House of Flying Daggers IV

.0. I/lIaII: \ lllIIIll, (’lIIIIa. Hon: Kong. .‘lIIIlI IaLI-th KaIchlIIIII /hang /t_\ It \IId} lau ll‘IIIIIII \IIIIIIII‘x xchIIId xlIot at thc IIIaItIal aIthIIIIxc chIIc Ix. L'lIL'lt thc z'iotIoIle} tIIIcIIIatIc IIIIaIIt} IIl hIx IIIc\IIIIIx lllltl. Ill/1‘, a deapIIIIIIItIIIcIIt -\ IIaII ot [ll'lltt' chIIItch_ JIII IKatchhIIoI and l co

Il aIII ll.tt l. and xIIxIIctlcd IIIcIIIlII-I ot thc IIIxIIII.,'cIIt taclIoII l l}lllj..' l)ag;'ch cIIca

A“) \l) \Hllt xIIIIIIIxIIIg chIIltx

\\ thc III III t‘lllpltl}t'tl a c lt"-L'l. t “L IIItoIIx II‘In/IIIIIIIIII xl}lc II.IIIalI‘.c. / /‘.HI'.I [)111'L'( I\ Ix xtIaIghtlquaId aIId ultIInatc|_\ oh\ IoIIx \t'llllt'l Ix lltt' tIItIIatch‘ .Illt'cltttg'. .Ix \\.t\ lllL‘ caxc u llll ( IIIIII lung IIL'r I IIIII’I/I I: /)/Ili_’llll. thc lIlIII that put thc aIthoIIxc Into IIIaItIal .lll\ \Hllt' Ill /)II'.".,'I /\. lttt'ltafgt' .I ltlIIx Ill

\ lI.Il.II lt'tx Ix Ilt‘H'lIIlIt'Il ltl lltt' caxt' IIl [ltt' lll_\ xthIoIIx \ch. lll.Illx .IIIIIIIIIIIIatc. hut \I Ith .lIII and [co It tlt'lllt’\ Ihc dIaIIIa aIIdIcIIcc x}IIIIIath} (ioI Id U'llll‘dl chIIIcIIc cx. though I '(I'( II’I II/II'H \III I It (I'lIlvc'Im. (I‘ll/\L'l’l'nt l'l/Hl/ll'llu, II/III/III/g/I

In Good Company I t’III II’aIIt “t‘lll. IS. 3"“! loplIcI (iIacc. l)aIIIIIx ()IIaId. ScaIlctl JolIaIIxonI IH‘IIIIIII SIII} coIIIoIalc coIIch_\ about a )IItllt}: gun tIoIIhlcxhooth I( iIach “ho chtx lIIoIIghl Into a coIIIIIaII} lo gct IId ol an old tIIIIcI lIIIxx IQIIaIdI lhal Ix. IIIIIII thc )otttlg gun lalIx loI thc hoxx' daughth l’aII ol (ilaxgou \\oI|d l'lllll l'cxtnal. I ’(i( II’I Ill/I'll Slim 1. (II/tl\'\'l‘lt‘ (i/Ingmt,

In Your Hands I ISI l:\llllt'llt' I )lonI. HcIIIIIaIk. Illll—lI l’ctIIIIc Aggct. .chIx :\lhIIIIIx. Satah liohctg, IlIIIIIIII, Sct III a \soIIIcII'x IIIIonI. IhIx dogIIIc xt) lc llllll uploch lccltngx ol guIlt. laItII and xIIpcI‘xtIIIoII .Ix thc IIIIonI IIIchl IIIcclx Katc. \IlIo can pcI'IoI'III IIIII'aclcx. Hut hoth haw \t‘t'l't‘lx lo ptolt‘t‘l. l’at'l ol (ilaxgtm \\IItlIl l‘lllll l'k'\ll\tll. (l (I'/(l\‘\’llll.

=l= Incident at Loch Ness I t_‘.\I Ilak l’cIIII. l'K. ltIIIJIUJIIIIII. \\cI'IIcI lch/og ‘xtaI'x' ax thc ‘dIIcctoI" III thIx ‘tltlt'lllllt‘llltlly about IIIalxIIIg a lllU\lL' aholtt \cxxIc ax cwntx prIal out ot control l’aI't ot (ilaxgoxx \Vot‘ld l'IlIII l‘t'xll\.ll. ('(I'( II'I‘IIIII'II .X'II‘I'I'L (i/Ingun. (i/IIwIIII.

The Incredibles d’( it 0000 I llrad llIId. l'S;\. 2(NIJI Votccx ol ('I’aIg 'l' \clxon. lloll} llIIIIIcI. Samucl ll .lackxon. .laxon |.cc. IllllIIIII, Hoh l’aII‘ I .I\l\':\ .\lI lIIcchIhch Ix an o\ cI'uchht IanII'aIIcc clct‘k h\ IIIg III xuhthIa. hut IlIIx \Iaxn't .Il\\.I}x thc caxc. ()IIcc upon a lIIIIc hc \xax a populaI do gootlt‘l xtlpt‘l'llt‘t‘o. ttx \Mtx ltlx \\ tlt' llL'lt'll I.-\l\';\ lulaxtIgII‘lI But onc IIIglIt onIIcthIIIg \Icnt \\ long and all xupcI'th'ocx had to hc I'caxxIIIIIIatcd Into xocIct} through a lxIIId ol \\ ItIchx IIIoIchIoII xcthIIc. ’l‘hc I’aI'I'x no“ haw an a\cIagc laIIIIl) IIl'c xx Ith onIIc \L'l} IIIIa\cI‘agc l'xltl\. hut onIIconc Ix about to tcxt thIx laIIIIl} 'x llllll_\ to thc max .-\xtouIIdIIIg. \\ Ill} and lIIIIII_\ l’I\aI' aIIIIIIatcd adwntut‘c him that IIIlech all Ihc I‘Ight hutIoIIx and t't‘l't't'L‘ttt‘t‘x .Ill lllt' lk'xl lllttlx .Ittd t‘lttxxlc 'l'V ch'ch. lcl‘x lacc It. thIx Ix qut hc loo good lltll' lllL'lt' hltlx (rI'HI'I'Il/ I‘I‘II'IHI.

It’s All Gone Pete Tong I l:.-\I I.\lIchac| l)o\\xc. l'lx'. 3(NISI l’aul Raw. \likc \VIlmot. IthIInI ll‘l/tIWL‘l onI'_\ conccrning xcll-dcxlI‘uctn c D] l'I'aIIloc \Vlltlt‘ ll’attl K.I}L‘ D. Part Ul ( ilttxgtm \Vot’ltl l‘lllll l‘cxlhal. ('(i( ' A’I’II/I‘I‘II .VII'I'I I. (i/Itxgou, (i/IIIgIIII.

Jeanne d’Arc I ISI .00 Il.IIc chxon. l-I'ancc. IIIIIIII .\lIlIa .lo\o\ Ich. .lohII .\la|l\o\ Ich. laxc l)IIII.I\\.I}. IJSIIIIII. 'l‘hc th‘oIIIc ol' thIx \\otIld-l\t‘ IIIIcI‘IIatIoIIal hlockhuxlct‘ Ix I'cIm cnlcd ax thc xtaIIdaI'd lIcaI'cI‘ III a \alIaIIl cndcaxoul to I'cpcl thc l'oI'ccx ol .-\nglo-.-\IIIcI‘IcaII cultIIIaI IIIIpcI‘IaIIxIII, .\ladc \Hlll lzIIglIxh dialoguc. lhc lilm hax much III common \\llll thc goI'} xpcctaclc ol II’rIIII-III'III‘I, l‘hc IIIchcn opcning and cloxmg partx Joan'x chIldhood. IIIIpI'IonIIIIcnI and trial cannot cllacc thc Impact ot' thc tiIIII'x chIII'aI hattlc xchch nor thc Imagc ot' thc aI'IIIoIII'-clad

Checkoutthe.

on page I3

JIIaII III thc IIIIde «It th; caIIIa:c /I.'I.':.‘.I.' Irma III\ I/ I IIxxI III/Nana:

Joy of Madness (Lezate Divanegi) l’( I ... Illatta \lalclttttall‘al. ltatL SWIM \aIIIIIa \ldlcllllldll‘dl 1IIIIII

[)1 IcIIIIIcIIIaI} xhoxxIII: Ihc hackxtagc IIIodIIctIoII ot \aIIIIIa \lakhIIIallIat 'x Icccnt tIlIII \! IIII III {III \III IIIIIIII; III lxahul. atth thc tall ot thc lalIhaII IchIIIc l‘~t'l}lltllt‘_‘ \kax Iccotdcd \Hlll a mu” dIgItal caIIIcIa hx SaIIIIIa'x H _\caI old xIxth llaIIa \\hat .I IIIoIItIc. aIIIlIItIoIIx lot thoxc \l.ll\llllt.tll‘.tl\ atc ll/HI/IUHH. III’III/IIIIIJII

King Kong I t’( it .00.. \lt'lldlt I’ (‘oopcrl \. WWI Rotht \IIIIxIIoIIg. l a} \\ Ia} IINIIIIIII \ lIIIII IIIodIIch oII xataII lIIIIng hack a onI\cIIII IIIoIIxth \xlIIth chIoIIxcx \cv. \oIk III onc ot thc all IIIIIc gIcaI IIIoIIxth lllH\lt'\ \IIIa/Ingly Ihc xIIchal cltcctx xtIll IIIIIIchx. hut thc tIlIII atlIIc\cx claxxIt xtatux h) xucccxxtull} tIaIIxIonIIIg thc xtoI_\ ot hcaut} and thc hcaxt Into a lloll} \xood hlockhuxth IIIo\ Ic l’aIt ot (il.ngo\\ \\oIld l'llllt l'cxlnal I (It /\’I um II .VI'I'I l_ (I‘lll\'\'l'nc (r/III'JIIII

Kisna Itth l\lll‘ll.l\ll ( ihaI. IIIdIa. Illll‘I \‘I\ck ()l‘t'ltllt lxha \llanatlt. \IItoIIIa lch‘IIatlIfl'hIx \lll\\ cultuIal llIIIdI low xtoI} Ix xct III thc I‘) lIIx \xhcn IIaIIoIIaIIxtx aIc lIglItIIIg toI IIIdcpcIIchIcc \ _\oIIIIg IIIdIaII. KIxIIa It )thoI I. lIclIIcIIdx and tthI thcldx a llI'ItIxh gIIl Katth‘Inc IlchnalhI tIoIII .III cIII'agcd IIIoh ol IIatIoIIalIxtx. \thth Includcx lllx Imn unclc and hI'otth KIxIIa talccx It upon hIIIIxclt to cxcoIt KatthIIIc. thc daughth III a Iuthlcxx llIIIIxh collcctot. lo dc|I\cI th to thc xalt‘l} ol thc HIItIxh lhgh ('oIIIIIIIxonII III \c\x |)cllII ()I/I-IIII .\I [III Quay (i/IIIgIIII, (I/IngIIII_ I (‘l /.I/III/IIII;I/I. /.I/III/IIIIg/I,

Ladder 49 I I3.»\I O. I.la_\ RIIxchI. l'S. ZlKl-lI .loanIIII l’hocIII\. John ll.t\Ull.l. .lactnda llaI'Ictl. Rohcrt l’atI'Iclx. IISIIIIII, lIaIII-lIxtcd tI'IlIIIIc to thc IIIIchIIahl} thoIc mm and \wIIIcII \Iho xhdc do“ II [IIIch and l.tt't‘ up l.IIltlL‘l'\ \\ llll llIIxt'\ lII Ilt‘ll\L‘l ll\ .Ill lI'oIII a lict'} talc. [III/III; 4‘) IIIthcIItx llIc III'chcaIIIcIII ot Jack .\loI‘IIonI Il’hocnn I ax lIc 1ch xtI'IclchI III a lIIII'IIIIIg huIIdIIIg. \Hlll ch‘upulouxl} xaIIIIIxcd lIIgIIIIghtx lI‘oIII lIIx caI'ch' ch'\ Ing IIIIch' 'I'I'axolta III lialtIIIIoIc'x l'II‘c l)cpat'tIIIcIIt. .\ \ch hlankct Scc III'IIIIIc. pagc 53. (I'I'ItI‘I‘II/ I'I‘/I'II\I'.

Ladies in LavenderI 13.-\I COO I(‘lIaI‘lcx Dancc. l'K. Jolt-h .ludI Dcnch. .\laggIc SIIIIth. .\'ataxcha .\lcl:|honc. l)aIIIcl llI'uhl. llHIIIIII. Adaptcd h} lIIc thcpraII lI‘oIII thc xloI'} h} \VIIlIanI J l.ocl\c. thIx I‘Wlx-xct talc xtaI'x thc tuo grand damcx (ll llI'ItIxh llllll. SIIIIlh and l)cIIch. ax l\\o .IchIIg xIxth‘x \\ ho xhaI'c a cottagc. But \\ thI a l’oIIxh \ IolIIIIxt I(I'IIIII//I\I IIIIIII‘x llI'IIlIII Ix \Iaxhcd up IIcaI~ IthI‘ hoIIIc. IthI' xIaId c\IxthIcc Ix xhatth'cd. ’l‘aIloI'rnIadc loI‘ thc hluc I‘Inxc lII’Igadc. Somc \ chx cI'x IIIa_\ lIIId tlIIx too toxxIIIxcd a law. hut It'x lIkcahlc all thc xaIIIc. Slur ( 'I-IIIIII'I ('IIIIIIIIII. lzI/III/IIII‘L'II. :2: Land of PlentyI IsI III‘IIII \VI-IIIII-Ix. l'S. ZHIISI \lIchclIc \VIlIIaIIIx. John l)Ichl. \VIIII \Vcndcrx' takc oII poxt-‘l/l l .-\IIIcI'Ica. l’at't ol (ilaxgou \Vot‘ld l'lllll l‘cxtnal. (i/IHQUH I'l/IN HII‘IIII'I'. (r/Ihg'rm,

Laura's Star It'IOO ll’lL‘l l)c R}ckcI‘/|’htlo Rothku'ch. (icI‘IIIaII) diulgat'ta. ZIIIHI .\'(lIIIIII. Scc I‘c\ lL‘\\. pagc Jo (I'I'III'I'II/ I'I'II I.'\¢‘.

Lemony Snicket’s a Series of Unfortunate Events I Pt I I 0.0

Ilit'ad SIlth'lIIIg. l'S. lell-lI JIIII (uric). \lcr}| Stt‘ccp. .ludc l.a\\. l'.lllll_\ liroxxnmg. ltliIIIIII. l)aIIIcl llandlch dchghtlull) hoI‘I'IhIc hoolxx loI‘ chIldI‘cII gct thc hlockhthr makcox cI' III \\ hat lookx hkc It ltl.t_\ hccoIIIc an IIIth‘cxtIng ch‘ch ot tilIIIx. 'l‘hc thI'cc llaudclaII'c kldx low that hoIIIc and pat‘cntx III an aI'xon attack conducch h} IIclaI'IoIIx (’IIIIIII ()lal IJIIII ('aI‘I'c} I. \xlIo\ al'th‘ thc hratx' IIIth‘ItaIIcc. BIII'Ion-quuc III Itx \ Ixual Imcnttonl 'IIIIII'IIIIIIIII Ian IIII Ix alxo BIII‘IoII-quuc III Itx naI'I'atn c thInncxx. lIIdI\ Idual xccncx do houcx cI' I'call} IIIIpI'cxx and (KII'I'c) \ ImIall} xtcalx thc xho\\ (I'I'III'I'II/ I'I’II'IIII'.

>5: The Life Aquatic with Steve ZiSSOU I ISI I\\‘cx .-\ndcrxon, ['8‘ II ll )5 I BIII Murra). .-\IIIclIca llIIxton. ()u cn \\'leon. (‘atc Blanchctt. l 18min \ch .-\IIdcronI‘x latcxt xkcu cd coIIch) ax Murra} pla} x an undcmatcr tilmakcr xcarchIng for thc rarc xhark that lxIIlcd hIx partncr. Part ol (ilangm

DowntotheBone

Debra Grasnik‘s compelling naturalistic drama about a single mother in a shithole US

town attempting to manage both her children and her secret drug addiction gets a screening at the Glasgow World Film Festival. Vera

Farmiga as the mother is remarkable.

I I’Y. (l‘vtlfvfohlfi. fit}, . II": h' 'I'

\\oIld l'lllll l cxttxal \cc tcatIIIc. [Iagc l.\ ((11 /\'I II/II It \[I((’.(I-/l1\'.:l"|'-.(l/(I'\1"1'l'.

:3: The MachinistI ti IIItIaIt \lltlt’lvlll. SIIaIII. loot l ( ‘hIleIan Halc. .chIIIIth laxon l.chh. .\ItaIIa Sanchc/ (iIIoII IHIIIIIII 'lIc\oI‘ Rc/IIIk Illach Ix a Iathc oIIcIatoI III a ha/aIdoux lactot}. l'hc daIIch Ix IIIthIxItch h_\ thc tact lllal hc hax loxl thc ahIlIt} Io xlccp. 'l'hIx Ix a ctccp) talc ol IIIonIIIIIa and paIaIIoIa Part III (Ilaxgtm \\oI|d l I|III l't'xlnal. (i/legIIII /I/III IIIIIII/I_(I/II\11IIII The Magic Roundabout It Ill).l\t' IloI‘llm Ickl lx 'l-I'aIIcc. JUN,“ \l‘lt I x o! 'loIII llakct. lIIII llIoadthIt. 1 cc l'\.tll\. .loaIIIIa l.IIIIIlc_\. K}|Ic \lIIIogIIc. Rohhlc \\Illl.llll\ NIIIIIII. (‘laxxIt (Ill'x chIIdIcII'x chch gctx a IIIochII da} IIIakc o\cI lll thIx lug ch'chI \cI'IoII l)ougal and lllt'll\l\ cIIIhaI‘k on a daIIchoIIx IoIIIIIc} III .III cltoII to IIIIIII'IonI tthI opptcxxot lhc I'\ ll \\ I/aId [t‘L'lltIIlt‘t' (\IIIc‘L‘Il l3) littlxt'tl SUV [\ag‘t' l l (I'I'III III/ II'/I (IN.

The Magnificent Seven Il’( in 0.... IJohII Stutgcxl \. I‘HIHI \ul llt'}llllt'l. Slc\ c \lL'l‘Nlt't'll. .laIIch ( 'ohIIIII. lyh \Vallach lllIIIIIII l:\cI IIoIIIIIaI lloll_\\\ood IcIIIakc ol KIIonaua'x \. H II .XIIIIIIIIIII hax lll}llllt't and co hIch to x.I\c a .\lc\IcaII \Illagc tIoIII thc IIIIuclcoIIIc atthIlIonx ot \\a|lach'x haIIdItx lIIc plot hccaIIIc aII .IIchcl} pal IIon Ic IIaIIaInc u llll a ltIle IIl xcqttt'lx .Ittd coplt'x l‘ollt l'lllktll and

The /

IIIIollIc I.I| lII‘. I.I lllllt‘ ll.IIlIl\ up who I .III IIaIIIc all xc‘.cII ot tlIc dcqu'Iadox llIt

I"! ’."/I \.'II I ,' (I.’II\_'I’5‘. (I I.‘\'.'I'.'.

=11 The Manchurian Candidate (1962) I l‘I 0.... lohII

I I.IIIl.cIIlIcIIIIcI, l \. I‘HI.‘I | IaIIl. \IIIatIa. l.llllt'll\\‘ ll.‘.l\t"\. \II~.'cla l aIleIIIII l.tl|;‘l

I I‘Ip'h |.‘fIIIIIII III lIIx IIonl IoII'.IIIt lll'.‘ xtIchI Iolc, llaIxcx [\l.I}x.Il‘\IItI‘.It1\'..II llt'll' \Klttl Ix lII.IIII\|..Ix|ch l~\ ( I'llllllllltlxl\ and l‘\'\l‘lllt'\ a paun III tlIc \llll\lt'l IIIIxonII [IlaIIIch lot lIIx hoIIIctoIIIIIIg HIIIIIaIIl [IolIlItal xatIII‘ \llllt tlIIIlIcI. \‘.||ll tlII‘ t axt III ;'II'.It loIIII and a xt.I-_':'cIIII-.'|\ llt‘.t‘llll‘-I‘ IIIIII t hall} and :‘IIIIIIIIIa'lI IIIIIaxI'llcd ll daIIIII \xcll \IIIIlIx and xIIIIIIIxcx III a ‘-‘-.l_\ that xo lcu IIIIIIx do an) IIIIIIc \cc |‘.I;'I' ‘1 ///III/IIIII\I III'Ilsl'IIIlz'I'I

The Manchurian CandidateI IN .. IlIIIIatlIaII l);'llll|lt’.l \ .‘H‘III lk'II/cl \\axlIIII-.'IIIII. \lI'I_\| \III'I-II llk”‘- \tlllk'll‘k'l.lk'lllk'}\\ll1'lil lilIIIIIII llt‘llllltt‘ IcIIIalcc o! l IaIIchIthIIII‘I'x I|III} I IaxxII tl‘ll\l‘ll.t\_\ IlIIIIch Ix xxaj. ott llit' III.IIl.. lI-I douII lI_\ a ham tzxtcd chIxatIIIIIalIxt .IIIIIIIIat it that III-atx xIIlItIct} lIl.c .I dI'adl'. '-tlttx lchI \latto'x I\\athII:'tIIIII tIaIleoIIIIatIIIII lIoIII lo}.1lkctt‘IaIIlolt'adIIIz'xtI'IItII Ix ll’l'tlllltl .lllll lllk' lk'V-l‘llct'Il t‘llIllll‘.’ Itt.t:. l‘t’ \ lH'.‘.Il IIlcaxIIIz' lIIIt lat Lx thc lllllHt IIoIIx lIIIIIoI ol /I//II/.'IIII\I

thc IIII:_'IIIal \cc past" ‘3

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