Visual Art

I ST MUNGO MUSEUM OF RELIGIOUS LIFE AND ART

7 ('uxtle Sireei. 55* .755" \lon 'I llll tk Sui Ilium 5pm. I ll .\ Sun ll.tili 5pm ll't't'

Women and War lllli 5 \lu} \lon il (kt I’llHlt'JlJllllS lw Jenn} \lutiliew \ wliok woiketl in wui lonex \llkll .l\ I.l Sulhnlwl. lllt' \lltltllt' I'..t\i. \Il|\.l .llltl \lt'll.tlll\l.ill \lIlLC I‘LS: Illl\ t“.ll|l‘lllilll \how \ woinen'x min-Heine oi w.” .llltl ll\ .iliei‘inuili

I STREET LEVEL .‘(i Kill}: \llt't'l. 5%: JIDI Vlllt' Sui Illuin 5 Winn 5/2 \IHII 3 \lu}. (i ‘IIHII \ew web lLlSt‘tl .iitwoik I\_\ Itiun Stiihetluntl ll\lll;'tllj.1ll.tl lll|.ij_'t'\. ie\i untl \HlllltlSIH t lt'.tlt' .lll .illt'lll.il|\t' eoiiinientui'} on lk'tt'lll newx w w w.li\etwo_net. l’url u/ (II/(t'\1"l'l'. IIIII I’ll/[ll’lltl/ Denis Doran - Common Ground “ed -1 ,\lu_\ Sui II It”). ltnuge\ e\ploiiiig the geogt'uplneul und .ititolmrguphieul tonneetionx Ill ihe llt‘.l\lllt'tl t‘.tllll_\ \puee ol tit‘hun tl\\L'llt'l'\ ihe lielmetl .llltillllt'lll. l)t'lll\ Dorun L‘i\t'\ .t guillt'i} littll .llltl tll\t'il\\t‘\ lllt' work on Sut " \lu). {pin und there I\ un open leteption lot the \how on Sui 7' \lu}. "pm '.I .. i" ' I TRAMWAY .‘5 \lliei’t I)ll\t'. HSI5 H(l .l5ill. 'lue Sut noon Spin: Sun noon opin. =31 This Peaceful War - The Jumex Collection l'ntil Sun 32 \lu}. \Voikx limit the uniu/ing .\le\ieun t'Hllt't'llUll ol eonteinpoi‘.‘ir} ui't lltilISL‘tl Ill .i itiiee Iuetoi}. \eleeletl h} etiruior ol (iluxgow Intet'nuitonul. I'i‘unei\ McKee. ineluthng pieeex Ii} l‘l'iillt'iS .r\l_\'\. Suniiugo Siei‘i'u und \linerxu ('uemx. St‘t‘ llllll\l. In] (If (i/thfiuit III/(‘I‘IIIIIIUIHII Artist Event: Ross Birrell Sul 30 Apr. 2pm. l‘It't‘. lx’oxx Iin‘t‘ell tulkx uhotit Suntlugo Siei‘i'u und ‘hi'inging the wui‘ litilllt'..

Private Galleries

I THE BLYTHSWOOD GALLERY Suite 5-13 t5ih lilooi'i. liultie (‘huniherx 5” Wellington Street. Z-lS I‘Nl.

.\lon l'i'l liluin 5pm; Sut liluin lpin. The Spring Exhibition l‘ntil Sui 38 \lu}. l’uiniing\ h} I‘lth eentui‘}. Zilth eentur} und eonieinpoi‘ur} ill'li\l\.

I INFRARED GALLERY

ISu \leudow Routl. 337 I383. .\lon l‘t'i |l.iin 5pm; Sui liluni Ipin.

Easter Show l'ntil Sui ill .-\pi‘. New woik h} gullei') til‘ll\l\.

I LLOYD JEROME GALLERY Silt) Iluth Sireei. .Ul “‘33. Tue Sui ‘luin opin

Antananarivo In 2‘) .-\pr \\'ed 25 \lu}. l’uintingx. \ei'eenpi‘intx untl

thuw ingx h_\ llunnuh 'l'eri‘e}. Will .\luw und .lohn lltli‘ill‘}.

I MERCHANT SQUARE

"I "“ \lhion Sireei. ()ii (‘uiidleriggx 55:

Dazzle \lon Sui ZS \lu} l).i//le ptexent .in L'\llll‘lllt‘ll oi tonieinpoiun leweller} ieuitii'ing woikx Ii} Scoliixh lll.tkt‘l\ including \liwn \lueleod. (ieoigiu \\ l\t'lll.tll und Julie \lhwn

I THE MODERN INSTITUTE

"‘ Rohertwn Sireei. Stiiie i». I loot 1. 3-15 VII 'lue Iri noon 5pm

=31 Million Dollar Paintings - Spencer Sweeney O... l'niil Sun I \l.i_\

Solo \how oi new punitiin .intl iihn iioin llll\ \ew York-huth .ll'llSl ()pen .II the weekend h} .ippointinent onl} See ie\ Iew puge IH5 untl Illllhl

I EWAN MUNDY FINE ART

Ill \VL‘SI (iL‘Hig‘t' Sllt'k'l. :45 “"55

,\lon In llluin 5pm

Spring’s Exhibition l'nul Sui 2| .\l.i_\ ‘l’weniieth eentur} Seotitxh puiniing~ .ind Sii l)u\ id \Vilke l l".\5 ISJI I dt‘uwingx .ind wuiei‘eolotiix

I PENTAGON CENTRE 1(l\\';i\hingtonStreet. III Elli .\lon l'l‘l ‘luin 5pm.

Travelogue l'ntil Sui 3H .'\lll' I’hoiogi'uph} h} ,-\utli'e_\ Ril\\t'll

I SCOTLANDART.COM

(i lltirniieltl Routl. (iillnoek. (HS Ill)“. .\lon l‘l‘l |l.ini opin; Sui Illuin 5.30pm; Sun noon 5.30pm.

Sail Away 'l'hti l3 Sun 2‘) Nu}. .\'ew puintingw h} l’ut Kt'ulnek. .‘\h\on .'\llltl|il. \lui'ion 'l‘hoinxon. l)u\ id Sinith und .-\Iitli'ew llillltl.

I SORCHA DALLAS

5 Si \lui‘guret'x l’luee. (RSI: (M5745.

'l'hu Sui l 5pm.

:31 Michael Stumpf CO... l‘ntil Sui 7 Mu}. \lned-tnediu ohieeix. Ill\ltill;llltill\ und te\t-hu\ed works ineorporuting throttling eiphei'x oi \ ine. home. ehuin und rope. pungent with (ierinunie goihie. See Iliilixt. I’url u] (Hawaii International. Alex Frost and Craig Mulholland l'niil Sui 7 Mu}. ()lllxite projects. Detuilx :nuiluhle li‘oin gullei'}.

Artist Spaces

I 64 OSBORNE STREET

()\ er l3th Note. ()4 ()\l)ttl‘llt‘ Sireei. Smith/Stewart l'ntil Mon 2 Mu}. New workx h} ihexe (iluxgow -hu\etl ui‘iixtx. einpltwing the \eulptui'ul eotnponentx ol

\ ltlL‘U. UlllL‘ClS. liglii untl tltti‘knexx it) e\plore ideux ol dixloeution. \epurution und tllSjllllL‘llll'C. l’url or (ilmeim Irm’rnuIimml. IASI CHANCE TO SEE:~

I 1 1 1-1 1 3 SALTMARKET

l l I I IS Sultinurkei.

Will Foster l'ntil Mon 2 .\lu_\. SIi:\.\l presents lllL' lii'xl \olo \how I\_\ llii\ emerging (ilthgow -bu\ed urtixi. u pi'ojeet centred on one \hop on Sultmurket. I’m“! a! (ilmgun International. LAST CHANCE IO SE:

15 April -26 May THE LIE OF THE LAND

A group exhibition of real and imaginary landscapes by artists from Project Ability and the Trongate Studios.

Gallery Open: Mon - Fri 10am -5pm

Bank Holiday/Art Fair weekend opening hours: 11am-4pm: Sat 30th April, Sun 1st, Mon 2nd May

Project Ability

18 Albion Street, Glasgow, G1 1LH

T 0141 552 2822 W www.proiect-ability.co.uk

Disabled Access and Facilities

108 THE LIST :8 RW—‘Q Mu. s

‘4!

Julie V

)

Cockadoodle doo! This image is by fashion illustrator, Verhoeven, whose pictures have

featured in The Face and Dazed and Confused. In 2002, her work appeared in the form of illustrated handbags by Marc Jacobs for Louis Vuitton. She also created cartoons for and the cover for Primal Scream and Kate Moss' Some Velvet Morning and has her own fashion brand, Gibo. The piece is part of the show that sparked rows in the tabloids and warrants of arrest for a piece in which the performance artist, Mark McGowan, claimed to have scratched 17 cars around the Botanical Gardens.

I Last Chic/mm; of Sums;l;t//‘.'r;, l‘JASP stud/05;. (31.1mm

I THE GLASGOW PROJECT ROOM

'I‘op floor. ()4 ()xliot‘ilt‘ Sireei. 552 H72. ’l'tie Sui noon 5pm.

Babak Ghazi, Kim Coleman and Jenny Hogarth Creative Revue l'nnl Sui 30 Apr. The work ol' three iii‘lhlx who ll\L‘ \uriou\ eolluhoi'utixe ilieiltotlx \llt‘ll ux peri'orinunee. e\eni\ und Plil‘lhlllllg‘. lluhuk (ihu/i'x lli\l;tll;llltill ltmk\ huek ui the .Sll\ mi\ oi ’l'huiehei‘iie enii'epreneuriulNn und New Roiiiuntie \L‘ll-tlt‘llllllitill. Jenn} Ilogui'th und Kiln ('oleinun perform. eonti'olling u \L‘l'lL‘S oi uetion iixing \urioux L‘lllilfiiSL'lll't) ieehniquex to engineer u elimutie C\pc‘l'lc‘llc‘t‘. l’tll’l n! (i/tlwrm lllIt'I'IItl/Ii'lltll.

LAST CHANCE TO SEE

I INTERMEDIA GALLERY

IS“ King Street. 553 354i), Dull}

noon opin.

Robb Mitchell and Steven Dickie l'nlil Sui 50 .-\pt‘. Notorious (iluxgow ui’i muwriek. eo-dii‘eeiot‘ ol' Muehlnixiu (iluxgow. Robb Mitchell \lit)\\\ new work with Ste\ en Diekie. w hoxe ut'i uplorex \oeiei} '\ relutionxhip with leellnolog} und its effect on our ph) \ieul em ironment. I’url (MU/menu lnlernuliunul. LAST CHANCE TC SEE

I MARKET GALLERY

33-1 Duke Sireei.

Revisions in Relative Time: Will Duke and Elin Jakobsdottir l'nul Mon 2 Mu}. .-\niinution b} Will Duke und u iihn b) Jukohsdotiir. ‘.\lodel\'. cunnnhqulk'tl in 2004 h} the Low re und linking px} ehologieul und euliurul lerriiorie~. Purl of (Hawaii Internuimnul

MD VL'VA\C: 1c;

tinn/ Mon 2 him

I MARY MARY

I'lul 3H 45 :\le\untlt'u I’ui'k Sireei. 55‘) SD97.

Tobias Buche and Nick Evans l'nnl Ill 3‘) .-\pr. .\'ew work h) Ilet‘hn-huwd Iluehe und h} (iluxgow-huxed I-.\un\. who ereuiex \uxt \eulpiurul works \trong in ge\iui'e. \eule .ind eoloui. I’ur! n] (i/tixeun Illlt‘l'lltllltllltll. 1/357 CIVIle It”) S? I

I ST ANDREW’S IN THE SQUARE St Andrew '\ Squui'e. 548 (will),

Gifts of Sound and Vision l'nnl Mull 3 \lu}. 'l‘hi'ee progi‘uininex oi \ ideo work \L'l't‘t'llt‘tl dull} b} New York :tflhl 'l'J \Vteox. lFlSll Lirll\l\ (ierurd Il)rne und woth h} .-\udhi|d I)itlll\lrtllll. Iirieu I~.}rt-\ untl Rob Kennetl}. l’ur! (If (i/(lwuu Illlt‘l'lltllllllllll. L/«SI CHM‘JCE I”) DEL

I TRANSMISSION GALLERY

lb King Street. 552 4M3 'Iue Sui

lluin 5pm.

Rachel Harrison l'ntil Sui l4 Mu}. (‘ontruxt und eonlliet uhound lll llurrixon'x sculpture thut \eix \hodd}. inukexhiit \trueiurex itglillhl the eoininereiul precision of muss-produced good» I’u/‘I n! (ilusenw Internal/until.

I WASPS STUDIOS

77 Ilunxon Street. I)Clllll\ltillll. 554 329‘). Last Chickens of Sainsbury i'nul Mon 2 Mu}, Musxixe mixed \how oi work lllSPIFCLI h) the title und in response to. ‘u \lilc'lk-Jd“ ed Clitllllr} into the \ulue oi \uluex ill un uge regurded in the age ol inl'ormution. where genuine. tungeuhle knowledge and worth can seem as rare us the \upptiscd information ix uhundunt'. See picture caption uhme. Par! (If (Ilusguu Internatimml. LAST CHANCE TO SEE