' A l/ It'll
I The Waterboys Ur. \ l|.: l u. \lr:';‘l Mr“ .“'I" fil‘lrf \ "r \. IT. f‘r I Rumours oi Fleetwood Mac
I’I.:‘.hw; c 1‘ (rryxhxrlfl I". u ‘l‘ "' WWW); I“':::. "It It, \I» IIrL"'.:lIrl'rrf "..:',fl.;I'| I' "it I’U' (llr’fiqufrrl'fll'llli rillfl r‘ 1..»
I Rooster, Chains Undone .nm; Endorphin lrtt~lalllrr1l<mr~l w \rtlwrra \‘rutl ,“‘ _“'\1 ';~r' “ \t Mirihnr; r3233 \‘l
I lndafusion, the Stepdads .:T. 1 Douglas Clarke I’».:llrlcll:,.:r. \uaz. \lrt'r‘l “If X“: \ illirrrr fl I’-‘.th_x‘.xil.: lllt‘,'l\ I‘H'.‘.\'l imp lrnrn Ilunlcrrrriru; haul IllrI.lIll .1er .rl llrrs II.:‘.I~.accr: ixrrl'.
I Charles Wood, Stuart Clark .mlr Jacobs Pillow \\ lr;\rlcl\rr:l L r» \oulI: Irrtlz't' \‘ ‘I l "I‘lll I rim \Irnlcrrh .1IlrII‘\'.1I \l‘,\l.:I\ Ilr'll; \lllalll I.ilI.
I Mechagodzilla, Ix, Karloff .zrrtl Kirkliston Deth \mtlr.» _‘: .“. .‘r~
I .rIlrI1:I\’.i,,,Ila\\ §'\\
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l.ur\ '. tIrcwr IIrIIt'tI .r\ .zrl Into, .rlrur. wl lhc
c Il.r‘.\‘ .1 lrult rrrzrrtl
Ir-rt ul ll.lII\IIk'\\
REASONS
TO GO SEE
THE CZARS
1 They’re eclectic Over three albums and a range of H’s the Denver Six piece have produced music that rs utterly indelrnahle New album Goodbye rs (IOlll‘rily. soul. neo classical. baroque pol}. funk. lounge and t;(’ttl//~r()r:k all rolled into one hugely ambitious concept album rmekage that is both mowng and intelligent lll equal measure.
2 They’ve got famous tans lhe Cxars are definitely a 'banrts' band'. ()ther musicians that have brgged them up in the recent past include Bob Mould. Mark Fjrt/el, Wayne Ceyne, Ben l~olds and the Polyphonic Spree.
3 They’re right brainy bastards Singer, keyboard player and general frontman ,John Grant picked up a linguistics degree during a six year stint in Germany and the Ukraine. He is fluent ll‘. Russ‘ran. German. Spanish and French. Expect some high quality. multr lingual banter. 4 They’re on Bella Union ‘lhe Czars were signed by former Cocteau IWIH Simon Haymende to his label Bella Union. pretty much a guarantee OI quality mUSlC. Therr labelmates include such gems as Explosions In the Sky. Lift to Experience. Laura Verrs and the Dirty Three. They give good title The band's second album was called The Ugly People vs. the Beaut/fu/ People and they once released an EP called ‘X WOuId Rather Listen to Y than Suffer Through a C of 28'.
. King Tut's, Glasgow, Thu :1 NOV.
86 THE LIST ‘
Monday 1
I Lionel Richie .' : Nina Jayne \I(( v r}. ~ ‘;\.. ,Lx 3 \rl
’72“. II I
IThe olyphonic Spree l} \I..:x.:,'l't.t. \‘I':.q'~'ul1-' ttliri’\; t‘\ I.
/ III \ .\ " ' ' \
I The lzzys shrinking Violets
Insular I\:r.' In x \\..E \\_:' II ‘ \' \Ltltqu' \trggi H “"l \ ~“;' " I?” \zzlctzu'altr" \t. I"
I‘.:\\'ri I//'.\
I Adequate Seven, Buzzkill, the Peacocks 1 Sonic Boom Six l'.. ~ ‘rmt \izyg'. "‘ "I‘H' 'r‘l‘r‘r v, H n-..: 11- n Ihrgy \\.:'. Il.:r,, ; 'r fix
I The One Ensemble \rl I\c}‘.rrrh.:rl ‘I: \‘zgq‘ ‘ "t "'l‘ ‘1“: '* I Egypt \luttzu l lug frown w: II~ (rrm‘.czlwr lg" I311, I\)v ~l. t~‘lt~ ‘lirzr: Iru; Ila, \ I Michael Simons llr...: r luau :, Illag'w I .rllc. 5' 1‘ M- "g‘li. !‘ I'
I Eoghan Colgan ll, mm {11" Liu I'Lrlllclrcltl Ix’rnzrl h *h It" H \grtr I rcc IAcoustic Jam \lh- l:'\l\'.:/\ ifi \ruthrchall \lrtx'l. “WWII” \r‘rr: Ircc “will; \Ilr|\‘.\.:\\‘IHl I\'\.:I\t‘Il1"-‘-Illt'I\ [it'rlurrnrnx' urr:'rrr.:l lll..‘.,‘!l.:]. lurnllurrih
I Nixie Kye Ihu \cnuth ,‘T ( .zilrrll Ix’nml, “' it"; 'illiirn 2‘ Iltuil, family!!! fruit Ilr'llr \l‘lt' I\}t‘
I Open Mic \\ qullclirrillrcx, l h \uulll Iirrtlyc. ** ' ‘I I I ‘lltm I icy \q; \Iurr .“
(illihgltlfi.
I The Corrs \I (I ', I rnnrcxlwrr I‘lu.r_\.
ll.\ 'uutu lunn ‘iultm r :u if ' <n ll},— \lllll‘t'llllp' \I\l\'l\ .zrrtl lhcrr .rnurnrrruux brother turrlmuc lo trail lhr' xxurltl urlh .: \t‘ht't'r ul I‘llrrltl rill-.rmnlucw
I Cherrytalls, Ampersand .mtl Bubblecraft I\rn§.' lurk \\.rh \\.rh |Iul_ .‘I‘a \l \ rntt'nl \lrccl. .‘.‘I 3‘ "’ \ “'I‘lh 95 \c\\. I\I,ruiI Ix’t'turth \lg'lllllt' [\uul lhcr: iii-v. \III‘.‘I\' 'Irr\uur \rrrr\ \'_'.:1r:~
I Joanna Newsome \rt-rcu. Kt‘I\lllIl.1ll;‘Il\Iltx‘l. *Nh‘llh \rrrr. t_lI\ ('harlrrrny \ Iirlillrkq [my lrurn lhr\ \m
I rant rxtu Ixrxctl \lll}'\'l Il.tll‘l\l
I Yellow Stripe Nine llrl- 1 all \urt- (\rlt'. all hit Kin}: \lrct'l‘ “1 lb“ “pm 9,1 \lrrmk
I Concert for a Pound It lit-.1 r it. nit, :_‘ ()lh'u I .mc. it“ 3571 Rpm 1| I l‘\.II \mjgt'r \rrrr;'\‘.rrlcr\
I The Kiteflying Club ltlrzr ( h 11.1. er Ill-.rnslun Ilrnu. hi” '3“ \r‘rn 1“
Imprm mum
I Rock Idol Ihc ( firlhuunz 1* I mun \lrccl. .71\ frhllh " illpm if \nulhcr crz'hl Ixintlx turrrriclc lll lhc ( firlhuusck I.“ It Mimi-Ix \imnwrctl mesa Infill: ml llru
l‘.III\I\
I Battle of the Bands \wunllhaux 9‘ lltrlt' lurk \rrt-cr. _‘.‘.l 1M" " ‘lll‘m :1 I (lll‘sllllltll‘
I Iron & Wine Ihc \cnuc, I ‘ II (XrIlun Ix’uailt *V ilr‘l lop”, in [NH .\ \\lll\"\ \I\ \ \umh'I Ilium mlrrnalc wer haw Illllr tumrmrctl to th; Ir'J-tcx ul \\rII()ItIIl.rmlrr1ti \rtk Ilrtzk;
I Band Showcase \\ltr\l1cl‘rrlitzcs_ l h \uuth Ilrrtlgc. “7‘ *I ll “put I \x' Ill; Sh
Wednesday 3
Gastritis. I Keane, Brendan Benson and. Stephen Fretwell lt.;::m.-.i..::tl. Ii.
If Big Big World is all about the blending of musical
styles and cultures then Alejandro Tantanian's De Lagrimas is a pretty much perfect addition to the bill. Hailing from Buenos Aires, the actor and playwright makes his debut in Scotland with a show inspired by the Weimar Republic cabaret tradition of Brecht and Weill, which is also ‘a joyous celebration of tears and heartache‘. Either way. expect a full-on clash of European ice and Latin American fire.
(r.1IIr".'. ‘,'.'.I\', “.‘ 'ol‘lII HI | I Joss Stone .lnll Sonna Rele (.ulrnx' \lmlurrn. I.‘| I :‘Irnlun \lrm'l.
ll‘ltl‘llr‘ll {rillrrlix‘lr 'l _‘llllll ‘WH
'illirrn \()l I)
l. I ‘Ml (her is \Irmx \t-i'\.ri\l1url lNIi'k' I Jim White .mtl Monica Queen (ulht‘r Illinrlrt: Ilirrrllarrtl \liwl‘ i‘" Nix {Iliirn 9, ll Ilrcc\ Il.ll‘II\Il i'\ rrruiIuI \nrlh lIrt‘ rn.rn;'lml linx't'rx iurilinut‘x lu makt' ul‘ lur Iml lrrnc 2‘.th Il|\ rtIrrrxilitralrt lllll\I\ driver. supported I\_\ IIlt‘ tuunlr} rut-lanthuh of \Iunrta ()IICK‘II I The Darkest (‘IIIK'UII \lJIi‘JIk'I I urun. _‘_‘l rir\t'r\rl_\ (Milli-n» W” ‘l \1 I’.r\ th' IllI‘llIt' to Hit- I).llI\ll\'\\. ,1 lrrhul,‘ Inrntl lIit'rnxt'lwx rl t'n'r lIlt-rt- ‘.\.|\ why Ix’rul. \‘.lII c.rl rlwll I The Republic of Loose ,mll Particle I\ru:' Iul\ \\.rI1\\.rIl IIul. “ '.‘.: \l \ rnu‘nl \lrtx'l. .‘_‘I 5‘ “l \ illrim Ur \uui .lIIiI lurrI, v.th tiurrltx lrurn IIll\ Ilulilrrr I‘mth :‘rnulr I Bear Vs Shark, the Maple State, Azriel, Regular Joe .rnil No One Lost II.rrlI\_ .‘Nl ( IMIc \lrt'cl. ll-V'Il ‘Nlfi ll‘l‘l‘l \l‘lll-f,‘- (Incl I R \II|‘\‘. I The Apes .rrrtl Hex \rtc‘nNIt-a/y. l.‘I \ruthrchall \lrcsl. “WWW ‘lprn 1h (Lira-kc rm It xarlh more lILrll .r luutli ol lll.tlll.r \an lain-x rl touri- huh I Future Site of Rome, Fudge .mtl Soul Circus \lcrco. I\t'lellIl.rll-_‘Il \rrt-t-r. "‘lr ‘lll\ \r‘rn {L \Iulrnlrt rntlrt' roll. I Playback I’lruI, \xhlun I .zllt'. il.‘ Lririrl \Iirn Ircc I’i,:\\l\l I,rtl.( .m'y [ilux
\.:llrl‘I\‘\
I rllrltlllrrtll I Glory I11; I rlrurtI Ronni. ‘lt \ ltlurm
\lrt'cl‘ A.“ ,‘,\l\1 trim Lllu I \'\.II IxrntI mL'Irl
Thursday 4
Glasgox.‘
I Keane, Brendan Benson .rntl Stephen Fretwell llarrmulantl. 3 ll (l.III\“.‘.L‘.!I\'. <<j zllIII _ HII‘III \III I) (ll I Iht~ l\\l ul lIh' lmlvmllch hunth I\c.:n; .rrt' .: .zrrtI lrunlnmn Ir‘Ilr ( 'Imr‘hn is .x \llll‘lhlll‘.’
I The Czars I\rrr;' lurk \\.:h “all IIul. - \l \ intent \lrccl. 3:1 *3.”
\ ;‘.I\!Il L“ \C\' I‘I‘t'KlC'J- ll'l IIltNL'
rrthlj. Journal \uttt'w \lor}.
c‘xiwncrllx ul rrrulanthuht \rncrrtarm
I Jah Wobble & the English Roots Band lIIk' I cut. I.‘ ( Inlt‘ I’LM'. “INN .‘h; <| I .\|\rn III \t't' innit-u lur IIlt‘ I.IIk'\I IIIII\I\.II plural ul IIIt' It'l\\.llil IIlllllellfJ «Iuh l\.r\\r\l
I Suffocation, lnsission, Man Must Die .mil Paradox Illt' ( Lirhuuw. l*
l mun \ln-t'l. fl\ (mun ' ()\\'I ll\ shunt I \lrt'rnt' Illk'IJI hum thr-
I \
I Antony and the Johnsons \Iurru. l.‘ I\'rn;'\(’uurr Km: \IICK'I. A“ .‘ Ill“
\ illprh l," Irtl.i'l\ lrum \lrrllrllJlI .mrI ll\l\\'l \tullanil \t'll \l}|mI \h.rm|\t'r \.Il\.IIk‘I. llr‘lll .l \t‘\‘. \Hllx I‘.I\k'tl \Ht.lIl\I \xhu hm \rrnf: on .r tuupIt' ul I «in Ix’i't'il .rlhumx .lIItI m .r t .IIIIk'H .riiiuurant C III IIlt‘ \lt'w l‘lll\\k'IIII lrlrn Irrmuu' luv 1w. IIIK' IrlIlll\r|ll\ turrrrirrw \lllll‘.‘ lrru, [‘IJIIH. I\.i\\ .IIItI \IIIIIII\
I Neon \rtt-‘nNIm/x. WI \rrh Irichlrll \lrt't'l. ‘iill‘lllll ‘lprn' L?
I The Digerati, Nibushi Shang Hong, Graduation Day .lIItI the Flykicks I’..rrl|_\ lllpxlalhr INN |_\rIt- \Irgk-l. II.\ ‘II‘IIIF‘ II‘I‘I‘I NIH“
I Fury King of Bands I in} \Irrrrtx. *Nl \l.I\‘-\\'II \IIK'CI‘ .‘i‘l (5| I \iirn I 3. mt lIIKIIIIL' Hill} In pm! :‘r:' \ Iuh Ihc
I ur_\ R King ul Il.lllrl\ turnpt-hlrun \t'IIIIIIlIt‘\ urlh I‘.tlltl\ \IIIIIIN'IIII',' In lll
!_ llll lll ol t'tlurrirnt-nl
I Repeat to Fade, Underdog, Stonesthrow .rrnl Brady Cole I<.r‘.‘.. (Jun-n \I.rr:.rrcl I mun. III III'xt'I\II:\ (I\II\lk'II\. HtI ‘Y'XI " illprn l. V IIIK IllrIlll‘.‘ ‘._'IL' \IllIl “til.” \Ilrl'.‘.t.l\i‘
' {Illim I’ll
run} In pml ol )Hllllj: Imal Il.llliI\
Edinburgh
I Amy Winehouse lIIk' I ltllllrI Ix’rvunr. ‘lt \ itlurrtr \Ilt'k'lt 33* F03 “pm {I; \uunjg lllIMll truwm'r |.l// notalrsl \rnj. “rrrvhmrw
I Transaudio Itanrrt'rinan'x, \rrlrlr} \lrct'l. “(i *2” «\pm I'IL'C Iotal t’Ik'kIIl’ I”LI\CI‘
I Super 8 .lIItI Delta Croft Revue Illk' liungutluh. \Iur.r_\ House 1" IIHIHHHiI Rmtrl. <<h “It‘ll LIIR \lk'llltllk [ign'lmlt'lrt pmwr pup lrurn Illt' mash-rm! \uiwr 5. \khr- tt-It-hralt' thcir \runrn: lo II.tIl.ill laht'I IxIcl .lIItI slop oil on mult- l.rrurlr.rr \IIHIK'\ .illt'r ripping II up iIkIU\\ Il.iI_\
I Trashcan Sinatras \r Built-K (’t-nrrc. III()I‘.‘-L'II llk’lltl\K-. “If IIII< L\ \t‘t‘ taphon p.rj_'c\1