Clubs listings
Edinburgh Thursdays continued
I Say Samba! at ('aharet Voltaire llpitt *am. L” heloie |l illpm. {H alter lo ()ct ’lhe true \Hlllltl ol tlte lira/than underground \xtth lixe action from l-et'nanda l’oito I\\llll hei \c\en piece handi. ('laxxtcall} ttaitted tit L'll't’ll'lHIL‘Ull\ll(\ at tlte l‘nixetxtt} of Sao Paulo. a mach star in Ilia/i]. ltcte performing iiiatet'tal from her next album ax \tell as tracks tioitt Stun/mint u Ilntxtlmn Drum A' [fun (‘ltiutt \ \\ itlt ltl;t\llllltttl \ttppott aitd heatx lioitt l'L'\ltlL'lll\ /.agueiro. llohhcx. larik |)a Viking atid l)om I'lattagait
I Slum Village at tlte Bongo (‘ltih ‘lpm 3am. L'lt) t5 alter l2 Mi. 2 ()ct oitl}. l)ctroit\ Slum Village mark tlte reopening of tltc llongo ('Itih .it tlx new site. Spontaneous. ttl‘ttgt't‘\\t\e. lot’\\at'tl tlitttktitg hip ltop front t'altpt'h llaattii aitd l" tilttttj;\ltlk‘ prodticet la} l)ee (Who's produced lllL' ltkt'\ ol 'l'tllk‘. l)k' La Soul and tlte l’ll;ilt‘}tlt'l. ()tt \tage at llpm tappt'o\i “till \upport ltottt local C(lllL'ClHC l.t\t' St‘lL'tlctN and l).l \ktllx from Scratch'\ l.}|e} attd Richie Rtilltoite alongxide lil Segundo'x l)JRctl(t.
I The Snatch Social at the l.lt|llltl Room. ltlfitlpnt 5am. (3.50 1 U1. \Vcckl}. .\ lieu era hegittx at tlte nettl} re branded. liltlt ll\.’llk'(l. funk} tllsL‘U- ClllllrL'ulNll'L‘l. conitcall) competed h) lap Water .-\nat'd \\ inttet' 'l’on} (‘arter attd llai't'} :\lti\\\t)t'llt taka l’ei't'tet'
Next comer \i inner (iartlt (‘t'uthhanki back from tlte dead. I)eck manipulated iii a cod l'ttttk aitd ltip hop \t} lee h} llahex attd 'l‘t‘end} \Vend} ttttonlltl) resident l.
I TLC at l’o .\'a Na. ltlpm 3am. £4 URI. \Veekl). Ne“ iitgltt for tlte Arabian tltetite har \\llll a \L‘lt‘t'llttll ol ltot ltotixe. commercial dance. clteexc aitd chart} action from l).l lob}.
Chart & Party
I Essential Karaoke at :\hhar. ltlpin 3am. \Veekl). 7t)\ attd thx classicx all itigltt \\llll Stet ie Yonder. I Old Skool Disco at Re\o|tttion. lt).3()pm 3am. £4 (£2t. \Veekl). Retro house ttigltt hosted h} [)1 Tom \Vllstttl. I Subway West End at Sulma) \cht littd. 7pm 3am. l-‘t‘ee helot'e ‘lpttt; L‘.‘ tll'lCl‘ (£3). \VL'Clxl}. .\ \\ Ck'h‘\ \\ttl'lll of cheex). part} student} tttghtx. includittg a htittgee rope oit Sun. l’llh plcttt} of drinks promos to keep tlte \pil‘lls high.
I A Tribute to . . . at Mood.
0pm 3am. l't'ee before I lpm; £2 alter three to members). \Veekl}. ('ltart lllltt‘\ from tlte (ttlx to _\e\terda_\. \\ itlt |i\ e trihtite actx dropping h} caclt \\ cek.
I Vinyl at Maxxa. 8pm 3am. l'tcc. \\'eekl_\. ('ommet'eial chart and dance cout‘tcs) of Paul l"tittk\tct'. plu\ drinkx promos aplent) t'or tltoxe \\llt\ “ant to \ltll‘l the \ieekcnd laxhiottahl} earl}.
Edinburgh Fridays
Club
0 Access at llone) comb.
10.30pm Ram. £5 before midnight: £7 alter. It) ()ct. Makrotck heats aitd dangerous electronic music ilL‘l'tt\\ all gcitrex l'rom tlte Dropout l).l\ tllodflunk. Reltalt. lluxtlet'. lllend atid ltoxt. And as the} L‘t'ttxs tlte road to tltetr next home at the llUllL'} comb the} bring some might) tine gllL‘\l\ \\ ith tltent h} Roh Dylan tl’tirei aitd (’reme l)c Metttlic (“two-B). I'or I/ii'i (lute onlt 'xl-IJVI't‘ill'i/ llU/(lt'r‘ Qt'l 1‘: UN t/iml' price all night.
I Adrenaline at in tot RU“ l‘ttiott. It)..‘\llt‘m 3am. £3 (£2 ittetttherxi. I” Get. .\'e\\ night of rock. metal. ptiitk attd altei'itatn e tunes from lithkR.
I Audio Tourism at l’i\o Bar (‘ttth 9pm 3am. l'l'CC. Weekl). Digging deep ittto their \\ ell-\tocked ho\e\ for hours of cool ctitx.
I Big Beat at ('aharet \‘oltait‘e. .\'e\t date 24 ()et.
80 THE LIST 2— ‘6 Oct 2033
I Blaze at l:go llpiti ‘am L; 11 i (let l'ortntghtl} .lamex l onguotth ignitex tlte ga_\ \xecketid. \\ itlt plent} ot Ll dittth piomo\ to tttel tlte ll1\i‘llllt‘\ I Bubble Breaks .it \tthol l'.tl\\at‘d\ Ill illpm 1am L2 “eeklt Hod} \lo\tn‘ l’toductioitx presents llithhlc lilt'.tl\\. dioppm' bonth ot Rtkll. l‘lL'.tl\\ aitd ltip hop \\llll lalitthtit'glt'x neuext l).| \t'll\.tlttitl\ l’ai‘tiictx'n'( 'rtttte aitd then ttadetttatk ltttllL‘l\llll\
I Cab Fridays at (‘ahatet \tillattt' ll). {llpm *am, {-1 before midnight. L" t£5t .iltci \Veekl} llte launching oit 4 ()ct lltl\ a ite\\ \teekl) cluh lllllllll.tf_'t'\ about itt tlte \\Ul'ltl\ ol litttk. \Hlll. \ka. reggae. clavtc ltip hop. Rtkll aitd disco li\e action ltoitt the \ltglll} ()nex I ‘ ()ctt oit the opening tttgltt \\ itlt l. Klim“ lloo i Ill ( )cti
I CC Blooms .tl (‘(‘ Ittootm lllfillpnt 3am. l'tee \\eekl_\. l).l \ll} doex the deck\ dut} .it llll\ ga) tttgltt \\llll her ittiiiiitahle \election of ltiglt camp and dtxco \‘l.t\\l\'\. mo\ iitg oit to ptmtped tip houxe aitd dance .i\ the e\etting progiexxex,
I Dogma at Studio 21
lllfillpm 3am. ‘4 If) i [N tttentheixt. I“ ()ct. \loittltl}. llard ax littll\ aitd as underground ax moles. techno ot the highext order ax (ilcnn \Vilxon ltl'ltlj.‘\ lll\ album. I'lu' Night Slit/I ll’tlllhlt RCL'Hl’tl\l. launch part} to the Dogma maxxne. Dropping ait e\e|tt\i\e l\\tt hour In e \et plttx \ome l).l \killx titilixntg the magnificent l'tttttl Scratch set up.
I El Barrio at H llat‘tio. Illpm iam. l'il'Ck' £5. \Vt‘t‘lxl}. SL‘C ‘l'lltl.
I El Segundo at Bongo (‘Iuh 10.30pm 3am. £5 before midnight; L” alter. l7 ()et. .\lonth|_\. Hip Hop li'om lidtnhtirglt\ tip attd coming talettt featuring Stinn} aitd .le/ il.ick\ltoti “Hit Me action limit the Scotland Yard .\l(\ and breaking trout Random :\\pekt\. .'\ll iit aid ot good time Iiltlt hti'thda} \llk‘\.
I EVOI at the liquid Room.
ltlfitlpm 3am. £5. \Veekl}. ladiithut‘glt's loitgext running indie night. ha\iitg |ll\l turned 12 llll\ .-\ug. With the ll\ll;tl tttt\ ol the hext current and Cltt\\lL‘ altei'natn e. ct'oxxm er llltlL‘\. tt'x an iitxttttition ahead} attd \\ tilt the l'L‘L'Cttl :ttltltltitlt (ll. tlte l‘ilk'h t'ootll. pla}iitg hoxt to Mr N .\ll'\ .\log\tai. the lllllll‘L‘ looks like a ltapp_\ place for all things li\ol.
I Finsternis at the l’lcaxance ('ahat'et Bat: ‘lpm lant. £2 t£l nteiithei'xi. ltl Oct. The lighter wk of gotlt til such a tlttttg ti‘ttl} L‘\t\l\l \\ itlt a itti\ of dark ambient. neo—claxxtcal atid ctltercal tracks from l’ctit Scat'ahee. Deception Bo) attd (ilttt\l l)attcet' plux \[tL‘L‘ltll gllcfl .'\\ L' \ltit'lL'. (’hcck
\\ \\ \\.lill\lL't‘til\.Ul'g.ltl\ for more ittto. O 4hero at the lloitgo ('ltih. 10.30pm 3am. L“) 19.7). 3 ()ct oit|_\. ‘l’he drum & htixx llllltt\;ll0l'\ pttt iii a \et ol tl}lt;lllllL‘ l).l attd .\l(' skills. Su- pl'i't'ti'ii.
I FreakLab at Studio 24.
10.30pm 3am. £7 t£5 Dogma tttcmherxt. 3 ()ct. .-\ next night front the folk at l)ogma on a llll\\lUll to e\plorc tic“ territoriex attd e\perimental \Ultlttl\. With no conxtt'aiittx ott mtmcal \t}|c. cach itigltt “ill lilo“ dtl‘let'cntl) )ct \ntoothl} through C\Cl'_\ genre lt'om l'reakcd otit littll\L'. tcch-luttk aitd dixco to drum «k ha“. fucked tip breaks.
tn l\lL'tl duh attd dirt} clectro.
I Free Range at \\'ee Red Hat: lllfitlpm 3am. U before midnight; £2 alter. \Vcekl}. :\\ long as it\ good tlte}‘ll pla_\ it: t'tittk. Dikll. hip hop. (t()\, "7th. dtxco. ntetal. L‘Ullllll'}. ptittk. lWlllL‘M Slh. ‘lllx tlttttL‘L‘. Ultl \kool. _\i\tl ttatite it. Bit ol a coined} xpectal ax llai't'} .-\llt\\\ttt‘llt aitd 'l‘oit) (‘ai'tei' drop in and Free Range \pt‘cad\ to t\\o t'loorx oit 3 ()ct t£5 L‘ltll') for (“M itigltt t.
O Friscodisco at Berlin lilk‘l'llitlls. llpitt 3am. £5. 3 ()ct. .\loittlt|}. Residents .\larttn Valentine attd Stew
HOUSE EYE CANDY l.‘la','.a. Edinburgh. Sat -10r;t
Now this is a birthday in the truest sense: lull on party Vibes. not taking itself too seriously and pushing the fun element firmly to the fore. How else can you explain Howard Donald (yes. that lad outta Take That) filling one of the
guest spots?
House legend Allister Whitehead, who. conveniently enough. takes the other guest spot on this fourth birthday night. was there when it all began. ‘I played next to Howard at his first ever gig.‘ he explains. ‘I never actually got to DJ because I was so outrageously drunk. It was at Take That's splitting-Up party and there were more free drinks at this do than I have ever seen. And 0. ‘ course we took full advantage. I was supposed to DJ straight after him. but he ended up domg a much longer set because of my inebriation.‘
Whitehead has been at the forefront of the 'chunky funky' house scene for over ten years now and is certainly looking forward to the date. “The last time I played at Eye Candy it was exceptional. They were well up for.‘
(Henry Northmore)
Resident . . Alllster .
\Vanlexx return to tlten old \toitipntg ground \\llll the ll\ll.tl mt\ ot ltot littll\k' \clL‘L‘ltttttx l\’tglll ltttlc lti \ltt'tl a [cat atid l';tl\t‘ a cheei. .l\ at the last e\et l‘l'\lcii attd ht tt'x tlteii tltttd htttltd.t_\ \\lllt the StihhieK maxter ot houxe ll.ltl'l Ull littlltl i” “Mi Ulll lltiiu‘ g‘l'itiiHN
0 Manga at llotte}coiiih llpttt ‘am L") it" niemhetw. *(lct \lonthl} \langa don't lollott the mood the} lead it \\ itlt lltett ll'lt‘\l\lll‘lt‘ dttiiti tk ha“ \iitllltl\. 'l'hete'x no letting tip .i\ lllL‘ l\)tlllk'l\ \llt‘pl} .l “J \t'l tilltl lltL‘l‘\"\ .ll\tt a \pectal appearance ltoiii .i Ill} \ter} gtiext \iho ttta} oi ma} ttot he p|a_\titg atiotltet \emie lltt\ \et‘} night. .\lattga\ pre cluh \L‘\\liitl the ll;i\\'l tap l\ at Hatithti e\ei_\ l'll ltottt ‘lpttt \\llll H] (i \lac aitd guextx. lot more itilo check it".\.\ “it” (font at \\\\\\.l‘;t\\ll'.l[t.L‘Hlll.
I Mass Production at Bet-Int Biei'hatix. llpitt ittlll l'iee, littlct. RL'\ltlUlll\ l)a\a illeadxpm i. Mi ’lodd t(iet 'l'ogctheri aitd llottgo l)a\e la) doun the ltiitk. \ttlll aitd hip hop
I Mischief at the Maine. llpttt iam L' l 2. l" ()ct, Second hit'thda} ha\h ax the three \tor} hip hop and drum & haw block pait_\ i'ettttn\ \\ itlt another might} line ltite tip. \lattmttg the drtmt tk ha“ Reload atetta \xe ha\e lad Rthll. \licke} l'lti attd .\l(' Shahha I) alongude l'C\ltlL‘lll\ l:\'() and \‘adet. lit the Hothtock hip hop arena \te ha\e 'li.t\l\ l't‘t'ct' atttl t't'\ttlcttl\ thltlc Rtilttone aitd \ihl} l’. \ihtle .tx ll\tl;tl ;\ttll\;t\\.ttltit tll\ltc\ Htll lllL' lk‘xl ttt ragga attd Rtkll iii the (‘oolet
I Mocha Rocka! at Berlin lliei'hatn. \e\t date 31 ()ct
I Modern Lovers at ligo
I lptti 1am. :11hetot'ettttdittgltt. ‘5 attet
‘(lct \loitthh l p heat tttt\ ot \oitltein \ottl. deep ltiitk. ltamittond [all and retro \Hllllllll.l\\ \et\ed tip h} )iillt hoxtx ("iatg .l.tltl|t'\itll and \ndien l)t\ ttte I|)i\ me. l'llttk Roomt
I Nu:0rder at ()pitim * ‘) lllpiit ‘5 it] olt \xith tl_\eit \\eek|} \en night lot It l~ )L'dl oldx. lottmtig on \that the ()pttmt doex ltext metal. tock. punk. \ka. emo. .tltctttatttc attd gittnge \o .tlciipopx htit tiee ditttk tt'llll\
I Nuklear Puppy at i go
Ill illpm lam Ll2 llitlct Rextdentx .l.i\i|lt ('oite/ atid l’htl totk keep the ltatd dance tlag thing iii the tapttal \\ itlt one of the ktttgx ot hatd ltiill\t' aitd Radio I \tipet\tai .lttdgc .llllL'\
I The Official Bongo Club Launch at the lloitgo ('ltih llpitt lam ‘5 Ill ( )ct onl_\ 'l ime to omit l;tll_\ matk the opeititig of one o! the c.iptta|\ llltt‘\l cluhx iit tl\ hrand llt'“ ltoiite at .\loia_\ Home l'.\pect all _\out l.t\ttlllllt'\ ltotii act‘oxx the llotigoK \cltcdtilc gt\ mg )oti a hot ptc\ie\i ot uhat\ to come
I Opal Lounge at ()pal lounge
lllpm ‘am 15 \\cekl_\ l'tmkcd tip \ocal llHll\t' atid tl.tll\L' cl.t\\lc\ ltom Sim ie H attd ('alltim \luria_\
I Planet Earth at (‘itttix (‘ltih
lit Nipttt Aatit L; “ct-kl} \llhlL ttottt l‘lfio through to WHO oi. tit otltei \Nitltl\. a health} doxe of punk. tteu vane. nev- t‘oiitatitic attd clectto pop
I Pogo Vogue at llottgo ( 'Itih \e\t \lLllL' ()(l
I Radio Babylon at lgo \L'\l tlalc ()(l.
I Ready Steady 00-60! at tgo \e\t date 24 (let
I Roadblock .tl l’ii \a \a
lllpm ‘am l't'ee hetote llpm.L-1 :5 attet \\eekl} \tc‘tt l- \top\ the traffic tn