Visual Art
I WESTON LINK
llii‘J-llliilllilt'll l cciiiic llicaiic. \aiioiial (iallci_\_ 'l lic \loiiiiil
Raeburn’s Skating Minister liiii 3S .'\pi. I315 I 3iipiii licc l‘lll iickcicil l<i\al lcciuic io l)i \icplicii l loyl's L‘Hlllt'lllliilh Plillli|\llliill lli.il ihc iiaiioiial icoii ihc \l.aiiiij_' lllllll\lt‘i \kax painicil h} l iciicli .iIIISl llciiii l’iciic llaiilaii\. .iiiil iioi \ii llciii} Rachuiii l)iiiicaii lliillllvlll l\ licic io ilciciiil ilic counir}iiiaii\ lioiioiii licc hui iic kcicil Curator’s Talk 'luc 3 Ha}. l3 l5piii l‘i‘t'i' llllhllaiul lalk on John K.i_\'\ i1713 lh'3iii lixcl} poiiiaiix oi l‘,illillilllj_'ll Socici} h) Sicplicn l.lo_\il. \t‘illiil cuiaioi .ii ihc l’oi‘liaii (iallci_\ Fur, Feathers and Fabric: Conservation of Landseer’s Return from Hawking i ll (i \la}. l3 ~l5pm licc lli|\ i.i|k. iioiii l cslc} Slt'\t'li\iiil. \t'illiil |l.ililllllj_‘\ c'iill\t'l\.ilHl .il lllt' \alliiilal (i.illt'llt'\ iil Sciillallil. ilt‘l.ill\ liim iliix \\iiil\ \\.i\ \ li'alit'il lil picpiiiaiioii ioi c\lii|\iiioii
Landseer and the History of the Scottish Highlands in the 19th Century 'liic lil .\l.i_\. l3 AITI‘IH l'icc l'.\\t'll (Iiiiicioii. \ciiioi lcciuici iii Scoiiixli lll\lili} .ii ilic l nixcixii} oi litlllll‘lll'lel )Jl\t'\ llll\ ialk
Private Galleries
I AMBER ROOME
35/“) ('uiiihcrlanil Sircci. 55h 3353 Shadows and Tall Trees lllli 3.\
.»\pi 'l'liu 30 Ma}, Solo c\liihiiioii oi iicu \toik h} .\l.’lll Kilpaii'ick continuing: io uncxiigaic ihc i't'lillliilhlllp hcmccii posi iiiilcpciiilcncc India and Scoilaiiil.
I THE BONGO CLUB
Mora} llouxc. 37 llol}iooil Road. 553 7(lIl-I.
A Walk to Work l'niil 'l'iic Iii \Ia}. l'.\hihiiion oi plioiogiaphx curalcil h} Mar} loinxc {\lltllt'Mlll anil lasuaril l’_\hii\ Ii) cgiiiici‘as. Iii aiion}iiiou\ [lllUleJl';i|lllt‘l'\. Ii) \\.’ili\\ io \Mil'h.
I CAMEO CINEMA BAR
3.\' lloiiic Sii‘ccl. 33H J H l,
Berlinskie Uzory/Berlin 2004 l‘iiiil Mon 3 Mn}. l’hoiouraphic uork h} .-\llll;i Khlllii.
Le Mort de Gunter Prague, Communique 1: Le Illustration l'uc 3 Inc 3| Ma}. Solo c\hihiiion oi illusii‘aiioii h} ihc .\'\’(5horn iiiiilci‘groiiiiil ill'llSI (iR (i;i|‘l|l\lxl ihc iirxi oi l3 coiiiiiiuniqutk c\ploring_' ioiiii. imiholog} and coiniiiuiiicuiion.
I DANISH CULTURAL INSTITUTE 3 llouiic 'l'cri‘acc. 335 7|h“). .\loii l-i‘i ‘lam 5pm; Sui llam 3pm.
It Hans Christian Andersen Had Lived Today . . . l'iilil l‘l'l 3‘) .-\pi1 |)c\ign c\|iihiiion icaiuring ihc \xorlx oi 35 \Illtlk‘lll\ l'roni ihc llhllllllt‘ ior Visual (‘oiiiinunicaiion :ii ihc Dcxigii School oi Koltliiig c\p|oring \\a.\\ ihc lcgcnilai'} \ior}ic||cr might haw picsciiicil lll\ ialcs liitlil}.
Clare Stephenson
Stephenson shows new drawings an
I I :. H '.'\;.:i'"...’.
I THE DAVID YOUNG GALLERY
ai \liiric (’iii'ic llousc. 3‘) .\lliaii_\ Slicci. ~l7.\' 705”. Mon Sal Iiiaiii 5pm. People and Places: Europe and China 8. the Pillars of Society Suite l'ri 391M“ l‘l'l l3 .\la_\. l’i'iiils h} Rohcri ('i'o/ici iiixpii‘cil Ii} his ii'a\cl\ aiiil (‘Iassical litlllll‘lll'leI.
I DOGGERFISHER
ll (i;i_\iic|il Stluarc. 553 "I ll).
\Vcil l‘l'l llaiii (ipiii1Sai iiooii 5pm, llana Halperin Thu 5 .\l;i_\ Sui ti .liiii. l‘rcc. llana llalpcrin Pl't‘\t‘lll\ lici' lli'\i \UlU t‘\lillilliiill ill iliiggt‘i‘lhlit‘l'. Scc pi'c\ icxx pagc “5.
I I2
3-l .v\hci'croiiih'\ l’lacc. 55K 9873. Mon l-ri lilaiii (ipiii; Sal lilam -lpm. Victor Vasarely l'iiiil Siii 7 .\l;i_\. Scrccnprinix.
I ELMWOOD GALLERY
4“ ~14 'l‘lll\IlL‘ Sli't‘t‘l. 33.5 l li\'l.
.\lon l‘ri lilaiii 5.3iipiii.
Telford College Exhibition l'iiiii .\loii ‘) .\la_\. liiliiihurgh's ’l'cli'oril (‘UIICEJL‘ l\l Yt‘nl‘ (il‘aplilc‘ l)k‘\l:._'ll xiiitlcnix ancl \liitlciiix ll'iilll (‘ox ciiii') c\liihii a \cricx oi \L‘ll-pill'li'alh.
London Printworks Trust and Glasgow School of Art inVite you to
SURFACE
NEW WORK FROM RACHEL CLOWES & MARTIN VOWLES
Friday 6 to 28 Saturday May 2005
Opening times Monday to Friday lOam to 5pm
Saturday IOam to lpm
The Atrium Gallery. Foulis Building. Glasgow School of Art
|58 Renfrew Street. Glasgow G3 6RF
T20|4| 353 473i. E: c.cannon@gsa.ac.uk. W: www.gsa.ac.uk
mill 9 r “"
:43"); Lambeth Arts
110 THE LIST 3:3 A;"—‘3 ‘t'a. .f ‘
Following on from a show at Gallery that got rave reviews earlier in the year, Glasgow-based d works on paper in the Round Room.
I FILMHOUSE CAFE BAR
NS l oiliiaii Road. 33" 5‘l33.
Trilogy: The Weeping Meadow l'nlil .\lon lo \la}. liiaiii 3pm l-icc l:\hiliiiioii oi pliologiaplix h) l)|lllllll\ Soiikiiix iioiii ihc iiliii oi llico :\ii_~_'clopoulo\.
I INGLEBY GALLERY
ii ('arlioii 'lci'i‘acc. 55o llll liic Sal lilaiii 5pm,
Who’s Afraid of Red, Yellow and Blue? 0... l iiiil Sai ii \la}. liiam 5pm. l'rcc. .\ llll\\‘tl \liou oi iiiirclaicil ;il'll\l\ iroiii ihc l’lx‘ .illtl l S “how” uork l\ llllllt'tl h} a l\;i\\liill ioi colour. including; l)a\iil \ll\lt'll. laii l).i\ciipoi'i. l'llsuorlh Kc'll}. (‘alliiiii lllilt'\. \Viiisioii Rocili .llltl l)il\\}ii \iiuih
I INSTITUT FRANCAIS D’ECOSSE
13 Randolph ('rcxccni. 335 5 3(iii
.\loii \\cil t\ l'l'l 9. 3iiaiii 5 3ilpiii. l liii noon 5.3iipiii; Sal ‘) 3iiaiii 3pm Anna-Lisa Drew - Uncovering the Veil l'niil Sal “ .\l.i}. l'xiiig photograph} and hail as a iiiciliuiii. .\llll.i-l.l\;i l)rc\\ c\ploic\ arguiiiciiix ioi and ;i:_';illl\l ihc han oii “caring; ihc hiiah iii \c‘liool\ \hc has crcaicil lici H\\l1 \cil ihc i‘cpi‘cxciilx .i coiilpi‘oiiiisc. '
H ‘(/. «\1. t
I MERZ
S" Broughiou Sii'cci. 55h «\"h \\cil Sal noon (ipm.
David Forster l'iiiil Sai So ,\pi. li\ ci'ccp} iii \lll‘lil'l‘lii and oui on ihc lllll\ \iilllt‘llllit‘\. Rcccni paiiiiiiigx h} l)a\iil l‘ill'\IL‘l' \xliosc iiimiiicl} ohsci‘xcil l;illtl\t‘;lpt‘\ ha\c soiiiciliing oi .i \llll\lt‘l
L'tlgt'.
I OPEN EYE GALLERY
34 .'\l‘t'l'cl'illlll‘_\ l’lacc. 55' lii3ii.
.\lon l'l'l Iiiam opiii; Sai liiaiii -1piii David Schofield l’iiiil \Vc-cl l i \la}. \c'u panning»
Jenifer Wall l'iiiil \\Ukl i i \la} \lcialuork aiitl icucllci'}.
Postcards from India l’iiiil \\'c-ii l i .\la_\. \cu painiiiigx h} l)iaiia llopc.
I RED DOOR GALLERY 43 \lt‘IUl'ia Sli'cci. J" 3355. \loii Sai 13.3H 5.30pm; Sun noon 5pm.
Citizen l t‘.t'.'. \\ l\l.:\ \.;:;t‘if
I SCOTTISH GALLERY
lo lliiiitlax \ircct. 55‘ Ifiiii \loii l" i‘l‘lli. \ai li‘.iiii lpiii
Damian Callan l iiti‘. \\.-.i ;\i.-.\ \ca p.iiiiiiii:'\ .illil than. lil:‘\ oi l.:llill\ lioliil.:_\\ a! \hil‘il\‘\\ :ii \l:'\ll
Ring Tone 1 Hill \\.ul 2\i.1\ Riiiyc iv. 35 \l\'\l‘.'Ilc‘l\
Steven Newell i :iiz‘: \\.-.i ;\i.:\ (il.i\\ \toik iiixpiicil l\\ l.:l‘.iflt‘\c' wooil Notk l‘llllh
l”.:lll
I TORRANCE GALLERY
3" l)llIlil.l\ \iich 55(i Moi» \loii l l‘. ll.iiii hpiii. \ai lH Wain lpiii
Spring Exhibition l iiiil \ii M \pi \ii c\liil\iiioii «vi \xoik l\\ oxci ii" :‘.ill\'!\
I TRAVERSE THEATRE ('.iiiil\iiil:'c \iicci .‘.‘\ l 1H1 ll.iil\ liiaiii iiiitliiijklii
Molly Garnierl Illll \al ll\l.l\ \oiiiij_' l \lilll‘llli'll .illl\l \loll\ (i.iiiiici l‘ix‘u'llh .i \ ollct iioii oi lli‘\‘. \\i>il\ lll\|‘lli'il l\_\ t'llllllt illi‘l|l\ .lllil t laxxit llllilt'\
I THE VILLAGE
lii \oiilli loii \licci. | ciili. 1'\ \li' \loii \ai llillll ll 15pm, \iiii
l3 3” ll l5piii
Komodomosaic Exhibition l lllll liic | i ll”). llaiii iiiiiliiijrlii \loxait .iii l‘.l\t‘il i‘ll \t'\ lll.il .illil lt‘llf.'liill\ icoiiogiapli} hx lilllll‘lllf,'ll hoiii .illl\l ll (illl‘t‘llM‘II
Artist Spaces
I TOTAL KUNST @ FOREST 3liiislo l’lacc. 33H 15% noon liipiii Espace Et Couleurs lllll .‘\ \pi \cu \xoik h} l).iiiilo \iiiia Institutional Seals for the Body \\\'\I -l liic lfl \la} \cu. \xoil. l\_\ \iciaiim l’.i\|a|\i\
Outside the cities
I CRAWFORD ARTS CENTRE ‘)3 \oiili \iicci. Si \iiilicuc. ill 3H vl‘liilil \liiii Sal lilaiii 5pm. Sun 5pm licc Seditious Delicious: A Taste of Art I iiiil \loii W Va} \ llll\t'il \lllW. liic‘lhllljJ on ihc \ciluciixc .illil lt'l‘lll\l‘.i' .i\[lt'cl\ Hl liiiiil .illil liiiiil .i\ ii It‘lalt'x iii lioil} illl.ij_‘t‘ -\lll\l\ iiic liiilc l.iiiiii.i llaiiiilioii. oiic oi llic v. |llllt'l\ oi lhc .lciuooil plioiogiapli} pii/c 3iiiil
I DUNDEE CONTEMPORARY ARTS
1S3 \c-iiicipaic. iii =33 ‘iil‘l‘li iii
'luc \\cil. \.ii i\ Sun Iii 3iiaiii 5 3iipiii. 'lhu i\ I'M W Main Spin
Behind Closed Doors 00”. [um Sun I \la} (ii'oiip c\liihiiioii looking; .ii liou .illl\l\ coiiiioiii oiii liiiili cm iroiiiiicni. Hllt'l'llljJ a \ l\lilll oi liiiililinux iioiii llltll\ltlll.ll l.illl.i\} io collcciixc. political it'.il|l|t'\ llic \lio'u. iiicliiiliii: \toik h} \loiiica lloiniciiii. Scan Siiylci .illil \Liiijgclix \lalim. [ll\iil\ .iiouiitl mo \Kiillk\ oi c'.iil_\ coiicc-piiial .iri l)aii (iraliaiii'x 'lloiiicx ioi .-\iiicric.i‘. I‘Nio " aiiil ll.iil\ llaalcc's 'Sliapiilxlx} cl al Rt‘al laxialc lloliliiijjx 3. l‘)"l .x'm' '/ Q“
I MCMANUS GALLERIES \lhci'i Siluaic. l)uiiilcc.ill 333-133Uh‘l \loii Sal lii 3ilaiii 5pm. Sun
l3. 3i) 4pm
Joseph McKenzie - Hawkhill, Death of a Living Community l'iiiil Sun l3 liiii. l’hoiouraplix iakcn tltll'lli}: \lc‘Kc‘ii/icK lunch hour\ aiicr lca\ in; l)iinilcc .v\ri (‘ollcgc aroiiiiil llaukhill an arca coiiilciiiiicil io tlL’illilllllHil