I Christ, The Magnificents .:tltl The Red Well \ttc'n‘HIm/g ill \zuLhtt-Imll Strt'ct. “HM?” ‘tptu L5 Iutltt- l.:'_' rm; Plan If hm L'ttit-tgt-tl ltout Illk' .15llt'\ ot \Itutltitl} on point .lllll attuqu Illtllt‘ I.:‘_' may ( arr/i \\ lu/i’ (um /'.I\ I III\ \hou. l\ lltL‘ll Itllllltll lll Stolluitl mth .: kltllllll llnc Imc-up to boot .1llll‘IL'lll L'IL'LIIHIIILJ \\;l\llL‘\ ltotu ('httxt. tottttttxtut: 'J-lllt tht' yttrugc} \}ttth punl. Littttutux ol lllt' Muggntlltcuh .tutl lllL' \pt'ttml tollttxtux ol lhc Rt'll \\ L'II
I Subcurrent 05 H‘ \. 15H \mt lllL'Il.lII Slrccl. i53-1‘NNI \ptu LI.‘ tLM I).:} {no ol Illl\ mpcruuvutal mum \htuthj; \t't' 'I‘hu II I’t'tlottmn; tonight .ttt' lx't-uuuhwt Y\lil\itl. .'\\.llll\. I» .llltl tutu
I Thee Unstrung Hutu minim“. 3W (‘l'\(lt' Silt't'l. Ilhflll I’ll—i II‘I‘I‘) \l‘ttt L; 'I'L'ctttiyc totlfitt'tolh'h ltotu I outlott'x trcntl} l‘..’t\l land
I Azzuri, Winterville, Latonic .lIltI St Deluxe littl'll}. 30H ( 'I_\tIL' \Ilt't'l. “hall 007 (NW) Rpm L-I I.;tll.tlI\\IlllL' tout [\tt't't' tnxptt‘ctl It} IIIL' taught); Itkm ol \L'Il Young. 'Icctmpt- I'.lll\'llll‘ .mtl lIlt‘ \lttlllh I Benbecula Records night Sim-o. Kclxtnhtiuggh Slit-cl. 5‘0 5HI.\ \put I Illt' up to hc L'Hllllllllt‘tl
I Unkle Bob and Michael John llw
I ith Nolt' ('tilc. 5” (ill Klllj.‘ ~\ttcct. 55* IMX 0pm. Li \lcltmt'hol} IlItlIt' lolh l'rom ttt‘ottxttc outlit l'nklc Ilon
I The Vitals and The Liks 'I Ilt' (may. «Nil Stittt'htchgill Sttcct. “I I I3” "put L650. ()\t'l I-lx \ho“, Rogk .llltl llltllt' \houmw,
I Kodiack, Castro, Ladyfunk .llltl Writers I’ve Known I‘lll_\ \llll'l'}\. W» Mttnwll Sttct'l. III (5] I .\ illlllll Li. Including: t'tttt‘_\ to poxtrgt‘u t‘luh. loyal indic bill.
I Trade, Asylum, BSD .llltl The Argument Rot‘kctx. I-I \lttlldtttl Sttt't't. 32] (Flo. "hillpm. ltt'c Rock IIIIL' up.
I Steve James Country Band (imml ()Ic ()pt'}. I’tthlt'} Rogul loll. 43‘) 5 “Ni 7.3Ilpttt Lil tL'i lllt'lllI‘L'l'H. (‘ounlty
Edinburgh
I 65daysofstatic .mtt Pickle Public 'I'hc Iiongo ('luh. \lot'u} Ilouw. 3" lltil}t'tmtl Rotttl. 55X INN, "pm. [5. Iilcctt'omt‘x cnhttntul ninth rock L'Ulllpl'hlllg complm lllllL‘ll‘;ttllL'\ tmtl pm! Ilttl‘tlt'tll't‘.
I Inge Mcllroy, Dakota and Hejira \thtlchtnktm. -l (v South Ilt'ttlgc. 55"
5| l4. hpm. I't'cc hclot'c tmtltught; L~I ;lIlL‘l, Iilucx} rock lt‘om Dakota \\llIl lunk lrom Ilcut‘u.
I Interstate 6 tutti Ketsu Go the I{\ch;mg_'c. 55 (how Strcct. 443 Mill. 7pm. L5. Doublc lull ol Illtllt't
I Stealer, Team Salt and The Set Up littnncrmttn'x. Nttltlt‘) Stt'cct. 55!» 3351. 8.45pm. L4. l‘unk-t'ot'k tt‘om Iztltnhut‘gh'x Stculct'.
I Desiderii Marginis 'l'hc l’lmxgmt-c ('ttltttt‘ct lldl'. oil 'I'ht‘ I)lt‘.l\;lll(t'. (‘50 33-1". 0pm. LS. \lclunt'hoht‘ tltu'k umlucnt ll’ttlll S\\L‘tlt‘ll tit goth night I-uNcrmx.
I Elysium, Panda Kopanda tllltl Niall Connolly Q-Bur. 5 l l luth Strcct. 0pm. [4 tL‘RI. I'tl'c gar;th t'ot'kct'x Iil'utuut
'zi'ees
G asgow
I Little Richard ('l_\tlt' \lltlIII‘IIIIIII.
SI (‘('. l Illlllt'\l|'Il (Jim). HVH H-ltl IHHH L-Ill L§5 (IKIIIIIIIKXI Ill ltont ol .1 II\ itth lL'fJL'lltl .t\ Ullt‘ l‘l Illk' .tltllllt't‘h HI totl‘tt'toll Itttttjgx Ill\ I.l\tll|t‘ll\ hollt't .lllll IllelIlllllj.‘ ka'_\I‘lI.lI\I \I\|II\ to ti I‘m tIt-yL-tl .tutht'nt‘c
I Kasabian,the Duke Spirit .Illll El President ('.itlttt§: \tmlcun. III I‘gltttlott \ilt't'l. WHS HIM NW «No ""t jotio “Inn .\'( )ll) ( )l l St-t- l u .‘2
I Sucioperro, Degrassi .llltl Brigade King; Iut'x \\;th \\.th IIut. Silt \t \ tnt't'nt Slit-H.331 53“) .\ illptu L5 Illl‘It‘ l‘lll ol tit-u St'olttxh totl ,\}t'\ltttt' outltt Sttt‘topt't'to litm' cut that Iccth \uppotttnp lhc Sulmux .lIItI lightxltu. “lillt' Iztltnhurgh'x Iicgthi tut- [‘lHlltHIIllfJ tht-u llt'\\ \lllleL"ICII(.I1.tl'IL‘\I‘llltillllt} \\.t}' I Amusement Parks on Fire \u‘c'n'Slm/y ill S.tllt'lllt'll.tll \ttcct. “1 (moo, up.” Lo ,\t_\ Illootl} Kilt-num- tnxptt'ctl [HM tot'ltt't‘x \xho h.t\t- tuxt tc t'clt'awtl IIIL'II t‘lltlll}lllttll\ tlL'l‘lll .tIl‘lllll
I Willard Grant Conspiracy .mtl William E Whitmore Ruth. foo ('Ixtlc Sim-t. ttx‘o no" (NW. "pm. L'lu Iloxlittt lxm‘tl \mct‘tnma youth who lt'lt'lt'llt't‘ thc ltkcx ol \t'tllotttlglouI<cctl.tt1tl\tgl\ (low Ill thctt llt‘ll'hll \tllllltlt
I Subcurrent 05 (‘(' \. Wt Stmthtt-httll Stt't't‘t. ‘53 .thtl 5pm Ll: tL'M I).t} thtu‘ ol Illl\ mpct'uucntttl mung \htnthf: I’I t}t'l\ .tt Illl\ onc utt‘lutlt' ttttptox lcgctttl Ion} (it‘lll'dtl. \\Ull I'.}L‘\. IhHll‘lt' I,t‘\'[‘ttltl\. ('lll I)c Sup. Ihxxtcr I)1f_‘\ x \ Stuttgk \lum‘ "
I The X Vectors Stct'co. Kt‘h uth.tu;_'h Strut-1.5% 5tll.\ hplll. Li Ithtthutgh I‘Jlltl.
I" ‘itfios‘thmg ssf“ .. I \ - c
DJTEES.CDM Phone 01653f"‘$ -" "
82 THE LIST ‘-1—.‘8 At"
I
’5
The songs of Jaques Brel have been
interpreted by all and sundry down the years and there‘s a good reason for that: they are bloody good songs. Camille O’Sullivan has her own take on his music, a singular vision that has won
her praise the world ver.
I Aviator Shades, Monic, Yuffie .md The Deltas lht- l hh \tllt' (km: 51) (ill Km; Sttct‘t. 55i Ioih ‘lptu Li Scll \t_\|t'tl ht'tloutxttt' S.ttttttl.t_\ lleJIII pop ttotu .\\ mtot Slutlt‘x on Ilt‘)‘ ti S.tlttttl.t_\ Might.
I Robbie Edmonstone Sub ('1qu 32 .I.tttt.ttt‘tt Slit‘t'l. 3-1.\ ~Illllll "put. L5 \lt‘lotht‘ Illtllt‘ \llthL'l \tilljJHIIIL'I ltotn out \\ L'\I L'Illl \\;t).
I Niall Connolly .llltl MJ McCarthy It'llttl Hum. 43 ()t.tg_'o I..llIL'. i57153-1. 5pm. L ‘x It’l\ll \tttgct“\onyuntct
I Open Stage ‘I lit' II.tIl IL”. loo \\lltltll.llltl\ Rotttl. 153 WNW» i Hput l'lt't'.
I Red Sun .llltl Touchstone IllL' H.111 ligtt. Ihll \Vootlltiuth Rotul. i52 ‘N‘Ht, “pm. I't't'c, l’\}t'hulcltt' rock.
I Stax of Soul \lttt'SHlIL‘}\. .12 .Ittttmtt'u Slt'ct‘l. Z-IH 55M. i. illpttt. I‘tt't' I Open Mic lil'llllx“ it‘lx (.k'IIIIIN 3 W Snuchtchdll Slit-ct. i1| I52”, 1pm, I'tu'. \VL‘L'lxI} \k'\\lllll.
Edinburgh
I The Belgranos, Modus .lIItI U- Know-Hoo \\ htxth'lmtktcx. i o South Iit'ttlyc. 55~ 5| l-I. (iptti. I'l't't‘ lit-low tmtlmght; L11 tiltt‘t‘. l‘lllllx toglt ltotn l' Knou IIoo on ill lllltllllfJIll.
I Opal Sky, Madaleine Pritchard and The Hustlers I IIL' I-,\L‘It.tu_«_'c. 55 (how Sttu't. Iii Hill-1. "put L5, low] .tt'l ()[Xll Sh} llll\ clt't’uomm v. lIIl IIlL‘ll ltl// lunk \HII‘. luuk Illll|\L‘tI. \ottlltll. .\lltmttt' \t_\lc l.l// ltotu I’t‘ttt’lmnl
I Toe’d Up, is Not is So and Never Again Sulum} ('ouggdtt'. It" (impala: 335 (PM. ". 5llplll. L11 (Li \\ tth l'I_\ct I, Roth .lIItl grungy Imc-up lt'otn Iztlttthut‘gh tuttl I'tlc.
I Headspin Live l’ht- Bongo (hm. .\Iot;i_\ Ilottxc. 1“ Ilol}t'ootl Rotul. 555 "NH 8pm. L5. .\nothct' Ill thc \L‘llll regular Inc lutttl nightx ll‘uttl gluh IlCthl\Plll Ihtcc huntlx \Illl tin“. hut ll\ll;lll_\ ot .1 \llllll.tl' .tttttutlc to thc t'Iuh night mml cult} gch )ou ll] thc Bongo tor thc night \Kllll I),l\ tlllllI .ititui.
I The Great Northwestern Hoboes, 3rd Dan, Underbelly untl Fourteenhours (Itlg'tlontun littt‘lxpaglxct'x. .1 ()ttccthlct't‘} Sum-t. 47» "324. Shillpm. LIIK‘. I’op lt'otu I.1\ct‘pool tt‘om the (it'mt \ot'thucxtcrn Ilohocx l‘ltlx ttppctl tnthc trout \ldngltuxtcr'x it'tl I)ttn.
I Moniack, Winterville .unl Shelby Ii.tt1ut'ttuttu\. \ttltlt} \ltt't'l. 55h W51
.\ ~I5tmt L~1 I’togg ltotu \loumtk
I Barry Vista Social Club lht- LN. Iltjgh Sttct't. 55“ (Nib ‘Iptu I‘tt't' \w x.” Iii
I The VCS .llltl The Nukes Iht' huh. ‘I Iluutct Squaw. Iltjch \ut't't .‘.‘h H" il ‘lptu Li (‘luli utg'ht llt'.ll\\lllk' .llt‘ lulllt’il It} tht' Inc \tllllltl\ ol lllt' ( Mouth Illt't‘I IllL' H5} u IlIl thy \ ( \ .lIItI .l \lllllllt'tl (Itl\\ll \t'l\IHIl ol \llll lll\lllllllt‘lll.tll\l\ Illk‘ \llt'lt'tllltltN
I The Stage lulu. 3h .Itllll.l|\.l \ltt't'l.
I‘ll 5§i5 Illlllll Ilt‘t‘ ‘M't' \.tl II)
Glasgow
I Tony Hadley .mtl ABC Rom] ("out at Il.tIl. 3 \.tttt'lttclt.tll \ttt't‘t. ‘5‘ Mill"
i illptu L33 5" L3H 5” LI\ 5“ Ilt'i. Itttl» tItt'tt'\.it1Mhtt'xtml i_'Hlll_‘.'tlll.II|.tltI.\lt' groonx ItGC Illk' I\III\'I\ .lllll lllt' Ill.t\t‘l_‘- It )0“ ‘.\,tl1l to I\IIH\‘. ulmt lllk' MK tmll} \Hlllttlt‘tl Illng'. \ Ilt't I. Hlll IIIK'N‘ I‘d-II \ Ithtltj. pop tl\l\ trout \cv. Rottmttttt tl.:}\ ol )ott' I Lucie Silvas \tmtht littt- \mtt: Rom! (‘otit't-tt “J”. 3 \iuthtchall \Itt't‘t ‘5‘ MIN” \pttt LI-I I}[\1t.t| umtot l.lllt'l \klllvtlllt' lt'utttlc \tugt't wujgmm-t Illkltlk'l Io tmtaphmw lllt.t 'Iutut-L any tlon't llt't’tl .lIlI'llIL'I I)ltlti
I Brendan Benson .lIIlI Psychid lllk' .\I\IIC\. : V\lj_'_\lt‘ \IIL'L'I. Vt; Ill:l \I‘tlt L‘) l'plwttt lllt‘llltllt IIllllL' totl.
xtngct' wngutitct ttotu lh‘llltll. \pttmhux' :Jlllltl \Il‘t'\ \lt't Ill\ tum-tit .tllllllll Ill:
,l/It IIIu't'ltt {It Ill-t I'llL'Iltl\ \Hlll Ittt
\\ htlt~ llhl hml to L'k'l Ihtit ill
I Isis .llltl Jesu pl.tl1t-ti.u.t:c. WU Stiutluchall Stu-ct. “3 HS” ~put LIH Hut I-lx \ho‘n. \Iouoltthu IIKI.'\'I\ ‘.‘.III1 .t tout‘h ol \Iojg'u..tt\ light and \hmlt'. \uppot'tul It} the Iatcxt L‘lltlk‘d‘d'lli trout llltllhlllill IIHI\L‘IIII\ Juxtm Iito.ttltttl.. tottttctl} ol (llltlllt'\ll
I Hard-ti .mtl Boy Kill Boy Km}; 'lutk \Vtih \Vuh Ilut. flu St \‘ttttcut SIIL’CI‘ 331 52“) h ‘Hpm L" 5‘) Inn-tutu tloh' totl. qtmrtct \Hlll \l1.ulc\ot thy ('Idxh. IlL'xlt lrom \upporttn; thc K.tl\L'l (luck
I Jose Gonzalez tutti Saint Jude’s Infirmary \ttc‘n'SlL'u/y JII Sumhtchall Slrcct. 5 ‘1 (NIH) 9pm L051) (iotjgcoth tncltmthol} Ill thc 2cm ot \\ III ()ltllltllll .lllll I.ov. tt'otu llll\ Suctlhh-xLia-\rgcuttntt
\HIILI‘G-l‘llcl‘