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‘Should I play the SECC?’ pondered Moz on his last Scottish tour. ‘No!’ roared the crowd. Still as contrary as ever, and despite a 50-50 comeback album, the ex-Smiths frontman has the back catalogue and the charisma to make even this vast hall swing. LS! ( Tl (Elzsazma "s‘ [)v
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I Carbon/Silicon iht‘ (Lithium. l< l lllHll \llt't'l. 3“ NW“ — 1“pm
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I The Bled, Alexisonfire .md Hiding with Girls Km; lul'x \\lih \\.li1 Hill. 3‘24 \l \Hltcnl \lict-l. III ‘2‘" \ Wle U (lwl 1% Jill“ lhc Hlk'ti .uc .1 lmnltnit- 111cm] i‘Jllti ill‘lll lut‘wn. \ll/Hllil. \xllu inc Hillut'lltul l‘} i‘illil |\)t'il1\t'\iili1\i i\).ltill‘ht'.l\i
I Dowling/Nielsen/Kasparis ‘mtl Ensemble Klang \Innn. I.‘ lx'mp (Riml. Km}; \llt‘cl. <5: 31”“ \ illpm l'lct' i'lL'k' Implm NH; lilU \uppnilcd h} .l Mulch “i1”Pillllt'lpdik‘ti in HM“ kt'n it‘\[l\.li “\k'l iiik' \\ t't‘iu‘llii
I Staccato Set .llhi Kasule Sit-m». Kt'h mlmugh Slict'l. Vii SHIN 5pm U I Your Scarecrow lmtl Rubix Touch l'hc l ilh \UIC (Lily. W N! Klilj.‘ Sllt't‘l. <5; lhih \ illpm Lil \lt'lmlit‘ mt'lx lium llll\ (it'l‘ltilt‘ \‘illlli‘il I Michael Simons It'll.” ()\ um. All ()l.i;_'n l..lllt'. 551511. 8pm {I (il.i\;_'m\ f_'llll.lll\l pl.i_\ln;: lnlk. Mum .iml hound
I The Blues Burglars \lmlm ( )nt'. (ilu\\t‘ll0l' Hillt'l. (iiuannl lt'll.l\'\' mll [him Rlldtll. i~ll (510 ‘lpm. i'lt't' Hillcx
I Carah Nugent lit-.mxt-t-ntx I In Hillllk'iik‘lki Rllilti. (\ Vi (“r-i. Xlllll. I'lt't' .'\k'Ul|\[lC \L'l ll'nlll u lmxll \lligL'lV/Mlllgl“l'llt‘ll
I Acoustic Jam \u‘t-‘n‘SIt-JA. ljl Suut'hlchull Sliu'l. iiill‘lllll. Spin I'l'k‘k't \VL'CH} \hH\\L'.l\c In! Infill mnyxxi'llcrx pciloilmng HlllellJI nmlcrml
Edinburgh
I The Ludes ’l'ht- \L‘nuc. I“ II (lillnn anl. 55" rill—'3. ". illpm‘ U». l’unt‘h} mump nick hiking: le \numl lmm blucx. Au and i‘ut‘k’n'i'oll.
I Taylor Made Mondays Ill-c Hullgu (illli‘. \ii‘ltfl HUUN‘. I- Hi‘l\l\‘\‘\i Ri‘tlii. 5“ "NH \‘pm 1: ‘ilt‘xW - l.:§l«~l\l.l\lt‘\lilxlt i‘lumullnm hm! tin nitt“1\1\1i\l\‘\l“i]\it:> \lg 11 Hamil \llimt‘m‘, lmlmm; .zll \tuuxlit Hpcn \11\ m lhc (Lil; ll Marit- lliit'lt'\i\'\i lll pullnimin; .ll lhlx mum. lumlx tunmtl Ll} lullnluicnlimt it l‘lut'yintlt'l to uk. lui open mlt tulllatl
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Tuesday 7
Glasgow
I Busted .lllki V \i ('(f I llllllt'xlull (gm). (LVN Hill .lllllll "pm \( )l I) ( ll I Mr \llll *
I Kasabian .unl The Dead 603 H.lll|‘\\i.lllti. 3‘1 1 (i.l|li‘\\_‘,,"lik'. “f .lmll
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I Mad Capsule Markets .unl McQueen King lul'x \\.ill \\.ih Hul. Th \l \ llltk'lll Slit-cl. Ifl *3 "’ \pm .\( H I) ( N l ()H‘l l-ix \iln“ lll\.lll\' lt't'hnn mt‘ml lll\lUll lui Lipm
I Loris .llhi Poprocket \ltt-'n'\lc.l/y ~13| \iut‘lnclmll Slim-ll iiill‘Nlll "pin L" I)\'\(ilt'iik'll\' [‘HI‘ I The Tall Boy, Shim-R .unl Eoghan Colgan \lt‘lmt kt'hllliLllll'il \lln'l. Vii *HIX Rpm, Ll \It'll‘tilt pup lurk I The End .md Transmission |l.ullx. 3m» ( ‘ltilc Slli‘g'l. H.\"i) lm" «MM 5pm. U». I The One Ensemble of Daniel Padden, Pumice .nnl The lvytree it‘hill()\H§l.‘1:()l.l:lll .llik'. W“ li‘l Rpm. U I Burd Early 'lvh‘u ()um. lh‘l [)L'dlhlllll |)ll\t'. (i-W 1‘55 hpm t3