SIIIIIIII}

I Pat Kane lI'll‘IN'lll. lIlll \\‘.IIIl. IIIWIIJWINNI “IIIle 9. ~50 My llIlL'll .IIIIH If. IIII'IIIlu'I lk'.llll\ IIII ‘.‘.Illl I.I// lllHIlI'llllxlx lIIIInI;l II InI .III I‘wIIIII: nl IIIIIIle. InnI-Ix llII III-ll ‘.‘.llll llI'Z‘. \I'll III'IIIII'Il lelL'\

Wednesday 1

()l€IF)-(l()«'.’

I Blink 182 .lllil The Kinison \l (I . lIIIIIII'xInII I)II.I}.. Hth lllll .lIIHH “pm 13" llII-ji 'II‘ :,'In\\III-_' [11‘ III l‘lll‘llt. xn _I_'I'I In IlIIx llI.l\\l\I' :jIL: .IIIIl IlII'I lI nIII \I.lI.II lllk' 3HII1II-IxInIInI lllIIIkxIIIIIIlelIl.clI\c

I Electroacoustic Event: Transformations 1 Rx \\ll). IIIII RI‘IIlII'u \llL'Cl. “.3 RHRT IL li \nln llH‘ I'lk'xlllllllx l‘k'llillllldllxk' h} l\'l\ll.llll ll.IIII'II

I Pat Kane ( )I.III WM. 3 il 3 ‘5 ( llk'.ll \\I'\lk‘lll l(n.ul. ‘5‘ NIH“ 5 ;“pm LIlu \I‘I' Illlt‘ ill

I . . . And you Will Know Us By the Trail of Dead Km; llll-x \\.III \\.III llIII. 3334 .\I \ Illu'lll \III-I'I. 33l 53“l Rpm L” llllx l\'\.Ill llltllL' Imk IIIxIIIIIIInII .llt' lule lnI .I ln\\ lu'} xlinu IIIxI .IIImIl nI IIII' llk‘\\ .Ill‘lllll lukch .IlIIIan _I_'nIII'. xn I'I'I nII IlIIx IIIIIIII'IlI.III‘|} In .I\nIIl \ll\.l|\ll|l|llllllk'lll

5' il lpln Um

LIlIIIIIIII‘glI

I Lambchopl \llx'l ll.lll. I nIIII.III anl. 333 | I55 "pm Ll“ 5” \ lllllllllk' L‘\L‘lllllj_‘ nl I'IIII'II.IIIIIIII'III I'nIIIII‘x) nl \.Ix|I\ Illbx l.Illll\'llU|l. \\llii llL'lk' l‘I'l'lHllll .I lllll\l\'.ll .Iu‘IIIIIIMIIIIIII‘III In l‘\\ \chIIJII‘x I‘l3“ I'|.IxxII' lIlIII \IuII/u l'lIcl xlII'I ll.I|| \\I|| lw II.IIlenI'IIII'Il IIIIn .I \‘lllk‘llld lnI lllk' llllell lnI IlIIx xpu'lul [\I'IlnI'IImIII'I‘ \\lll\'ll Ix In lw (lllL' Ill Ulll} llllt't' Ill lllL'

I Amplifco, Underbelly .IIIIl Alison Thompson SI (iI'nIgc'x \M-xI (‘IIIIII‘II 5.x SlIuIIIl“ It'k l’|.Iu'. 3 illpIII L5 1L5! lIIn nI St'iilllxll .l\'l\ .Il llllx “Ullil \lll‘ l).l} cwIII .lllil .lllt‘llIIll.

I Get 2 Funk (\IlmIcI \Hlldllk'. in ‘5 lll.III SIIWI. 33” MW. llpIII idlll. L3

IL'l L3). SL'I' \\k'tl 3~l.

Thursday 2

G asgow

I Whitesnake (lulu \lltlllillllllll. l'IIIIIchInII ()IIJ}. (LVN IllIl -lIiIlII “pm (275”. l\'L'x\‘llL‘IllllL'Il llillL' lUl' lllc l‘lll \(llilill luau} IIIcI.Il ilk'l. \\ II|I Ilmli'nux lIcI \Ini'k .IIIIl I'cmlIII; xlI.Ig_';_'} I‘L'l'llh.

I Will Young Sl:('('. l’IIIIIchInII ()IIIH. IIVII IIIII .IIIIIII, “pm (235”, ’l‘hc nIIl_\. I’n/I Mun .II‘I xIIll xIIIIIIlIIIg;

I Electric Six ll;II'In\\ l.lllkl. 3»l-l (i.Il|n\\3_I;IIc. 553 ~lhlll‘ 3. illlllll. L’l3. ('.\\(il‘lvl l\)k‘x\‘llI‘IllllI‘Il III 3” l‘L'li 3(lll5

I One Night of Queen with Gary Mullen lx’n}.I| ('nIIt‘I‘II ll;I|l. 3 Singing-hull .x‘IIu-I. I5: .x'IIIIII “Allin”, “3.5M I£l5.5lli, 3IlIlIl Man [II I/II'II /,\I‘\ \\ IIIIIcI‘ (LII) \lIIllI‘II II'pInIlIIu‘x llk‘ xnIIIIIl. lnnk IIIIIl xlIn\\ IIIIIIIxIIIp nl nnc nl llIL' gll‘nlu'xl Int‘lx lMIIIle k'\ Cl.

I The Radio Sweethearts, the Moonshiners and Brian Hughes |.;IIII‘II‘x ll.II. 54 King SII'ch. 553 "I35. Spin. L5 .I\llI\lllCl' xIInII; .lllIl \.II'IcIl llllL‘- up nI cnIIIIII'} Jllil pnp InI IlIc l‘.lllL‘ll .-\ll:_‘L‘l\ ('lIIh

I Sunn 0)” Hum .\lnI‘_ “fil "35 (iiml \chICI'II anl. 353 XIIIIII, Spllli LN Sl'NN lllll Ix IlIc luau} I‘nck L‘IllllMIlL'lll nI Illl IIIxIIIIIIInII.Il»xI/c \lll\t' nl l..II';_'.It‘I_\ l. “lion )0“ IiII.Ill_\ ch Ilnmi. )nII xIII_\ lll‘\\ll .\lnIInlIIlIIc \l.ll‘\ nl' IInIxc. IInI Ini llk‘ IIIIIII llL'.Il‘lL‘\l..

I The Animals chli‘cu l-cI'I'}. ('l_\Ilc I’LM‘. ~13" lIllI), .\'.5IlpIII. {I350

Sun I\ In; lllL‘llll‘L‘l'x nl' IlIc .\IIIIII.I|x IIlnIIg \\llll nI‘I:_'III.Il IllL‘llll‘L‘l'x nI' Ihc KIIIkx .Illtl lllt‘ llk‘lllk‘llk“ (Clcl‘l'IIlL‘ 4U \CJI'x Ill lllL‘ IIIIIxIc liIIxIIchx. '

EdIIIbLII'glI

I Chris T-T, Thomas Trux .IIIII Sergeant Buzfuz l-"nu-xI (XIII: 3 lil'lxln l’l.IcL‘. 33“ 4538 -..5ll}‘lll. L'le‘. l-‘I'CxlI ll'Ulll xuppnI'IIIIg llI'IIleI Sm l’n\wi~ ('lII‘Ix l-l lICIIdx nn lIIx liI'xI xnln llx‘ InIII‘.

96 THE LIST ‘5 \I. .‘ Ila

Events are listed by date, then city. Submit listings at least ten days before publication to jules.graham@list.co.uk. Listings are compiled by Jules Graham and Kenny Mathieson.

Thursday 18

(filasgmw

I Tommy Emmanuel and Johnny Dickinson Rum] (‘nIIII-II ll.lll \ll.llll\ lulc \llllk‘. 3 \.lll\ lIII'lmll \IIch. IIIII 2%: .xnnn \Pm LI) xn 1|;in \IIxII.IlI.I'x Icwiul llllL'I'l [IIIlu'I [Ilinx llllIIlllel .I Il.I//lIIII.' l.Ill‘..'\' nI xlx lI'x. .iu'nIIIpaIIII'Il l“ lllk' \«I\.le .IIIIl apt-II xlIIlI‘ l‘l.I}lllj§ nl InlIIIII} l>II kIIIxnII

I Tim Williams \IIIIlIn ( )llk'. (iInwaInI lawn". ill II5lII ‘l 5lll‘lll l‘lx'k' \ \ll‘\k' I‘l lllx‘ l‘lllk'\ llHlll llllx .\IIII'III'.III xIIIIxI .IllIl §_IIIII.IIIxI

Edinburgh

I Eric Bibb ()III'I'II'x l|.Il|. ('lI‘Ik SIII'I'I. NIB 3HI‘) 5' 5lll‘lll 23 II» 5“ lllt' lllll\l\‘.ll llHlNI pcIInIIIIx .III .II‘nIIxIII ch. xlIn\\ III): nll lllt' \\l\l\' l.Ill_L‘\‘ nl IIIllIIcIIu'x I’nllu'lul IInIII lIIx ll.l\\'l\ III lllt' \lIxxIxxIppI llclla. l IIInIII- .lllil \lllk’J‘

I Freddie King Quartet \I‘lxldl. 3.5 i ('n\\;_‘.IlI'. .555 3".\ll

‘lpIII IIIIIlIIIIIIII l'lk'k' llI.IIIIl IImx l'lIIIIxIl.I} IIII'lII lk'\l(lk‘ll\'_\ lnI lllk' \nt‘IIll} .IlecIIIIIInIIx 'lxIIIII nl \‘.II .IIle L'IIInIII';I;_Ic.

I Tangalgo lchII§ 'x .l.I// ('cll.II. \ \lnI'I‘IxnII SIII'I‘I. in” 531)” I\‘. illlllll. L5 Liking: nII lgllljjii \\llll |.I//. IlIIx IIIxInII Ix II l‘lk'.lllllL‘\\ lnIu‘ lc;IIIIIIII_I_I l’lIIl .\lc\.IIIIch nII [H.Illil. \l.IIIn ( IIIIlw nII l‘.l\\ IIIIII .\l;IIIII' l-nIIIle nII Ik'lk‘lhflilll.

Glasgow

I The Fusion Experience lllL‘ Hull ('lIIli. l-l3 |l.IIlI l,;IIIc. 3-l.\' Ii“. HpIII, l'l'k'L' l‘L‘lHl'L‘ Lilll. 5UP!” IL'S .lllt‘l l, \M‘I‘kl} |il//_\ lHllllij‘ \t'l III IlIc ln\\cI l‘ill'.

I Azymuth 'l'lII' .\II‘|II‘x. 35; .\I;_'} lc ~\II‘I'I‘I. 505 “DE llpIII. UH IL'NI ('IIIlI

'., l l I lx' II x x l I) l\’\ _ " I' ll: Ix I I \ \.' lllx ; it: n

I Ronnie Rae Quintet Hg: ~. \ l_.- ( \ \lnr"x~' \'7;\' l'I‘ “II \ “HI: "I \ t I' I x I; III TI'n i'II'. 'I xx " 1’ R“ I . .I HI. 'I x L .II‘LI': \\ :2?! \\.I:tqh \..\ inn lllllllli\ll.:;‘lu‘\'lli\'?1i"\1". lx’IIt ":1I lx'm' II I‘ll ;‘I.:7III .;:;II lI‘l'II} l\’.‘.C 'I ': x

I Jean Mundell Trio \I I) .I \‘xI llII: .illill\,\'\l.1lil.llll,\lll‘ll.fi\'ll\'lf\‘i 33“ 5"‘I‘ "IIIII l‘IlIIlIlK'lI'. ltgy \i'.}:x' lllI‘ lIIII le. lllx’.1\\I‘IlI;‘:I\lZI‘Il ‘.Ix.;'.:xi

I Guest Bands Night \I-Iu: ‘M («I‘m 55 i 3 '5" ‘IIIIII Inningf'fi l

llI.:IIIl III-II. lIl',‘l‘.l '.‘.lll‘, III;

xlIn'.I.I.IxIII-_' IlIcII l.Il\'lll\ I Jam Session xn {mix-II \III-I-I II .IIIIl lx'cxI.:III.IIII_ \H (JHIK‘I‘I \chcI .‘,‘II

5H‘l‘ “IIIII IIIIIlIIII'lII lIcI' ()l‘t'll xxxxznzi ‘.‘.|lllll|\‘l).I‘-1Ill’.Illl\lk IIIn III} nI \I'lllI' In llt'.Il I: '.‘.lIIIl\‘ III'v. lIllClll

Saturday 20

(3|; my Gwyneth Herbert lInII llICIIllI'. In

lli‘lli‘.llk'I 5‘3 l_‘n' \l‘lll llllll\|

ll'.1\l I'l

\I'llNIllI‘llAlI \‘lllk'li'llli' I.IluIII III IlIc I.I.nIlIl nl |.I// \I\\.lll\l\

I Candiru lilk'l. 4" 3; \xllli'll l .Ill\‘ ‘13 l‘IIIII l (Illlll ll\\' \il‘-\'Illllli'llx |.l// .III lI‘Il ly\ IllllllllllI'l \I\ L \\\‘xlllll

I Big Bob's Jazz Band II.” wa llllxllJlLIll llnII‘l. l\5 llIIIlI.III.III \III-I'I. :*3 "_‘\l 5 5lllllll lII‘I‘ l\,\".'lll.ll x\\lll}.‘|ll_‘._‘ l.l// \\'\\liill

I Eduardo Niebla ( IIlIIIIIII'lIIlH I l 3. " l IIIwaII} \\\'llll\'. ' 5"]‘111 [I3 I!_ lIII lIlII.IIIln [\I'IInIIIIx .I IIIxInII III ll.llll\'ll\ll IAIN} |.I//, \I‘llll‘lllx'Il \I. lllI \I.Il‘|\'. lll\l|.lll. .IIIIl l .21!” I l.I\\l\.ll IIIIIxII IIIIlIII-III'I'x

lillxx

l (lIIIIIIII‘IIlI

I Jazz@Lunch \H ()III-I-II \III-III II.” .lllkl lx’I‘xI.IIII.IIII. MI ()llk'k'll \III'I-I. 33h 5H‘V 3 5|IIII lllllt’lllllllx‘ |.l// \‘.llll IlII- Ml ()llk'k'll \IIu'I III.IIIn IIIn kIle \\\‘l\’IIII|\'

I Ronnie Rae Quintet H; a x l.

I; x \Im- ‘.I~ x‘I

*I \H l'

I BOQSt House Band x II)

ll; lx‘I x I)

“,, V I‘ I,“ I. IFunkafize llx' x I“ I; .- x

\I -- x' H: x‘nn -: \I ., cs g: I‘. \II \

Sunday 21

I Kenny Paterson \II x “.1: - \I I- :\ INHII \..\.\- \\‘ ;\‘,1 \ \1‘,‘ \- 1.. .-: xfluq-qi

lILI xI' I‘I‘ Iu‘ x I‘I‘I, xI‘H.

I Big Blues Jam I I-II-

"-1 'I‘l'I “'9':

I III» II I. x 3

.3 |< III II II

\':::’:.II

IAlaniaI .Iti-II - I< .I

I In“ I ‘II l\-a \ ‘5

ll x \ ll‘fl' ~\ [I I‘ I“

llIxi. ;I‘I'I~I I I

III‘I YIIIIIII'I

l 11': .I I'

I Jazz@Lunch xII I‘lIII-un \lYI'I” I'..I \l' I‘lIII'I”: \III'I'I “'I

5W" ‘;IIII \g; \.:I “I

Gwyneth Herbert l‘lllI'I'll ||.IiI (ll-II \III-I-I IIn“ ‘III‘I VIIIIIII Il‘w \I-g \.;I ‘n I Ronnie Rae Quintet lchII‘. III, (I'll.I.I. \ \li‘lllxI‘ZI \III'I-I lII' \ *HIIIII II» \‘c l II I" I Paul Kirby Trio I Ix I. III-I; lls.‘ .\ (IIIll * 5 lIIIIIIII.:I'. \llI'I'l 55 WW" ‘IIIIII llIlIllll"lll III'I' l'.;IIIII-' xI’wIIIlI ‘ml in [‘l.1lll\l l’.I.II| l\IIlI‘. lI'.:’llllll" l\\ 2:1! (Iltl\', nu. nII l‘.:xx .EIlIl lifll l\‘.lx IIII IlIIIIIIx

.:IIII lx’I‘xI.:'II.I.!I'

l’IIIr‘lIr,

I The Jive Aces IRIan lI".‘.lI ll.:Ii \IIIII‘I ( lnxu \\' lHIH 'WIIIII ll" I‘. in llli'll I‘III'II". .lxllI‘ll ll-Iil. HI 4-. IIII'H' t'll\‘\'llll‘l\' I.Il_IIII' anI lllli'il"ll .: lIII'IIIl nl x'.‘.ll|". l\'.\ll. lx’nIl II l\'~'ll ’HIHI'II' \\nn:'Iv .lllIl lllllll‘ l‘illli'~

IlIIIxI‘ II'I‘x .I l.Il‘l‘lll‘,'

Pianist Jonathan Gee and saxophonist Ed Jones team up with two young Italian musicians, bassist Danilo Gallo and drummer Allesandro Minetto, in an exciting Anglo-Italian collaboration hatched (minus Ed) at the Appenine Jazz Festival last year.