Yntt atL' |U\l ax ltlu'l} ln llL‘.” lll‘\\lllk' l..ilitin \nntlnn .llltl tlatk |.t// .t\ \llklltlk'l Jitt'lkvill nt Jaiiit'x liinuii
I Fusion .it \lt'itiii} \mt tlatt' [in
I Glasgow House Theory .tl () (illllt \L‘\l «idlt‘ “K
I Groovejet at ll.l\ll llpiii {am
{8 \M't'kl} l’aiil \'.lic [‘lt‘fltlLN nu-i lllL'
(ll) \ lllU\l pnpiilai Rxli .llltl \tilll lll_'_‘lll. .llll.lLlIll_‘_' a ln_\.il tinutl mm} \H't'k Rtmlll l lt.t\ lllt' “Inuit lilttlllt'h Plit}lll_‘,_' \nt'al .llltl tniiiiiit-it'ial llttlht' aiitl Rnniii 3 ll;t\ l).l\t‘ \xitli tht- pail} .IlllllL'lll\,
OHaptic at liquid l,t)llllj._'t'
‘lpiii *aiii. {h 3* \iip. \lniitlil}. \l.‘t\\l\t' giit'xt tiigglit \xitli lit-\nt Rllt'lxk'llllt'. a [Hit lintiw .llltl tct'liiin \l.ll. (lt'l iii nii llll\ llllell. ax it‘xitlt-iit \ctx li'niii (‘nliii l)a\ lt'. (iiaiiiii aiitl \ll\\ l'lllll all [it'niiiixt' tn pct lllL‘ ginml iii a x“ cat. .S'r't' [ma It'lt.
I Higher Ground .tl Rimmlt- (‘Iuh .\'c\t daic thy.
I Hi-Karate at l.lt|llltl l.niiii;_'c. .\'c\t (lillL' (i St‘pl.
I Homecookin’ at lllL' Snt'ial. Itlpiii iaiii. l-i‘cc lit-lni'c llpiii. £5 altci. \Vct'kl). l).l\ Stcuai't .\lt'( 'alliiiii .llltl .ltlt' lllggllh kccp tlic Illlhlt' iaiiiiiiiii‘ aiitl tlic tlilllt't‘ l'lnni' itiiiipiii’ all night lniig. Rtin trackx llll\t‘tl \\llll tlic Htltl (lil\\|\' and Niki \knnl lil\Ulll'llL‘\. Jll\l “att‘li niit lnl‘ lnttlltttll [\l;t}cl\.
I Homegrown .il liaiiilinn.
5pm 3am. £8 (UH, \Vct-kl}. Stt-xit' \litltllctnii li‘niii Snlt' pl;i_\\ a ltiiik). \ttlllllll lltHhL‘ \ct “Illl (i;l\lll Mult-ntl. Jtiiiini' aiitl J-.\lc pla} “ml and Rtkli. and .\'n|aii aiitl Jaiiicx (iaitliici tin “halt-wt tlic} \xaiit. .\ lllk‘ llllt‘ tip hit a Sal.
I Inside Out at the Art-hm.
ltifitlpiii 3am. tin. 30 .'\ll:_‘. \lniithl}. l’ct‘gic. ‘l‘all l’aiil. .\l.itt llai'tliiit'k and Darn-ii ('hi‘ixtiaii iiiakc lllt' hill lni' atintlit‘t' nl ( ilaxgnxi \ ltll\lt‘\l p;ii'tic\. llhltlk‘ ()iit gnu li'niii \ti'ciigtli tn \ti‘ciigth aiitl llll\ night I\ gniiig tn gn nll \\ itli aii alitiiglit} hang.
I Jamboree at Rctlx. I lpiii Rain. (7 (95>. \Vcckl). Jnhii l._\nii\ aiitl .\lai'tiii llcxkcth nl' Vclwt Rttttlth laiiic iiii\ up a lilciitl nl t'tlllllllL‘l'k‘lill Rxli aiitl \Ulll. I Joy gll I‘ll] anc (.alt‘, NCU tltllt‘ lltL‘.
I Kevin Austin at ('ati\;i\ t.-\i'tai. Illitlpiii Rain, 9;". Wall}. Ku'p dancing tn tlic iiiaiii i'nniii \Ulllltl\ nl liiiilt. tth'U and club .llllltt‘llh \\ hilc tlic li\L' L‘lllL‘l'lgltnltlL‘lll litkLN .I \\ L'll tlt‘u‘l‘u‘tl hi‘cak.
I Kube at lilacklriai'x liaxciiit'tit. Nut tlillt' lltt‘.
I Life at lilt‘ t(‘ni'iiithiaiii.
llipiii 3am. [5. \Vcckl}. .-\ lni'iiiitlahlc iiiglit nl liiiik I'ni' lll(l\t' uhn likc lllL'll' t‘iitci'taiiiiiictit iiiatiii'c. hut still iaiiiiiiiii‘. Rn\\ Macmillan Pl't'\L‘lll\ a \t'lct‘tinii nl’ \tllll. funk and than atigiiit‘iitt'tl \\llll ni'igiiial \lllllplt‘\ and Innpx tn giiai'aiitcc a MC“ takc nii laiiiiliat' \Ulllltl\.
I Lite at ('ni'iiilhiaii. ‘lpiii 3am. t‘tht'. \Vcckl). .\lntlcrii tic“ hat' and club at this gni‘gcniix ltigi‘aiii Sti‘cct int-ga- \cntic. 'l‘lic) a|\\a_\\ put a lnt iiitn lllL'll' \t‘llllLN. \n ti") tn iiiakc aii cl'lni‘t. \\ ill )titi’.’
I Lush at tltc l’nln liiiiiigc.
10.30pm 3am. £5. \Vcckl). l‘t‘dllll'lllf.‘ :\lltl_\ in thc ‘l‘i‘npln Rnuiii “Illl hits ti'niii thc (itlx tn tlic fills. “hilc lniii pt'nx lth\ an tip-l'i'niit tlaiicc \clt‘ctinii iii the main i‘nniii at tho (ll) \ pi'cttit‘xt gin cltih. ' I Melting Pot at Rl\t‘l'\ltlt‘ Sncial. Midnight 3am. t'lt). St) Aug. .\lnnth|_\. Sittinii ('ni‘diiici‘ and Bill} \Vnndx pct thcii‘ \ iii}| nut l'ni' thc latlx at llll\ \\ ell- |n\ L'tl littllu‘ illltl tll\L‘U \C\\|Ull llL‘al' lltL‘ hi'iii).
I Mish Mash at thc liquid l.niiiigc. NC“ \ltllt‘ llk‘.
I MiSO ill l.:lll \nlL‘. \C\l tlttlL‘ llk‘. I Moda at .\lntla. 0pm 3am. lii'cc. Wot-kl}. l‘iiic (ilaxgtm 1)] (and l'nnthallcri Bart} (iciiiiiicl tll'ttp\ lintiihx .it thix hcautil'iil hai' iii tlic ga} tlixti‘it‘t.
it (LHNU
HAPTIC
The Liquid Lounge. Glasgow. Sat 24 Aug
st "as Clubs
Since leaving his job as a travel agent in the mid-80$, Trevor Rockcliffe has become a worldwide name, with residencies at Trade and Ultimate Base in London, and regular visits to Tresor (Berlin). the Flex club (Paris) and
various festivals around the globe.
The sound of Rockcliffe is a distinctive one: a fusion of rumbling base lines with classic Detoit strings and soulful vocals. Although DJing is his first love, since the birth of his label, Mentor, in 2000, Rockcliffe now spends a lot of time in the studio. His first release. ‘A Sound Called House‘, combines dark techno with uplifting house and disco influences, and received wide acclaim. His next project is an EP featuring Brazilian artist, Anderson Noise. As well as other works in progress, his plans for the rest of the year involve plenty of club gigs, something he always relishes.
So what does he think of us Scots? ‘I love playing in Scotland, I've been up there a lot over the years. The atmosphere in the techno tent at this year’s Coloursfest was brilliant. Scottish crowds are always really up for it.‘
Joining Glasgow boys Colin Davie and Gianni for the next instalment of Haptic, Rockcliffe promises a night of 'the funkiest techno there is'. Fresh from the nautical extravaganza that was Houseboat, the boys from Haptic will undoubtedly add some of their own genius to the occasion. “The crowd has grown every month and the atmosphere has been brilliant. We’re looking forward to another quality night,‘ Davie assures us. (Fiona McRae)
I Nonsense at \tcrcury \t-xi tldlt‘ th'.
I Original Soundtrack at () ('Iuti. NCU tlillt' UK.
I Papacool at .\d lit»,
ll..§llplll -l.iiii. [5. 3t) .'\llj._‘, \lniitlil}. ('|;i\\it‘ i'ai't‘gi'nnu‘. liiiik. Mini and iii// all cniiic tngctlit‘i' iii llll\ Illll\lt';ll mulling pnt knnuii ax l’apacnnl. l’npiilai ll i\. lnn.
I Rapture at Malia. Ilpiii 3am. £ll‘k‘. \VL‘Ckl}. 70x and Mix t‘l;t\\lL'\ li'nlli .laiiicx Rll\\t‘ll. and guest I).l\ cu'i'} t\\n \xcckx iiiakc llll\ a tan night nut.
I Red and Gold Room at ;\t'la. Itipiii .iaiii, l-i'cc hclni‘c llpiii; [h' altt'i'. \Vu‘kl}. Hill) \lilligaii Illilll\ lllk‘ tlt't'kx lni' a lillt‘ night nl l.atiii lltllht'. llll\ “Ill \t'i‘iniixl} \pit‘c up _\niii' lilc. il tliat'x \xhat\ t‘cqiiii'ctl.
I Rub Down at :\il l.tl\. \t‘\t tlalL‘ ll‘L'.
I Saturdays at Blanket at lilaiikct tlni‘iiicrl} licdi. Ilifitipiii 3am. if t£5i. 'l‘hc ltiiikimt Rxli lll thc (it) inch tlic lug hack hctli'nniti nii a Sat iii lictl \\ itli tlic lcgt'titlai'} Riniiiniitl \Vnntlx. .liiii tla lint aiitl lll\ lllll\l(;ll aiiticx kccp _\nii .makt' iti thv tiniit hcdi'nniii. making llll\ tic“ Sat night UllL‘ nl’ tlic llltt\l pnptilai‘ iii thc L'll}.
I Seduce at .-\I'L‘ll;ttt\ llpiii .iaiii. L'h' tUii. \Vcckl). (’Iiai't} tlaticc aiitl Rik”. tint tn iiiciitinii an iiiilicalth} \iiiattci'iiig nl' cliccw nii llll\ litigc Sat llllellt‘l'.
I Shack at lltc Shack.
ltlfitlpiii 3.30am. LT“ tL'Si. \Vcckl}. l.ct )Ulll' hair tlnxxn and liwii llllllg\ up nii thc datum-lintii tn thc \Ulllltl\ nl .ill )niii' Shack la\ntii'itc\. plinctl ntit h} (it'actiit' l'ct'gtixnii.
I The Shed at lllt' Slit-d.
lllfillpiii laiii. Ln “Wkly Ht'tiiaiitl |\ high lni llll\ ntit'. \n gut lllt‘lt‘ call). lllllt‘ilgt‘ tlcplny'd h} lziiaii \t‘ilmii aiitl And} Rnht'i'txnti.
I Shine On at (‘niiiitliiaii
llliiii iaiii. [the Wall}. (ini'tlnii \lillt'i' aiitl Rn“ \liit'itiillaii i'nt'k lllL' iniiit altt't' a \C\\ltlll iii thc l.llt‘ hai, l.nl\ nl ltiiik atitl liiii all i'ntiiitl ax lllt' t'cxitlt‘iitx take iii tlic _L‘Clllt‘\ the} want. I Sidewinder at .'\tl l.ll‘. \k'\l (lillt' llk'.
I Soulsa at .\l:\S. llpiii iaiii. {H tUiI. \Vcclxl}. :\lltl} aiitl Sliac I) ait‘ Ill cliai‘gc at tlit' chili iii Rn}a| li\t'llilll“_‘t' Squaw, :\ git-at \ttlllllll llUll\L' \t‘\\lttll nii llll\ \u'll tlcxciictl pail). ()ii 2 i :\llj_‘. tlici‘c\ ltltiii ;llltl Rttlllllt‘ iii tlic hat. and lllL'll. nii Rt) .\ii3_'. lllL'l't"\ lllt' .\lii'ini'ha\\. I Streetlife at l.ltlllltl l.Ullll_‘._'L'. \t'\t tlillt' thy.
I Subculture at lllL' Stilt ('liih.
llpiii .iaiii. UH. \Vcckl}. ()t‘li inc. it‘s Stiht‘tilttii't' again. \Vhat tltK‘\ that
iiicaii .’ \Vcll. lnlx nl tiicc pt'nplc aic gniiig tn gct lnll} and tlatic} u ith niic aiinthci' tn a \niiiitlti'ack nl llllL' lintixc lllll\lL' ax p|a_\ctl h} Haiti and l)tttIlL'll|L’. Siiiaxhiiig.
I Sugar at \lt‘i‘ciii'}. llpiii 3am. (0 «Hi. 33 Aug. \ltlllllll}, \n lniiut'i' aii cu‘liixiwl} ga} \L'llllL‘. \lci't‘iit'}
\\ L'lk'tllllk'\ llth llL‘\\ lL‘L‘llnti alltl L'lt'k'llt) night. \\lll(ll lcatiii‘tw a Inc [k‘l‘lttl'llltlllt‘c li'niii lllL‘ \Ct'} tlclct'taiilt' \lt'lniiltatix.
I Superfly at tlic “nmlwdc Sllt'llll. \cu datc tlk‘.
I Syntax .it Sniititlliaiix, Nut tlatt'
ll‘L'.
I Tiger Tiger .tl lig't‘t lust-i
llpiii iaiii U» \M-ckli lniii tht- pain .it llll\ l‘t‘Jllllllll liai l.i\niiit‘tl it} llltl\k' \waiiiij: \ll|l\ .llltl t \[k'll\l\\' tlit'\\t-\ lllt' Illll\l( pnlit'} l\ t'niiiiiit’it i.il ilatit l' .llltl lllt‘ iihititiitnth Rtkll
I Vegas at tlit' Rt‘llllt'“ it'll}
‘) Nipiii Liiii LN lUi) .‘i \llf,‘ \intitlil} .lniii llll\ pit-at ti.i\t-||iii_~.' pail} ntit' lllHlL‘ tiiiit'. \\llll l iaiikit' \iiiiiatia. litigx) Stuiytil. |)iiin .\laitiiii .llltl tlit' ll\ll;tl .iita} nl lllllltl lit'titliiiyl} lit'aiititiil \llti\\}_‘lll\. Still Ullt' nl lllt‘ lit'xt iiiplitx lnt lllllL‘\
I The Winchester Club .tl lllt' \\tltl(l\l\lt' Stk'lal. \t‘\l tl.tlt‘ [in
I Wired .il .\~_\ Iiiiii. ("alt-«lniiiati
l lll\t'l\ll_\ l iiinii Illiiiii iaiii ti \Vt‘t'kl} (ilaxynu '\ ltlll_‘..‘t\l itiiiiiiiij: altt'tiiatnt' llltllL' lll_L'lll \xitli tllllll\\ piniiinx .iplciit}
I Upstart at lllt' litiiiitl lniiiifgt'
Ill illpiii iaiii Lh' tL‘i, it) :\llj,' \lniitlil}. x\l|tllllt'l lll\l.lllllL'lll nl iipht'at. t'ltixvnk‘l tl.lllL'CllUHl llllt'l\ lintii it*\itlciit lllllllitltll\l\ \lithat'l Mal. and KL'\ Slt'u'llx
I The X-Factor .it Sniiiitlliaiix \t‘xt
tlillk‘ lltt.
Glasgow Sundays
Club
I Bacchanal at Sniiiitlliatix \t'\t dait- tht:
I Bennet’s at lit-nut-i‘x
Ilillpiii *aiii U \Vcckl} “t- ait' k'ttlllltllllt'tl h} a \ll.tll_L'C paiit} lniii play lllllL'\ ltl\L'(l h} I: )t-ai nltl f._'lll\. pith \HlllL‘ haiiuiti' liaiitlha; tn t'qiiall} .ll‘l‘lk't'lillut' 34a} lllL'll. l'iiiiii} nltl uni’ltl,
THE LIST 105