SiIfaceNoise
Music news, views and free stuff
Soma Records wants you to go back to school. Well, Soma Skool to be exact - a one day dance music conference at the Arches in Glasgow on Friday 29 October. The venture, now in its second year, is a collaboration between the label and Channel 4 Ideas Factory and the premise is to help young musicians, DJs, or anyone else wishing to get into the industry with hands- on workshops, industry panels and Q&A sessions with world renowned international DJs like Green Velvet, John Acquaviva, Slam and Ewan Pearson. Tickets are £5 or £1 concession for students and unemployed. For more info visit www.somaskool.com.
Those who missed the Franz Ferdinand shindigs at the Barras can take solace in the fact that the hand wrll play SECC on 18 December. Also the wonderful Lemon Jelly pay Edinburgh 8 visit when they drop into the Usher Hall on 5 March. Then there's Kylie two weeks later on the 19 March at the SECC it you're that way inclined. For all the Just announced shows see Book Now on page 90.
WIN DIZZEE RASCAL GOODIES! We try not to give you the same old prizes in our competitions so we challenged those cheeky folks at XL Records to find us something a bit special. So they gave us two Dizzee Rascal embroidered hoodies and a whole bunch of T-shirts and posters in varying sizes. So far, so predictable, I hear you cry, so what about a 4‘x4' Dizzee Rascal ‘traffic accident‘ sign (see pic)? Not many of those about, so if you want to get your hands on one just send you name, address and T-shirt size (there's skinny fit, S, M, L or XL) to promotions@list.co.uk by Monday 1 November. Usual List rules apply.
78THE LIST." .‘f '.\
I Ovalsoul, People Get Real .:
Muckin’ Fagic \Iii‘ifitii.1ll\',\‘.' :r l“ llxtiq I’.:l'r, \ti.-.-t :23 US" ":"' i .er l mutt ‘
I Wig Wam Bamz Ithtthwzl \'t.'.". "H (i.'\'."_';' \ttcct, “I t"! 11 "pp 1* t 1* will \Iltlllt‘l IlII‘tlI.‘ tltc giant It .':.; I The Fusion Experience II..' IIQT? (Itil‘ I1: I$.:III I .znt'. :1\ Ian \;‘it. I l.'.’ lit-tut; Ill lHpm, ‘5 .1II.’l \\.'.-I,I} '.://j.
Intuit-g.- \t-t Ill thy Iu‘m-t I‘.:l
I Dresden \I.('htnII\. 3“ High Min". “331* ‘l Ulpm Its.-
I The Full Hog \I.t\\I‘II‘\'_\\. L.‘ lung“: \ttt't't. 31\ \<\I ‘lpm I is.-
I Rush Hour \.:tttti.'I Iiuv. K. h" "I \IIIIMIJIK' l\)l‘.ItI. II‘HIH~ \ ‘Hpm Its.- I Frank O’Hagan lh; \ullld. ll.‘ ll: \lntInmuII \ttm‘t. “I \f~\I ‘lpttt I ICC (Mach til lit I.:n. tht' II.tIttI.( trait-tit.-
I Live Music (ll.tlltI t lI.‘ t ipn I’.:1\I\"\ Ix’md InlI. 13" “Wt 5'
IIIK'IIII‘L'I\I ('nttittt}
Hip”, g. ', M;
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I Off the Wall I’I.i}Itt~ti\.~. I\ (ilL'L‘lhltIL' I’I.tu‘. “\«II NI“z III 7‘ 1‘ It‘lll (IR ill I’mk I Intd tithutt' .itt
I Wounded Knee .mtl The Sun Machine I Itt‘ I’It'dxtllt‘t' (lilMtlt'l lidl. It” I ht' I’It‘.i\.ttt.\z (till .7 I I" ‘lpm LI I\|.n loud t‘It't‘ttntti. .l .l\ t\ [‘ll‘k td.‘ dark .tmhtt'nt \ct\ .tl t'tht'tml L'HIII myht I tthlctmx
I Lady Sovereign llt; Hum-n ( ’lulx \ltll.l_\ lll‘l|\\'. in IltlI_\lt‘t|tI l\)“.lll, §§\ “(itil I Ipm. Ur Sn" IIltl II I’.tit til tIttIt night Stt't \\llIl I).|\ ‘tiI ;.l|Il
I Live Sciences Ilt'tit} \ .I.t// (\‘Ildt. \ \Intt‘iwttSlt't't't.~1h" 53H” lllltlllljJIlI 25 'Ihp hop gttttit' rm tht-tt nun witth lll|\lllj_‘ m pIt'tit} til |.l// lunL on humx. \It‘ .Illtl I).I
I Inge Mcllroy, Modus .md Dakota \\ III\II\‘I‘IIII\IL'\. I h \uuth Ititdggt'. 4*“
‘I II hpm I tt't' Itt'lutt' midnight. L ‘ .llI\‘I (illx |.I// \t_\|t' pop lltllll \Indux .titd I‘lllk‘L'I.t\\ ll.l\tllll\ Item I).II\HI.I
Stirling
I Delta Mainline, Glow-Valve .md Santa Sofia 'Ittlhonth. ,l.tll \\}ttd. “I "\h li-ltltltl, 5pm. U to. More indtc Il‘ttlll l\)L'I,ll.ltlL‘tI \\llll 'i'm'k 'll. lHII |‘\.\L‘II.IIIL'II.I \put‘c hlttcx' lt'nm I)cIt.t \I.itnItttt-_ ht; \nt'ulx Il’ttlll (iltm \'.tl\c .itid \Illlplk' lolk} pop lt'om Santa Solid.
Glasgow
I Blues Explosion and Pink Grease (‘lticcn .\l.ll'}_‘;ll'L'I I'ttioti. 33 l'nnctxit} (LH'tIt-n\_ Ht) ‘l‘M. ". illpm. LII Ix’cxt'hcdttlcd liom tuit'ht't' III the month Iht- Ithtcx Iz\p|mton Il.l\k' Iwcti mint-“hut itt'gIcrtt'd lll thc \Mllxt' «it tho \\'ltitc Stitpcx .titd other )tititt; 3:.it.ig_'c I‘lll\'\ httt'kx. hut no“ tho} t‘t'ttit'n to \\hup thctt .t\\c\. \ll thct'mhoutx
I The Earlies, Half Cousin .tntl Micah P Hinson Km; Illl'\ \Villl \\.ih IIut. 3—34 St \‘tnt‘cnt Sttccl. III 53“). .\.3llpm Lh St'c [‘l‘t‘\lL‘\\ tot \nqu .\tttct'tt‘.in drum} pnp\tc1\ thc l:.ti‘hc\_ Support It} (luxtdmn ll'ttlll‘dtltttll II.iIl (‘ouxtn
I Southside Johnny & the Asbury Jukes'I‘hcI‘ci'i‘}.~13(‘hdt- I’I.tu‘.III(“)\ :05 5| I, “put. LI” 5“ \pitttgxttx'ttK p.tI\. \xho t'cwl lll lllk' .iu'nlddc \‘l ‘untldk i—‘lmlcxt Ixii‘ Ixiitd’
I Maypole, Dead or American .1th I Stand Alone II.tl'll\. It‘llt'lxdt- \‘ticct. “V” i)”- “Wm \I‘m' LII Iltlli‘ll hardcore punk hmdhncix. tnlIttcttgcd I\_\ thc Itkvx ml Ihnlt.t/.tttl .tttd I’cnm \\ I\L'
I Grails, Holy Sons .tntl Loss Leader \tt‘t"tt'.\lt‘.t/). III \ttightchdll \ttcct. “1 ll‘lllll “put. it». (il.tll\ .tt‘c .t ptcdortittmntl} iitxttttittcntdl nuttit m the \cm Ill Dirt} I‘htcc. Megan and (iudxpccd. \\ 1th tI.tl'I\ muntt‘} tttt'ldttt‘hol} ttom Ilul} Suttx
I Bilgepump, Brown Owl .mtl Beat Trap Stctco. Kch lllll.tll:_'ll \tt'cct. 5-0
Sill 5- OI‘III. Li I)\‘\I>I\K'I\ .tIltI llC\\ \\.l\k' \tttllltI\.
I Free Candy Collective hid the Average Folk Band liquid quttgc. ‘M \cht Ix’cgcnt Sttcct. ‘5: it?“ h ‘llptii I-t'cc. I’qu lunk the-pin": pI.i_\ .tt the
\u‘ckl} chcctig .tt‘ouxttt' \L‘\\ltlll
4 t:.
The endless parade of ‘young precocious talent‘ to
emerge over the last 18 months (led by Norah Jones with Jamie Cullum, Katie Melua, Amy Winehouse, Natasha Beddingfield) now has Joss Stone in tow. Great singers, perhaps wasted by the MOR material, in Stone‘s case for sure. She has balls and a great voice. Maybe she’ll get a chance to use them to their best potential.
Iadtnhtii‘tih
I Chumbawamba llit- l \. hut-3.: << (mm- Sttt't'l. I 1: “WI "pm 2. I .7 Iht' [NIIIIILJI ltlt‘lxt'h L'l‘ .iII .l\.l|‘k'll.l prune hnitmgt' to I tigldttdK I.ItII\.II pmt .i\ the} on
I Hell is for Heroes Ili.- \t-ntic. I” ll (lilton Ix’tmd. “fl Ill"z "pm LIll Iht' let tcittttt} .tItcttmlnt- to Him. Hell I\ IN Ila-tom he .I t.ttci\\.tttIin§: emu link tnmhn I HIMLotn I \t'h.m§:t'. I I \t-v. \I.ttLt‘t Ix’tmd. I“ Still ‘ illpm LI‘ Illllll\ll ‘Itm' Illk‘ldli .it't \xith pnthtt tm'ttoncx
I Rockin’ on Heaven’s Door I’|.t\hoti\t*. |.\ I: (llk'k'll\ltlk' I’I.iu'. “VII Mini-III 5pm ill “I {In ;H 'Iithutt‘ to I.I\I\ I’m-dc}. RH} ()ihtwit. Itudd} Iloll} .ind |.ddtt' (‘m‘hmtt
I 3CR, Almighty Me .md Intifada Sptdt'tK \\t‘I\(’t'II.ti II.it. I“ \Intitwti Sttu‘l. I‘d V1-1 \pm LI I’unk tutI. \‘-lIIl .tddcd llllllltltll llt‘lll :('|\’
I Angels Fight the City, Debaser .md Gummi BakOVJICtlHllldll II.qu.uIctx ‘ ()ttt‘cthlt'tt} \‘tn‘ct. 177331 \ Illpm LI I cum" Ix’cmtdx .illihdtt'd ltk’h llt'lll
I t'lltIi‘ll. torturing; loimt't mumhctx wt (in Ix’imIMttd' .tnd thc L'\IIIII.1I‘IC ( illlllllll ILIIm .lIltl L'Illt‘ llltIlCl\I\ Ik-Ixm‘t m \tll‘lit‘ll
I Raff, Carma .tntl U-Know-Hoo
\\ htxtIchmktcx. I h \nuth Hittng *5"
51 II hpm I ICC Ix'tnit' lllltIllljJIlI. L ‘ .lllL'I (illll.tl\ Item (mum \‘.lIIl ttmk ind. lll\lltll ltnml Kiley. Him
I Preston Pfanz & the Seaton Sands Iht' Ilt‘ll. ‘l lllIIIIL'l \tllldlk'. High Sttcct. 33h ll‘l‘I ‘lpm Li \titl wund\ Item l)lk'\II‘II I’I.tit/ gttcxtm; .tt th.‘ I.:ttit.‘h night wt next. ih_\lhm tk I‘IIIL‘\ .Iuh liL'JIV-IIIL‘
Cumbernauid
I The Pearlfishers & the Tallpop Sinfonia (Itilll‘dllldllItI lIlL'JIIL'. KtIdtum. tt12=r\"12\\" ‘ “pm LI'l'L\I It _\nu cine} thc llltlxlt wt Ihmn \\ thn .tttd Hurt Itdphdtdth. yin \‘.lII Imt' tht- lnIk pop \I‘llllkll‘l IIIL' l’t'.1IIII\IlCI\..lLLl‘IIIIIJIIIL'tII‘} \llllt;\llwlttII1c I.:IIp~»p \mtuttm
Glasgow I Miriam Makeba (Kuhn; Mad-cm}. III l ghntntt \tt.‘ct. “WW III“ “NU NC”
"I Illilli ‘pln LII tLI‘li IttII} united 3t: l.\t'lll|‘I.ll_\ \uttth \lllxdll \mz't't uho I‘k'ktllllk' nttt' til \‘.HlItI muxtt K I|l\l \I.II\ III III\' (All) (ilk \ \Hltt' ill I‘Il'l\'\l during the .ll‘.lllllt‘ltl Ik'}‘llllt‘. \ht' \‘-.l\ .th knmxit tut ht't \t'lchmtni} pup tunm lint HI “[1] [ill] HUI/“l I Soulwax, the Departure .lIIII Dead Fly Buchowski II.tllI\. .‘(tll ( ‘lxtlt- \iit-ei. ti.\“ti tin" ll‘lll‘l 8pm [In \I I \ ‘\ (inn/u ( in It‘lll tomt'x to .l lllll\ll lll (il.l\_‘_‘li\\. \I. ith Itt'ljxmn «Idlht'lltltll tttt'ndl} to. I.t't\ \ntiI\|..t\ .md toutt'd tit-v. mdtc \t.imp\ lht' lit'p.itttttt- I’Iu\ \pt't t.iI
I Robin Guthrie, Christ, Reverbaphon .llltl Prhizzm lht-
\tt'hcx. I“ \t;'_\It- \ttct't. V5 IILH (x I‘pm t. I: tthli \t-t- I‘It'\lk'\‘- ltll IIll\ lit'tilit-t uI.t l\)t‘\llltl\ IllL‘Ill. hmdlmt-d It} k'\ (RutmtI Iv. m Ix’nhm ( lllIlIllL'
I Josh Ritter Stun-n. Kt'h IllIl.llIf_‘lI \tict‘l. v(tilllh \pm LtIu \Ittt'h .idmtit'd )ntmgg I \ lole tintilmdnut lll mttttmtc \t-ttiitjg
I Deckard, Tempercalm .lIItl Latonic Km; Ititk \\.th \\.th lIllI. 3-111 \t \‘tntt'iit Slit-ct. Ill 53“) N illpm. 95 I.\ ILII‘} ("hum llltIlC lltlht'llll» ptnlttult' lllk'll Ilk'\‘- [IN/IX Ito/lulu
I Tribute to Lonnie Donegan
I’.i\ lIIHll 'I hmttc. IZI Runlicld Slit-ct. “I
IN!) “ {llpm LII (‘t-Ichmtm: lllk' IIllI\l\ «ll llIL' I.ttc (Hagen hunt \Ixtlllt‘ IL‘L‘t'IltI. \‘-I1U\‘-.t\.lL‘IL'.ll tittlut'ntt' on the lik'.llIL'\ I 10,000 Things, Kain, Figure 5 and the Magpie \it'c'n‘SIm/y 131 \tuthtchdll Strut-t. Iiill‘lllll ‘lpm Li IIIL' I ccdx Imwd IIL‘.ItlIlIIL'I\ haw ht-t'n dcxtihcd .l\ .t \t\ llt.il| mphmnn til t'ill .iitd mtuhit'l' \uppuitt-d It} Imal tutkn'tulh'h KAI“ .md mud IIIL IKL‘I\ I'tgut'c.‘
I Overhaul, Ignition, Jinn, Open Water .md Lost Squadron 'l IIL' (Lilliuuw. I5 l'nton Strut-t. 3W N»th _. illl‘tll L-lt.1d\.int'ci. Li HIHHII ()1 ct
I—Ix \I]tl\\ Rtk'l’x I‘lII I B Men ‘I IIL' l ill] \utc (lttc. 5” (ill Km); Slim-I551 In“ ‘Ipm L: Rial. and I“'I‘
I Alan Peacock (imtt .-\LHII\IIL Sunda} \. the (hut. Ila" .\tj_'} Ic Str'cct. ‘5- " i“: 5pm I tcc. Nut». nhtIch-nut
.twuxtit L"-L'IIIII“_'