Monday 8
Glasgox/
I The Gary Miller Band Studio ( )nc. (ilH\\L'llUl lcll.uc. 1-11 (r5lh ‘l Winn l‘lL't' lilllk'S
Edinburgh
I Jam Session Mi ()uccn Sltccl Bar and RmLunant. SH ()uccn Sttccl. 330 5W)" ‘lpnr undnijght l'tcc ()pcn \t'SSlHll \kllll lhc l)a\Id l’atnck lilo conic and pla} or cotnc to hcai a uholc load ol ncu lalcnt
Tuesday 9
Edinburgh
I Bill Kyle’s Sh“ Hot Jazz Quartet()\}jgt'ii Bat t\ (inll. * 5 lnlinnar} Sticct. 55* WW"
‘lpin lllltlllllell licc. lhununct Bill K}lc\ lalcxl grouping. lcatunny Doug: liplad} l\.t\t'\l. l’aul Kuh} «pianoi and Kcnn (il.t\f_'tt\\ thaw),
Wednesday 1 0
Edinburgh
3:: The Hub llcnr} \ .la/l (‘cllaL S \lorrixon Stt‘cct. ~10? 5]"). S, illprn. L'" \cu York a\anl gardc |a// trio \xho count ('harlcx |\c\. l‘lllSlgt Rlninw and Sla_\cr a\ inllucnccx. Should hc Intcrcxlinp.
Thursday 1 1
G asgow
I Glasgow Singers Night lhc l’nncrxal. 57 5‘) Sauchichall l.anc. 3‘ SS‘N. Spin. L5 .lnn (‘lcland. Rontnc Rac and Kcn \lathicxon pro\ idc niuxical \upporl at llll\ ncu opcn nnc llllell lor (ilaxgou \ingcrx. ll _\ou arc intcrcxtcd Ill pcrlornnng call Hcrck on 070"," 5H7
ll)
Edinburgh
I McKenzie/Medboe Duo Ilcnr} '\ .l;t// (t‘lldl‘. .S \ltll‘l'lvlll Sll‘t't'l. 407 530”. N..“llplll. L5 Sa\ophoni\t Sttxan \chcnnc and guitarixt llaltor .\lcdhoc conihinc ia/I. clawical and liuropcan l'la\our\ in ntalcrial ll'Hltl lhc duo'\ rcccnt alhutn. Birdxongx.
Glasgow
I The Fusion Experience lhc Bul'l' ('Iuh. I-ll Bath lanc. 2-718 l7". Spin. l'rcc hclorc Elll.5(l[\lll tL'5 altcri,
Scc l-‘ri 5. Edinburgh
I Scottish National Jazz Orchestra Play the Music of Stan Kenton ()uccn'x llall. (’lcrk Stt‘ccl. (ms Illl‘l. Sillplll. lilll U150. 'l'hc S.\'.I( )‘x trihutc to cornpoxcr and hand lcadcr Stair Kcnton onc ol~ ia//\ ino\t inl'lucntial. outxpokcn and conto\cr\ial lllllSlL‘lLllh.
>35 Sister Maj’s Blouse llcnr} \ .la/I (it‘llill‘. S \lUt'l'le .Slt'L‘L‘l. 40“ 52M). 8.30pm. £8. l-‘irxt l'lx' datc lor llll\ lllll‘l’L‘\\l\C linc-up ol S\\cdcn\ llllL‘xl. lcaturin; .loakitn .\lildcrt\a\l. l’allc Daniclxxon thaw». l’rcdrik \orcn ltll‘tlllhl and Boho Stcn\on lpianoi all a\\ard \\ innng hand Icadcrx on thc currcnt .\'ordic .laH \ccnc lll thcir o\\ it right.
I Bill Kyle’s Sh“ Hot Jazz Quartet .\‘(l Quccn Strch Bar and chtauranl. .S'll Quccn Strcct. 230 50‘)". 0pm. lircc. Scc luc 0,
Glasgow
I The Andy Alston Quartet Brcl. 3" 43 .-\\hton l.anc. 342 4000. 3 (rpm. lircc. lhc l'trxt ratc pianixt lcad\ hix duartct through \ornc rnainstrcarn and inodcrn ja/x \tandardx.
I Big Bob’s Jazz Band Bar 185. Buchanan llotcl. l.\‘5 Buchanan Strcct. 332 "284, 5.10pm. l-‘rcc. Scc Sat (w.
I The Music of Stan Kenton R\ \\ll). l'l" Rcrzlrcxx Sttc-c-z, ;:_‘ <..<~
Spin 1i: 5‘lvt‘l Sc; l .'l :_
Edéril’w‘gh
I Jazz@Lunch \li (Just-z: \nc-ci Ba: and
l{t'\l.:ttlalll. SH (Jncc-n Sncct. If" 5""— 5pin Scc Sal h
3:: Sister Maj’s Blouse llcnr} R l.://
(‘cllar S \loinwn Sttcct. 1“—
\ lllptn U Scc l n I:
I 8OOSt House Band \H ()uccl‘ \lft'Cl
Bar and Rmtaurant. \H ()uccn Sttccl. 32h
5W)" “pm midnight licc \‘c Sat h
I Rumba Caliente llcnt} K ,lax/ ('cllai.
S \lotnwn Slrcct. ~10“ 53”“ midnight Ur
Sixtnccc hand lcd h} Salm ('cluca
titnnpctcr loh_\ Slnppc}. l‘lt“~ltllllj_' lhc
lincxt Ill hot launch} laltn \oundx
Glasgow
I Kenny Paterson \lctcllanl\ ('oinci. |.\ John Sticct. 553 :Nil 5 Spin ltcc Scc Sun a
I Ken Colyer Trust New Orleans Jazz Band St \ndicu \ lll lhc Stiuaic. oll Saltinarkcl. St \ndicu \ Sticct. 5-15 hill” “pin. UH. .nailahlc lioin (alc Souicc 51S hill” or \londa} ("luh (Vii) -lll-l-l ()nc ol .1 \cncx ol \pccial ruhilcc conccrlx taking placc throughout luropc to cclchiatc lhc 5llth annncrxai} ol lhc lornratton ol lx'cn (‘ohcr‘x .la/xnicn.
I Big Blues Jam Studio ( )nc. (inmcnoi 'lcrt‘acc. HI h5lo " Winn, l rcc. Scc Sun I McKenzie/Medboe Duo lion lhcalrc.(fi'l'rongatc.551137 .Sprn. [Till t Ur.5lh Scc lhu I l.
<_‘nn
Edinburgh
I Jazz@Lunch Ml ()uccn Sttccl Bar and chtaut'anl. Sll ()nccn Strccl. 33h 5ll‘l‘.
2 Splllc SL‘L' Sat h
I Syd Lawrence Orchestra l'xhci llall. lotlnan Road. 335 l I55. ". Winn. U45“ U05”. .\ gicat llllell ol mung. dancc. and ran lroni thc c\ct‘ popular S}d l.a\\ rcncc ()rchcxlra
I Tommy Smith Youth Jazz Orchestra llcnrt \ .la// (‘cllarp .\ \ltll'l'lvlll Strccl. A1qu 52nd Shillpnr to Sa\ophoni\t 'l'onnn} Snnth Icadx lnx )oun; protcgcx through a \clcctton ol clawtc and conlctnporar} his hand inuxic lroin thc rcpcrtoirc ol thcn' \cniorx tn lhc S\.l( )_
I Paul Kirby Trio ()\};_'c'tt Bar & (inll. 3 5 llllll'lll;ll'_\ Strccl. 55" WW",
‘Ipin midnight. l-rcc, Scc Sun 7
Stirling
I Yamaha Music School .\lacRohcrt. l'nixcrxit} ol Stirling. “I‘M .ttximnn (\.5llplll. [5. ()xcr l5ll kc}hoard. j_'llll;tl' and mm! \tudcntx lrotn Yamaha .\lll\lc School \ho“ caxc lllL‘ll‘ ltllL'lllx
Glasgow
I Alan Nimmo Stttdio ()nc. (irtmcnor
'l'crracc. 341 (r510. ‘lprn l'rcc. ()nc hall ol (ilaxgou hhicx hrothcrx. \\ tth an tlL‘UthllL‘
Edinburgh
I Jam Session Sll ()uccn Strcct Bar and RLNltltll‘le. SH QllL‘Cll Sll‘L‘L'l. :30 SW)“. ‘lprn midnight l'rcc. Scc .\lon .S.
Tuesday 16
Glasgow
I Kings of Swing l’a\ ilron 'l'hcatrc. l2l chlicld Strcct. 533 [Mo _.5lll\lll.
{l5 (10.5”. .-\ l‘tlllt‘l'ctlthlt‘l' l'ltlL‘ Ul llllgt‘h clicking lun.
Edinburgh
I Bill Kyle’s Sh" Hot Jazz Quartet ()\_\:_'cn Bar & (irill. 3 5 lnlirrnar} Strcct. 55" WW". ‘lpnt midnight. l‘rcc. Scc 'l'uc 0.
Wednesday 1 7
Edinburgh
I Tommy Emmanuel and Johnny Dickinson Quccn'x llall. (‘lcrlx Strcct.
'WSIHI" Winn Lil5t'i:l:5l| \ustraiiak ic\cicd lingct t‘rclxci l‘l.i\\ tlnoujjli .1 da//lin: tansc ol \n l\'\. loincd h} \ocalx and \ltdc t‘l.i_\ inf: ol l‘luc'\ l‘l.t§\'l lllclxlllm‘ll
I Julian Arguelles Trio llc-nrx \ .l.l// ('cllai. .\ \loiitwn Succt. in“ 53”“ S Winn L5 \lclodu and ctcatnc \ct lroin lhc \r‘nitcd and lllj.‘lll_\
indn idual \.t\\‘l‘ll\‘lll\l [‘llh hand
Thursday 18
Glasgow
I Tommy Emmanuel and Johnny Dickinson l\’u_\.tl (‘onccn llall Stiathchdc Suitc. f Sauclnchall Sttcct. till] :4: \nnn 5pm 1]“ <1) {115ll St'c' \\ t'tl l“
I Tim Williams Studio ( )nc. (ilii\\t'lltll lciiacc. {1| (\5lh " Winn l lt't'. \ \ll‘SC Ul lllt‘ l‘lllk'S llHlll llllx \nicncan \rnggct and _L'llll.lll\l
Edinburgh
I Eric Bibb ()uccn'x llall. (‘lctk .Sllt't'l. “(LS .jlll‘) “ illltm {In 5t) \\L'll ll.l\t'llt‘tl lllll\l\'.tl llttl‘tt j_'l\t'\ .tll acoustic \cl \llt‘\\lllf.‘ oll ln\ \xidc ranging) inllucncm lioni lhc .\ll\\l\\l|\[‘l |)c|ta through I niopc to \lncai
I Tangalgo llcnr_\ \ .|a// (‘cllaL .S .\lorri\on Sticct. 11h“ 521M .\'. illpin. L5 ‘l'alxin‘g on tango \kllll |.l//. llll\ lll\ltlll l\ a hrcathlcxx lotcc lcatunng.) l’hil \|c\andci on piano. .\l;iiio('.inhc on haxx and \laltic l'ouldx on
[‘t‘l'ctl\\lttll
Folk
Events are listed by date, then city. Submit listings at least ten days before publication to morag.bruce@list.co.uk. Listings are compiled by Morag Bruce and Norman Chalmers.
Thursday 4
Glisten“.
I Salsa Celtica lhc \ltll\‘\_ \i:'\ic Sticct. 5'5 lit“ \t‘n‘. : iii 1 l 1i
l dinl‘urgxli haxcd. intcrnauonalh liaxcllcd l‘.::'l‘li‘\‘\ honvox and l‘l.l\\ t italic .l \ltlllct'lli‘i‘l \llMl \'ll\.lllt‘ll
I Steve Tilston Sl \nthcu \ ‘.ll lhc Sdnarc, oll Salttnarkct St \ndicu x \ncct, 51\ MPH \i‘in U‘ -11~ l llL‘ll\ll \inz'ci.
\ong'uutct and lainouxh \killcd :‘tlllalhl
l dinbunih
ii: Musafir ()uccnk llall (’lcik Succl NW .‘lll‘l LllM‘cSI ()uaali, llinduxtani and Roma lllll\l\ \l_\lc\ lroni onc ol Indiak )Jrcat torn} lllll\l\ and damc lli‘lll‘t‘\
I Daytime Ceilidh Dance \r t'olmg (‘lnntlr l)ah_\ Road. WWNMI .‘ i illrirn L.‘ [Llu \luxit horn \uld Spitc
I Out of the Bedroom “halt-x Hal. St \l.tt_\\ Succt. 55h SS55 5
“Pill nndnn'ht ()pcn inn \t'\\li|ll lot ldinhutgh haxcd \rnyct \Hll:'\\lllt'l\
ldinhurgh
=33 Ana Sofia Varela (‘lllk't'th llall. ('lcik Sltcct. hhS llll‘l Spin ll l it l_‘n \na |\ a lcadnn' _\oun;' \ldl in thc \ uncnt icxtnjgcncc ol | ado. lhc tnclancholn and pawronatc l’oitujgttcxc \HlljJ lonn urth 'l|l\\' hlucxi huts ol low and lim Shc'x accornpantcd on f._‘llll.ll. l’ottti;,'ttc\c gtntana and douhlc haw
thequeenshall
presents
Q
I .‘.i
ACROSS THE NORTH SEA 2
ticketsz£l3 book
booking
concessions (ll www.thequeenshall.net
0I3| 668 20l9
./ j ‘1 THE LIST 91