Visual Art

Claire Wheeldon's

I TALBOT RICE GALLERY l'nixci'xit} ol' lxdiiiliurgli. Soutli lli'idgc. (i5ll 33“). Inc Sat Illani 5pni.

Naomi Campbell I'iitil Sat 4 l)cc. (round i'ooiiii. Naoini (‘aniphcll c\plorc\ tlic roniaiitic iii cxcryda} actions and \uri‘oiindingx in llll\ c\liiI\ition oI photograph). collagc and than iiig. Leonard McComb oo I'iiiil Sat 4 l)cc. :\ lllttlttl’ \llU\\ ol \ioi‘k h) l.conard .\Ic(‘oiiili R.-\. lll\ lll'\l c\liiIiitioii in Scotland \illt‘t‘ l‘ltS'l. 'l‘hc \L‘lL‘t‘lltilt l'caturcx paintiiigx and drau ing in tlicniatic \t'l‘lt‘\ ol ai'cliitccturc. portraitx and hotaiiical \tudicx. Scc rc\ ic\\.

I WESTON LINK

Ilautliorndcii l.cctuic 'l'licati'c. National (iallci'_\. "lilic .\lound.

Entente Cordiale Danloux Before the Exile l-‘i'i 3h _\'m,

I3c-l5 Lillplll. l-‘i'cc. lunchtinic lcctui'c h) ()lixci‘ Mala}. curator at \Itixcc dti l.ou\i'c.

The Age of Titian: Decorative Arts Inc it) .\'o\. I3i-l5 l.3tlpni. l‘i'cc. l.iinchtiiiic lcctui'c h} Sir liiiiotli} ('lil'l'ord. dircctor gcncral ol llic National (igtllt‘l'it‘x til .Sctilltllld.

Private Galleries

I AMBER ROOME 75/70 ('unihci‘laiid Strcct. 55S 3353. Graham Flack 'l‘liu l.\' .\'o\.

I lain opiii. Inaugural c\hihitioii l'or .-\iiihcr Roonic pi'cxciitiiig largc \calc nioiioclironiatic portrait \\til'l\\ h} litliiihiii'gli ai‘tixt ('ii‘ahani I‘lack.

Group Photography Exhibition 'l‘liii 35 .\'o\ Thu 33 l)cc. (iroin \ho“ l'caturing Sarah l.}iic‘li\ \till li\c\. Ingrid llUllllt|\ ixt'x [\lltiltigi'flplh ol icc and light ll'Ulll Sxxcdcn. Vancxxa \Vcim icwr iiiiagcx ot \xintr} cit} and llltllhlt‘ltll landxcapcx and plitilugt'uplh h} (‘lairc \thcldoii including hcr pi'i/c \\ inning iinagc troni tlic Joliii Kohal I’ortrait .-\\\ard. Scc pictui'c caption. NEW SHOVII 116 THE LIST 1:4 Nov.

ll‘z‘c .\.\u‘-1

I BOURNE FINE ART

(i l)unda\ Strch 557 4050. Mon I'i‘i lilaiii 0pm; Sat llani 3pin.

John Byrne l'iiiil Sat 37 .\'o\. l-Liglit} llt'“ \iiiall \xorkx on papci‘ h} John Il_\rnc.

I DANISH CULTURAL INSTITUTE 3 I)oiiiic 'l'ci'racc. 335 NS”. .\lon l‘i‘i 0am 5pm; Sat llani .ipni.

Rita Kernn-Larsen l'iiul \Vctl l5 l)cc. .-\ \pccial ccntcnar) c\liihition ol' llll\ l);tlll\ll \lll'l'L‘ttll\l \\ ho \tudicd undci‘ l.cgcr in l’arix and “as a l'ricnd ol l’tc;t\\o.

I DOGGERFISHER

I I (i;i_\licld Sqtiat'c. 55S 7| Ill, \Vcd l'i‘i I Iain (\pllll Sat noon 5pm.

Sally Osborn l'ntil Thu 33 l)cc. Ii‘cc, Ncu \iork h} thc (ilaxgou-haxctl contcinpoi'ar} tll‘lt\l.

I I2

34 :\hcrcronih_\ l’lacc. 553 0873.

Mon l’ri Illain (ipni; Sat Illani 4pm. John Mackechnie I'iiiil Mon 33 .\'o\. .\'c\\ \cricx ol' pliotogi‘aplix ciititlcd Kipp/m (Hit! lx’i’fli’i'lioiix.

Perception in Print Sat 37 Nm Hi 34 I)cc. Including \xork h) Joxcl'.-\|hcr\. Rolnn |)ciin_\ and l-‘ranlc Stclla.

I EDINBURGH GALLERY

30a I)unda\ Strcct. 557 5(ltl3. .\loii l-‘ri llaiii 5pm; Sat Illani Ipni. Hollywood Greats l‘iiiil Sat 30 Nm. Photographic portraih ol iconx including (ircta (iai‘ho. lark (iahlc. Kathcrinc llcphurii. lili/ahcth Ia} lor and .\laril_\ ii .\Ioni'oc.

I THE ENGLISH SPEAKING UNION

35 .-\lllt\ll (‘I‘L‘u‘cltL 455 53ll5. \Vt‘tl Sat llaiii Spin.

Ben Watt I'iiiil l-‘i-i 3h .\'m. l’littltigl‘ttplh takcn in liuropc and North :\incrica.

award-winning entry is one of the photographs on display at Amber Roome. Graduating from Edinburgh School of Art in 2001, Wheeldon has gone on to be the youngest artist asked to contribute work to the new Scottish parliament. From the series ‘Childhood Institutions’, these upright little bodies have a silent solemnity, disappearing into the cloudy pale water.

I Ariilior HUN/Ht}, [ii/rilii/rifli, Hill 2’!) Nov Hill 93 [)(x:

I HANOVER FINE ARTS

33a l)uiiila\ Sti‘cct. 55o 3IS| .\loii l'l‘l Ilani (ipni; Sat Ill. itlani 4pm.

Small Paintings for Christmas Sat 3“ No\ Sat 3‘) Jan. .-\ \caxonal \t'lt't‘llttll ol \lllttll paiiitingx h_\ gallci} tll'll\l\ plux printx. ccraiiiicx. 1c“ cllci'}. cngi‘awil glam sculpturc. lc\tilcx. ho\c\ and Rll\\litll t‘l‘alluot'k.

I INGLEBY GALLERY

0 (‘ai‘lton ’l'crracc. 55o 444 I. Inc Sal Illaiii 5pin.

Callum Innes l'iiiil Sal Ix l)cc Quit-ll) wt iiiiglitil} nicditatixc. lllllt'\ painting ll;t\ ptixlicd lll\ iiiutcd itl‘SII'itt'lltHIS luitlici and lui‘tlici‘. Itdiiihurgli hawd ttl'll\l \iitli intci‘national rcpulc c\liihit\ lici‘c and at lalc (iallct) St l\c\.

I INSTITUT FRANCAIS D’ECOSSE l 5 Randolph ('i'cxccnt. 335 5 W».

.\Ion \Vcd & l‘l‘l t). illaiii 5 lllpiii; 'l'liii noon 55llpiii: Sat 0. illani 3pni

Mutley llltl IN Mon 3‘) Not l'l'ct‘. li\liiliitioii ol photographon a paiiipci'cil l'l'L'llt‘l] pooch. li\ ing tlic l;t\lllttll lahuloux lllt‘SI}lL' llIU\l llUlIlltl\ can onl} drcani ol, llcrc Iic ix caught on canicra \llllijJlL‘tl up on tlic lapx ol nian} .'\-ll\l llol|_\\wod \tarx. IASI (LI ITINIEI It » SI I

I OPEN EYE GALLERY

34 :\hcrcronih} l’lacc. 557 1030. Mon l‘l'l Illani (ipni; Sal Illani 4pm.

Henry Kondracki l‘iiiil \Vcil 34 .\'m. .\'c\\ paintingx.

Peter Thomson l'iiiil Wed 34 Soc \cu \cricx ot putllllllg’S cntitlcd Succt lluni An Italian Education Sat 3." .\'m In 34 I)cc. Icon \lorrocco. Small paintingx ll‘olll lltc Italian \lcclclilmolxx,

S, M & L Sat 3" \m Ill 34 I)cc. ('hrixtinax c\Iiihition including gallci'} ttrll\l\ and applicd art

I ROXY ART HOUSE 3 Ro\hurgli I’Iacc. 556 9333. Hail} lIain 5pm.

Blindfold Voyage l iitil Sun ,‘S \o\. II.in 5pm Iicc l‘.iiiitiiig\ In llltll.t|l aitixt \tl\llll \l.iiigo.iiik.ii

I SCOTLANDART.COM 3S1Stcl‘liciil’lacc..‘.‘5ti35‘ \loii lll lHaiii oplii. Sat lll.tlll opiii. \iiii

noon 5 Wpiii

Group Exhibition lliu IS \o\ Iliu .‘ llcc \c\\ \\i‘ll\\ In lx'chccca I .iiiltliiig. \laiion lIioiiixoii .iiitl llclcii (llcl\\lt‘ltl

I SCOTTISH GALLERY

Io Iliiiidax Sticcl. 55S INN! \loii l ii Illaiii lipiir Sat It|.iiii ~lpiii

Michael and Mary Lloyd I lllll \Mui l |)cc \\ood c.ii\iii;' .llltl \ilxci .llltl coppci \\t\ll\ loiiii llll\ Iiiixlxiiitl .llltl \xilc tllll‘

Victoria Crowe l lllll \\cil l lit-c \c\\ paintingx c\ploiiii:' ciiiotioii through .ippc.ii.iiicc\ lioiii ll\‘\\t‘l\ .llltl l‘lltl\ to iiiicigc\ iioiii l\’t'll.ll\\.tll\t‘ .lll .igaiiixt iiclil_\ \\Hll\\'tl l\.ick;'ioiiiid\

I TORRANCE GALLERY

Vi l)lllltl.l\ Sliccl. 55h ti Wit» \loii Iii ll.tlll opiii. Sat III Wain illilll Gillian Goodheir l lllll \.il .‘H \.i\ \ii t'\llll‘lllttll oi \llll lilc. land .llltl \c.i\c.ipc [\.llllllll_‘,'\

Artist Spaces

I THE EMBASSY

TI) I .‘|\l (.ltl\\\'.lll\t'\\.l_\. ll “Hill 5 v.\‘l lllll Siiii noon opiii

But’n’Ben Sat 3" \‘m Sun I” l)t'\ l'.\llll\lIlHlI ol \\Hll\ I\_\ .tlll\l iii lt‘\ltlt'llc_\ Kt'Hll llt';t\} .tlltl llt‘\\ \Ktlllc lit KcHti l’ollock Scc picliiic caption

I GAYFIELD STREET LANE

l .'\ (ia\licld Sticct | .‘lllt'. II’USI 5ll‘ll3ti.

Stuckists Punk Victorian Lite It you Can’t Be Bothered to Go to Liverpool l'iiiil “at 3 l't'l‘ l‘lt‘t' Sclcctcd tll'll\l\ lioiii tlic \llti\\ at llic \Valkci (iallci). l.i\cipool Including ('liai’lcx 'l'lioiiixoii. lzlla (iiiiii. l’ctci .\lc.\rdlc. Sc\toii \ling. l’aul ll.ll\t"\. l’liilip :\Ii\olon. l'.l\;l I)a\_ l)an liclloii. .loc .\lac|iinc;ind \iiiic l’Hllt‘ (all to iiiakc a \ lt‘\\ iiig appointiiiciil

I HENRY MARTIN

‘I l‘t'l'l'} Road. 554 S344.

Rachael Burnett I'iiiil Inc to \m. Illaiii (ipiii. \c“ diauingx Ill Illl\ \tudio \pacci ('all to iiiakc an appoiiitiiiciil

I WASPS STUDIOS

l’atiiotliall Studiox. 4S llaiiiiltoii I’Iacc. Sitit‘klil’ltlg‘t‘. 335 I33”.

Bodyscapes - Sarah Schor Sat

30 Inc ill Not l‘ll\l \olo \llH\‘. ol iicu \xorkx li‘oiii Rococo L'llt'llll‘S to iiioiplictl liod} partx. \kin ccll\ to \lxt'lt'ltilh. tlic collcctioii l\ iiixpircd h_\ iiicdical \t’lt'llt't' and aiialoiiiical \tudy

Outside the Cities

I THE CHANGING ROOM

*5 'l'lic Stirling :\icadc. Stiiliiig Ill 730 470ml. \Vcd Sal llaiii 5piii.

Rings of Saturn l'iiiil Sat Ix l)t't \cu \xork h} loui' _\ouiig (il;t\gti\\ Iiaxcd artixtx \idco \ioik Ii} .\Iilllll\t' l)oIicrt_\. \culptural \iork h} Mick l’ctci. a \t‘tllpllll'itl lllIL'HL'llllUlI h} ()\\t'll l’ipci and a \tllllltl piccc and di‘au iiigx Ii}

l)a\ id Slicrry

I DUNDEE CONTEMPORARY ARTS

153 \cilit-i-gaic. Ill *3: ‘)ll‘)‘)llll.

'l‘uc \Vcd. Sat «k Sun Ills illitlll 5‘ illpiii‘. 'l'liu & l‘ri ItHllaiii Spin. Somewhere Everywhere Nowhere .... l'ntil Sat 4 l)cc. lntcrnatioiial contciiiporar} art li'oiii tlic l'i'ciicli chional Art ('ollcctioiix \ccn lHl' tlic lirxt tinic Ill tlic I'Ki ln collahoration uith l)undcc ('ontcniporar} Art» i/«UI

Uri/"HUI I”; SEE