Edinburgh
I CITY ART CENTRE
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New Work Scotland Programme 12 CO. l'nlII Sal I I \m Ix’;IIII_\;I ('IinmIi} fJIIIIIllilIt'II IIUIII IziIInIIIII'gII (‘nllt'g't' HI I\I‘I IIII\ )cul‘ and «leplgux a: Ilt'\\ \t'I‘Im HI painlinpx IHfJCIIIt'I \\ IIII In" ()'( ‘nnnni \xlw prmlimlt'il |;I\I _\t‘;u :IIIII (It'I‘lIIIIx\ IIlt‘ II|}I|1\ III St'iillginil ll\lllj.' prMm‘ pulnl ilIltI \\;I\ t'I‘;I_\HII\. SIT I‘t‘\ It‘\\. I ,“\f }I (I IANI [I II I HI I
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Richard Demarco Focus 2: Edinburgh Arts 1972-1980 l'nnl Mun Klan. I'I’t'c Ilu' \t't‘nniI III ;I \t'I‘It'x III [Int-c (II\PI;I_\\ (Il';l\\ In}: «in Inult‘rml Imm Ihc Hrmmcu .-\It'ln\t- and IIK'lhlleJ on Hcrnurt‘n'x t‘\pci‘iim'IIIuI I-LIIInIiIII'gII .»\I'I\ \llllllllt‘l' winiqu (II IIlt‘ I‘I7II\ and hi\ \uii‘k \HIII Iigixlci'n I'.lll'H[It‘illI :Il‘II\I\.
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I EDINBURGH COLLEGE
OF ART
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IIInIn 2pm.
Mary Bates and the Rhino Project 0. l'nIII \Vt'il III \m. IIIIIInInuInI [IIIHIIIfJI‘IIIIl\. Inwi' \t'unnml IIII;Igi'\ :IniI IIIIIIIIIIIIUII iiIIt‘I' ;in inlcrpi'clailiun gullu'rml ImIn tlulu \ll‘minx IImI t'nlln'l IIIIHI'IIIIIIIHII :Iimul t‘IIllIilIt'. xiiliii' :It'm II}. Il'ilIIIt' I’Imx :IIIII populziliun I‘Iu\. Scc m It‘\\.
I EDINBURGH PRINTMAKERS 23 l'ninn SIIu'I. 557 2-17”. 'I'III‘ XIII IIIuIn (IIIIII.
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=11 Somewhere Everywhere Nowhere I"()l'R STARS I'nIiI .\‘un 38 NM. I-I‘cc. Inlcrngiliolml L‘IIIIIL‘IIIPUI';II'_\ :II‘I Ii'mn lhc I'I‘cnch chionul .-\I‘l (‘ollcciinnx \ccn I‘nr Ihc III'\I limc in Ihc I'K. In cullulmruliun \xilh Dundcc ('nnlcnipnrgn‘} .»\I'I\. Scc I'mic“ and IIIlII\l.
Mattias Kathe
Mattias is a photographer from Germany exhibiting at the French Institute. So it is fitting that the wind
blowing his tartan scarf is an uncertain one. His work on show here explores the feelings of dislocation for a person living in a foreign country, with a nice touch of humour — how does that scarf blow so straight?
I l‘fI“" i‘ [r ,r~ ,w I! w ,, I I/l"‘ r VI
I NATIONAL GALLERY OF MODERN ART
T5 IIL‘IIUHI I\’H;III. (II-I IIIIIII. \IHII “HI I\ III Sun IIIuIn 5pm; 'I'hu IIIuIn “pin. Andy Warhol: Art, Death and America .0. I'nnl In il I)th I'Iu'. I).'IIIIIlIlj_'\. \t‘ulpluit‘ iIlItI phulngmphx II} Warhol prquu‘iI lIl;IllII_\ In IIIL' I‘)7II\ and NR and It‘IIt't‘IIny lnx lllt'l't‘;l\Ile_‘ nliwxxmn \\ IIII Ilmlli and nmilulil}. [IIII\ IIIII‘II';III\ (II :II‘Iixlx such .I\ .Imcph IIL‘II}\. .\I;In Ru} and (iIIIu-II .IIItI (it'ul'gt‘.
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I NATIONAL GALLERY OF SCOTLAND
I'IIL' \quniI. (ill IIIIIII \Inn \\nI & I‘I'I Sun IIIIIIII 5pm; I'IIII IIMIn ~pin. The Age of Titian: Venetian Renaissance Art from Scottish Collections 0... I\)U_\.II St-ninxh \chcrn} Iiinltling l'nIII SIII15 Du: L IL'SI; lit-c In IIntIt‘I‘ II» (I‘IL'I‘I'iIIIII; IIIc unnplclmn uI Ihc Iinul \I.i§_'c nI IIIL'
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6-21 NOVZOM
lN RESIDENCE
Nicky Bird, Adrian Lear, Emily Speed RSA Hospitalfield Residencies
6 Nov-19 Dec 2004
NEW ASSOCIATES
John Byrne, Calum Colvin, Jo Gamer, Marian Leven, Sandy Moffat. Gordon Munro, MichaeWisoeehi
Visual Art
I NATIONAL PORTRAIT GALLERY
‘1 (jinx-n \IIt'CI.I‘_‘1(\_‘INI \Inn \M‘II :\ III \Iin III.IIII *pm. IIIII III.IIII ‘IIIII Modern Women 0.. I nnI \un
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I THE QUEEN’S GALLERY
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‘I {ILIIII I Winn D I! i I III I.iInII\
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I STILLS
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Royal Scottish Academy BuiIding, The Mound, EdEn burgh tzOl31 225 6671 www.royaIscottishacademy.org
v'- THE LIST 111