Tuesday 22
Edinburgh
I No Strings Attached ()uccn'x Hall. (.lcrk Slrccl, (ihh' 3H” a 3“pm {4 1L3) .-\n cwnin}: ol popular inimc courlm} ol (icorgc Hcriolx'Scnior ('onccri Band. Junior ('onccrl Band. l-liilc l'.llSL'llll\lC. Sn. in}: Band and Jan ()uarlcl.
I David Vernon and Dick Lee l.ciili l'olk (‘liih. lhc Villagc. Soiilh l'on Slrccl. 328 1155. 8pm £5 ,-\ccordion. clarincl and \axophonc comhinc in a da/Iling: loiir ol lhc \Hlllll. lroiii tango lo hora. laincnl io uall/ and [all lo lrad. l’arl ol (ll'l/Iilll (ii/Irma
I Bill Kyle’s Sh“ Hot Jazz Quartet chlar. 353 (‘ougatcx 557 37S”
0pm llllllllllell. l'rcc. l'caluring: S;l\l)plilllllSl Doll}: 'l‘iplad}. pltllllSl I’aul Kirh} and l\;l\\lSl KL'HH (il;i\g_'o\\.
I Bill Kyle‘s Electric Fire Human Bulii. 2 S \chl (‘rosxcauxcwiy (iol xxrio. 0pm. Scc Sun ll).
Wednesday 23
Glasgow
I Gunter Sommer ( '( ‘A. 35l) Sauchichall Slrccl. 353 4000, Spin. {S (UH. 'l‘hc (icrman prolcxxor ol' (ll'lllliS hax hccn \xoi‘kxhoppiiig \\ ilh lhc (ilaxgou lmprox i\cr\ ()rchcslra. and rcxcalx hix own brand ol' audacioux pcrcuxxion in llllx SUll) l‘L'L‘ilill. SCL‘ pl‘LW iv“.
Edinburgh
' Salsa Celtica chry'x Ja/l ('cllar. S Morrixoll Sli‘ccl. 4(37 5300. S.3l)pm. Lil). A hcad} mi.\ ol‘ia/I. Alrican. Latin and (‘cllic l'll}llllllS l‘rom Hlix Incl) group currcnll} prcparing lo rccord lhcir l'ourth alhum \\ iih a \cricx ol' inlinialc gigs.
I Bill Kyle’s Electric Fire Human HU-lll. 3 .S' \VL'xl ('i‘oxscaiixcua}. (in: 8800. ‘lpm. Scc Sun ll).
I Chaos Theory .S’ckiar. 253 (‘oxigaica 557 2780. ()pm. l‘rcc. ()i‘iginal tunic} lour-piccc pla) in}; livc impro\ iscd jaw and slandardx.
I The Arabian Mustache lglu. 2h Jamaica Slrccl. 47o 5333. lllpm. I‘rcc. Four-piccc playing l’arixian-sl} Ic iii/I.
Thursday 24
Glasgow
I Lights Out By Nine Siudio ()nc. (il‘l)\\t‘lllll‘ 'l'crracc. 3-H (3516. 9.30pm. Vocalixl :\| llughm l‘i'onlS lhiS L‘\cl'- popular \lomping hlucx oullil.
Edinburgh
Salsa Celtica chry'x Ja/l ('cllai'. S Morrison Slrccl. 407 5200. S.3()pm. till). 500 “Cd 23.
I Freddie King Quartet .S'clliar. 253 (‘ougalcn 557 2780. 0pm midnight. l5rcc. SL‘C Thu 17.
I Bill Kyle’s Electric Fire Human “Cl”. 2 3 \VL‘SI (‘l'()\\L‘illlSL'\\;l}, (102 SSol). 0pm. Scc Sun 20.
I The Dyad 'l‘hc l.cl‘l Bank. 37 (iulhric Sll‘L‘L‘l. 235 9744. ‘l.3()pm 0.30mi]. SL‘L‘ Thu 17.
East Kilbride
I Craig McMurdo and Alyson Orr: Fancy Meeting you Here Village 'I‘hcalrc. Mauxcll l)ri\c. (H.355 ZJSoo‘). 7.30pm. fihc. (‘raig McMurdo ix joincd h} :\l_\\on (hr and lhc Suing Kingx 'l‘rio. [wrl‘orming \ongs from tho Rat Pack cra.
Peebles
I Alex Yellowlees’ Not Club liaslgalc 'l‘hcairc & :\rl\ ('cnirc. l-Iaxlgalc. l)l72| 725777. 7.30pm. {S (9.7). Violinixl .-\lc\ Yclloxi Ices and hand \crxc up wing in lhc classic Rcinhardl-(irappclli \l_\ lc at tho PCL‘NCS Jan l'icSliHil.
Edinburgh
Salsa Celtica chi_\ \ ,la// ('cllai. S Morriwn Sliccl. MW 52”“ S 3llpni Li: S” SL'L' \\L'tl :i I Bill Kyle’s Electric Fire Hiinian Hc-In. 2 .S \VcSl (‘rowcauxcuay N»: axon Upin. Scc Sun Ill I Bill Kyle’s Sh“ Hot Jazz Quartet Sll ()iiccn .Sli‘ccl Hat and chlauranl. Sll ()iiccn Sli‘ccl. 2% MN“ 0pm. l'rcc, Scc inc :3 I Edinburgh Underground Jazz 'l'hc lcll Bank. 3" (iiilhric Sliccl. I.“ 07-14. Illpin. LC. Scc l'l'l IS. . Jade FOX il‘llL' (..l\t'\. \Illill'} Slrccl .Soulh. lqulS UlNol-l lllpni, {S Spcc ial lhymrrim' luii/iui' pcrlorinancc lioin HHS \ihranl and lalcnlcd hand. ciiircnll} at lhc ccntrc ol l.ondon\ hii//in_«_' iaH/hrokcn hcal \ccnc. \\ ilh a \oiind \canilcxxl} lranxccnding lhc houndaiicx ol rock. soul and ran, I Rodadesamba llcni} \ .la/l (‘cllar S Morrixon Sli’ccl. 4t)" Slllllv llllillllleH [5. Hip \“llllellfJ lii‘a/ilian giooxcx ch h} Mario ('arihc on haxx.
Saturday 26
Glasgow
I The Jazz Collective lil'L‘l. W .13 .-\Sllll)ll l.anc. 343 40m. 3 opm. licc,
l‘irxl ralc kc}hoard. haxx and drum lrio.
Edinburgh I Jazz@Lunch Sl) ()uccn Sin-cl Bar and chlaiiranl. Sll ()uccn Sum. :20 5007. 3 5pm. l‘rcc. Scc Sal I”. I The Martins 4 ()iiccn'x Hall. (‘lcik Slrccl. (ioS Zill‘). Spin. [l5 ll;|_3i. l-oiir inch \\ ilh a nanic and an lllSll'llllli'lll in common \cr\ c up a l'caxl lor guilar lanx. Marlin 'l‘a} lor. Marlin (‘arlh_\. .liian Marlin and Marlin Simpxon cncompaxx llle. \iorld. ia/l. llamcnco and claxxical. Salsa Celtica chr} \ .la// ('cllai‘. S Mol'rium 511111.407 52””. .S. 30pm. f l 2.50. SL‘L‘ \VL‘il 23. I Bill Kyle’s Electric Fire Human liC-lll. 2 h' \Vc'xl ('i‘iixxcalhcua}, (m: SSlil). 0pm. Scc Sun Ill. I BOOSt House Band Sll ()uccn Slrccl liar and chtauranl. Sll ()iiccii Slrccl. 320 SUV-,7. 9pm. l'hl'L'L‘. SL'L‘ Sal I‘). I Rumba Caliente chr} '\ .la/l (‘L‘Hzllfi X Mol'l'iuin Sll‘L‘L‘l. 4(17 5300 iiiidnighl. £7. Six-piccc lcd h} Salxa ('cllica lriimpclci' 'l‘oh} Shippc}. pro\ iding lhc liliL‘xl in Iiol rauncli} |.aiiii SillllillS.
Galashiels
I Hope Street String Jam ('luh. Salmon Inn. Bank Slrccl. (ll75ll le53.\'. Spin. u». .-\n liaxlcr Satiii‘da} mlraxaganxa lcaluriiig all ol ihc inuxicianx \\ ho conlrihulcd lo lhc llu/n- SHY‘UI album. l‘L‘lL'dSL'il til lllC L‘llll Ul ldSl )car to raixc monc} l'or lhc MacMillan .\'ur\c\ and olhcr canccr chal‘ilicx.
St Andrews
I Jazz Mouse B} rc 'l’hcalrc. .’\l\l1L‘} Slrccl. (H 334 475mm. llam. u» lUl. 'l'hc lalc ol' Jan Mouxc. \xlio‘x plan-d \xilh all lhc grcalx and lcachcx kidx all about planing muxic.
Glasgow
I Kenny Paterson Trio Mcrchanl\ ('orncr. lS John Sirch 552 3Slll.
5 Spin. l’rcc. Scc Sun Ill.
I Big Blues Jam Studio ()nc. (irimcnor 'l'crracc. 3-1] (filo. ".3llpni. l'l'L‘L‘. SL‘L‘ Sun 20.
I Tommy Smith Youth Jazz Orchestra 'l'ron ’l'hcalrc. o3 'l‘roiigalc. 552 430". Spin. L'Sfill lt'".5lli. Scc Sun In.
Edinburgh
I Melomania l.a Bonnc Vic. 40 5| (‘auxcuayido I 4pm. Scc Sun Ill.
I Jazz@Lunch .S‘l) Quccn Sircci Bar and chlaurant. Sll Quccn Sli‘ccl. 22o 5W)“. 3 5pm. l'il'L‘C. SL‘L‘ Sat '9.
I Fraser Fifield Trio Hc'ni} \l c‘lia? Hai. S i'\1\ll‘lllSi‘ll\llc'c'l, SIS ll‘i S 3'lpiti 1" “wild c 1.2“ l‘li‘c‘l. \opiano S.i\i‘l‘lll‘l‘.l\l. and luu \xlnsll; l‘i.i\c‘l o: Salxa ( \‘llica l‘at kcll lf\ c'ix'tlllt ;‘iiil.:i l.i// Tll'lll (iiacnic Slcplicn and dininnici Sliiail Rilclnc l’ail ol ( i; l ,i..’.r'r
I Bill Kyle’s Electric Fire Human Hc ln. .‘ S \Mwi ('iowtauxcuax. NC \\l\ll ‘lpni Scc Sun .‘l' i
I Nexus3 llic l cll Hank 3" (iiililllc Sliccl. 3.“ “7-11 "pin licc Scc Sun Ill I Three in One Hiiinan Hc In. I S \\k'\l (Vll\\\\.lll\\'\\.l.\_ (\h.‘ \Slill ‘lpln licc Scc Sun 3”
Monday 28
Edinburgh
I Jam Session SH (jut-m \lii'cl Hal and l\)L'Sl.llll.ilH. .Sll ()nccn Sliccl. _‘_‘l\ ill‘l" ‘lpin inidniggltl licc Scc Mon .‘| I New Bands Night \i-kiai. .‘Sl (‘ouyato ii" 37S” ‘lpin iniilniylil
l lt'k' \i‘i‘ \ll‘ll .‘l
Tuesday 29
Edinburgh
I Bill Kyle’s Sh“ Hot Jazz Quartet \l'lxldl. 3i i (am gilll‘. RV. IfiSll ‘lpni inidnijglil licc Scc I
Wednesday 30
lilinlnirgh
I The Scottish Jazz All Stars chr} S .la// ('cllai. .S \loiiiwn Sliccl. lo" Slllll. S illpin L") \n all \lai c.i\l loi HHS lli'l‘lll loin ic\i\ilin_~_' llic iniixic ol llic ('I}dc \allc_\ .Slonipcix. lhc (‘lanxincn and .\lc\ \\cl\li,
I Chaos Theory \ckiai. 3S 3 (‘ouggaua 55—3 3‘5”. ‘llilll l'lk‘L‘, SCL‘ \Vi‘il :i
I The Arabian Mustache lulu. 2h .laniaica .Sli'ccl. ~17!» 5 3 33 lllpni l'icc SUE \Vl'll 2 i,
Thursday 31
Glasgow
I Craig McMurdo and Alyson Orr: Fancy Meeting You Here ( )ian \loi. "3| — 35 (ii‘cal \chlcrn Rimll. “7 (ijllll. Spin. Scc Thu 11.
Edinburgh
I The Scottish Jazz All Stars chr} \ .la// (l'Hdl. .S \llll'l'lvill .Sli‘ccl. Jo" Slllll, S. 3llpni L"). Scc \\cd ill.
I Freddie King Quartet \ckiai. 353 ('ougalc. 55" 37S”. ‘lpin inidnijghl. l'l'L‘r. SL‘C 'l-llll l“.
I The Dyad 'l'llL‘ l.t'll linlllx. i" (illllll'li' Sli'ccl. 235 071-1. 9. 3llpni (l. 3llain Scc Tim I“.
“49"! . .
.1!
. ‘4 A- 2.4-7: ‘
. 3-,: , ,. £ fin .. . . The All-Stars invoke the heyday of
traditional jazz icons like Alex Welsh
Events are listed by date, then city. Submit listings at least ten days before publication to morag.bruce@list.co.uk. Listings are compiled by Morag Bruce and Norman Chalmers.
Thursday 1 7
Glasgow
I Sean Tyrell and Fergus Feeley \lai lolk (‘liilx Si \nllimx '\ in lhc \llllJl’x'. oll Sallinaikcl, Si \iidic\\\ Sliccl.‘1Sl\ll_‘ll Spin tli it 1i lhc it'll-lualcil, ll.l\lllll'll.li liaxcll l ialuax Slllffc‘l i\ .l\\l‘llll‘.llllt'\l in lcclm on lll.lll\l|‘l.l and \m .liS
lilinliiiigli
I Out oi the Bedroom \\a\cili-\ Hai. Si \lai\ '\ Sun-i. SSri SSSS ‘lplll lip”. llll\ S.‘\\llill loi lilinlinii'li liaxcd
\inyci Sl‘ll‘.‘\\llll‘lS \iixlliiiip lioin lolk lo punk. lllSl \ig'n np lo p|a\ al .Sixli
l {lihllh
I Ian Davidson and Adam McCulloch l.lH\lli\ loll l'luli. lili‘ l’olixh ( ‘liili, \inol Sliccl. ill 3.‘1
lil 33‘“ .S 3llpni llSll D (illll.ll lolk
Stir ling
I Muzsikas Blend 04 lollumili. lail \\_\nil_ n] ‘Sri _‘ ' lonn up”. ilk-k- lilniinakci and \idco .llllSl lllil}.‘.ll MoliaiiplS dot unicniai} ol lliinggaix \ lop lolk cnxcinhlc \lii/xikax lll\ ludcx a pciloiniancc al lax! _\cai\ chnd l'cxlnal
I Ivan Drever and Duncan Chisholm lHHHNiHl. .l.lll \\)llll. Hl ‘hh finon “ lop.“ {1”th Sol ()lc.llll.lll lllllSlcldll. \inyci and yinlaiixl I)ic\ci l\\iiH\lHlli‘l IS ioincd l\_\ lllS li'fjllldl liddlc pailnci (‘hiwlin loi \oinc polixhcd [\‘lllllllldllck'S l’ail ol lhc ll/i-m/ li‘U/lil/ I Andrew Warren and Stevie Lawrence lollmoili. .l.ill \\‘_\ud. lll ".Sli Zfi-lllllll, (i 3llpni l'icc l‘icc \cxxion .i\ pail ol llic [Hi [14/ li'\/l\ll/
Friday 18 .
l:_(linburgh
Eliza Carthy with Sharon Shannon lhc c.\clian;'c. (now Sliccl. ~l-l i HAHN l)iilll\li' llt'dlli'l li‘alllli'S lllx'
_\oiin;: Mcicur} noininalcd \iii;:ci and liddlci lioin llic pica! lziigglhh \ont' ll_\ll.i\l) \\llll lici own hand. and licland\ illllclelhk'l accordion \lai in a trio Scc pic\ ic\\
b 7" . a 5‘. ‘ .
3‘ t._- ~l. ;; ' ‘r
and the Clyde Valley Stompers with fresh-sounding arrangements, flair and authenticity, not to mention great soloing from the likes of
clarinettist Forrie Cairns and pianist Brian Kellock.
‘ . , THE LIST 89