' it ll [FF’T-fl" 7p'l' “U it, A/I'VT‘I‘ «iguana: HAWK}. .ll'l iii; L“ Eligii‘ifll‘ iii-Ll! ll1 l.“ 3 l!
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Three of Scotland’s great ‘ - younger bands get to share
the Saturday night big stage at Celtic Connections with a mix of music for all tastes. Shetland’s fiddle-driven Filska (pictured) take no prisoners. Brolum take two fiddles then add pipes and bass to the songs and tunes, while Fine Friday take a gentler tack, weaving flute, fiddle, vocals and guitar in gorgeous delicate combinations (see folk listings for more).
l’i-l/l)i".il/’(\""l “f'l/J', (1 : .' (i:
I NBV Hull}. .‘(ill ( lulu Slum. (LVN UH? llllll‘l. Spin L5 lx’ot'k llllt‘ up \Kllll Inon' I‘lllltl\ to In- t'onlinnul
I Northern Rock Slum». Kt-lxinhnugh Sllt't'l. 570 5lll.\ 3pm. L-l
I Tim Elliot and Sandy Needie Slmllo ( )llk'. (iioanol lll'lk'l. (ilH\\L'llUl lt‘imu' loll Hum Romll. ill (i5lh ‘lpin l‘lt‘t' lllllt'\
I Acoustic Jam \it-t-‘ii'Slt-ux}. 13! Sumluchnll Slrct‘l. iilll‘lllll 5pm l’lt'k‘. \Vct'kl} \lio\\t‘;m' lol lllt'Jl \llllf.‘\\l'llt‘l\ lit'ilornung Ul’llellill nmlt'uul
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I Aereogramme .md Degrassi I'lu- \t'lluc. I? II (Hilton Road. 55— ill" i.
7. illpnl. [7. SW Sun I i.
I Taylor Made Mondays lllt' Bongo ('Iuh. .\lol;r\ llUll\L'. i" llol_\rootl Road. 553 Toll-l. 3pm. (I ll‘lk'k'l Iii)lolMuichluw l’rolnouom lloxl .lll ullonluhlc Month} \lL‘lll llillltl Shoxxmw. lculuring; illl git-oiixut' opcn mic lll lht‘ t‘ult‘. ll _\ou'rc llllt‘lt‘\lt‘tl Ill pcrloumng ill llux mum l‘illltl\ conlut'lj lit}ltll'llliltlt‘llllhlk‘(‘1l‘lllt')Ulltlt'l'x‘lllllxl lor opt-n llllk' contact:
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I Open Mic \Vluxllt'hinkicx. »l (\ Soulh lirnlgt‘. 55“ 5| l-l, 0pm. l'rt'c, .lll\l turn up and pcrlorm.
Tuesday 25
Glasgow
311 Celtic Connections Scc .llMl lolk lhllllgx.
3:1 Billy Bragg and Damien Dempsey Rom] (‘ont'crl Hull. 3 Salut‘hlchull Slrccl. ‘53 Killlll. "3er (lo/[ll 'l'hc \cll \l_\|ml Iii; \ll\t‘tl Haul lroln Barking; comm round .igum \\ llll morc ol lll\ tllrct'l lolk rot‘k wins and lllllll'lllk‘tl l‘t‘llllt'l\k'\l lmnlt‘r. l’ur! or ('i'lln (ionnn Hum.
I ‘I'UUIL: "‘ . "2 lllltl Fighting with Wire llurlh. 3m (‘lulc Sim-i. (No no” (NW. xpmf L“ ' Riv-mug" .\lo\l \Vnnlull (iig' l‘culurmg rcprolmlc llUl\L‘llll\\ _\imrcotlt‘lmmt‘h:milo.
I Amusement Parks on Fire \it‘c'n'Slcu/y ~13] Suut‘hiclmll Slrccl. 333 003". “pm. Nollinglmm lourplt‘t‘c lronlul h} Paul Suncnon lUleJllGC \lllxc l‘ccrick and inl‘lucncctl h} Sigur Rm .md Black Hug.
I A Silent Farewell, By My Hands and A Vanishing Act 'l‘hc l.‘~th \olc (Knit. 5” (\ll King Slrccl. 553 loihfl 0pm. £3. llurtlcorc line-up.
I Juno, The Waiting Room and Asa Slcrco. Kch inhuugh Slrct‘l. 57w 5H] .\ Rpm. [4.
I Tennessee Kait Rot-kc“. | l \lnll.iml \lu'cl. .‘.,‘l HIV» \lllll lit-c lx’ot'k nijghl
I Carina It'h.u ()\ll.l. l3 ( ll.ij..'o l .lllk'. ‘55 l5_‘_-l. Nl‘lll. Ll \inxtci \ull'.‘\\lll\'l I The Squiggly Gigs It'll.” ()\H.1.
lh‘l llk'.lll\lllll llrnt'. (ill) ".‘5.\ Mun L,‘
Edinburgh
I Band Showcase \\ limlclunkm.
-l (i South lillilgt'. 55" 5| 11 ‘lpni llt'k' (Kill lll .ulmnu' lol .i :31}:
I Merznacht llic I cu limit. i" (iullnlc Slrt't'l. 335 U" ll ‘lpin ()ulci lllllll hip hop. .illcnmlnc [an ,inil clt't'uo
Wednesday 26
G asgow
II: Celtic Connections \k'k' lolk ll\llllf_‘\.
I The Casuals, Uncle Jack .mil The Fridays king 'l ul‘x \\.ih \\.ih Ilul. I‘ll SI \int't'nl Slrccl. III 53“). Rpm L5. ()H‘l lrlx \him. llic hcmlllnclx ,in' I'uut'oux lot‘ul llltllt' hkcx.
I Blood Story, Broken, Man Has Seven illltl Mosh 'l’lic ('ulliouxc. l5 l'nion Slrccl. le (\(lll(\_ ". illpln. L51 imlmnt‘ci. t5 ulooi I. ()wi lilx \him \lt‘lgil hill.
I The Last Band lircl. .\\lllHl1 | .lllk'. HI »l‘l(i(i_ Spin. l'lk'k'. lailinhurgh l‘.l\k'll llltllt‘ hand.
I Genaro 'l llk' liunlwl. l‘li Slrct'l. 33‘) ll:- llll‘lll. l‘rm' lzlcclionltui lroln llux llcnlwruln lx’ct'ouk
I Michael Simons 'l‘t'lm ()\ll.l. IN) |)c.in\lon llrnt'. (i-l‘l ":55 M‘lll Ll (il.l\_‘_‘i\\\ l‘.l\L'tl f_‘llll.ll'l\l pl.i_\in_: lolk. hlum .llltl l‘k'}tlllkl
I Sing 8: Drink Slut-o. Kch Inlmuph Sut't'l. 57» 5ll|.\. \pni liu' \\L'k'l\l_\ \ll‘L'll nut‘ \t‘\\lilll,
I Acoustic Open Stage lhc ll.lll lidl'. l(\ll \\(Nltll.lll\l\ Rikul. ‘53 mm“ Spin l'rt‘t'.
l‘N Hall]
Edinburgh
I William Mysterious lllk' I (II Hulk. 3" (iulhrlc Slrccl. 325 “71.1 ‘lpin l'ill‘lllt‘l anllo.\’11l§ \\1/.iul .unl \\;llcrho} uho t‘HlHllx .l \l.l\\’l\ .unonpl lll\ l.lll\.
I The Golden Hedges, Nicotene Fingers and Private Jackson llanncrnmn'x. \ultlr} Succl. 55h ‘251 U$1)anLl.(il.nnpunkpulwiot'lthoin \lCUlL‘llC l‘lllgt‘l'x
I Fred .lllkl Stocious \\ hmlclunkm. 4 (i South liritlgc. 55" 5] 1-1 “pm l-rcc \\c\l coax! rock'n'roll Ironi l'rctl \\ nh gull.” rock trom Stocioux
5:3 Celtic Connections \4' 1A..
i" Linda Tillery's Cultural Heritage
Choir ( l .::'~.~.::..- ( \' ~ 51,, , t ( ( II ;‘ 'Tmi i" ‘ «5 5 5 ix \z‘t \ n 'x ' 'il \ .unf .zI' Tcufuzc :n tincti r_';\,':1‘\:z.'/’ ' '(I‘ t 'w.' I Six by Seven l\:::~ l:.' \ \\.;'r \\
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I Mexico, Serenity, No Longer Deprived, Mr 2 mil Almighty Me ll1\'(.:1l‘.on\c. l‘l nmn \Hucl. _‘
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I Sycamore \it ,~'1.'\l,-..;. l‘: \unluclml! \ticcl W4‘HiV ‘ll‘lll 2*
I UnderOath, The Hurt Process, Silverstein .zml Roses are Red l‘i.ull\. .‘Nll l'xilt' \llt't‘l. "\ i" "H i 'l""" \l‘lll 9h Hus] 1\ \ho'u. \o nonwnw. \lnctl hc.i\_\ iotl. llI‘llll nilcil ).llll
I North Atlantic Oscillation, Loris, Bismarck .iml Capturie Ill; l iili \i-ic (fills. 5“ Ml l\ln~.' \uccl. 5“ IN“ ‘ll‘lll l; \ll\\'\l luv ol \l‘llllll\ lli'lll (1|.i\:'w.\. .lllll l ilinluuz'h
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I The Square Root of Evil, Unknown Forces, ACRNYM, GRNR .mil Ohhh!!! \ulw..r\. (M ( :'.ilt‘. (.‘m. " mini: 1* lllz‘ll {loud lu‘lop t'lctuonitx
I Blood or Whiskey, Sad Society, Chinese Burn .mil The Assassins \\ llk'.ll\ll‘\'.ll. .‘H' 3‘)" li.i|:'u\'n lx’oml. l1h ‘Nll ‘ Winn 2.5 \i\ [m'tc lll\ll punltx lilw‘il Hl \\ lll\l\t'_\ l.ll\\' lllt' llt'.l\lllll\' \lHl
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I Man of the Hour, Third Born Son .ziid Certain Death \lllxllu‘ 31. .‘l .‘h l.:1'.~nl<~.nl.55\ l5“ \l‘lll U
l Ilmlllllx‘lnhkl lit-.12} lllt'ldl \Hlll clcnicnlx w! ll.:\ll.1lltllll\‘\‘ltl \\lll‘\‘l
I Baltic .znil Bovine llcnoi \\.iu luncixmliuon.|{it\.ulon, 1‘15“? “pm I icc lhcu't‘ut lthnl‘ulrh iotlx ihrcu Hutu ll\‘,l\ilillk'
I The Dyad lhc I \‘ll li.llli\. 1‘ (iulhilc \lchl ‘_“ " ' 11 ‘ll‘lll \cc lhu .‘l'
I Out of the Bedroom Wot-uh li.u. \! \l.n\ \ \uccr ‘5“ W“ "I‘m \cc lhu _‘il
I Sugarhouse .mii Earthwalk
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5i ll ‘ll‘lll licc ( l.l\\lt ~.'u|I.u touch .iuil \‘ll"!ll.ll\
Friday 28
i Mail,
3? Celtic Connections \t't' .ilw lolk ll\l|ll"\
I Thin Lizzy ( .llllll‘.‘ \tmlvnn. |.‘l lx'llnlon \uccl. H‘N'5 Hf” “N” H\ W "I ,‘uun ‘lxm g_ l\ \u ()\t‘l ll\ \hov. lllk‘ \lll‘. n lll‘.‘ Incinlu'ix ol ont' ol llt'l.lll\l'\ ‘.'l\'.ll\'\l Inuxlt .ll \'\[‘l‘ll\ immi'lnhlt' lo lk'lli‘llll llt'.l\ll‘.lllf,'llli'l\ yooil lllllt'\ ol lllt' \.1lll‘lt‘ ol 'lhi' lion \Ic li.:\l\ lll louu‘ .iml 'I).iu\ lll‘.‘ lll lllt‘ \loonlia'hl'
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THE LIST 73