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What it all seems to come down to is ‘who was the first of the gang with a gun in their hands to die?‘ And there have been plenty of hands and plenty of guns. The Basque struggle dates back beyond the reign of Sancho VII the Strong (around 1016), the last in the line of Basque monarchs, but it was finally recognised by the wider world in 1959, courtesy of the frighteningly efficient persecution by General Franco. But that’s only half the story - and you think the socio political history of Northern Ireland is complicated?

Thank the Lord (3 Christian Social Democrat God, of course) then for Julio Medem’s remarkable documentary The Basque Ball. Medem is one of the most gifted, instinctive and brilliant filmmakers working today. His fiction films The Red Squirrel, Earth, and Sex and Lucia drew a line in the sand for Basque/Northern Spanish filmmaking that challenged the Almodovarian campocrisy. Amazingly, The Basque Ball is Medem’s first feature length

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documentary and it is an absolute gem. Personally funded, it’s an invitation to discussion. Declaring its solidarity with those who suffer violence related to the Basque conflict, Medem's deceptively simple technique places those still involved in the struggle (from both sides) in a chair and lets them talk about their understanding of the situation past, present and future. With a vast array of participants, from novellist Bernardo Atxaga to musician Txetxo Bengoetxea, politicians Carlos Garaikoetxer and Felipe Gonzalez, and the forgotten many whose lives

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have been marked by violence. this is a complex yet captivating venture. lntercut with sections of Medem's own superb Carlist war drama Vacas (1991) and clips from Around the World With Orson Welles (1955), this is nevertheless a demanding, unpatronising experience. Medem expects you to keep up as he drives home the point that identity and nationality are more important than the bureaucratic make-up of the EEC. A crucial film from a great director. (Paul Dale) .Irrl”‘r’7t’)t/.‘§t?,[(I"7.'71,'t}".l.’7t"7.)/‘rt‘

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