Films screening this fortnight are listed below with certificate, star rating, credits, brief review and venue details. Film index compiled by Paul Dale
The African Queen ll’(il oooo IJnhiI lluxInn. l'lx'. l‘I‘l I llUIllplIiL’} lingarl. Katharinc llcphurn. Rnth \InIlc} l05iiiin Splcndid \Vnrld War I adxciIIIIrc hax lllL‘ lll.Il‘\ cllnux pairing nl giinlvd linycy and prancrIxh llcphurn ax Ihc} IiIalxI' IlIcIi‘ \xa) up Ilic (‘nngn Iighling; xuampx. IlIc llun and cach nIlIci In IIIIIIc llll'llllll}: cllccl (ircal characlci' IiIIcrpla} L'IIIII'IC\_\ nl film critic Jamcx .-\),_'L'I"x grill} IlIIIIIIyIIL'. .N'III'I/I IzI/III/IIII'u/I .-Iri\ (I iIIrI. liI/III/Illl'lf/I.
Alien Adventure 30 III Ilicll SII-axxI-n. Japan. 200l I \'nicc nl Jnhn lin}lc. linIIlI Lanncrx. i7min An aIIciI racc Innkm}; lni .I plancl In cnlnnixc lInd carIlI and unlnmmalcl} cnIci a Ihcmc pai'lx \xlici'c IlIc} caIixc much ainuxing Ina}hcm lit-IX 'I'III’IIII'I'. (i/Iiwmi.
Are We There Yet? II’IiI ooo
Ilirian l,c\anl. l‘S. 2005i lcc (’Iihc. \Ia l.nn3:. .-\chxlIa Allen. l’hIlip linldcn. ‘I-IIIIIII l'.ll|II);ll\l_\ xill} inad ll'lp cnmcd} III \xhich lcc ('uhc xIarx ax a man xn Ilcxpci'alc In iinpi'cxx hix ncn girlli‘icnd Il.nngi IlIaI hc agiccx In drnc hcr I\\n clIIldI'cn lrnin Waxliinglnn l)(' In NC“ anlx nn NC“ Ycar'x l'.\c. (iI‘III'I'u/ I'I'II’IIH'.
Asterix and Obelix: Mission Cleopatra Il’( il OO IAlaiiI ('hahal. lirancc. 2002i ('lIi'iinan (‘la\ IL'I‘. (ici'ai‘d l)cpardicu. Mnnica licllucci. IIIHIIIIII. Scrccncd \inlI xuhiillcx (inxcinirx and l‘dci‘ln‘x (iaulixh lIci'nI'x inakc Ihc Icap l'rnm L‘IIIIIIL' linnlx In My \L‘I'L‘cn lnl' Ihc xccniid Iimc III IuIcc ax man) }cai'x ('la\ WI and l)cpai‘dicu i‘cpi‘ixc IlIciI~ I'UlL‘\ li'nm .‘lill'l'll ImI/ (Mir/II Iilkl‘ Im (‘III'IIII' ax. i'c'xpcciivcl). Ilic xinall hlnnd Ici'ricr and Ihc hig. rcd-hcadcd lummnx. 'l‘hix Iiinc ai'nImd Ihc hn}x lcax'c IlIcir \ illagc \\ IIh ilx \\ll(l hnar haanIch hclIind In cnmc In llIc axxixiancc nI Ihc )‘Iillllg ai‘chiIch lidII'Ix Inh ha. ha. IlIc punnci‘) I \x'hn hax hccn ni‘dcrcd by Ilic ()IIL‘L‘II nl lllL‘ Nllc iBL‘llllL'Cll In cnmplclc Ihc cnanrIIcIinn M a lax ixh palacc liil‘ Ihc anan i‘IIlcr. (ilmunn l'I/ni 'I‘III'IIII'I'. (iIIIquiii‘.
The Aviator I 12A) oooo IMIII-Im Scni‘xCxc. IS. 2004) l.cnnai'dn l)I(‘api‘in. ('aIc lilancthI. Alan Alda. .-\lcc lialdxxin. lh‘hiiin. ScnrwwK llnuard llughcx hinpic Ix hix hcxi \x'ni'k in ycarx. llc dcpiclx Ilic hnnkci'x llillllUlidlI‘L‘ ax a maniacal. paxxinnalc and dccpl} llaucd \xninanixcr. Iilin prnduccr and airplanc‘x cnIlIIIxIaxI. l)i(‘aprin hax ncxcr hccn thIcr Ihan hc ix lIcrc. m cn iI' lilanclIcII \ Ii'Iuall} xIcalx Ihc xhnu I'rnm him in a lmlch pcrlccl imprcxxinn nI l'x'aIlIai‘inc llcphurn. AI aIman IlIrcc hnurx Ihix prnpclx h}. (ilmunn' l-I'lm HII'IIII‘I'. (II/Inga“;
Bars in the Memory (Reias en la Memoria) I l2:\I I.\lanucl l’alacinx. Spain. 200-4) 80min. ('nndcmning dncumcnlai'} which aIIcmpIx In rcnpcn Ihc \xnundx nl l5rancnixI Spain by c‘\pnxing Ihc pnxi— Spanixh cI\ Il \xar cnnccnIraIinn campx and chuhlican xlaw lahnui‘ campx Part III Viva? Spainxh Film licxiixal. I'IliiI/IUIIu'. IiIII'nhIIryII.
Beethoven II'I ooo Ilirian l.c\anI. l'S. I‘I‘I2I (‘harlcx (lrndin. linnnic llunl. l)can Jnan. 87min. :\ xnIall SI licrnai‘d pup L'xc‘apcx l'i‘nm an L‘\ ll \CI and aIIachcx llxcll' In Ihc NCMnn l'amil}. Snnn II grnux In cnnrmnIIx prnpnriinnx and hcginx In \xrcck dnnICinc havnc. liiIdlex \ixual gagx and gnnd liming. particularl} I'rnm (irndin. cnlixcn \xhaI might hax c hccn a run-III-Ihc- mill iiIuII mm ic. SII'I' (‘I'IIIIIM ('I'III'IIIII. [till-liblll't’ll.
Bewafaa Il’UI Il)lIarnIth l)arxhan. India. 2005) Anil Kapnnr. Akxha) Kuniar. Karccna
‘outtne ‘
2w. ‘. . z _
Kapiwl l’anIlaI llIndI IHIlIdlIlIc Illlhlcdl ahnIII -\III.I|I. a girl nI IIII\CIl (LIIIadIan and Indian lII'IIIajgc uhn uIH xInp .II IInIlIIng In hc \kllli IlIc nnc xhc ln\cx an llllPH\CIl\llL'Il IIIxInn iiIIIxic Icaclici \IlllL'tl Raia (MI m: I: HII Quin. (i/munu. (i/m mm
Bill Hicks: Relentless and Revelations I IM oooo I\.mnux. I K. 1092' l‘NiI l‘lill lliclxx ‘NIIIIIII lun c l.l\\l\ IIliiII'd [wriniinanccx nI IlIIx hiIlIIanI cniIchIan \Ilin dicd IinIiI paiIcIcaIIc \illlkk'l III I‘NJ l’arI nI (ilaxggnxx ('nnicd} l‘L'\lI\.il Scc caplinii (i/Iixurm II/m HII III/I. (i/IMQIIII
3: Blue Collar« IM Il’aIIl \ lIiach,l \. l‘FKI RiclIaId l’I}ni. llai‘u‘} KL‘IlL‘l. \aplII-I Knin lein l)n\\nl\cal xlicc nI lllk‘ ch III Ilic l)I-IiInI cai IIIdIixII§ .Ix manual \xIIIkI'Ix l’I}nI. KL‘III'l .IIIIl KnIn IlIxInH'I IlIaI iI'x iInI Ilic InanagI-iIII-nl hIII IlIcII nun cnIIIIpI IInInII IlIaI'x i‘cxpnnxihlc Ini Ihcii’ pnni \kIIllxllI}: cniIdiIiniIx Sclii‘adci'x IlchIII .Ix dIichni Ix .I I}pica|l_\ angi} and c}IIIc.I| mainplc nI hix cai'l} xI} lc. and Ihc ccnlial lk'lli‘llll.lllxk'\ haw ical ci‘cIlIhIIII}, l’aI‘I nl 'l‘hc \\ Ild liIIiIch‘ .-\iiIcI'Ican ('mcIna I‘m" I‘NI xcaxnil ,l/IH/II‘HH'. IxI/III/IIIiu/I Boogeyman I l5I OO ISIcphcn l Ka). l‘S/Ncu [t'ill-Illtl“ icI'iIIan}. 2005! liai‘I'} \Valxnn. lziinl} l)cxclI.IiIc|. Slcw .\lc('n|c liai'quIalx. l.IIc} l.a\\|cxx NHIIIIII 'l'IinIiI} I\\aixniII Ix plagncd h) Ihc iInIInII IlIaI a xInIxIcI' lingcyiian hax LleCll lIIx IaIlIcI ana}. thn lIIx innllici Ila“ lL'\\l dicx. limin} hax In i'cIIIi‘iI In lIix lamil) lInIiIc and lacc up In hix \kIIl\l lL'de, \Vhilc Ihcic'x a ximplc IiIcIaphni'Ical in'cIIgIh III Ilnx InaIci‘ial. \iIIlI dIIchni Ka) cllchncl) blurring: IlIc linc hcluccn IaIII.Ix_\ and iI-alii} In ingngI limin} 'x mcnIaI cniIIIIxInn. an}
IInIInn nI Icnxinn Ix IlIi‘Imn aua} nn a hanal.
In“ kc} cndmg. Mild hni‘i'ni. (iI'III'rII/ I'I'lI'IIiI'.
Bridget Jones: The Edge of Reason I IS) OO Ilicchan Kidi‘nn . l'K. 2004i chcc /.c|l\\cg_'ci'. ('nlm l'ii'IlI. llugh (iranI. IIIXIIIIII. lI'x Inui' \\t‘L'l'\\ alIcI Ihc cnd nI Ihc laxI iIIn\ Ic and lindch I/cllncgcri Ix happil) in ln\ c \IIIlI Mark l)ai‘c_\ Il‘ii'IhI hIII pai'annia. \lllplIlll} and IlIc ad\ icc nl lIci' i'idiculnux iiIach ix ahnIII In lcad hci' III Ihc inan hi/ai‘i'c nl dii‘chiniIx ll‘lI‘L‘MIIIIC xcqucl. lnIii' _\cai'x Inn lalc. XII’r (I’ll/HIT ('IIII'mII. I-.I/IiI/iIIru/I.
Bringing Up Baby II’IiI ooooo Illnuai‘d llankx. [8. 1938) (‘ar'\ (ii'anl. Ktharinc llcphui'n. (‘lIai‘ch Rugglcx. l02mIn. Kan} gal llcphui'n caIixcx IInIId Innlng} Pl'UliLNMII' (ii‘aiII In lnxc a \alIiahlc Ilinnxaur hnnc and mixla} a pcI lcnpai'd “Illllll Ihc cnIIi'xc nl nnc xci'c\\ hall c\cning._'_ :\i'clIcI)pal 30x ci‘al} cnmcd} \inII nnc nIIIlandixlil} hilarInIIx xccnc Inllnxxmg: annlhcr \\ IIlIin Ihc prnngxxInn nI an IIncrringl} Ingical li;llT;Ill\ c. linlh xIaI‘x aI Ihcii‘ clIai‘ixIIIaIic hcxI. (ii/IIIIH‘I'III'IIUIJ (i/Iiwnii.
Bubba Ho-Tep I |.\‘I ooo Il)nn ('nxcai‘clli. l’S. 2002i liriicc ('amphcll. ()xxic l)a\ lL‘\. 92min. 'l'llc .ll'llL" xlnl') nl \xhal rcall} hccamc nl l:|\ Ix. \Vc Iind IlIc agcd King III a IIIIi'xing hnmc III 'l'c\ax. 'l‘lIcrc an ligHiIIan mumm} xIallxx Ihc cnrridni'x aI nighl. xucking Ihc xnIle nl Ihc ncarl} dcpai‘lcd. 'l‘hux iI Iallx In lil\ Ix (play-d In pci‘lcclinn h) [In I'.l'!/ Ihuii'x ('amphclli and aiInIlIci' cldcrl} rcxidcnI I\\hn Ihmkx lIc'x Jl‘lx'. cu‘cpI hc'x hlaclxi In dn haIIlc \\ iIh IlIc dc\ il In dixginxc. Sn xn laiIIax} hnrrni~ IhaI prnmixcx a InI mnrc Ilian iI dcliwrx. ('Imu'n. IziliiI/IIII'QII.
The Chorus I l2:\l OOO I(’lIrIxInphc liari‘aIicr. l‘raiIcc/Su II/crland/( ici'man}. 200-4) (icrard Jugnnl. l-‘rancnix lici'lcand. Jcan-Bapiixtc .\launici‘. ‘Ihmin. Scl In an auxIcrc hnardmg xchnnl III Ihc pan-\\'\\'l| pcrind. HII‘ (.IIUI'H\ liIllIi\\x IIL‘“ lcachcr ('lc‘mcnl Mathicu IJIIgnnII. \xhn alman Iinincdialcl} i'ccngnixcx Ihc pupilx' dcxpcraIInn I'nr rcal cncnurachncnI and rcxpcci. .-\nd nncc lIc dixcmcrx IlIaI xc\ci'a| III llic hn) x arc gllilctl \lngCh. llL' Llccldcx IlIaI muxic cnuld hc Ithr xa|\aIInn and. In a xIrangc \xa}. lll\. llcarmarming. nld- Iaxhinncd. xcnIInIcnIal (iallIc hn\ UlllL‘L‘ \lihhli. St'h'lit'i/ I‘I'II'IHI'.
CloserI ISI oooo I.\Iikc \Ic-Iinlx. I'S. 2004i .\'aIalic l’nriman. Judc l.a\\. JIIIIa Rnhcnx. ('|i\c ()“cn. 98mm. ('lmi'r .IllII\\\ IIx a I‘rnnI rn\\ xcaI In Ihc InIimaIc Iircx IlIaI
Donnie Darko the big screen. I (Ernswuninw. (S/I'Irmm‘. IHIII
hIII'iI IIIxIdc caclI nI IIx \II'll lIcclcd l‘Inlaf—‘niiixlx l’aIi'Ick ~\laihci'x xli‘IicIIIi‘c pla} x laxx ‘x lI.Ip|cxx .IIIcnIpIx In xpliI up
\\ IIlI l’ni'IIIIan .I}_‘.Illl\l ()ucn‘x iIinnIcnI IIIfJL‘ ax lIc xIIIigglcx In acccpl IlIaI hIx iIIai‘iIagc In ix cnIiIInj: Ina clnxc. .-\x IlIc incii‘) gn InImd nI cIiInIInIIaI decni'd prnx laxII'i. ()x\ on and l’ni'IIIIaII xlIaic a ran xccnc n\ ci a chancc cncnIIIIII-I' III .I in‘Ip cluh; hci‘ pinxncalixc Icaxc iiIcIch lIIx lIiI'inIIx III‘adc n\ u a pci’cciwd cnldncxx III Ihc hcai'Ix nl \xnmcn. ll'x hix \IIIIIIIgIchx In acccpl Ilnx IlIaI gixcx lIIiII Ihc uppci‘ hand In an lllL'l’L'IhlIlgll} hIIIci' cnIincIIIiniI Ini’ xc\IIal cnnIi'nl. :\ glnxx} xnap npci‘a laccd “llll undci‘l} III}: I'cxnnancc. (II/uni. Iz'I/IIIIIIIruII.
Coach CarterI l2.-\I oo I’I'hnmax (‘ai‘II‘L 1‘3. 2005i Saiiiucl l. Jackxnn. Rnh llI‘IHKIl. IAIIIIIIII. Jackxnn hci'c again plinx an ciiIhIIIcrI-d hIII IIInIi\ach chIcaIIniIal I'nlc iiIndcl. in'Iiggling In gcl lIIx i'cdcinpliw IIchxagc acinxx In gangrhangci’ xIIIchIIx. (’nach (‘ai'Ici"x xIni'} ix palaIahl} pi‘cxcnlcd III Ihc xIIgai'cnach lathniI nl lhuzui'rnin .lli/Ile. \\ iIlI ('ai‘Ici‘K IiIthndx nl Ii'aiIxI'nI'iiIIng Ihc ll\c'x nI hix \xa} \Iai‘d clIai‘gcx. \ccdlcxx In xa_\. II Iallx \xcll xhni'I Ill llIL‘ l‘il\l\k'l. (iI’III’I'Il/ I'I'II'IIH'.
Coffee and Cigarettes I ISI oooo IJIIII .lai‘muxch. 1'8. 200%) 'l'nm \VaIIx. 13:34} PUP. (.lllL' lilIIlIL‘llL'lI. SICK“ lilhc'Cllll. l{/.:\. Schc (‘nngaiL .-\lIi‘cd .\ln|ina. IlII- \Vhilc SII‘Ipcx. Uhniin. \Vhal indic aIIIcIII Jim Jai‘miixcli xIai'II-d Iii IlIc l‘).\0x ax .I xci'ch nI nl'I—Ihc-cull xlIni'Ix iiiadc \Kllll .IcIni'x lIc'd IIIxI cninplclcd IcaIuI'I-x \xIIlI. lIc Iinixhcx nlI lIci'c “Illl Ihix anIlInIng} nl IlIc ll Iilmx hc'x madc In daIc. lgg} and 'l’nIn'x call} ai'guincnl n\ ci‘ IlIc nccd Ini' Ihc IaIIci' In hii‘c a di'IIiIIInci I'cinainx lllL‘ hcxI nI Ihc hunch.
III/Tr IIII/I ,g
Welcome special St Patrick’s Day screening (why?) of this superb US indie. Worth catching on
.Illhnugh R/..-\. (i/ -\ and .\1IIi'i.I} ‘x talk nl ‘Ica‘ .len cnincx clnxc In gcniux Sccmg IlIc liliIIx III .I xIngglc xIIIIiIg; lIIglIlileIx IlIc ia/I Inllcclcd \ai'IaIInnx nII a nIImhci nI I'Cc‘lll'l'lll}: IlIcIich pcnplc pliniiig lllL‘Ill\L'l\t‘\ Ixan nl‘I. haicl) xIIppicxxI-d i’Ixali‘II‘x. \nIcIng nI cniixpiiac) IlII-niicx Sliangci‘ IlIan paiadixc Indccd (I 'l liI/lII/IHI'L'II. liI/III/HII'L‘II
Constantine I l5! OOO Il-raiIch l,.I\\l'L'Il(L'. l'S. 2005i Kcaini Rccxcx. Rachcl \Vcixl. SlIIa |..IlicnIII. l)|InIniI llnunxnII l2|iiIIII. Scc rm IL'\\. pagc 50 (it’llf'l'll/ I‘I‘II'IHI'
Cyberworld 3D Il’(iI I\';Ii'InIIx. [8. 2000) Jcnna ltllllIIIII. Mall l-rI-uci'. \Vnnd} .-\l|ciI. ~14Iiiin. Jcnna l'.llIll.llI Ix Ilic c}hci' lIan \xhn IIIIi'nduccx Iix In \ai'InIIx IIiIrclaII'd \L‘gllllt'llh nl c}hcr aiIiiIIaIInn. I'III' Sim/mun and Ants. malxc il) appcaraiIch III a xpcclacular dixpla} nl Inda} 'x inan iIini‘cxxn c yiaphic Icchnnlny). I.lI,-\.\' VII/It’lllrl'. (;/II\L'IIII,
Dante: The Inferno Il’( n Il’clcr (irCCllIHHQ/lIIIH l’hilipx. l‘K. mam Jnhn (icilgud. linh l’cck. l)a\id ;\Ilcnhnrnugh. Jnannc \Vliallcylx'ilincr 33mm. Rccrcalinn nl a xIlcnI Iilin Inadc III W26. \IhIch Icllx Ihc \lnl‘} nl Danic'x Inurnc} Ihrnugh llcll and Ihc cncnunIcrx hc hax \iilh \arinIIx xmiIcrx alnng Ihc \Ia}. ’l‘hix adapIaIinn h} (irccnauan inalxcx iiIIIn\aIi\c iIxc nl x_\inhn|x. iIIiinhci‘x. illIIxinnx and IIxIx (iI'L‘L'IIIHHI) hax cnllahnralcd \kllll .IrIIxI l’hilipx and IIxcd xIaIcrnl-Ihc-arI \ Idcn IcclIIIiIIIICx In la} xc\cral Iiiiiiyc'x nn Inp nl nnc annihcr. 'l'hux. Ihc} hax c crcach a pIcIIIrc nI dcpIh and c\cIIciiIcnI. l’an nl l)aiIIc'x Ill/('I'IIH xcaxnn. I'I/m/iuuua liI/HI/HII'L'II.
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‘ 7—’:‘ Mar 27/2 THE LIST 55