I Le Reno Amps, Silversinder .mll Paul Clark Slt'lt'm. lS;'l'-lllll.'.ll‘_’ll Slrcci 4"“ <lll\ Spur Li \lt-lmllrt mtlrt- l'ulr. liamlx. \llpll‘lllk'll lI} llaunllmrr \HllfJ‘J-lllt’l
I End of Everything and Leech Hate \ltk'.ll.\lk'.i/j~, l.‘l Sautluclrall Slrct'l. Hill‘lll‘l ‘lpru Ll Slxalc .lllkl pmp punl‘
. Jeep lllL‘ l ill] \le‘( .IlCI
“I NI Kurt' Slim-I *“ HHS ‘lpur :4 illt' \L'll \IIIt'Il ‘Sun Ra ml lun'rut‘w'
I The Squiggly Gigs l. lIaI (Inna. l.‘ ()I.I;'ml.rrn', “a 1571 .Spru LI \luxrtal uu\ I‘lt‘\k'lllk'(l lr} \nilrt'x‘. kt‘aut'
I The Impossible Flowers It lI.II ()\na. llr‘l l)\‘.lll\l1|ll i)ll\k'. Ml" “IRS Spur 9-? Hahn and .Itmlhlk lmlk I Rock Idol llrc ( "allImuxt'. l; l nrmn SIII'I'I. HS (mun illpru. t3 \nmllrcr t'rg'lrl l‘dllllS t'mrnpt'lt' Ill lllt‘ ('aIlImnw\ .lat'k l).llllt'l\ \pmnxmrul rut-ya IIaIIIc ml lllt' lIanle
lIIInlnIrgIlI
I Steve Earle l \llt'rlldll. l mllIIaII lx’maII. .‘C-S ll“. "pin III‘ S“ lllk' lllH‘lllHl ml all t'munlr} t'mmw lm llrc l'xlrt'r llall Im pt'IlmrnI rnuxrt' limnI lux um allmur lln Rum/Hum” .\/IIII\
\m\
I Band Showcase \\ lll\llt'l\llli\l\'\.
l (I SmullI Brain: *5" §l l-l. ‘lprn. l'rt‘c St'c 'lut‘ "
Wednesday 15
Glasgow
Faithless and Mylo S‘la( '( '. l'llllllk‘SlUll Qua}. (IS'TII (Ill) Alllllll “pm tl‘lill. ()wr l-lx \lIU\\. S'u‘ prm lt‘\\ lmr lllt'St' raw \ur\ Ixmrx. I Bjorn Again ('arlurf: .\t'ailt‘ru_\. III lzgllnlmn Slrt'cl. (NUS (DI) WIN/(IS?) “"I lellll. 7pm. [105”. \m age ruxlrrt‘umn mu llll\ \llU\\. SI'L' lllt‘ ll I The Bootleg Beatles lx’m}al ('mnm‘l Hall. 3 Saucluclrall Slit-cl. ‘5‘ .S‘llllll. 7.30pm. t'lSSII/I'lhfil) lxlantling l. SH“ illt' l-l. Laibach (jut-cu \larggarcl l'uImn. 23 l'ruwrxrl} (iartlcnx. ‘3‘) ‘VS-l. Haillprn HUSH. ()wr l-lx \lrmu, St't' prt'x Iv“ lmr Ilicxc Iat‘klmml Imlnrg Sla\ nuwlucl llllllxt‘l'S. SL‘L‘ prt‘\ um. I Bad Manners ’l‘hc (iaragc. WU
S atltzt'xllSlrt H Ska pmp In ' I' M llIu tlrarl~ lmr Ill; I“
ll! \.l\ «llt‘
I The Bluetones, The Velveteens autl Exit Pilot l’».::'I'. Null \TT\'\" II\"IIIHI‘ ll‘l‘lll \}\II_ {Vill \_-\» |__\- j; I Atreyu, Bullet 4 My Val ntine and The Black Maria l\:',.' l \\,-.i: \\.:lI llul. SI \ :Iacm .‘fl S‘WI \prrl Si )l [Illl l lll.rllj,‘\'( mInIlf. Ixzrui \ Infra: :le
(lit? 1.\ \fjrlfin
lI'Ill‘- li'I‘l.Illll',' Ills hull,qu x'arc 122371 Ilrcu lll\l.IlIl 'luI .lll‘llllr \JU a \, ', ml /)';’4,'.’¢ /\s\ ,\ \‘-lll\ l; Ills} llazu YEW). ll‘lll'V-t'tl up '~.\.Ill1 'w (.Hw
I Paul Lamb &the King Snakes lllk' i \'ll_\. i_‘( l’l.I\t’, *Il \pru !. Ill \xuml xxlurnta' llrrl plum \mrulIm ulrmxc unclulx'rx lraw .: palt'lmmrk ml mpt'rlcntu
I The Bill Wells Trio \lmum‘ l.‘ l\lll:'\ ('muII. l\III~_' SIII‘I'II “‘1 l‘ lllll "pm l Inc llll\\.lltl Iluultrnz' l.l// \munlllrat l» "Ikllltll lIaM' Imuntl l.I‘-I'lll .Illlr‘ll;' (ilam'mm K llltllk' lralt'rum
I The Starlets, The Aphrodisiacs, the 555, Degrassi alltl Peanut lx’nt'kt'rx l l \lullanll Slrt't‘l. .‘_‘I Hi") Spur I In‘ ()llt' ml [\MI SI l\’k'\“l\l\ (‘lurxlruax parlrt'x llu\ \ulcutlv waxmu. lt‘.llllllll“.,' lllt' \ rcarn mI lllk' l \lllll\lllj,'ll la|w|\ t'rmp lll l\'\ll\\' rumml Scc \\I‘Il S lmr Ilrt' Slallt‘h
I Latent Heat, Stone Cold Rumours aml The Revivals llrt- l illl Snit- (’.III-. in m kmy \Im-I. <<< INS ‘lplll. L; llH.Il_\ Hlil \ l.I\\l\' [Ht l\
I The Cellers llrcl. \Slllwll l .lllt'. ‘17 -l‘)(~.h. .SpnI. I lk'k' \ \.lllk'\l \mrnul t'llt'lllllllil\\lll},' lwlucyraxx Im llllllk' Im'k
I Mistaflips .Iml Divided Control \lat‘Smrlt‘)\. l.‘ laIIIaIya Sllccl. .‘ 1S 55M. Spur. l we
I Barbara 8. Grant and Lee Patterson l'lIt‘ I ltlllltl Slup. l"l l' i (irt‘al \M‘xlcrn lx’maII. Hl I‘llll, Spur l'lt't', Smullul lllllk'S .llltl .It'mrhlrt' IIallallx rcxpct'liwl}
I Open Mic Slcrcm. l\\'l\IrIlI.III;'|I Slrccl. 5le RHIS .Spru. l'lt'k‘ \\tx'l\l_\
Inlimx _‘(\S
I Live Music llIc Smuntllraux. l" ll_\tlc
l’ark Sum. _‘__‘l llfi‘l. ” Wpln \lt-rulmx and gucxlx. \\I-cl~.l_\ hand rug'lrl Imr lllltlt'l l.\'\,
Some have hailed new record Before the Poison as the former Stones consort’s best
work since 1979’s superb Broken English. Written with the help of Nick Cave and PJ Harvey, it highlights Faithfull’s bruised tones to great effect.
, Rural L mu 0!? m. bawdy“ .
102 THE LIST .‘ 1'3 Q‘s-c
I Leechhate, Absolute Zero .;:~.II Define Your Time IEI; limp.ch lILl‘. \lwl.1:.ll«‘ll\$. 1' llm‘_\l~~dl l\’~‘.:\‘:. ‘*\ "Ill; \pII: 3‘ 1' ll xmu llmln! x'ncwtul ltmzt‘; 1:1, Marla :l lu‘arx i anti \wmg :Ia'laI mrr Iii; tank tmn'1'l17. I The X-lstence .zlltl The Paranoid Monkeys \\ lIISIlt‘l‘lII'klt'x l h \r‘lllll llrulyc. ** ' ‘1 E1 "pm lIcc l I\‘\ll _\mIIn-j curlar tm‘.\'r\ parul IlIc \ lxlcuu' \l.lllllllll1'\|‘llll‘llli'lll
Thursday 16
(3|;I~;I;I>\.‘. I Rich Robinson hm;- lurk \\.Ill \\alr llul, .‘ 7.: SI \ lllxt’lll Slit-cl, ,‘r‘l ‘."‘l S Wprn {S llII' _\muu:'cr lx’ml\rrl\mrr lIImIlII'I ml lilat k ('rmut'x lalllt‘pl.1_\\ lll Ha I l\ lmr IPII' luxl Irrin lll Ilucc _\t'.u\ lll \uppmrl ml lu\ mmrumxlral prtullt Ial‘ift hulk} Imlx'nrmll Ilt'lIIII \mlm allwuu I’Mm' I Maiden Scotland, Syth and Tergazzi llII‘('aIlImu\u. l‘l Iumn \llt'k‘l. .‘ l.\ (\(illti
.\lll\llltlll ()\\'I ll\
Mpur HI l.l\l\.lll\'\‘l.L \lrmv. Irmn \i.llllk'll llll‘lllk' muIlII
I Captain Everything, Friction Fx, Not Your Saviour, Kicking Buckets, Spaceman Lance, Room One and Hoax Hullx. 3N) (‘|.\,|\~ sum~ «H'n nu" nnnn Sp“. Ska. \kalt' .llltl
pmp punk llllt' up. lt'alurrru' lrcalllrnt'rx \\llH It't'mrtl lmr lllk' lll‘ll\t'll(ll\l \amm punk lalu‘l.
I Kiale, Amok and Neon Underground Inn \autlm-hall Slrt't'l. 4*; :I ll ‘pru LR Hun} rmt'lx and lllt‘l.ll lull
I Azzuri \rt't-ar'SlI-a/y 1.‘l Saut'lnclrall Slrt't‘l. {HH‘NHI ‘lpur I"; l\)\l\'l\ I‘lll‘
I Robbie Williams Tribute llmurlimu SIII‘I‘I. lllS (icmrfnt' Slim-l. *3‘. ill ll, "pru. LNSH It ‘1 SH \\ llll \llllllk'll ('Iuixunax parl_\ llll‘lll,
I Figure 5 \lt'( ‘lIuIllx 1H lll;_'ll SIIx'n‘I. 553 3| ‘5 “pm. l'lt'L', \illtl \muntlx
I lain Ross It'll.” ( )\ na. 1.? ()lag'm lanc. i5fl»1531..\p1u_ {I (irllml jgnrlarrxl.
I Firechild, Malice aml Stitch \l.It'SmIlt'_\\ l.‘ lanrart'a Slrct'l. _‘ 1S SSSI, ‘lpru, live.
I Roost Slutlrm ( )nc. (irmanmr lllllt'l. (irmanmr lt-Irat‘t' Imll Hum l\)ll.ltll. i-ll (fill) ‘lpnr. l'rcu
I Phil’s Session l'rxgrt- lit'dllhl. 3 l3 \mellantlx lx’mad. Shl IV)!» Spur l'rt'c. \Vcckl) Ianr.
I The Vagabonds llrt- St-mua.
l l: ll-l ~\lik‘ldu'll Sllt't'l. Rgl «\(I-\l ‘lpnl. l'rctn l’mpular t'mwrx.
I Jam Session Sanmt-I l)m\\ \.
(la ,‘l \llllMlillL' Rnail. l: i lllll“
S illpur. l'lk'L‘. llmxlnl l\_\ lntlcpt'ullt'nt'c I Live Music lx’au. ()llk'k'll \laljgalt'l l'nlmu. 33 l’ruwhrl} (idltlt'll‘. {W ‘FS‘l. 7 illprn t i. Int'lutlnrj: cunx Im pmxl t'lulw. \Mx'kl} \lrmut‘aw ml _\mun;_' lmt'al l‘.llltl\.
I Live Music Smuntlxcl. Smuntllraux. vi“ l).lll\ Sllt‘t‘l. sills”. Sillpur. \lt'nrlwrx and yuvxlx Smunllxt'l cmnuut'ut‘t' IlIcn lIaIllc ml lllL' handx,
()\\'l l l\ \lIH\‘.
Edinl‘xrrglr
I Nine Below Zero llrt- \I-nuc.
I“ ll ('alImn lx’matl. SST ill” i. “. illpru. L"), llaIIl rmt'krn' lilucx anll lx’tkll mllllll, I SL Records Christmas Party IiillL‘ liilllpii (lllllX \lill'u} llllll\L'. “ llml}l'mml Rmatl. 55S “(Ill-1 ‘lprn arn. LIL 'l'lIc nuglrl} Sl. lx’ct‘mrtlx Iakc mwr lllL' Hmngm lmr anmllIt‘I .\IIIa\ l‘;I\ll Icalurrng a \clt't'llmn lrmru llIcIr lll\lL'l \\Illl halllwm}. l)c;_'ra\\|. lllt' 55\. Hit .\prmtlr\rat\. IlIc Slarlch antl l’canul and mpct'l a lL'\\ lll;l\llk”\l up (lurxuuax clavit‘x \\ Illl lllL' Sl. lx’ct'mrtlx .\llxlar l),l\ mu Irautl Im plug: llIL' gapx.
I Starsky, Toro, Taylor Kane .llltl The 3rd Man \Vluxllclunkrtw. 4 (I SmuIlI Bridge. 55“ 5ll-1. Uprn l'rcc. ()I‘Igrnal gnrlar r‘m‘k \Ullllle all ruglrl.
Events are listed by date, then city. Submit listings at least ten days before publication to jules.graham@list.co.uk. Listings are compiled by Jules Graham and Kenny Mathieson.
Thursday 2
lIIIHl‘LlI’IllI
I Trianglehead llcmx \ l.I.',' I‘cllar. \ \lmrrrwu \llt‘t‘L lu' \‘mn \ mp”. 2‘ lqurm\ I\.Ill«‘ll.ll Irrm lcalurrup \larlru lxcrxlrau mu \a\. l'aul ll.Illl\Ull mu pranm kmx .nul SIuaII lx'rltlnt' mu «lllllllx plauut‘ ll.ll\l. laxl lam III a Ilmv. IIlm\\.II \\ (‘ \,'III
I Freddie King Quartet \t-krar, 5N ('mu-zllt'. \\' ‘ \l' ‘lpru llll\llll_‘.'lll Irv; liranll um llrurxllrrx rug'lrl chrrlcutx Imr Iln- \mtall\ .ulwulurmux 'lxrut' ml St .II' aull culmruaz't'
(illilg II I‘.‘.'
I The George Burt/Raymond MacDonald Quintet with Keith Tippett ( '( \, hll Saul lllk‘ll.lll Slim-l. ‘ l‘lllll Spur IS rum \u cu Illuj.‘ lllf_'lll lmr lr\t- |.l// III Stmllanll a\ llllt'lll.ll|llll.lll_\ .l\\ Iaunml pranrxl tmrupmxt'r lxt'rllr lrppcl ImIn\ l‘llt' ml St'mllantl\ Inm\l rnnm\all\c Imnlcrnpmrar} |.l// lxunlx Sm' pant-l
l (lIrIlIIIIIIlI
I Cathie Rae’s Flow Experience llcruI \ l.I// ('I'llar S \lHlll\iIll Slrt't‘l. 1h" R.‘llll .S‘ lllpru lh lx’t'tt'nIh t'Ilnl l\'\ SI ml/nm/ mu Sum/rm .lS llllt' ml lllt' Imp “ll rumxl l.ll\'lllt'\l .lllkl Iullucnlral Maury .Illl\l\ Ill St'mllautl. lllk' lwlruliurylz l‘il\k'\l \l'\.lll\l pt'rlmrrux |.l// \l.lll\l.lltl\ almnjxxult‘ \larlul Kt‘rxlrau l\.l\ I. \l\'\\' llauullmu Ipranml. \lll.lll ()‘l )mrnrcll ll\.I\\I .llltl .ImlIu lllvaw 'tlllllll\l
I Edinburgh Underground Jazz llic l clI Hank. i" (iulluu' SIIm'I. f.“ M» 'R ‘l illpru llk't' \t'“ l.I// Iu;'lII \lrmutaxrny lllt' t'rt'alrw Ialcnlx ml \Illllt' ml l Ilruliurg'lrx lnrml .\mun-.' ruuxrt’raux. rnt'lutlurgr fulularrxl \lrkt- \hlu'l .llltl lIawal Kt'\lll (il.l\fjtl\\
I Marty Waugh Quartet an (gum-n SIII'I‘I liar .llltl lx’mlauranl. .Sll (jut-cu Slrct'l. .730 *ll‘l' Supt'r \lllmmlll \mt‘alrxl \larI_\ \\au_:'ll lt'.lll\ lu\ quailcl llumug'lI \mrut' lx’al l’at'k \l'\l\' uurulwrx al llux \t'llt'S ml \pctral lk'\ll\k' (llllllt'l aull |a// cwnrujgx llmmkrn}: k'\\t'llllill.
I Soundbone and the Funk Outfit llcnr} \ .la// (‘t'llaL S \lmrIrmn Slrct'l. All)“ ijllll \lrtlruylrl. l5. '(it'l klll\‘~ll lrantl \erlI a tlk't'll \mul Iurxl' lnl lI_\ lrmrulimruxl (‘lIrlx ( iicrw
Sllrllng
I The Michael Deans Quintet llllluuilll. larl \\}rrll. 1)!”le 3710M).
H_ {llpm LS ILg iHI \liult'l'll III/l qurnlcl lL'tl l») Icnmr \a\ruan |)t-au\ \xrllr Sit-\cn llaulwx mu lluucllrmrn
Glasgow
I Madeline Pritchard Trio Hit-l. W -1*.\\l1lmn lanc. HZ Won i (rpm. l'lt'k‘ \'mta|I\I l’rrlt'lrartl lmrncil h} gurlarrxl Sluarl (imr'ruan aml And} Sliailu'} mu Ilmuhlt' ham lmr \mrnc Incllmu |a//.
I Big Bob’s Jazz Band Hal ISS. liut’lranan iilllt'l. LS5 llurlrauan SIrI-cl. 4‘3 "3S1, 5 *Hpru. i'lk't'. Regular
\v. llllelljJ Ia/x \cxxrmn
I Jazz Supper: Dave Wilson’s Uptown Shufflers ('alc SHIII'L‘L'. I SI :\ll\ll'c\‘- '\ Square. 51S (IHZU. Spin. (lull; «Int'lutlca [um t‘rrlll'u‘ rucal and t‘mllt'w. .\ lt'a\l lmr lllL' car\ ;I\ \wll ax lllk' lilSIL'l‘llle ax Haw \\'rl\mrr and hand culcrlarn ululc _\mu t'al.