1,1,11111111111

JULIAN GOTHE - BEAMS ARE GONNA FIND ME Sorcha Dallas, Glasgow. until Sat 18 Mar .0

1111111111/1111111111 111:1.21111-1‘ 1111»1 111.111111: 11 11111111.1111111111111111111 11111112.11,'/.1,1 .1 1111111111111111:1111111111111 111111111111 VJ'MHIHJ'. 111"'11‘:111111111111 .11111111'111 111111111111111111,-111.111111'.1111,1.11-.1 11121111111111.311111.131111111-1'1.1-1 c.1111 111111'.1,'11111111114111111111

111111111",111~.‘.1111.11111 111.1,,1,'. ,1.11,,' 11111111111|.1,’111')1111211111111 11 11'1‘1'1111- 11.111111:11111.11(11111111111111111111-1111..1111 111111111,1:1111.1|1111111-3.111111 1111". 11111111. 111111111111‘ 111111 .11 11111 WOW 311” 1.111‘. ‘.111111 11111'111111111111‘. 111111111-11y.1111l211111-111111111, 21111.1,111111 W11||_.11 111.131.11 1111.1 111.111111 1‘53111111.1111111'.111111.11111111'1 A11:1I1:111.1- 31111.111111111111‘.111111111-11.11113.11.1111 11v11ry111111,.11111111111111111111/11.1111111111111111 f.111‘.1111.-1,111111-11111.1111111111.1111111111-1. 111.111111.11-11111131111 A11,- 11111.1: 11:W1111\1111)‘.111(111111-1111111111111" 11111111y1111111111.1111 M111111', N11+.11.111.111111‘.' 1.1 11,1111111111111, 111 M11111v1111't. '111.11k.‘1111i.1111"-‘ 111111111111111‘. .111- f.1ll1.111|y 111111111 .1111111111 11l.1y1111.1111.11111.1t..1111.11111.111.1111111111 31111111111111. .11111 11111 141111.111y 11.111111

11111 w11111 1'. 11111111131 11111 111 (11.111; M1111111l|.11111':.1.1111111113111111.” 11111111$._ 1111111.13.1111111-111111111111:111.1111 111111111111111y|11111.11111.111.11111111:i11111111 111111111111111111.111111.11111111111:1.1111.1111 111/11111 .11.1:.1111111111, 11111111111111.1. .11111 11111 .1 'l)111111‘,11111-1.1|, 111111111 .11111111111111111111 (A11111.11111111 K1 1111111dy)

1’1l()1(11111»\1’11\1

HUMAN/NATURE

Gallery of Modern Art, Glasgow. until 30 April 0...

11111:;Iyt;|.1:.1111111111111111'1111111.111'.11111"11.1111111'1.1111111111411111.11111-1.11111111.11 1:111 111115311111111111gi.11111111s11111:.1111111111111 11111111511111..11111 1111- 111111.1111; .1111.15; physically 111\111i:‘.11.1s‘. .111 1111111111111 111.11 .11111 11.1.111 M11111}. 11.1.11 111111111111: N1111111.’1‘.y111111ey1'1111111111111111111~.1111111111-1,111.113.11111111111 1111111111 .1111 '1 1.11 1‘1111\1111:‘..1111111s 111(?.1(?ll.1|W1111\()11).111|1 1.1111111111111111 11-.111-*..1111+111111111111 v11111g11 1111111111111 1111w11111s11e1 111-111 1111111.1111111111111111'111111111.1111'_111.111.1

(11:11.1111‘11, :. 1.111111151111gly 1 l111111|1k11

l1111111.’1:‘..111sl111.1(3111111111's.s.1|v11111111.1111111111111.111.11 . 21110111111110.‘A111111111111Wall'. .1w.11|111.11 1.11111111111111 11111111111-111111111111111 1.1.11. and111111111111111111111:.1111s 11:1l11:.:.y1111111|1‘.1111111111111141 81111111111113; 19510311131111111111111511111111111111111:.111: .1..1‘1.11.1111.1 .:~

.1v111l11111 111111111111 (11 :;1111.11111111s1111:

Sicilian fisheimen. (Ailsa Boydl

13.111.111.11, 11.111111111121119111111.1131'1 .1/1111‘ 80.1, 1‘1111111111s;ss;1\y, 1111|y 111111111111111 11111111111111 .1111 11' 1 .f 11111'11111 ,1? 1' 8011()111111111111"1101\1111111111.11111111“\1‘\.111T11AT1111111111111111‘1‘1, 11-1‘11-u111. 1.111 1.1 (71111111311 11111111111.1111 ship 111111111 11111111111111 1111 .1 1 .111.111.1i W11111111s‘s11111111:11111111111111111.11111.111111ii|r.1 111111.111 I11~..-.. 1111.1‘ 11.111 .1 1 (7111111111111111111110.111115; l.1111111.1l111111111111.111\1:11' 111111111111».1'11 111111111111a|11111111 "1101\‘(111110118\‘1/111111.1111111 111:. 11.11111; "5311. 1 11111,._-,:.' 1 1 1111111111 11111111 11111 varied style 111 11111:.11 11111111111211 11~. 1a 111 1.11111 11111..)wr .1 1.1 11 artist givmg us .1 new way 111 see 11.111111'-_ .11111 111.11 . .2111 11- .1111 11. 111.1 1.11.1.1- whethei 11 is1‘owslike F~'1esi.'111d111s111 .111111.1111.1.111.1111111;31:1-11181' 1.1 1

I

1’111111 11 11151.1'111'

GROUP snow - FACE A FACES City Art Centre. Edinburgh, Sun 23 Apr .0

Photography’s confused identity between art w0rk and fashion tool stirred up a strange affair a few years ago at the Barbican exhibition Rapture, where fashion and art bumped uglies and made vacuous hipster offspring, The latest group show of International photography at the CAC, Face 3 Faces. appears to unintentionally explore a similar dischord between style and substance, but with less success. The intention to focus on the similarities between Scottish and French photography is strangely antagonised by the minor incIuSion of other international artists, while the central theme of the portrait is too large to go beyond a meandering survey and too small to prick the surface of its subject. Featuring some of the disappointing late snapshots of Nan Goldin alongside Euan Myles‘ glossy photos for the Traverse Theatre programme, the show isn't so much a series of striking contrasts as an ill-advised hash of styles. And although the architecture and lighting of the CAC's top floor does little to flatter the works. there is a strange vacancy about the lumping together of the

[1311 1..‘!11.1, '1

11.1.111‘1111'1v1111‘.1111 1111111\, 111 11111.14 1!.

11111111111'1'111-1’1 1-1

3.11" '1'.

1111.11 11.

Wsual Art

The Ornithologist b Euan Miles 31 '

works, where the whole is brought down by the infighting of its mismatched parts.

Sadly conspicuous in the show is the number of commerc1ally-styled works. commissioned adveits that endeavour to rebrand style into high art. There are certainly Similarities: FrancOis Rousseau's pliotogiaphs have all the homoerotiCism of a Mapplethorpe, but 1.11.11 any of the political splendour that made the latter's work so scandalous. Instead, Rousseau‘s beautifully slick prints nestle comfortably amongst his portfolio for advertismg clients, giv1ng off little else beyond stagey grandeur. Adverts in a public art gallery seem a rather unimaginative use of wall space, though it does perhaps bear a death knell trend.

Lucky, then, that Suzanne l_a Font's work is one of the few to engage With the exhibition's title Forgoing her colleagues' razzmatan in favour of a series of Simple shadow plays, the monochrome woiks are beautifully rendered and irreverently play upon the surrealist word and image. But still, a click trip onto facebookcom IS a more accidentally interesting study of self-portraiture and advertising than this collection (lsla Leaver-Yap)

~ 1 THE LIST 95