpm lrcc Ix'cxnlI-m. l<«\ll \t'lk'lJll
I Fresh Evidence \l.1\ \uxII-t x I,‘ l.nn,m.1\llccl.fix \*\l \pm lie,- Roi} (mllaglm InlmIc
I Open Stage Ihc ll.Ill II.» th \mellmnlx Rmul. i(i1 lg}. 1 \pm llk't' \\I't'l\l_\ \k'\\l('lll1‘l lIqu
I The Fast Camels Ihc H.le IL”. Hill \\U|Hll.llltl\ Rwul. *le l5?" "pm l'lL'C
I Kong ~\Illllllt‘l l)n\\ \_ (i . ‘I \IlllMldlt' Ruml. ~13 l Illll“ .\ illpm llcv Rtk‘lx
llI'Il: Ilt'
Edinburgh
I WhO’S Who lllL‘ l.ltlllltl RUHIII. ‘lt VIL'IUHJSIIL'CI.32550-1 'pm lnlmlv hand pcllmmmg Qum/mp/n Hm .Illtl Ilk- \Vlln‘x gu'gilcxl hllx
I Slingshot Round the Moon .unl Cryet (Illa-dunk“! Backput'kux. * ()uccnxlcu} Slit-cl. ~l7h 733-1 3pm H Hun} Illulmnmg. gulmn .Iml .l tll‘\t' ml tuck. l’hnlu ll) Icquuml lm Hill)
I The Sepia lllL'L‘ l lltlt’l\\l)lltl. ll.mnwmun\. \uldl} Slim-l. 550 Bil
X 45pm Lil l'.ll;_'ll\ll nullil Illc Scpal. .ulw pluyng lllc\\'1cl\clnmn l’t‘\ll\,ll llllx \wckcml. \Iup nll on Illc \\.l_\ Ixuppmlx \llll lhu
I Raff and Big Hand \\ llixllt'lnnku‘x. -l () Suulli llmlgc. “7 fil l-l 0pm ('unlcmpmui} Ium'x .lllIl hme limn Ix’.Ill and lml \kn \ullllilx lmm Ill}: |l.iml
Kirkcudlarighl
The Wickerman Festival law Knkmluu‘ll luum. lhnnlu'nmn. “I *V Slllll-l‘l. lpm. L" {II I“ Imuch {I l\ llt'k'l. SL‘C I‘M IN,
Martina Topley Bird plays King Tut's, Glasgow on Sun 27 Jul
66 THE LIST '
Sunday 20
(1.:
I A Close Last, Realbadfall, Duffus Tearjerk I2- 11' (.tfc w w l\". \mq' “1 l'w\ ;‘,l .‘P\ l:"“4 l:\',.:HIl \I~'I:r1f'..:n..m«i
2H \.211m2\ Vinita Hf (.l.:v.‘n.l. llllmlcc. chlxx I: .cl}
I Pen 15, Muff, Little Hait, Quik .mil Gopherwood IIII-I .Llll\‘il\' h lnmn \Ilccl f 1\ HIM“ ‘Hi‘m 31‘“ ()\.c1 |1\ \llw'.‘. \lJlI’ wml Imc up
I Jaded, Dirt .m.l The Strand \Imxxl‘czu |l\'l\l\. ‘h l khaki \ticcl nub ll‘ii‘lr‘\‘l ' 1Hth 1.3 I).QI l h \u mclal .:ll«l ulIl huk ll' llll\ \llmxtmcnl lnmIl\ '.‘.ll~'l‘l.1\ll\t' .I: lhlmlxulnnk lkmlluxit \Imlnu
I Engine lllc \...II.1. II.‘ ll 1 \Imkucll \llt'k‘l‘ ‘*.‘ \h\l 1pm Its; lx’m k tun-Ix chnlcnt}
I The Cobramatics Ihc \ulm
ll.‘ ll 1 \lHtlAu'll \III'II ‘i‘ \'»\l ‘lpln llcc lx’mk'n'wll n‘xnlcnt}
I Big Blues Jam \lmlln ( my. (ilH\\\'llHl llnII'l. (iimwnui It'll.l\\‘. {1| (5|!) lil‘lll llt'k' lliulml l\_\ Illc \I'u Illum \ullcix \HIII \Hllllll‘llllt‘lh Hun. \Imlw ( )m' lt'}'lll.ll\ \Iu |1 4x Ix'w. llm .nnl Ilu' \nnmu llmllicix
I Phil’s Sunday Session I wsv llk‘dllm. z.‘ \\1|II\ll.Ill\l\ l\’\l.I\l. g(ml l“"l\ (llllll licv Hung: will nun mxliumcnl I Live Music \l.l\ \Iulcyx. 1.‘ ,l.lll|.Il\.l \llccl. .‘ l.\ \"\| \pm llcv llllcc llll\lj_'ll\'\l lm .ul lxnnlx
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I Red Man Walking Hm-
I lltlk'l\‘-lllltl_ ILHHII'HIIJII'» \ulxli} \llvcl. “0 {3‘1 .\ Hpm 21 \lun- Imk .unl Imlu- \\|lll unuc l‘.lll\l\ In lw t'nnliIIIII-Il
I Jase .lml Strait Jacket
\\ lllxllclnllku‘x. 1 (i \nth llmlyt'. *‘W *l ll ‘lpln (‘mclx llHlll law ll‘llHV-k'll h} nugnml [ml lmm (ilcnmllu-x' \Imnl .l.l\'l\t‘l
Kirkcugllnlghl
The Wickerman Festival I .m Kllkt‘ulxucll lumn. Humllcnnm. HI “‘ SUNS-W. lpm l. W l_ W lllllllx'l I ll\ llk'L'l SUV l'll l3
Glasgow
I The Germans, Catcher .ml The Zips King 'lul'x \\.|h\\.|l1llul. 27:,l SI \ Int'cnl SIM-cl. 3.‘| *3 "l
H illpm LN 'I Inc (it-mum .uc .l ncv. nullil. lmlulmg l.lllllll.ll l.l\\’\. \l/ llmnml tllllllllllt’l R,” Muth .Iml m (lolll.llllt‘l\ luum‘lx l’vlc (h) m- .Illil l’\l|\ l)u|llmulc
I Kald, Chase .iml The 885 lldlll). 3N) (lult' \llt't'l. “5-.” ‘lll ' ll‘l‘l‘l ' illpln. Ll Kalil .uc .l \\\'l\ll lmml pmnmlm; ll\'\\ lzl’ 'Ruckmnllm}lmllm'kx'
I Plan A, The Cherrykicks, Exist3nce .qu lhc I *m \«m- (Lac. 5” ()ll king: SIIL‘I'I. 4“ III“ 5pm 91 (nudge) Im'k \numlx
I The Alf Stewart Combo \Ilnlw ()llk‘_ (ll\\\\clltll llHlL'L (il\)\\L‘llI'I lt'llJL't' lull ll}lc\ Rinull. {ll (5 l(\ “pill, l'le' llllltW
I Acoustic Jam \m-‘nNII-JA. -1.‘I Sunglnclmll SIIu'I. N‘WH‘ 5pm lim- “uh .1 “cc dunk .l\ Imcnmc In! [xllllt'llmnlx
I Open Mic l Iqunlluungc."1\\cxl chcnl Slit-cl. W i (m i ‘4 Upm I In- .\\'l|ll\l|\' muon put“). ctr Edinburgh
I Open Mic “linilcl‘nlklcx l n Suulh limlgc. *V Rl ll ‘Ipm ,quI Imn up and pcilnim
I Acoustica (LIImI-I \Hlldllal if» <\ BLIH Sllt'k'l. I]! (\l 'h lllpm lice l\Ullllll.Il} umIHlmIIum n11 cult \ nun. mghl nl .It'nuxllt wumlx nth-Hm; \Jllt'tl lulc upx Hum l-Illnlnngh‘x Ilm-xl
\mgci wngunlux \ml tum-mlx-i nu
pm c1 \cl \lt'lh Illlll‘-‘-\'kl
I Finley Ouaye .-.ml The Cornerstones l\I:I;' Imx \\.:I: \\.m ll\.' ‘.‘.‘.\l\lllt\‘l1l\llt't‘l,,‘
\ inlw~ {III
‘i \ , M \u‘mm \I'I Hum
l \!.;z’\_n-_'h'~ lug-.‘Iu‘ Inync \xliw lll.I\ ll.l\t‘ '_:\l.1\ll\.\1ll\‘l\‘\il\\.l\\‘ll.‘ll:l\.\lll\\"ll\l Innis; I.» pmnnncnux I‘m Ill‘-\.l\\ Iiulx.c1\ Ill; pmulx Immhxlh l \Ixxl .1 .wl‘lllll Hum llllll h} Ills cml nl Ill,~
I The Zephyrs ‘Iml Sons 8. Daughters \m-'n'.\lc.m 2.‘I \mt lllclmll \llccl \lyxilwm ltlmlmlyll I'llllll Inuxnl In l\'l\‘.l\\'ll1\‘ll \I‘Inml .lll‘lllll \uppuilnl l\\ Illcxnmlull (\tx'llk‘lll\I‘l1\.lll\l
1‘; Uh; ‘lpn. 2h
llm-flllcu \\lh~ l\_\ lllg‘ll man .lttI'lllll [lax \IIl. Ilul} lulk muxlt IlmI lulu lm k «nil nl lnlmn} ( .l\ll \ml \xc Imam ullcn l]; \\.l\ .\uun;' .nnl lmnl'
I Wichita Records Third Birthday lc.11mum:' Brave Captain \1\ c'anI‘J/y -l.‘| \mtlnclmll \lm‘l. W1 ‘HH ' "pm In'v Hmw (flipmln |\ \l.ulm ()m, k'\ 91111.11le \'.Illl Illc HIM l\,.l\ll\"\\ llc \xill lu‘ \Ullllll‘llllllj] .l l.l|‘l|'l‘ lll \I'I \‘.Illl .l\\l\l.lll\k' llHlll In! \I'llllllllhl .Illil \lu;'\\.n luxul lll'llkll“ \Ium lhmlmmc 1.. \clI-lmlc \\ II hum lx’vumlx‘ lmllulg \I'I' plmu'u
I The Hype .md Reoccuring Hu-
§Il1\nIc( .llx', ‘ll (ill l\|ll‘.' \llk'k'l. “§ lh W "pm 1‘ \ l‘.ll\ll\‘~l'll\ nl imlx Inllucntcx HII llltllllf.‘ ( ).l\l\ llt'll \l.mlcn Illlill I‘
I The Second Last Tuesday ltll.ll()\ll.1. 13(ll.l_‘.'lil.lllt'. l‘ ' ~l‘.‘l Mun !.| lx’t‘jgul.” mle cwmny
I Phil’s Session I m- III-.ulm. .‘ i.‘ \\nmll.1ml\ Ruml. ‘hl IQ‘N‘ “pm In'c \M‘I'H} |.Il|l
l<lmlnngll
I Danny .md Sawmill Buddhas lHII'\l (Ile'. " \\L'\l l’Ull. :.‘l ll.‘ ;' "l‘III \tnuxln \Humlx llUlll Hum}
I Martin Bowman, Alex Botten, Bjorn Sandberg, Ross Nicoll .qu Bongo Bob 8. His Magnificent Backing Band \lulum. l‘ -l' lHllll.Ill \llk'k'l. 3.“ (HI; “pm l.‘ lulu lurcl gnu-x .lll .lLUll\ll\
I Band Showcase \\ llhllu‘lunku'x l 0 \quII Illnlyt'. ‘i ' il ll 0pm ('.|ll lll .I\l\.Ill\\' lHl tlt'l.lll\
Wednesday 23
(Eziisgow
I Shack l\In_-_' lul'x \\.Ill \\.|ll llllll .".‘.1\I\Inu'nl Slit-II Ill 3"")
.\ Winn II” I Iwiplullmn tl.lIl(llk'\ nl llu' I llllt'lll Lnnjgl} l‘k'Jl [mp \t'cm' lL‘llllll \kllll .l Ilc'u. .lll‘lllll He 14 \ lum s:///1 [/11
ll: Ill/H, \‘.llltll [NHL .1 IIII'II‘ \k'\\'ll '~‘»t‘k'l\\ In ‘.‘-l|l\' .nnl Icuml
I Escobar 9, Peri, Trade, Lift .nnl Adante lllc ( \zlllnuw. l‘ l mun \In‘cl.31\hhll(i " {Illml L1 ill ()u‘l le \llH\‘. \l.Illl\lI\'.Illl lmk lmc up
I Pettybone .Hnl Blueprint lhc llmll lulx \uc'n'SlI‘AI}. lfl \.Ill~ lln'lmll \llt't'l. H; W)" lHt l\
I Acoustic llh‘ l §lll \nlk' (Illc. ‘ll (Ill Km; \Hccl. 3“ HHH ‘lpm I} hung )nlu mun _L'll|l.ll .xml Illa} 101.:
‘Ipm Indu-
[Hill
I Open Stage llu' ll.Ill IL”. Hm \\mnll.llltl\ l<mul. i(v3 1‘3" 3pm lim- \Mull} wme lui luml Inuthth
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I Finlay Ouaye .xml The Cornerstones llu- I ullml Rum“, In \l\l|'ll.l \Iiccl. 33‘ IVll "Pm Llll \u' lllk'
I The Zephyrs .md Sons and Daughters lhc \vnuc. l“ .‘l (Lillnn Rum. *“ “I”: 7' illpm I.“ 3‘ \u' Inc I 00 Country Band ()Iln'n
( lmlnuv anllh. Vm ()UL‘L'H (lmxlnllc \llL'L'l. §<< (\(\()ll 5pm] {2 RH IL: lllll\l\l.lll\l ()ltl ~I_\lc Ulllllll}. l1); lulu”) .xml hlucrmxx