Visual Art
Exhibitions are listed by city, then alphabetically by venue. Submit listings at least ten days before publication to art@list.co.uk. Listings compiled by Ruth Hedges.
Glasgow
I THE ARCHES
.35: \l_'_‘_\I\‘ \IIL'I'I. VI; III:a \lllll Sill llIaIII IIIIHII. \IIII IImmn IllpIII,
The National Review of Live Art \\\'(l ‘I \IIII lil'vh. 'lIIIII'x \aI‘}. tlll II..\I. lm- Ila} lulu-I L-lll 'l’hc annIIal \l<lv.\ lt‘lllllh Im Ihc .\It*hc\ \kllll lIw Ila} x ml lllllll\.lll\t‘. t‘\Pt‘lllllt‘lll;ll anIl llllt'lll.lllllll.ll hu- .III.
James Hodgson: Clubland Ill .1 I‘l‘h .\.II II \laI, Silt“ \Pk‘t'lllt' \xmlk Illllllt‘ll lImIII ll't' III'II‘IIIIx ml t'llll‘ t'lllllll't‘. \u' [llt'\lt'\\
I BURRELL COLLECTION
JINIII I’mllmlmhaux RUIIII. 3.3a, 355”. \lmn IIIII .\ Sal IllanI 5pm; l‘l'l Ik Sun llanl iIIIII l-Infl
One Million Days in China l‘IIIII \IIII lil‘ch I'Im: .\ IIIaImI' mlnhIIImn Ihal IIIIImIlIII‘I-x .lllll mplmrcx I‘ll” _\caI\ ml (‘hInI'w Ill\llll'_\ .IIIII t'IIlIIII‘c. lanlm IhImIth ( 'hIIII'w gait-nap. hcaI' Ihc \II'ch \Illlllll\ ml miII ShanghaI .IIIII ht II.III\[ImI'II~Il IlIImIIgh lllllt‘ and Illxlant'c Im .l (llllt'lt'lll \MIIIII. I XIBI 'TI l/IN( ll II»
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I CCA
45H SaIII‘hIchall SIM-cl. ‘53 I‘ll)”.
I’III' \M‘II .\ I'll SIIII IIaIn (IIIIII: Illll llaIII Xpln.
Michael Fullerton - Suck on Science l'IIIII SIIII li.\l;ll'. l‘l't‘t‘. (Ilaxgmx hawll ill'll\l \llt‘hacl l'IlllL‘I‘lmIl IIII'xI-Ile lll\ Ill\l IIIaImI‘ \mlm c\|IIhIIImII. III \\lllt'll hc ll\L'\ a \aI'II'I} Im IIII'IlIa Im Ill\t'\llf_‘;llt‘ lllt' IIaIIII‘c HI InlmI‘IIIaIImII.
I COLLINS GALLERY
l‘nIxt-I‘xII) ml SII‘IIIIII'I)III'. 32 RIL‘llllllllltl SIM-cl. MN 2558. \lmn I'I'I IllaIII 5pm; Sal nmmn ~1pIII. I'I‘cc.
Pauline McCloy
100 THE LIST ‘ ‘ "-0?
Helen Keller International Award I IIIII \al I: luh -\\\.IIII ‘Allllllll; I-IIIIIo ml \cnw \‘mllaIIIIK u'llll‘t‘llllllll mpcn Im all} .II‘IM. IxIIh xmek mII Ihc \lll‘lt‘tl ml llk'.lll‘llll\lllt'\\ . i “'2'. I ' I;
I GALLERY OF MODERN ART (‘lllt'L‘ll SIIL'CI. :3” I‘M“ \lllll \\t'\l \\ \al IllaIII 4pm. IIIII IllaIII \IIII. III .\ \IIII ll.llll SIIIII
Glasgow’s Art: Recent Acquisitions l IIIII lhII 1 Mai \t'\\ .IL’IIIINIImnx mI (ilaxgmu \ Ict'cnl \IcllaI gt'III‘I'alImII .ll'll\l\ IntIIIIIIIIj; xmek h} (‘hI‘I\IIII:' llmIlaIIII. I<Uthlluh lilltlldllall. (iI'ahaIII l-agt'n. lmh} l).llt'l\llll. I<ll\\ SIIIt'IaII .IIIII ll.lllllt'llllt‘ \ l\llk'\ Elbowroom O... l lllll \IIIII l l I'I‘h l:\hIhIIImn \hmn In; lhc t‘lllllllllallllll ml an .\ IIImIIIh [I.IIIIt‘Ip.IImI_\ .III IIImIcI'I Im IIL'H'Imp llt'\\ \Imlk mII lllt' IIII'IIII‘ ml \IUIL'IIL'C .l_‘_';llll\l \\IllllL‘ll .llltl lllt' \ ImIaIImII ml \meIIcIIK Illllll.lll l’llell\ \lll\l\ KIIIIL‘ lhnu'. -\nnc l'.lllml. Rat‘th \llllllt't' .IIIII .Ianlu' Sharp \ka'lml \\llll l\)t'\l lx’mall \\mIIIcn\ ('cnllc. (ilaxymn \\mIIII'n\ l.IhIaI'_\. (il.I\j_'m\\ \\mIIIcII\ .\lll .lllil Ilaw
5
I GLASGOW PRINT STUDIO
:3 (k 35 Klllf.‘ SIII‘I‘I. <53 IFIH lllL' Sal IllaIII SillpIII.
Time to Get On 0. I’m! \II I: l'ch. .\lll\l\ I'I‘t‘cnll} IIIaIlIIaII'II lImIII (ila\3_'m\\. IzllIIIhIIIgh .lllll I)IIIIIlcc St‘hmmlx ml :\l'l I'\hIhII ncv. \xml'k lll [mm and thI'I' lllL‘lIllllll\ Scc Inn-Ix. .
(II I,»'A"‘«II I II I ELI:
I GLASGOW SCHOOL OF ART ISN Rt‘llll't'u SII‘L‘L'I. 153-15.“) .\Illll I'llll IllanI Rpm; I'll llIaIII 5pm.
Public Stealtthark Stories ’I llll
i “ml 23 I'I'h. \cu \klll'lx\ h_\ Rachel (’Imucx aIIII .\laI‘lIII \'m\\ In mnc a pcrxmnal twannnanmn ml kc} hlc \lagtw. IIIc thcr chIIIIII'IIIIIIg mII I'ct'cnl \xai'IIIIIc mcnlx III Iraq llll'lllllel a tllllllt‘\llk' \pau' \l\ll;lll} hmnIhaI'Ichl “fill a languagc ml L‘Ulllllt‘l. NI ‘... (‘3‘ II I...
C J Lim - Invisible Cities Sun (i Sal :0 I'IL'I‘. \'l\lllllf_' l’l‘IIII‘\\0l‘ ;Il lllL' (ISA IIIlII hcail ml Ihc llgII'llI-II .'\l'L‘llllL't'Illl't‘ Rcwarch lah L‘III‘ach llll\ L‘\llll‘lllllll IIIl'lIIcIII'L-II h} I'IIICIIIaIIIgl'aph} IIIIII \IIIIMI'IIIIIg ax \wll ax \[Iauz lmI'nI aIIIl IIgIII. NE SI i“
Beagles and Ramsay — Unrealised Dreams l ::::3 \.ll
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I‘ll';‘l‘\.l.\ II;.I;:.ItI1\ Int .. 'llllllt‘ .I:f\.\m:I.\ IIIcII I "u....u..‘ [harm
tmu'Ix I‘lmIcIIx IImII: IIIII‘IIt \tllll‘llllt‘\ Im .‘IahmIaIc l\)'t“_,'\‘f‘.\_\ up: TILIIx'IllL'. mIItlIIIc\ Im: mm In and IIICIIIIILJI I‘ll‘lllltlll‘ll\ III." \IlI\\‘. Ilcah 'AIII‘I lt'tllllill‘.‘ Illt'lllt‘\ ml ImmIi. \mII‘IIIIIIIIImII :IImrIaIII_\ .IIIII gImIt'uIII.‘
\L'Il lk'l‘l\'\t'lll.lllt‘ll ' ' '
I HUNTERIAN ART GALLERY l IIIquI} mI (il.l\_‘_'ll\\. \: llIllhI'aIl \IIL'L'I. i1II§lil Ilt'k'
The Scottish Colourists I ll 1
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I THE LIGHTHOUSE
ll \IIIt‘III'II lanc. III (I‘ll: \Illll .\ \\t'tl Sal Illillalll 5pm. lllt' llaIII *IIIII. .\IIII nmmn 5pm L i Ihllln
Defyra: Winter Wonderland or How to Dress a Cold Platter l lllll Sun (I I‘I'h .\Il lt‘llldlt' Sxxnhxh Ilcngn IIIIaI‘lI-I \hmu'axc IlIwanx IIII'IIIIIIII; llll'lllllllt'. .II'IIIaIIIII'\. \\.lll[‘.lpt'l .llltl llll‘l‘t‘l \I'jchaIImII z' “"3". E '
=11 Scottish Show Comes Home MI 5 I'I'h III In .\laI. \\I)ll\ ml IIII'aIIIIIg: St'mIIIxh h;me III-\IpIII'Ix lllt'llllllll}!
'I llllIllIlll\ llcaxln‘x and \( )Rl) lt'lllllh lll‘lllt' .IIIL‘I \lIm\\III;_' uIIh I)I‘\I;_'III‘I\hImt'I\ Ill .\IIlaII .llltl l.(llltlllll. 8w IL'illlllL' «payc HI and lIIlth TIE uI II
I MCLELLAN GALLERIES
27“ Sauchlchall SIIt'cl. 565 ~1lllll. III I\ Sun IlaIII 5pm; .\lmn Hm I\ Sal
IllaIn 5pm.
Art Treasures of Kelvingrove l'IIIII “Cd 3“ NIH. .'\\ lllL' KL‘I\ Illgl‘lnt‘ .\Ill\t'lllll & .'\l'l (iallcr; ha\ nmx t'lmml ll\ Ilnmrx lmI‘ IIIaImI' l't‘llll'l‘hlllllt‘lll. “\L‘l Illll ml Il\ li;llllllllf_‘\ Ialu' IIII I‘I-xIIIcIIt‘} .II Illt‘ \lt'lx‘llilll (I;IllL‘l'lL‘\. Illt' Ill\pl;l_\ IIlL‘IIIIIL'\ ‘l‘IlIIIIIIH I'Iilt'tl.\ 'IIlI‘ l.;I\l Ill lllL' ('lan’ aIIII RCIIIhI'aIIIlI'x ‘.-\ Man Ill
‘Ye’ll have had yer tea!’ Knitted tea cups form the heart of designer McCloy’s work which is featured as part of this homecoming show of work by Scotland’s bright
young design things. See feature. I The Staffs" 8mm Comes Home, The Lg;".’"o..se. 8:.“
\IIIImIzt'. I‘Im \xmtk I‘_\ LIMA...“ lx‘I'IIIII.‘ \latkanImxh. llllltll .illxl l IcIUIxI‘. .III Raphael‘s Madonna of the Pinks, the Virgin and Child in Renaissance Italy I IIIII \IlzI 1m \l‘l I \II \‘\Illl‘ll1\‘l‘. .‘\l‘l\‘!l!l,‘ IIII' \It'\\'ll‘l‘lllt'lll mI IIImIlIcI .IIIII \IIIIII llll.i‘_'\‘\ \Illlllljflllt‘ll.IIl.:lll{\‘fl.tl\\.llltt'.1I1\Illlli'lt' \\I'II\\ In (Illlll.1llxl.lll‘. Raphael and lIII.III
Art Bites IIIII i I .‘l‘. II‘III IIK'C ll.‘ .' .IIImIII 'lhcnmx. \lmIIIcI ml \I l\cIIII;'I‘III II} I I’IIII‘IIIIIIyII III Ille Illllthlt‘ .lll Ialk ArtBites! IIIII lH l ch, IIIIII lIcc \IImII LIIII mII ‘l'IIIkx' II_\ \IIIIc Ix‘cIlpth ArtBites! Hm I i l ch Il‘lll III'I' \IImII I.lll\ mII 'IIII' \ Icu mI \.~.II (IImI:'Im \I.Ij.'_\.,'ImII'. \I'IIIH“ I\\ lI.IIIIc\Im ( Ill.ll\ll
I TRAMWAY
3* \llwII l)II\I~.H\I< WI Nil III.- \.II IImmII \IIIII. \IIII IImmII IIIIIII
Douglas Morland O... l lllil \IIII (\ l L'I‘ I\llll‘lll\‘ll (Il.l\}'ll\\ \\ llIH-I III \II _‘,'l.l\lll.llk' '.ll\ll lllI'lllI‘I'l ml \ImlhI'I .lllll lllk' \\l\ll\l\. \lf.'llI'\I III I ~llt'lllllxdl
I ll\l\‘l_‘,'ll‘llll\ll. \lllll.lllll_ ImmkIIIy .II p\_\thII lllI'Illllllh .lllll IhI- \mek ml \mI. II'I lllll\l\.ll lll\I‘lllHl lI-mn lllt'lt‘llllll \I-I' Inn-v. ' f ' 'f
3:! Graham Fagen: Clean Hands, Pure Heart I II I I lch \IIII I I \I.II l'IcI' \ IIIaImI ncul} \I'lllllll\\lllll\‘\l [III-\I- h} (i.\ \ gIaIlIIaII' ( Il.lll.llll l .I;'.III. (\l‘lllllllj: t'llllllldl lilt‘lllll} IhImIII'lI II'L's'aI' \L'l\lllll\ ml l‘l‘t‘lll\ III Ihc mlIl haIII. lx’mthI' IIIIIIIx llll\t‘ll IIII h_\ \Illl.lll Shuummll \I'c [‘lI‘\|\'\\ .IIIII llllll\l
Private Galleries
I LLOYD JEROME GALLERY Illll llalh SIII'I'I, “I IV}? lllk' \II ‘laIII (IIIIII
The Atom Fraternizes with the Hurricane l lllll 'llIII Jl l-I-h \t'\\ palnllng'x h} SaIIIaIIIlIa \IIIIIII}
I THE MODERN INSTITUTE
Hi Rlll‘t'llvlll Sllct'l. \llllt' (I. l IIIIII I. 118 :“I I. luv l‘ll llIIIIll *IIIII Michael Wilkinson l'IIIII I II In III» New lll\l;lll;lllll|l \kak haml mII l’IIIk l'lm}II\ l/ll’ III/H 8w .III.I|_\\I\. papc WI
Artist Spaces
I INTERMEDIA GALLERY
IN Kill}: SIIcI'I. 5‘3 .‘i-lll. Hall}
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Grid Ideas and Nylon Dreams lllk‘ l5 Sal I!) I'I'h \ \k'llt'\ ml .ll\llllt‘tllll.ll paIIIIImm III lehIm-Iphl lll.ll\'ll.ll\ h} \II} \\alI.Iu' and .III I-\IIIhIIImII ml mIl paIIIIIIIL'x aIIIl lllIIlallllll\ I'\IIImIIII:' IIII- [Imxxlhlhu ml IIIIpI'Ilu'IImII .lllll II‘aIMmI'IIIaIImII ml Int-.IIIIII}: Illllllli'll I'L‘Pk’llllllll h} l)llll\ \mI-Ilu HE "
I MARKET ‘33 I\ ‘11 lhIla' \III'I'I. I)I‘lllll\lllllll. “(I "Th 'luc Sal IImmII (IIllll A Nation Turns its Lonely Eyes to You O... I‘IIIII Sal i lI-h Rt'lr'cxhlnfg aIIII cu'IIIII}; \lImxuaxI- ml \|\ JIM-1 jJIaIIIIaII'x lImIII \I'mlllxh all \\ hmmlx \lIaIIIla lllcnIII-I‘haxwll ll)llllllk't'l_ l.('|lll lllll l(Il.I\f_,'II\k I_ Illt' Rt‘t'u'x I( ilil\;_'ll\\ I, l‘.llllll;l l’I'aII Il)llllllt't'l. SIIIaII \II'('.IllI-I IlzthIhIII'gIII and Ham |.aIlI'I'I} ll)llllllL'L‘l. I/«Z' ' ’3 E Shrine - Raimi Gbadamosi \aI I: IN» Sal l3 \laI Smlm \IIHV- L'\PlllllllL' Ihc lllL' ml \Ich’IaII IIIIIxIcIaII anIl aclmxl l'cla KIIII. mI‘IyInaImI ml Ihc lllll\lL \I}II' ..’\Il'll llcal‘, l'ImIII Ihc lalc I‘Hlllx hc ll\L'(l lll\ lllll\lL‘ a\ a \L-hlt‘lc Im III‘mII-xl .lL'.llll\l Iippl‘cxxlun II} [III- \IgL-I'mn I_'II\L'IlIlllt'lll. rchglmux INNIIL'\ and UllllllllllllL' \lklill \II'IIt'IIII‘cx. ’IE
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