CROFT NO 5 Oran Mor, Glasgow Sat 27 Nov: Bongo Club. Edinburgh. Sun 28 Nov

l ill) r l( it) THE ROOTS Carling Academy, Glasgow, Tue 23 Nov

Willi <:onrrrrer<:ra|l\, transparent artti; of the likes; of (:irrrent captains; {>0 ()ent anrl Nellx perennral|\,' at rtt; popular forefront. rt'r; heen all too easy, over the last rleearle or so to rrnrlerstanrl hip hop as; a genre larger rlevorrl of ar'trs;trr: kudos. lhe consequence for an act at; esoterrr: {if} the Roots hat; naturally been a great rleal ot trrne :;pent rn a market ‘.“.’||(l(}lll(?f;f;. Yet. going on 90 years from therr torrnatron rn l’hrlarlelphra in 108$. their style rntellroent. experimental and onprerlretahle 7 rernarnt; unparalleled.

like i)lll)ll(7 l nernx hetore them. the Roots; Illllléilh,’ rnatle their mark the harrl wax. fi‘.‘.’(?;tl|ll() rt out underground in ‘.(3lltl(?f§ aerosss the worlrl hetore snorting to a rnalor. Ul‘.l()tl(?|\, the\ (ill()t§(? to forgo sampling; for a fully instrumental approar:h. t’étllllllt] then‘ an enrlirrrno reputation as pioneers; of ll‘."(? hrp hop. Modest f§llti<i<3f§fl ot lfiitiEi's alhnrn Ill/nos; la/l Apart anti rttx (Krarnrng awarrlu'xrnnrng; Sllltiltf "Yon Got Me' asrrle. the nnrnherz; of units; sshrtterl haxe r'ernarnerl :;|rrr‘. But a hetter exalhple of the tart that tiiilt‘t; trgiirret; (lon't pertirrh (:oukln't he founrl than their opting) to throv. the artr::trr‘ (loors; mile open ‘.'.'rth 90023; (thrrner'real follow up Phreno/ogy ernhrattrno rot‘k. elevtronrrm. exen punk rather than attempting to (:aprtalrzae (lltt?(?ll\ on relatrxe (it‘llllllt‘Hilgil :;Lr<f<‘e:;s;et;.

1700.18 (he lrprwro Porn? has again seen the Roots; (lexelop a freshly (ll‘.(?lf3t: take on the genre. \et It's: lr‘.e that the; really (tontrnne to set hrp hop't; stanrlarriss. (lernonstratrng; an understanding; of the li|i§l()l'l(7 gr'oirrrrirngs; ot hlaek nursrr: ill performance that levy others; can r‘larn‘ to match. (Malcoln‘. Jacki

SINCE H SONGS/HIM ll KT TUNSTALL The Exchange, Edinburgh, Fri 19 Nov

There are a lot of boring female singer songwriters out there, but KT Tunstall isn’t one of them, as her recent television debut on Later With Jools Holland proved. Using a guitar, a loop pedal and her extraordinary voice she created a visceral, compelling scuzzy-blues performance that clearly blew the pants off everyone else that night, including Anita Baker and the Cure. Think a more tune-savvy Polly Harvey or Joni Mitchell with a hint of Bjorkian madness, and you’re getting close to the impact this wee Scots lass has.

The 28-year-old (whose first name is Kate) was raised in St Andrews, has spent time with Fife’s Fence Collective, and is now based in London. Having signed with Sony offshoot Relentless, Tunstall is gearing up to release her debut album, Eye to the Telescope, produced by Steve (U2/New Order) Osborne. It’s been a long trek since she started songwriting in her teens, but Tunstall admits that her impending success is all the sweeter for that.

‘If this had happened to me when I wanted it to, ten years ago, I just would’ve been a fool,’ she says in a ridiculously cheery Fife accent. ‘I wouldn’t have had a clue about what I wanted to do and other people would’ve made all my decisions. I’m so glad I’m not that young.’

Tunstall certainly doesn’t fit the Dido mould. Instead of citing all the usual tedious singer songwriter influences, she happily prattles on about the songs from The Muppet Show and Sesame Street (‘classic pop songs’) and her current favourites include Super Furry Animals and Flaming Lips. And she's determined to make her mark on her own terms.

‘A lot of girls’ music gets sweetened and polished up,’ she says. ‘It’s born out of record company fears that people aren’t going to like a girl with attitude. Hopefully we can prove them wrong.’ (Doug Johnstone)

1‘: lie; 2 Dec 27/. THE LIST 79