Events are listed by date, then city. Submit listings at least ten days before publication to jules.graham@list.co.uk. Listings are compiled by Jules Graham and Kenny Mathieson.
Thursday 17
Edinburgh
I Julian Arguelles Trio Hunt} \ J.’t// ('L'Iltit‘. h \Iiit't‘lxolt Stt'ccl. 4!)" i3”” XVIITIII U». ML'Iodic and k'IL'illHL' \cl Iroin lhc spiritcd utid IllfJIII} tndix ItIlltlI \QIVIPIIHIIhl. \HIII Mario (Lirihc II‘;I\\I and Stuart RtlL'hiL- Itll‘llllhl
I Freddie King Quartet MIL”. 25‘ (‘tmgutu 557 273“ ()pm iiitdtitghl I'rcc. ('ool tun \oundx at IIll\ ’I'htitxda} night l'L'\l(IL'lIL‘_\ Iot' IIIL’ \oLgiII} udwnlut‘om ‘King ol Suil‘ gind L'nlttlll‘anL't
I The Dyad 'I‘hc I.clt Hunk. *7 (itithrtc Stt‘cct. 325 VIII 0, Wth “Bikini. 'I'ht' I)};id. AKA ('hi'ix Rtmx. Iii-titttmin SL'IttthL‘l'. l’utlI KL'L‘IIL'. I);t\L‘ Row and Nit and Inn .\Iooi‘c Ill\L' clcclt'otm‘x \xilh lllllUHtllH' llhIl'lllllL'lllilI groom-x :it \thktc IIotixc\ l.L'II Bunk Hut:
Friday 18
Glasgow
I Joe Temperley .-\tlcl;mlc\. 20‘) Bath Slt'cct. 348 4970. Split. L'Ill (U) in advance cziII ()IShI) 3:3 JI I l. l'nitiixxuhlc ()ppttl‘ltlllll} to catch thc grcut Lilo—horn hurilottc \;i\ophoni\t in action ll\ hc [)L‘I‘Itil‘llh at Addaidc'x \\ ilh \ltppot'l Iroitt thc 'I‘om I'inlu} Tho.
I The Glenn Miller Orchestra Royal ('onccrt Hull. 3 Stitichichull Sti'ccl. 353 RUIN). L'I.i L33. I’opulziriu/l and swing Itil\ l'rom IIIL' 4II\.
Edinburgh
I Ryan Quigley Quintet IIcttr} \ Lin (t'IIal. S \lot'rtwtt Strut-1o" SSH“
S Winn L‘ l p and Lotttttt; \utIIhIl LIUIIIIL'I liotttcd It} IIll\ tt'uttipctt't \KlIIl unpamIIL-ch tuhmml [‘ltt\\t'\\
I Ryan Quigley Quintet Hum} \ .I.l// ('ullat. H \Iot’t'twtt Sttm't. IM— SSH” Sillpm L" Su' III I.\
I Edinburgh Underground Jan
I IIL' lk'II Hank. ‘— (iuthtic \ttcct. 33* 0714 lllptti LI \k'“ |.l// night \IIII\\L.I\IIIf._' thc L'IL'JIHL‘ I.lIL‘IIl\ ot \HIIIL” ot Idinhuigh'x lint-st _\Htllt_L‘ IIIII\ILI‘III\. lllL'IlltIlleJ j_'lllI.tl'l\I \Itku \I\I‘L'I and I\.t\\l\l KLW llt (iI.t\go\l.
Saturday 19
Glasgow
I Richard Burton Trio llicl. W .11 Ashton l..llIL'. V13 4‘)on 1 hpiti, I-tcc
'I hc .iIto \;i\ than I\ |Hlllcd It} Romm- Ruc and ('tuulotd \Id \iIItttti lot \ttlllk‘ action ol llIk' I)C\lllttlltI. I’dlIxL'l .ittd \Iottk IIR
Edinburgh
I Jazz@Lunch Nil ()ttt-t-n Sttt't‘l Hut and Rt'xlgittt'unl. Hi) ()uct'tt Short. 33» SIN-7. 3 5pm. I-t'ct‘. I.lIIIL‘IIllIIIL' |.t// \HIII lhc Ht) ()ttcctt Sttu‘t pmno Il'lH, thx
\\ L‘IL‘HIIIL‘
I Konrad Wiszniewski Quintet IIcnt‘} '\ .l;i// ('cllnt'. X .\Iot't'i\on Stu-cl. 4o? 5200, S. illpm, L7. Rixmg xttit ol the Srolltxh |.'l// \u'nc \\ tth it l'lL‘Il \Htlltd t'oott'd in IIIL' lt'udtttoti ol IIIL' \;i\ophotic ‘L'ldlllx
I 80QSt House Band Hit (gum-n Slt‘ccl Hut and Rmtuttt'unl. SI) ()ucctt Slim-t. 330 5007i ‘Iptn. l’t‘cc. Modern i;t// cluxxicx Il'ttlll ;i (IIIIL‘I'L‘III liw picu' lint-up ouch \\ u'k.
I Funkafize Ilcnr) \ Jgil/ ('cllut'. H .\l(tl‘l'I\Ull Slt'cct. 4(37 530i). Midnight. Lo. ('Iztxxtc. Iiig. dunchIoot' lunk [um crud It} No“ York di'titttnwt‘ I’uul .\1i|I\.
Glasgow I Kenny Paterson Trio \It-iglmnt‘x (Minot. I.\ John \IIL'CI. ‘52 Will S Spin Itu‘ \ nmx talcnt on thc \UtIIhIt ].t// \u‘ttc. l).lIk'I\t‘II ptm idcx \IIIHHIII \oul .ittd \uittg: \ome I Big Blues Jam Studio ( )nc. (iltt\\k‘llttl Ict'mgc. VII o‘lo T 1llptti I-tcc ll|‘\IL'\I It} thc \cu IIltitw \lllIL'h \\ tlh L’Hllll'll‘llllttlh ltotti Studio ( )IIk' lL‘jJtlIdh \tigh .l\ Rm I)o\‘ .itid tht' \itnttto ISIHIIIL‘H
Todd Gordon Sings Irving Berlin Ilttll IIICJIIL‘. hi Ilttllgdlk‘. “3 43h“ XI‘III L5 SIIILI—i gIII 'ItHItI (iotdoti \ittggx lhc L'Iiixxtt' \ongx ol Il\lllj._‘ IIctIitt
Edinburgh
I Melomania I .i ISUIHIL' \tc. I” SI ('.itt\c\\;t_\\tdc. I .lptii '\ hltlc IttttL‘hltittc |;l// to hclp _\ou dtggcxt liotti Iltl\ duo photo}; \I.llliI.ll'tI\ oId .ittd um I Jazz@Lunch Ht) (gum-n Sim-t ll.” and I{L'\I;llll';tlll. .\'l) ()ttu'tt Slit'cl. 33o SIN—i, 2 Split. I'I'L‘L'. SL'L' S.” I"
I Tommy Smith Youth Jazz Orchestra IIcnt'} \ lit/l (‘L'IIuL .\' .\Iot‘ri\oti Stu-ct. 407 530“. S. illptii L" S;t\ophotti\t 'I'ottitn} Stitith Imdx III\ _\ottii§_' pt'otcgt-x throuin .i wlu'lioii ol L'I;l\\lL‘ illltl L'otttcttipomt‘} ht): Imnd llIll\|\‘ lt'oni thc rcptrtonc ol lhcu \L'IIIUI\ tti thc S.\'I( ).
I Bill Kyle’s Electric Fire IIuttt.ttt IIL‘ Ill. 3 8 \\t‘\l (T‘oxxtXttlxcuu), My: SHOT). 0pm. I'unk) huckhvgtt |.I// ltoitt thix L'ooI quitrtct ch h} :u‘c dt'tiniitit't IIiII K}|c \xith .-\ttl I.;t\\ on guttgtt‘.
I Nexus3 "I’hc l.clt Hunk. i7 (iittht'it' Stt'cct. 335 07-14. 0pm. l'I'L‘k't 'I‘t‘io L‘Ulltpl'hlll}: Iicti \Im‘lhmgild tgtiitut'l. Km in (iluxgtm lI\;t\\l and (‘Itt'ix \Vaillucc ltIl‘llllt\l who. in tho” oun \Htl‘d\. dcliwr ';i tttiuut‘t- ol \ ll‘Illtile' high UL‘IAIIIL‘ Ill\lt)ll. illltl Milk} and
\\\llt:_'lll:_‘ |.i// ttutttIx‘tx‘ .lIi‘II}‘\l\I\‘ then «out otigttml tit.ttctt.il
I Three in One llmmn llc Ill. .‘ .\ \\c\t ('ti~\\t.itixg'\\,i§. NC \\htl "put
I No \L'“ night .lI IIIL' I’m‘ In IL‘JIIIIlllfj the \tttooth. \wckcttd \i‘llll\I\ ol IIIl\
\t_\ Il\Il putto. I‘.I\\ .ittd \IIIIIII\ ttio
Iix'itigston
I Jazz on a Sunday Afternoon IIi\\\tI\'lt link ('t'titta'. IIo\\dctt_ HI *llh “Soil 3pm 1” ii‘t Ihc I).l\ltl I’.ttttt'k Itto .iuoittimtix \itlllt‘ ot u'ttlml \otl.ittd\ IllIt'\I \m.tl Lilctth .it IIII\ ,tltcttioott \Ill‘\\\ .m' \\III\ h tttt III\I\'\ .i \puiiil pctlotttmttu' ttotti \tiiyt't Ix’ttth IIt.td_\ .itid IIKJI Ixind I II‘IK'III‘
Glasgow
I The Scottish Composers' Jazz Ensemble Itott I lituiltta hi IIt‘II_‘.'.lIk'. ‘53 III? Split I tw \lmmtt Iotht'x Ik'.ltI\ tht' \tl‘III\lI ('otttpoxt'tx‘ I.i//
I ttwttihlt' thtouph .i mutiny ol «‘llt‘lllJI tittd \wII ktioun lllllllI‘t‘h
I (litthutgh
I Fat Sam’s Band IIttttttott lIlk'JIlk', I .id}\\c|l “.o. \quxt‘lhtitg'h oh“ .‘.‘ Ill T illpm LII SH 1 1“)» Im‘ I.t|‘[‘lllj.' |.l// ltom IIIk' Illx. 1m .md Slk liotii Illl\ llllk' pit-u- Ixitid l\'\l h\ II.llIll\Il
\Id ilt‘jgttl
I Jam Session .\'ll ()ut-t-n \im-t ll.” .tltd RC\I.ILII.IIII_ NII ()tit't‘ll \Ilt't‘l. if“ SIN”. ‘Iptti lllltIlllfJIlI I-tct' ()pt'it \L‘\\IUII \\IIII IIIk' I),i\td l’dlllk'h Itio (‘otttt' .ittd pl.t_\ oi k'UIIIk‘ to hmt .i uholt' loud ol l1L‘\\ I.lIk'III
I New Bands Night \k'hldl. .‘SI (’ougdtt‘. “T .‘Th'll ‘lptti ititdttitht I‘t'u' \mx night \\lIII (IIIIk'Ik‘III Ixittdx \Iltt\\\‘.t\lllf_’ IIIL‘II |.t// I.lIk'III\ tuit'h “wk I Bill Kyle’s Electric Fire IIllltMlI BC In. 3 N \M‘xl ('toxxt'dtixt'ud}. NU xxmt ‘Ipttt Sm Sun .7“
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