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Traverse Theatre, Edinburgh. Tue 9 & Wed 10 Nov; Paisley Arts Centre, New Street, Paisley. Thu 11 Nov
Not for nothing is Channel 4 hosting Musicality this fortnight, another notch on the unyielding hotbed that is reality TV. This, the small screen’s latest foray, has young starlets the length and breadth of the UK battling it out to be part of a professional musical for a night. A rare treat, indeed. Certainly at a time when Simon Cowell is being heralded ‘Personality of the Year', it‘s no great surprise that the world of theatre is ready to cash in on such egotist-friendly times. And so to the inspiration for Complete Production‘s latest piece, Cut to the Chase, 3 modern retelling of Pierre Beaumarchais's wonderful classic, The Barber of Seville.
Having enjoyed the text as a student, Cut. . . producer Paul Fitzpatrick joins forces with writer Christopher Deans to update the tale, taking Beaumarchais’s Rosina character and reimagining her as the modern-day Charlene, an opera diva wannabe who becomes famous overnight having made an appearance on a charity TV show. ‘Reality shows have quickly become commonplace in today‘s society, and it just seemed like a good time to examine why we are looking to ourselves for entertainment’, says Fitzpatrick. ‘The whole cultural phenomenon is really interesting and while we’ve tried to stay faithful in essence to the original text, Christopher [Deans] has managed to put this really interesting spin on it all.’ Interesting being the operative word, as the action is largely set in Benidorm. ‘At the end of the day we wanted to show all the different sides to it. Charlene has this incredible talent but it‘s being showcased in this ridiculously tacky place. It‘s really about bringing together both the glamorous and seedy nature of the music industry.‘
And Fitzpatrick is quick to note that, while aimed at a younger audience, the premise should appeal to everyone: ‘I think no matter what your age you can relate to the idea of greed, manipulation and fighting to get anywhere whatever the cost.’ Indeed: Musicality application form anyone? (Anna Millar)
‘- ,r :THE LIST 71