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Glasgow Public Galleries

MCLELLAN GALLERIES

27H \iiit lllt'll.lll Slit-cl. Via 4 ll)” l‘ll i\ \iiii lliiiii *piii. \loii lllll A S.”

Ill.iiii ipiii

Art Treasures of Kelvingrove l'nlil \Vcil ill \m .-\s lllt' Kclxiiigioxc .‘sliisciiiii & .'\l‘l (l.lllt'l_\ h.is Him chm-ll ils iloois loi in.iioi it'liiihishinciil. mcr 2”” ol ils iniinliiigs l.ll\L' up it'siilcnc} .il lhi' Mclcllnn (Lillt'i‘ics 'I hc lll\[ll;l} ini'hiilcs Al lllllll;l\ Inn-il’s Illl' lml u/ [114' (Ian .lllll Rcinhianih‘s l lliui III .lIHlHllI, phis \ioik h} ('h.iilcs Rt‘lllllt' .\I.lt'l\llllil\ll .lllll l)lllL'll .lllll I'lt'llll\ll .iii

MITCHELL LIBRARY I 2ll| .\'oi‘lh Slit-cl. 337 29‘“) Mon 'l‘hii Ill “Min 0 lllpni. l‘l'l S.il

Ill. ill.iiii -lpin

Picture This! - 50 Years of '51 Classic Glasgow Press Photography l’niil S.” I“ ()c'l l/ll‘ lll'lll/(l i't'lt'liinlt's ill _\t';ll\ ol (iliisgou luscil picss phologi'nph} \iilh lhis mhihiiion ol oxm' IlKl phologinphs

PAISLEY MUSEUM & ART GALLERY

llllel Slit‘t'l. HH‘) ilfil l‘llt‘ Siil ~ w . .2 .__ llllllll ipni; Sun 3 fipiii.

World War One l'niil Tim I I Nm. 'l'his )L'Jl' nigiiks lht- ‘llllh lllllll\t‘l'\;ll'_\ ol lhc Hllllll’t'dlx ol “mm “In I. This lllllllll‘ in house t-\hihilion lulu's ii hisloi'iciil look All lhc \sgii' iinil ils t'llt'cls on Rt‘llllt'\\\llllt' lhi'ongh l;iiiii|_\ hisloi'ics. iiliologiiiphs illlll i't'iiiiiiisct'iiccs.

(it‘i‘iiinn \ I\ll;ll inlisl Rosciniii‘ic 'liocl‘t-l. l);lllll}_‘ l'ioiii lhc IUXlls iinlil lhc pi‘cst'nl il;i_\. lhi' collt‘clioii inchiilcs \ Illt'l) \ioi‘k. phologiuph}. it'licls iinil llL‘l' lll\llllt‘ll\t' kiiillcil ‘piiinliiigs'. St-c l’l'L‘Ht'“ .Illll llillisl, Nl W Sl l()\’V

Royal Slab Hi 24 St'p Sun Ill ()cl. Work h} (ilnsgoxi School ol' .-\i‘l iiiiislci's ginihinli's .liisoii Hun Knn McKinnL'}. l’nli‘it‘k .liiincson iinil llclcii .\lc('ioi'ic csploi‘ing lllt'ih ol t‘lllllllllllllt‘dllllll iinil iiiciiiiing. 'l’hc t'\hihilion lcnliii'cs

TRAMWAY

35 Alhci‘l l)i‘i\c. ()S-lfi Hi) .lSUI. 'l'iic Siil noon Spin; Sun noon (ipiii

Q Rosemarie Trockel: Retrospective Exhibition In 24 Scp Sun 3| ()cl. 'l'hc on|_\ l'K shomng ol lhis i'cli'ospccliw t'\hihilioii h}

Discover 4,000 years of Chinese art and culture in a new exhibition at the Burrell Collection.

one million days in

O

16 July 2004 -13 February 2005

Open daily 10am - Spm except Friday and Sunday 11am - 5pm

the Burrell Collection, Pollok Country Park, 2060 Pollokshaws Road, Glasgow

Phone 0141 287 2550 Fax 0141 287 2597

Wheelchair access, cafe, restaurant, gift shop, free daily guided tours of the museum.

WWW .glasgowm useums .com/omdc

94 THE LIST .' -‘ :.--i-

'(‘l ‘00»:

Unpaired by Tony Swain, at the Modern Institute, Glasgow

cinciiigilic pit'ct's h} llci'. \\llll\ on \ilt‘ldl hoiiniliii'ic‘s iinil lllt' scll h} \lt‘Kiiiiii'}. st‘nlpliiit' lioiii .liniicson ;inil lllk'lllllt'lll.ll'_\ \xoik h} \lc'('ioiit- Nl ‘.“. “il l( )“.',’

Glasgow Private Galleries

CITY PARK

\(ih' :\lc\;inili‘.‘i l’;ii‘;iilt'. 55l Illoh

Art @ City Park l'iilil l'l'l 32 (M. ‘);iiii Xpiii. \t'ul} liiinsl’oi'iiit'tl :ii'ls ccnlic ('il} l’ni'k displ;i_\s ;i \lll‘lt‘l} ol \Klills lioni lip and coming; Scollish iii'lisls. including piiiiilings. phologi'uph} illltl sciilplui'c.

COLLINS GALLERY

l'niwi‘sil} ol' Sli‘ullichdc. 23 Richmond Sli'ccl. 5-18 3553. Mon l-i'i Illiiiii fipni; Sui noon 4pm

Polly Binns: Surfacing l'iiiil Siii ‘) ()cl. :\ i‘cli’ospccliw L'\llll\llll)ll spanning: lhc 35»}t';ii' ciii'cci' ol' l’oll} llinns. \\lllt‘ll sliiilics. in \iii'ions iiiciligi. lhc llliikcnt'} chginncl consllinc on lht- noilh \oi'lolk (nusl.

GATEHOUSE GALLERY

Roiikcn (ilcn Rogiil. 020 ()2 ‘5, Mon. 'l'hii. l'i‘i & Sun Iii) 5. ‘sllpiii; Sin ll..‘s();iiii 5.30pm.

Mixed Show l'iiiil 'l'hu \ii Scp l’uinlings h} gullci'} iii'iisls pliis sculpliii‘c. c'ci'uiiiics unil icucllci‘} including \soi'ks h} .-\llllL‘ Morrison iinil ls} Ii \VllllKllll.

CYRIL GERBER FINE ART

l-lX \VLNI Rt‘gclll Sll'L'L‘l. 22l “NS. Mon Sul l). ‘slliiin 5. illpni.

Tom Shanks l'nlil ’l'iic 2K Scp. \c'u paintings cnlillcil \VL'sl lllgllltllltl landscapes: Ruin ginil Slllhlllllc.

LLOYD JEROME GALLERY

2()() Bath Sli‘ccl. MI ()722. 'l'iic Sal Unin (\plll.

Douglas Gordon l'l'l :4 Sq» in 32 “Cl. :\lhlcl' lL'll )L'ul‘s. Douglas (iol‘ilon i'clui‘ns lo (ilusgou \Hlll his photograph} \L‘l'lL‘s ('Hu/Hi' .l/nll. Nl-V.‘ Sl llyf.‘

PENTAGON CENTRE

30 \Viishingion Sirccl. 331 2 I 23

Mon l-ii Uiiin Spin.

Mixed Show l'niil Sui l) ()c‘l. l-m- inciiihcrs ol' lhc Sluhlc Studios cxhihii no“ \Hll‘h.

SCOTLANDART.COM (i Burniichl Roiiil. (iillnock. (r33 ljilll, .\lon l'i‘i ll;ini (\plll'. Siil liliiiii ~iillpni;

Sun noon >.3lipiii, Mixed Group Exhibition l'niil \M-d

lillt’l .\li\cil jJIHlll‘ \'\llll\|llilll li_\ all li‘f_‘lll.ll 3:.illci} .iilisls

STREET LEVEL

30 Klilj: Slit't’l. ‘i‘ .‘lil Inc \il

Ill.iiii § illpni

Virtual Migrants - Terminal Frontiers 0.00 l'niil xii 3 (ltl (iioiip insl.i||.ilioii iiioit'cls l\_\ \.iiioiis iiilisls \xhosc Illlt‘l.lt ll\t' clcclionit' \ioiks lgiclslt' l\\llt'\ ol .is} llllll ;inil grloliiihsnlion St't‘ llllllsl.

Glasgow Artist Spaces

273

37‘ lllgh Slim-l. 02717 10in 'lin- ~\nl lliiiii Spin,

Seam - Before the Opera l'niil Szil 35 Sci). 3 ipin hi ;i lllllllt‘l \.lt'.llll shop llllll. .iilisl i'iiii SIAM i;ik;i .'\llllk‘ \lgii‘it' \Viilson llllll l l/ \liiinnoni t'iii.ili s lht' l.ilcsl iii .i \t‘llt‘\ ol mhihilioiis .ii lhis ncu giillci‘} spiici' \Vilh llic siippoil ol (ilgisgon (‘il) (’oiiiit'il. lllt' \llnu Ill'll‘ll' I/ii' U/u'lii lt';lllllt'\ lhc \soik ol l'icil l’ciilci'si'n .inil _lon.ilh.iii Scoll \'isii iii giillt'i'} UPL'lllll}! llllk'\ oi c.il| 07717

“)5 WI io iii’i‘nngt' iiii iippoiniiiicnl lx'fiil l ,l l/‘sll‘ Ll ll ; Bl l

THE MODERN INSTITUTE

7‘ Riillt'llsoll Sllt't'l, ~\lllllc‘ (i. Him! I. 3-13 i7l l. 'llic l'i‘i iiooii fipiii

Tony Swain 00 [mil l'll 1 ()cl llclnil solo sllim lioiii lhis (ilgisgou l‘ll\k'll .ii‘iisl pic-smiling; l.iiil;isiic.i|. .lll\ll.ltl .inil llL‘l'}llt’ p.iinliiig_'s loigcil lioiii ihc l.llllllllll pgigcs ol llt'\\\|‘.l|\t'l\ .lllll iii.ij:;i/incs \t-c in ink EAST (,l Ml." ,l “2 ‘,l l

WASPS STUDIOS

Don-hill Sinilios. Isl. 3nd & iiil l-looi. l5 ltgisl (liniphcll Slit-cl. ‘53 735i) WASPS Open Doors Sal 3 (& Sun * ()cl. .\ leL'dl oppoi'lnnil} lo lllt't‘l ill'll\l\ .il .ill slzigcs ol lhcii' ciii‘cc'i's unil \t'k' lhi' i'.inj_'c ol \soi‘k llllll :JHC\ on iil \\'.'\Sl’\ sliiihos llL'l’Hss Scollunil. l'lHlll [l.llllllllj_‘\ iinil printmaking: lo sliiincil j._'lll\\ .iiiil ct'i‘iiiiiics. you ciin hi1} \ioi‘ks ihiccil} li'oin lhc .irlisls. :\lsi| l'lllllllllj.‘ ;il \\.isps Sliiilios in l)L'lllll\lHllll i77 Hanson Slit-cl. 554 339‘“ and King Slit-cl l iiil ;inil illh l’llml'. 33 King Slit-cl. 552 2 i illi,