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Glasgow hursdays
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I AUdiO .1! III: I iii.i':x.il "I‘Iii i.ll|l
lllli l\i'ii \ll'llllllx Ii'illiin i'Ii‘illn. lll‘ll‘i' iiiiil Illinlix Ilnlii Illi ii xiili'illx \Ii'\ l) \i'iII I -‘-.llI \Iiiliix-iIi (liillx ll.Ill .Illtl l\i :Iil\ I’ni .ilx \ iii ii. Iiiz‘Ill .lllll .i :‘ii‘.iI \iliiii (Iliil IllIx
I Back to Mine .lI iIii~ I iii- II.” lllil‘t'x Ilk lli'i' \\i'ilil\ l ii‘l’x llllI Illi‘ l lli' liill I‘.Il‘.\ Ix I.:l.i'l. Ini’i In .i illIIi'ii‘lil \i'li'llilll. Ill ivl lll\|ll.l I'lIn'l ili'III: \‘.lI.iI [III lli'll i} \‘-.Illl In nil lllk' ilti Lx
I Bennet‘s .il Iliiiiii‘l x Illiiii iillll 9‘ i! ‘» “ix-III (|.I/:\ lilt'IlI .il Illlx iilnxl I‘llI'IIliil I'I :‘.Ix 'xx’illlIN llll‘} iII\'-.I'\x g'i'l iI
:‘ii'.iI i inml lli .iiiII lllk' .iIII'iilailli'x .iii' .lI\'..l\\ xl-IIII'IIIiiijj Iii I‘i'lll'lil
I Budda .iI Ilililil.i IIIiiii iillll III‘I \\i‘i'kl_\ Ix’i I.lllll\ IlI‘il \i'lllll‘ Iliiik nil Iiiiik \'.illl \ll'l.l|l\ xlIlI ilii
I Carnival .iI Ii.iin III iI'lliii iillll LI '9 ‘. \\ix'kl\ \ \li‘i'kll |l|.lllll ;'i.ix .iI lllix i |.ixxii \llltlt III \i'llllt' I)I I<nI\i'iI illlu'x III‘ I\’(\ ll \KIIIII' \ll \\ II lliiiull l‘I.I‘l\ I'lll Illl‘ \Illlllll IlnIixi .llltl Ill-«Ix i'llililiii IiiIilln Illi'li‘ x .ile~ .I I‘ll \‘i killll"k\' II III.“ lll'.ll\ )niii IlniiI
I Columbian .il lllt' \x) llIllI ll.ii k Ix‘nnlii .\i>iii l.iiii III‘I' In( I \I
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I Dirty Thursdays .Il “Ilium
I II‘III liiiil t‘ It xi “ccklx (iI'I III‘I'ii lli|\\l| illltl IlilI) mu) Illiiixilii} \\llll l\'il:\ll|l*llll \\nnilx .llltl \.ii‘i'iii iiii\lil;' lip xniiii' nl Ilic iiinxl Ilnnlllii iniix |{i\|l llI lllt' \ ilx. \\llll\' llilll \lllli;‘.iil xi‘iwx lip llk' Ili‘xI \lllllk'lll \ l.l\\l\ x .lllll \llll_\ [Hill lllllx‘x I DogGod ill I) |l.li Ill <Illliii Killi t.‘ “villi \wa ili;'IlI nl t'\l\'\ll\l\lll .il lllt' l‘t'.lill|llll \ IllI‘ ilililci ('niiiiIIli.iii II'x Ik'cil \ lllxt'tl Ini .l_‘.,'k'\. .lll\l iln\\ Illi') 'ic }'\'Il|||}'
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I End of the Month Club .ii I {III \l‘lk' \\‘\l Ilillt' [IN
I Fire Wire .il Iliiiilllnn *iliii iillll 1; MM \Mx‘klx (llilllillll I I'i;;iixnii \I‘lllx lx’.\ll .llltl illiiiI i liixxitx iii inniii I. \\lllI\I l).l IniixI ix iii IIlI‘ lt'tl innlil illiixiiij: llltllt' [inil .lllll ll'klx Iil llli‘ lniliiyl‘. lx’nlliii ll Illiixx .iii \\ lk'klh |lIl\ nI \ll\\|‘. lllllix .llltl xnIll
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I Homework .iI \.ill|I Ill‘lll iillll L5 IL ll \\i-i'lil) Iiiil illltl \lcxic iii.iil IIlc I\n\. xn .iII lll\\'\llllllt‘\ nwl Illc lllllt'x iiic tll\|‘\'llt'\l lIlix liiggllI illill\ Inl iniIlcnI Iliiillliilcxx \\ iIIlnIiI inlilplniiiixiilg' lIlI‘ iiiiiililx chi'lx
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I Loaded .iI I ltllllll l nililgc
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I Madhouse ill lllt‘ .xliiiik
III illl‘lll iiiill L5 It‘i \M‘ckl} (fll .llltl \ilII} Iiikt' )nil In lllk' Illiilk nI illxiiiiiI}
74 THE LIST '-
DRUM 8- BASS LIVEVEVIL Glasgow School of Art. Glasgow. Fri 5 Sep
Drum 8. bass may or may not have ‘crossed over' in the way smart alecks were anticipating a few years ago. But notwithstanding the current wave of radio-friendly Brazilian-influenced anthems, the scene's puritans are still to be found playing music as uncompromisingly cutting edge as at any time in the last decade.
None more so than Tech Itch, who makes his return to LiveVEvil two years on from his first visit. Otherwise known as Mark Caro. the veteran producer cut his teeth working for Peshay in the early 905, before signing to the legendary Moving Shadow label and establishing his considerable reputation. LiveVEvil resident Velocet (Adam Sellar) is palpany excited at mention of the man: ‘Tech Itch is a huge face in the drum 8. bass scene. He’s very experienced and professional. and totally adjusts
what he plays to his environment.‘
While his kudos in the world of 150bpm is bounteous. the problem for LiveVEvil. fast approaching its fourth birthday, is getting word out beyond the aficionados. As Caro explains: ‘My music is not for everyone. I don‘t play your average drum & bass stuff. My sound is hard, upfront and futuristic.‘ So what to expect on his visit north then? “I've been producing on Goldie's new album
so I might drop a few of those tracks.‘
In a further boon for LiveVEvil, yet another rather prodigious face, Klute, will make his Glasgow debut in October. Sellar is whetting his appetite: ‘Klute is incredibly talented. It’s a real rarity to hear the stuff he
plays.‘ (Kenneth Hodgart)
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I Old Skool Reunion .ii \ltllililx
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Glasgow Fridays
Club
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I Bughouse .iI \iill ( 'Iiill \I‘\I Iliilc Il‘\
[LIST
Your pass to great club nights in (Emmy 8. Edinburgh
See page 77 for details
Tech ltch: Hard. upfront and futuristic
I Canvas .iI .'\ll.l. I Ipiil liiili. L'IllI' “Wkly I)J \\iilIci plinx ii pli'lllnlii nl Iliilk. xnul illltl Rikll iiI Illix Ili'iililillll \lt'lt'llillll (ill) lliii
I City sessions ill Q ('IIIIl Ni'\l iliili' ll‘L'
I The Cathouse iii Illc ('iiilininu
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I Deathkill 4000 ill ll llL’ \Viimlxlllc Snt'liil \cu Iliilc [but
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I The Edge iiI lllL' Izilggc ('niilhriilgc llpiil iiiiil {5 WITH) RCMIIL‘IIIx .'\lL'\ Kii} .illil Scull (iiiillgci I‘l'lllf.’ _\nii Illc I‘i'xl Ill lIIlIIxL' illlll (lull L'Iilxxlcx.
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I Electrobix iii Iliu lllnc \cxi (liilL‘ llk‘
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