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Are you...
No more than three years out of college? Based in Scotland? Fancy a major solo show?
NEW WORK SCOTLAND PROGRAMME '06
Tried before?
Then try again, new selection panel, new decisions, extended deadline is now WEDNESDAY 8 MARCH.
Application forms can be downloaded from our homepage: www.collectivegallery.net
or telephone 0131 220 1260
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Generation KKK: Passing the Torch
Photography by James Edward Bates/ZUMA Press
www.GenerationKKK.com
18 November 2005 - 9 April 2006
St Mungo Museum of Religious Life and Art 2 Castle Street, Glasgow G4 ORH
Phone 0141 553 2557
Fax 0141 552 4744
www.9lasgowmuseums.com
FREE ADMISSION
Monday — Thursday 81 Saturday 10am - 5pm Friday 81 Sunday 11am — 5pm
2005 (SI-"7W- C'Il COUNJ'Must-unm FREE ADMISSION ° WHEELCHAIR ACCESS - GIFT SHOP ° CAFE
96 THE LIST 3 ‘8 My 3!: '5
Exhibitions are listed by city, then alphabetically by venue. Submit listings at least ten days before publication to art@list.co.uk. Listings compiled by Rachael Street.
Public Galleries
I THE ATRIUM GALLERY
(il.1\;_'m\\ \Ilmml ml \II. Ih" Ix’cnlicu Slit-cl. ‘5‘ ~15W \lmn IIm IH.11!1 3pm. I’ll Ill.1m 5p111,\.11 Ill.1m 1pm
Spaces and Surfaces Inc ‘ l 11 ll .\I.1r \\111I\I\} \t-l1111tl}t'.11 11111-11111 down \IlIlIt'III\ lmmkmg .1! (ho 11w ml \mImlH .11111 III1IIt'II1lI 11111.1n\lmrn1111;_' .1I1111I11m;
I BURRELL COLLECTION
3ND” I)HIIUI\\II.1\\\ I\)\‘1IlI. 35‘ 333”
Mm” II111.\ 8.11 M1111 5pm. I11.\ \1111
I I.1111 5pm I’It'c
Through Your Eyes 1 11111511115 \l.11 I‘.\IllI‘lIlHll ml lemlmgmplix1.1km It} t'mnunuml} grmupx.1crm\\(il.1\;m\\ ll1.1l mllcrx 11c“ \\.1}\1ll Immkm; .11ml11ctlxlrmm lhc Hum-II (‘mlllx'nmn
Curator’s Favourites \\-.-11 \ \l.1r. I3..§ll lpm. I'll-c \ l.1II\mn.1nc1l-nl I:;.‘}pll.111 SI1.1I\H\I\_\ 811111111 Itct‘ch Curator’s Favourites \\ul IS .\l.11. I331) 1pm. I'ICL'. Itmnm I cighlmn I1111I\\ .11 IIIL' cmllt't'llmn'x .IIICICIII (‘hincw Mun/m
I COLLINS GALLERY
l'mwrxll} ml $11.1lhcl_\tlc. 33 RICIIIIIUIIKI 811111.545 355K. .\Imn I'll Ill.1111 5pm. \11 nmmn ~Ipm. I'IL'L'.
Image Nation Inn] 8.11 1 \pr I-m- I:\hllulimn lmclixmg mn Ihc \w.1llh ml t'UllIL‘IllllHl'nl') lIIll\Il';lIlUIl crmlml 1n Scmlluntl\xilI1.1\\;1nI\ lmr' lhc I‘L‘\I 1n \1\
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I GALLERY OF MODERN ART Rm};1| I:\t‘h:1ngc Squaw. 33‘) WHO
\Imn “ml .\ Sui Ilium 5pm. I'hu
Ilium 3pm; I'll .k Sun ll;1m 5pm. Human/Nature [.1111] 811113“ Mu. V\n l'\IIII‘IIIIIII ml I.1nlI\c.1pc phmlmgmph} llmm lhc (im.\I-\ (IIIICCIIUII. Including; \\1\II\\I\} 'I‘Ilmnmx .I1\\Ilu.1 ('mmpl'i‘. Mill} (IllIlI\\\lll'III} and I’;1ll’1l‘l;1 .\I.1t'I)mn.1l1I
I GLASGOW PRINT STUDIO
33 It 35 Kling Strut-l. 553 (VIII 'Iuc 8:11 Ilium 5.30pm.
Fiona Thompson [1111! ~$.11 l.\' \l.11'. \th prmlcd ccmnnc \xmrkx It} IIll\ I;(~ \ graduate.
I THE LIGHTHOUSE
II \Illl‘Ill‘II I.:1nc. 33I (“(13, .\I11111\'
\Vcd $.11 Ill5llum 5pm; Int- II.1m 5pm; Sun nmmn 5pm. {3180111
The Bombay Sapphire Blue Room l'nlll\\'cd1\' .\I;1ri Ii\I11IHlimnml cmnlcrnpmrxu'} 341:1“ lIL'\I_‘_'II. \Ilmxxt'mlng IIIL' \xinncr and IIIIllIl\I\ m IIIL‘ lllIL'lIl;lIlHll.lI design ;1\\.11‘1I. lhc Bmmlm} Sapphire I’ll/c. was, ,r_ ’, 5E E.
Bungalow Blitz I'nlil Sun 30 .\l.11‘. I‘l11mr'—Im-cc1I1ng [lIlmlmgl'upIh ml \L'II-I‘lllIkI hungulmu 111 Ireland dulmg lrmm lhc I‘Vllx. Imwll mu :1 hunk ml hmuxc plum. The Ant Farm [11111 Sun 3 .-\pr. \ c‘Ildllc‘L‘ [H \CC IIIL' I’ulIlc'dI IIIIII \I\IHII\11I Ann-Hum :11'chllcclut‘.1l l'L'\UIllIIUll.ll’lL'\ ('hip I.mr1I;1mI I)mu;_' Might-Ix.
I LILLIE ART GALLERY SlulimnRmutl.Mllilg:1\lc.5"x NR4“.
'I'uc 5:11 Ilium Ipm & 3 5pm Bearsden Art Club l‘nnl I11 I" .\l.1r. .\ mncd \hmu ml \xmrk It} incrnlwrx ml II11~ Imc.1l :11‘1 grmup.
I PROJECT ABILITY
(‘cmrc I’mr' l)c\clmpmcm;1l .-\r'I\. Ih .4\Ihrmn Slrccl. 553 3833. M111] I‘r1 illum 5pm. An Involuntary Movement [1111] In I" .\I;1r. Abstract. ninul-rhcdm pieces h) 1.0.1 ('ummmp.
Past to the Future l‘nnl I11 I" .\I.11‘ Linc drum mp .mlI mlriculc p.11111111g~ It}
RUIWL’TI Rt‘tItIlL‘Ix.
I ST MUNGO MUSEUM OF RELIGIOUS LIFE AND ART 3('.1\tl.-\::.-.~: 55; 75‘" \lmvx l?1...\ \11 1".:!'.1 5;‘:‘.1,I!:.\ \12‘ 7.1..111 5;“1: Ill‘l‘
Generation KKK: Passing the
Torch O... 1 11:1: \.;:; w \p: I’Il1‘l1“._'l.:l‘ll\I‘\ I.:Y‘.‘.\’\ I1’.‘.\.z'1I II..T\‘\ 1I1~.;111‘..'r111:l,‘ I'll; \qxcr: \c.-.:\ ‘t; in» \z‘ufl it‘lmltlzll; III.‘ ‘x-Izclx ':.11I'llm::\ .101:
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I TRAMWAY .35 \II‘crIIIrl\c.1'\151*"*"'l I11: Ir: Il'.1m 5pm, \.:I .\ \112‘12mmrx ‘2"1‘ What Makes you and l Different l llIlI \1111 3" \I111 I\I11I\:t;m:' m! iw I'cll'l I .1111I.\\mm1l.\ II.11:1\1~1: Iic.1«_'1;\ .\ Ix’.1111\.1} .1111! \Iml:11.1l .I\IIIII' 112-»: ' 1\IIll‘l\ \‘1'IIIIIN Artist’s Talk: Beagles and Ramsay \11-3 \I.1I, .‘l‘lh I Inc III.‘ 1111111I!\.11\\ lIlt‘H \cIl pmllrazlmc
Private Galleries
I THE ARCHES
.35; \I}‘\It'\ll\'1'l.”“l' ‘1” “‘\ 1".1111 Illpm. \llllll1‘1‘ll I'lpm Kirsty Whiten: Votive Icons l 111:; \11113 \[‘l I 1c." I113i1:\I.11.'\T \Gllt'\1'I 1Il'l.1IIt'1I lIi.1\‘.111.'\ \\I1Hc11:c\'.mii» P‘I‘\I\I\'\\C\. Il'IIIIIIj\ \‘.lllI‘1‘I\ .llhI
I.lIl\lll.lll\
I LLOYD JEROME GALLERY 31111111111 \im-t. “I IV.“ I11; \11'
“.1111 “pm
John Hughes-Devlin: A Few Remaining Moments l 1111I \\.-.l “1 \I.1I I .1111I\\.1pt' plimlm;'l.1pl1\ In IIll\ 1111111:(iI.1\\‘.v;'1.111 I‘IIHIHTZAI‘INI. lm.11\111' mn pm! 1111I11\Hl.1l\11r\
I THE MODERN INSTITUTE 3‘ lewr’hmn \llm'l. \mlv h. I Immi ‘ 1\ :"ll .\Imn In Ill.1111 5pm. \.11 11111111 511111
Luke Fowler 000001 11111 \11 Ex \I.1l Ix’t't't'lllumrklw}lI11\§111111;'.1111\l, \kIlm t'\I1IIHIl'1I 111 I.1\l to.” 'x [1'1 .1 \ [1(1'HI1\ \IIU\\ \t'l' IL‘\ l\"1\. [Mlt'l‘ ‘I3 .lII1I IIIllel
I RGI KELLY GALLERY
I I.\ I)1111;‘I.1\ \llt'c1_3l\l1i\m \Imn I 11 Ill “Mm 5pm. \11 Ill ill.1111 lpm RICK Ulman I HIII \.1l I\I.11 \HmII [MlllllllLN .1111l “MIA 1111 [1.111121 '
I ROGER BILLCLIFFE FINE ART I ;-I III}III\\‘.1MHI \Ill'l'l. II,‘ 1H3“
\Imn I'll ‘l “Mm 5 illpnz \.1I I'L1211 lguz. Red-Hot [11111 Inc I 1 \I.1i \IllIIl lIlM‘ll‘IIIIJI} l'\IlII‘lIlHll t“.l‘IH!1l1:' lily Ilmwr ml IIIt' memm inI ' '
I RSAMD
Illll Ix’l'llllcu \IIK'CI. H3. 5H5" \Im:: If! lMm (1pm. \.11 (1.1111 1 illpm
Mel Gillies: Himalay and Home I'nllI I‘ll 1I \I.1i I’I1ml1~g_'r.1pllj. I1} (map. \kIlU I1.1\ II.I\L'II\'\I lm lIit' II1111.1I.1}.1\ III.II.- Illllc'\ .1111I l\ .1 IIII\It't' ml (11111111111111; \clrmn \qml
I SORCHA DALLAS
5 SI \I.113_'.1rcl\ I’l.1lc_l1“\l3 (1‘15"15
I'Im 8.11 I 5pm
Julian Gothe: Beams are Gonna Find Me I‘llIlI \1! I5 \I.1l ImItIuI 11.1;u'1 Incl.1l.11111:_'l.1\\ \‘.UII.\ mplmIm-x II11".\.mlI1l ml “pm!llmtlimlml'inlcrlml1Itw1111
Artist Spaces ‘
I E M E R G E D
3—1 SIIL'L'I. IFV‘I (135 II)”
Hannah Kasper: Frame Story I 11111 $11115 \I.11 I’.1mlc1I III\I.III1III“II.llIlIIl'55IIIL' 11mmth ml [1.1114112 c .1111I l.1nl.1\j. '
I MARKET GALLERY
3‘ 54 I)llI\C SIICCI. <3" _3_(l IIIIC' \il numn (1pm
Yvonne Mullock l'rml 8.11 I\ \l.11 \er'lx I1} (i8 \ gr'.1d11.1lc\ \mmrc \Iuiimtl.